New Kingdom, Ca. 1550 - 1069 BC.A New Kingdom, high relief fragment depicting a right hand. The hand is portrayed in a naturalistic manner and a sleeve of a very loose dress can be seen around the wrist. Traces of the original paint are still visible. For similar see: Egitto, storia della scultura del mondo, p. 155 the quenn TUI. Size: 270mm x 220mm; Weight: 630g (with frame) Provenance: Property of a London art gallery; formerly in a private collection of a Kensington gentleman since the 1990s.
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Tang Dynasty, Ca. AD 618 - 907.A Tang dynasty terracotta statuette of a woman on a horse. She is depicted wearing Tang court ladies' dress, painted in vivid orange and red pigments. Her saddle cloth is elaborately decorated with red and blue pigments. The horse is shown with an open mouth, long lashes and a bright red mane. Size: 340mm x 260mm; Weight: 1.2kg Provenance: Property of an American collector, acquired from the US estate collection.
Ca. 1900 - 1800 BC.An Old Babylonian cylinder seal depicting three figures. The first figure on the left is the god Shamash, depicted in a horned crown and long dress, raising his right arm under a crescent moon. The two other standing figures, a worshipper and a goddess are dressed in long tunics. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert. For similar see: MET Museum Accession Number: 1993.180. Size: 25mm x 13.5mm; Weight: 16g Provenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 900 -750 BC.A Neo-Babylon carnelian cylinder seal depicting an archer wearing a long dress and approaching a mythological winged animal. A lunar crescent and stars can be seen in the sky. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert. For similar see: Christie's Live Auction 8890 Antiquities, Lot. 287. Size: 25mm x 12mm; Weight: 7g Provenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.
Amarna period Ca. 1353 - 1336 BC.An amazing sandstone low relief from the Amarna period. An old queen facing right and raising the right arm while the left one is lying along the side. The figure wears a headdress with a very long side band that runs down the shoulder, touching her simple dress. For similar see: British Museum, Registration number 1935,1109.2; Christie's, Live Auction 1691, Ancient Egyptian Art the harer family trust collection, Lot. 12. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 200mm x 180mm; Weight: 2.6kg Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. Published in an exhibition catalogue: Andrea Thiem Christina (ed.), 'AM HOFE DES PHARAO. Von Amenophis I. bis Tutanchamun'. Palais del Arte, Bussolengo, 2002, p. 96. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Simon & Halbig bisque head doll with applied hair, sleeping eyes, open mouth with upper teeth and jointed limbs; marked Simon & Halbig S&H 8 1/2, H58cmCondition Report:Some damage to fingers and feet, cracks and some paint missing from hands. Marks to paint on limbs throughout. Small amount of damage to eyelids. Hair patchy possibly cut. Discolouration to dress and other clothing.
A crystal slice cut glass panel sided ointment jar with Chester silver chased top depicting two cherubs in a floral bower a/f H x 5.5cm, a Epns Edwardian oval jewellery box the hinged top with beaded border and engraved initials L C E enclosed within a scrolling floral and leaf border raised on bun feet H x 5cm L x 12cm, a circular green agate topped pill box D x 4.5cm, a oval white metal green agate pill box with beaded border H x 2cm L x 4cm, a china dressing tabel jar and cover a/f, a miniture Vienna porcelain figure in 17thc dress H x 7.5cm and a Halcyon Days Bilston enamel egg inscribed A Token of Love a/f H x 6.5cm (A lot)
A carved walrus ivory hilted curved and double edged dagger (jambiyya),Qajar Iran, 19th century and later,The hilt engraved with a young man in European dress holding a musket, a register with cherub-like figure above, a register with a pseudo-calligraphic medallion against a field with a bird taking flight among floral sprays, the reverse with a young maiden asleep under a tree, cartouches inscribed with Persian verses in nasta'liq script above and below, the side applied with possibly later turquoise or turquoise like pearls inlaid copper alloy plaques, the blade with single raised fuller, the pommel with small knop,36cm. longