Circle of Francis Hayman (1708-1776) Portrait of a lady in a white silk dress with blue bow and blue cloak, a string of pearls in her hair, in a painted ovaloil on canvas, in a carved and giltwood frame74 x 62cmProvenance:Presumably by descent within the Jackson family to Elizabeth Jackson, who married Thomas Berney of Bracon,Thence by descent to the present ownerThe sitter by family tradition was Grace Jackson (née Goldstone, c.1750-1798), later Lady Duckett, daughter and heir of London merchant, Gwyn Goldstone of Goldstone, Shropshire, and his wife Grace Duckett. In 1775, she married George Jackson (1725-1822), politician, Deputy Secretary to the Admiralty and patron of Captain James Cook. In 1791, her husband was created a baronet. Upon the death of her uncle, Thomas Duckett, in 1797, her husband assumed the name Duckett to secure the inheritance of the family Hartham estate at Corsham, Wiltshire, becoming Sir George Duckett, 1st Bt. From the dress, however, and fashion of the sitter, the latter cannot be someone born circa 1750. The painting is executed in oil on a canvas support which has been lined. There are localised areas of flaking and loss located at the edges of the picture, associated with framing and impact. The rest of the paint layers are in a good, stable condition. Overpaint is present, visible in ultraviolet light, mainly covering wear and abrasion in the background. The varnish is matte, dull and no longer adequately saturating the paint layers. There are matte spots and surface dirt present.
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Manner of Henry Pickering Portrait of Mary Anne Ward (1725-1754), bust length, in a grey and brown dress with lace collar and wearing a black feathered hat, in a painted ovaloil on canvas, in a carved and giltwood frame75.5 x 62.5cmProvenance: By descent from the sitter to her daughter Elizabeth Jackson who married Thomas Berney of Bracon,Thence by descent to the present ownerThe sitter, Mary Anne Ward (1725-1754) of Gisborough, North Yorkshire was the 1st wife of Sir George Jackson, 1st Bt (1725-1822) later Duckett. They had three sons and three daughters. Their youngest daughter, Elizabeth, married in 1774 Thomas Berney of Bracon, Norfolk.The painting is executed in oil on a canvas support which has been lined. There are localised areas of flaking and loss located at the edges of the picture, associated with framing and impact. The rest of the paint layers are in a good, stable condition. There are areas of overpaint across the surface of the portrait, some of which are now evident as they have darkened with age. The corner spandrels have been completely overpainted too. The varnish is matte, dull and no longer adequately saturating the paint layers. There are matte spots and surface dirt present.
Studio of Sir Henry Raeburn, FRSE, RA, RSA (1756-1823) Portrait of Charlotte Monro of Craiglockhart (1782-1822) when a girl, in a white dress with blue sash, seated half-length in a landscape and holding a canary oil on canvas, unframed75 x 62cmProvenance:By descent from the sitter to her great-grandson, Captain Alan Ferrier (d.1919) by 1913,His sale, Christie's, London, 11th April 1919, lot 68, as 'Sir H. Raeburn R. A.', bt. Peacock for £1,500; Anon. sale, Christie's, 28th June 1929, unsold;Anderson Galleries, 536 So. Michigan Ave, Chicago, USA, by 1930;Anon. Sale, Hindman, Palm Beach, Florida, USA, 11th January 2019, lot 317, as 'Attributed to Sir Henry Raeburn', when acquired by the present owner for $17,500 incl. premiumExhibited:London, Grosvenor Gallery, Second National Loan Exhibition, 1913-1914 : Woman and Child in Art, 26th November 1913 - 11th February 1914, as 'Miss Charlotte Monro by Sir Henry Raeburn, R. A. Lent by Mr. Alan Ferrier, Linlithgow';Chicago, The Art Institute of Chicago, Exhibition of Portraits of Children in the Children's Museum, 26th February - 30th March 1931, no. 29, as 'Sir Henry Raeburn - Scottish 1756-1823, Miss Charlotte Monroe [sic], Lent by the Anderson Gallery'Literature:The Connoisseur, vol. XLIV, January-April 1916, p.13, illus.;The Connoisseur, vol. LIV, May-August 1919, p. 168;The Genealogists Magazine, vol. 5, 1931, p. 155;Chicago Tribune, 11th May 1930, p. 65, illus. in an advertisement for Anderson GalleriesCharlotte Monro was born on the 17th March 1782, the daughter of Dr Alexander Monro FRSE, FRCPE (1733-1817) of Craiglockhart and of Cockburn, and his wife Katherine (1741-1803), daughter of David Inglis. Charlotte married, on 10th November 1808, Louis Henry Ferrier of Belsyde, Linlithgowshire.It is recorded that the sitter’s parents were both painted by Sir Henry Raeburn, though the whereabouts of both paintings are currently unknown. The portrait of the sitter’s father by Raeburn is however recorded in an engraving of 1800 by J Heath. Her nephews The Binning Boys in the National Gallery of Art, Washington were also painted by Raeburn, but at a much later date, circa 1811. Unframed. Oil on canvas which has been lined. The tacking edges of the lining canvas are worn and have come loose at the top left and bottom left corners. The paint layer is stable and canvas tension is good. There are extensive retouchings in the sitter's face, dress and the background.
Dutch School, 1656 Portrait miniature of a lady wearing a black dress with double-layered white collar trimmed with lace and held with a yellow ribbon bow, a lace edged cap in her hairsigned with initials and dated 'I W / 1656' (lower right)oil on silver, oval7.5cmProvenance:Bonhams, London, 19th November 2008, lot 35, as 'The Monogrammist I W', when acquired by the late Barry Lock (1934-2021)Examined out of frame. Small loss top centre along the edge. Some wear and rubbing to the paint layer. Light surface dirt. Under UV, retouchings are present in the background, especially left of the sitter and in the lower centre in her dress. Does not appropriately fit its frame which is too big.
Peter Paul Lens (1714 - after 1754) Portrait miniature of a lady in a yellow dress with lace lawn collar, blue bow at the bodice, blue wide-brimmed hat adorned with white plumes, ropes of pearls in her hair and wrapped around her dresssigned and dated indistinctly 'PLens / 174(?)' (lower right)watercolour on ivory, oval, in a gold frame6cmProvenance:Elle Shushan, Philadelphia, from whom acquired in 2015 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 655Y328BSlight abrasion and wear to the paint layer along the top and minor losses along the edges. Not examined out of frame.
Mrs Rigby, circa 1770 Two portrait miniatures of Lady Katharine Noel (d. 1779) in nearly identical ermine-trimmed dress with high collar, the first of her wearing a black veil, the second a white headdressone inscribed to the reverse 'Mrs Rigby's Picture / of Lady Katharine Noel / Daughter of the Earl of Gainsborough / and Granddaughter of the Duke of / Rutland who resided in Dr Prower's / House at Cranborne several Months / previous to her death, as part of his / Family and was buried in his Vault / at Cranborne by her most / particular desire.'watercolours on ivory, oval, in turned wood frames5cmProvenance:Ellie Shushan, Philadelphia, from whom acquired in 2015 by the late Barry Lock (1934-2021) The sitter was the daughter of Baptist Noel, 3rd Earl of Gainsborough and Lady Dorothy Manners, daughter of John Manners, 1st Duke of Rutland. Lady Katharine died unmarried and was buried at the Church of St. Mary and St. Bartholomew in Cranborne, as was Mrs Rigby, who painted the present miniatures.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. ZRQ4AZHV.
Henry Bone, RA (1755-1834) Portrait miniature of Mary Manners-Sutton (née Thoroton, 1783-1829), wearing yellow dress over white underslip, her natural wig rolled and worn highsigned 'HB' (lower left); signed, dated and inscribed 'Mrs Manners Sutton/ London/ Oct 1829/ Painted by Henry Bone/ R.A. enamel painter/ to his Majesty &c &c / after a miniature/ F' (to the counter-enamel)enamel on copper, oval, in a red leather travelling case4.7cmProvenance:Sotheby's, London, 17th November 1975, lot 16;Richard Allen,His sale, Bonhams, London, 21st May 2014, lot 27, when acquired by the late Barry Lock (1934-2021)The sitter was the daughter of Colonel Thomas Thoroton of Screveton Hall, Nottinghamshire and his wife Mary Levett. In 1778, she married her cousin Charles Manners-Sutton (1755-1828), a grandson of John Manners, 3rd Duke of Rutland, KG, PC (1696-1779), who became Bishop of Norwich in 1792 and served as Archbishop of Canterbury from 1805-1828. They had two sons and ten daughters. Their eldest son, Charles Manners-Sutton (1780-1845) served as Speaker of the House of Commons from 1817 to 1835 and was created Viscount Canterbury. Mary died at Gloucester Place, London at the age of 76.The present miniature is believed to be one of five known extant versions of this sitter by Henry Bone.Paint losses along the edges, some of which have been retouched. There appears to be some translucent residue along the bottom left side which fluoresces under UV. Small scratch right of the sitter's head.
A silk embroidered wedding dress, early 19th century, embroidered with foliate designs with a ruched necklineneckline to hem - 126cm, sleeve to sleeve - 124cm Originally conceived in 1825, the present lot was first used by Anna Eliza Davies (circa 1795 - circa 1881) during her wedding ceremony to Thomas Lewis-Lloyd of Nantgwyllt (1799-1870). Retained within the family, the dress was later gifted to Davies’ granddaughter, Louisa Lewis-Lloyd of Nantgwyllt, Radnorshire and Bloomfield, Narberth, Pembrokeshire (1867-1952). In the 1950s, the dress was bequeathed to Lewis-Lloyd’s great neice who later adapted the dress. In a manuscript note, the alterations are described thusly: “I converted the train into an evening dress to wear at the Spanish Embassy in Dublin, while staying with Lady Dunsany, co Meath. I was careful not to cut the train and the velvet band, zips and darts can all be carefully undone and the train replaced. I had to do this as end of war and no coupons for dress [sic].” Selvedge to selvedge of bottom of jacket- 178cmAcross the back of the jacket - 28.5cmSleeve length - 45cmDress straps front to back - 31cmNeckline of dress to hem - 128cmA number of small holes to both jacket and dress, some light staining to the armpit of the jacket and a number of small old repairs. The dress with some fraying to hem, some patch repairs, the velvet trim with loose stitches to the reverse, possibly having an adjusted hemline.Jacket: the length comprising four panels, exterior panels approx 38cm and 37.5cm selvedge to selvedge and the central panels each 50cmDress: comprising four panels measuring 49cm, 50cm x 50cm x 28cm (bisected by zip)
Chrome cased lever dress pocket watch, unsigned movement with compensated balance and regulator, silvered dial with Arabic 3-9-12, hour markers, outer minute track and subsidiary seconds, blued steel hands, within a plain case, 45mm (at fault)-**Wegelin Fils Geneve fitted case-Movement - not functioning and over wound.Dial - good.Glass - light surface marks.Hands - good.Case - surface scratches.Crown - not winding - movement over wound, adjusts the hands ok.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Group of costume jewellery and watches including: gilt metal bangle, enamel butterfly pendant, Timex and other dress watches, vintage ladies Smiths watch on gilt metal strap, gilt metal clip-on earrings, and an unmarked untested yellow metal bracelet, 28g approx overall At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Collection of gentlemans cufflinks and studs comprising of: a cased set of Goldsmiths and Silversmiths company dress studs, stamped 'Plat 18ct' to the reverse, 9g approx overall, a dress watch by Philip Persio on stainless steel strap, a pair of 18ct gold cufflinks, 12g approx overall, another pair of 18ct gold cufflinks with torpedo backs, 14g approx overall, a collection of gilt metal and enamel cufflinks etc At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Antique childs doll with unidentified ink markings to the top of the back, painted glass eyes, wearing a matching bonnet and dress decorated with flowers, lace petticoat and boots, 38cm overallOverall signs of wear and age. Foxing and some marks to the clothes. Some discolouration and small losses to the painted decoration on the face. Discolouration to the hands, some chips and minor losses to the hands.
A late 19th century Lancashire artillery sword, makers mark "Hobson & Sons" Little Windmill Street, London, regulation steel triple bar guard and fish skin covered wire bound grip, in its steel dress scabbard with solo hanging ring, blade length 83.5cm.Condition:- General wear through age and use, some dents in scabbard as per extra pics, no sign of any major damage to the blade, guard or grip.
Follower of Sir Peter Lely (Soest 1618-1680 London)Portrait of Louise de Keroualle, Duchess of Portsmouththree-quarter-length, seated in a brown and white dress in an interior with a landscape in the backgroundoil on canvas 126.5 x 102cm (49 13/16 x 40 3/16in).Footnotes:The present portrait, formerly said to be of Margaret Hughes, is derived from Lely's portrait of Louise de Keroualle, Duchess of Portsmouth in the Getty Museum Collection, Los Angeles (acc. no 78.PA.223).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Continental School, 19th CenturyPortrait of a lady, three-quarter-length, in a green dress oil on canvas 126 x 82cm (49 5/8 x 32 5/16in).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Gainsborough Dupont (Sudbury 1754-1797 London)Portrait of Anne Smyth, in a white dress and hat, holding her pinafore in her right handoil on canvas 127 x 102cm (50 x 40 3/16in).Footnotes:Anne Smyth (circa. 1774-1808) was to become Lady Eden when she married Frederick Morton Eden, 2nd Baronet of Maryland, in 1792 (see Lot 4). Her father was perfumer to the Royal Household and the family resided on New Bond Street during the 1780s and 90s.Frederick Morton Eden inherited the baronetcy from his father, Robert, in 1784 and was known for his writings on poverty and social change, in particular his volumes The State of the Poor published in 1797. Together they had eight children.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Jeremiah Steele (British, circa 1780-after 1826) A portrait miniature of Miss Charlotte Eden, in profile, facing left, wearing a white dress and blue stole. watercolour on ivory, the reverse signed and dated, Miss Charlotte Eden/ Painted by J. Steele/ 1804, gilt-mounted on a rectangular papier-mâché frame with acorn surmount,. Oval, 71mm (2 13/16in) high Footnotes: Elizabeth Charlotte Eden, Lady Godolphin (1780-1847) was the third daughter of William Eden, 1st Lord of Auckland. She married Francis Godolphin in 1800. The items within this lot containing ivory have been registered in accordance with the Ivory Act (Section 10). Ref.9WYYVLV8 This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com
Henry Bone R.A. (Truro 1755-1834 London) A portrait miniature of the Hon. Catherine Isabella Vansittart née Eden, wearing a black dress over her white chemise, her upswept and braided hair dressed with a purple bandeau. Enamel, signed on the obverse, HBone, signed and inscribed on the counter enamel, Catherine Isabella Vansittart/ second Daughter to Lord Auckland/ London/ June 1811/ Painted by Henry Bone RA/ Enamel painter to His Majesty/ & the Prince Regent, gilt-mounted on a rectangular papier-mâché frame, together with a silhouette of Catherine Vansittart's uncle, Sir John Eden, 4th Baronet (1740-1812) by the Studio of John Miers (British, circa 1758-1821), in profile facing right, painted on plaster within a verre-églomisé surround, the rectangular papier-mâché frame with trade label verso (111 Strand, London), a 19th century ivory miniature of Catherine Vansittart's brother, George Eden, 1st Earl of Auckland, GCB, PC (1784–1849), a silhouette behind, together with a printed copy of the miniature and a mid-18th century Continental School ivory miniature of a gentleman wearing a red coat, all in papier-mâché frames, a wax profile of a child (cracked) and a mid-19th century shell cameo of a classical male bust, signed, Neri F. Roma. Oval, title miniature 89mm (3 1/2in) high (7) Footnotes: Catherine Isabella Eden (1778–1810) was the second daughter of William Eden, 1st Baron Auckland, PC (Ire), FRS (1745-1814). She was one of six sons and eight daughters. A member of the influential Eden family, her grandfather was Sir Robert Eden, 3rd Baronet of Windlestone Hall, County Durham and her uncles included the MP, Sir John Eden, 4th Baronet, Sir Robert Eden, 1st Baronet (last Royal Governor of Maryland) and Morton Eden, 1st Baron Henley (a diplomat). Catherine married the Rt. Hon. Nicholas Vansittart (1766-1851) in 1806. She sadly died after just four years of marriage following a period of illness. Lord Vansittart became Chancellor of the Exchequer from 1812-1823 and was created Baron Bexley in 1823. As the couple had no issue and Lord Vansittart never re-married, the title became extinct upon his death. The items within this lot containing ivory have been registered in accordance with the Ivory Act (Section 10). Ref.D4MQLSMR, ZL77QB32. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com
Mrs. Anne Mee (British, circa 1770-1851) A portrait miniature of the Honourable Eleanor Eden, Countess of Buckinghamshire, wearing a black dress over her frilled white chemise, her hair upswept over a coral bead necklace. watercolour on ivory, gilt-metal mount, engraved, Hon Eleanor Eden Countess of Buckinghamshire. Oval, 76mm (3in) high Footnotes: Eleanor Eden, Countess of Buckinghamshire (1777-1851) was the eldest child of William Eden, 1st Baron Auckland. It was rumoured that, as a young woman, she was to be engaged to William Pitt the Younger, however letters between Pitt and her father in 1797 saw Pitt quash any rumours. Two years later, she married Robert Hobart, 4th Earl of Buckinghamshire. Anne Mee (1765-1851) was a well-respected miniaturist who began her tuition under George Romney from the age of twelve. She exhibited occasionally at the Royal Academy and received royal and aristocratic patronage. The items within this lot containing ivory have been registered in accordance with the Ivory Act (Section 10). Ref.FNXEAWJR This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com
English School, circa 1780-90A portrait miniature of a young girl, wearing a white dress with frilled lace trim and a broad rimmed blue hat with yellow ribbon. watercolour on ivory, set within a mid-19th century scrolling mount, engraved with foliate detail. Oval, 58mm (2 5/16in) highFootnotes:The items within this lot containing ivory have been registered in accordance with the Ivory Act (Section 10). Ref.WL9TSCL5This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
George James (active England 1755-1795)Portrait of Sir Frederick Morton Eden as a child, seated on a stone step, patting a dog's head, wearing a white dress and red slippers signed, inscribed and dated 'Fk. Eden./G James pinxit/1769.' (lower right)oil on canvas144 x 118cm (56 11/16 x 46 7/16in).Footnotes:Frederick Morton Eden, 2nd Baronet of Maryland (1766-1809) inherited the baronetcy from his father, Robert, in 1784. He was known for his writings on poverty and social change, in particular his volumes The State of the Poor published in 1797 which sought to factually describe what it meant to be poor at the end of the 18th century and how this information may help to alleviate deprivation.He married Anne Smyth in 1792 (see Lot 3) and together they had eight children.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
English school, circa 1790 An infant girl said to be the Hon. H. F. L. Lavender, wearing a white dress with a pink sash and a white bonnet dressed with pink ribbon beneath her black hat. watercolour on ivory, gilt-metal mount, card backing verso bearing handwritten inscription, the Honble H. F. L. Lavender/ born 1789. Oval, 73mm (2 7/8in) high Footnotes: The items within this lot containing ivory have been registered in accordance with the Ivory Act (Section 10). Ref.4RXCM7V3 This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com
A GERMAN LUFTWAFFE OFFICERS DRESS DAGGER, it comes complete with its scabbard hanger and portepee, the blade has the makers mark E&F horsters Solingen inside an oval stamp and the words around the outside, the blade has some surface marks but no damage, the chrome on the bottom of the scabbard is starting to wear off, the hanger is marked Ges Gesch & OLC in a diamond, the dagger has a bound gript with a plain cross guard and features a gold coloured Swastika on it and on top of the grip, the portepee has got very minor damage and has started to fray in one area, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
A GERMAN THIRD REICH OFFICERS DRESS DAGGER WITH SCABBARD AND STRAPS, the blade is clearly marked Eickhorn Soligen and features the squirrel holding a dagger, the blade is undamaged but has some surface scratches, the plated scabbard and straps are in good condition, this dagger features a Swastika on both sides of the pommel and on the cross guard and an orange ivorine handle, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
A GERMAN DRESS DAGGER MADE BY WKC, this has the black grip and black scabbard, the blade has no motto but has the knights head symbol and WKC, the handle has got a SA logo on it and the cross guard has S.A.R 33 engraved onto it, the blade is in good condition but the scabbard has some scratches, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
A 1949 PATTERN ARMY BATTLE DRESS BLOUSE AND TROUSERS, the blouse is dated 1955 and is a size 9 so fits a soldier 5ft 7 to 5ft 8 with 39-40 inch chest and 34-35 inch waist, on the sleeves are S.B.S Commando shoulder titles and combined operations patches, the shoulder titles appear to be more modern than the blouse, the trousers are also size 9, this uniform comes with a polystyrene and wooden clothes dummy to display it on, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
A WWII 1940 DATED BATTLE DRESS JACKET AND BERET, the jacket is a 1937 pattern blouse and dated clearly inside 1940, it is a size 10 and designed to fit a soldier 6 foot 1 to 6 foot 2 inches tall, it has got Royal Warwickshire shoulder titles and formation patches on the arm sleeve, there are no visible date markings inside the beret but it does have a Royal Warwickshire badge on the front, the jacket has post war buttons and appears to be Greek Army battledress jacket with insignia added for reenactment Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
EIGHT ITEMS OF MILITARY CLOTHING, to include WWII dated trousers, this lot includes a pair of 1943 size 10 battle dress trousers with braces, a leather Jerkin, four more pairs of trousers from different forces and eras, an American military shirt and an inner smock that needs a repair to one side, these all come in an unrelated suitcase, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
A selection of vintage and antique costume jewellery to include a cased pair of gold fronted mother of pearl dress studs; a Wedgewood gilded cameo brooch, cuff links, tie pins, a Staffordshire Regiment cap badge, porcelain jewellery panels, a Manchester half penny token, a Crown Castle razor, an early 20th century mourning locket and other items.
A selection of four rings comprising a 9ct gold and diamond half eternity ring (size P), approximate weight 1.2 grams; a grey-white metal ring (assessed as platinum), size S, approximate weight 3.6 grams; plus a 14 K GP cultured pearl ring, size M, and a white stone set 925 silver dress ring, Size N. (4)
A selection of four yellow metal dress rings comprising an illusion set diamond ring,, stamped "9ct Plat", size R; a green paste set ring, stamped "9", size R (please note abrasions to the stone); a dark sapphire and cubic zirconia east-to-west cluster ring, with rubbed 9ct hallmark, size Q; and a cubic zirconia half eternity ring, size Q 1/2. Gross approximate weight 12.3 grams. (4)
ANTIQUE GERMAN BISQUE HEAD E. HEUBACH 250-4 23” DOLL , good bisque head, no visible repairs or damage ,open close eyes with same age Antique dolls dress and clothes and wig, one finger off on left hand,and has a lower right loose leg section needs reattaching, and its companion doll 10” in celluloid German in traditional attire ( 2 dolls as shown)
A large Amphora pottery figural planter, circa 1900, modelled as a seated female in a diaphanous dress kneeling between two flowers with sinuous stems, pattern 1072, impressed and printed marks, 35cm high; and an early 20th century patinated bronze art nouveau dressing table mirror, the oval bevelled glass within a foliate frame held aloft by a female in long flowing dress, 31cmQty: 2Firing crack to back right corner of the Amphora item, with surface marks throughout. In need of a clean. Some gilt loss to the decoration, but no signs of structural damage or repair. Mirror in good order, with some surface rubbing and discoloration.
A stained glass panel, possibly 18th century, the rectangular panel depicting a man in tradition dress with tricorn hat atop horse, with lettering (possibly Latin) below 'Ano 1760' 13.5 L x 8.4cm W, (at fault) with an associated leather pouch CONDITION REPORT:The glass panel shows chips and nibbles around the left hand, top and right hand edges, with dirt and residue around all edges. The glass contains several small manufacturing bubbles, and shows surface wear and dirt across both surfaces. The colouring appears to be original, but may have been later retouched.
Large format silver gelatin photograph from plate with metallic sheen. Depicts two ladies in 19th century style dress at the bottom of the Taunay Waterfall in Tijuca Forest, Rio de Janeiro, Brazil. Ferrez was internationally recognized for his naturalist photographs of Brazil and his work was admired by Brazil's emperor Dom Pedro II. Artist: Marc Ferrez/CarybeDimensions: 14"W x 17"HProvenance: The Bass Museum of Art Condition: Good condition.
Oil on canvas on masonite painting of a standing woman dressed in a hat and blue dress holding twins within an oval reserve; stylized motif hues in gold, blue, yellow, green; 4" mat and gilt frame. Artist signed lower right. Frame size: 22.5"L x 30.25"H. Artist: Ismael SaincilusIssued: c. 1983Dimensions: 19.5"L x 27"HProvenance: The Bass Museum of Art Condition: Good condition.
After Diego Velázquez, Spanish 1599-1660- Infanta Margarita Teresa in a Pink Dress; oil on paper laid down on canvas, 33 x 24.5 cm. Note: the original painting by Diego Velázquez dating from c.1665 is held by the Prado Museum in Madrid, inventory number P001192. Condition Report: This work is framed and has not been examined outside of the frame. The paper appears to have come away from the canvas in places, and is cockling. There are tears and creases to the paper, which have resulted in flaking and significant paint loss. Overall this piece appears to be in poor condition.
British school, early 19th Century- Portrait of a lady in a red dress, holding a letter; watercolour and oil on card, 12.5 x 10.3 cm: Keturah Collings, British 1862-1948- Portrait of young girl holding flowers; photographic print, oval, signed 'Keturah Collings' (lower right), 17.4 x 12.4 cm: British school, early-mid 20th Century- Bird from the Ceryle family; pen and coloured ink on paper, 15.2 x 10 cm., three (3). Condition Report: Portrait of a lady is held in a leather case, with a velvet lining
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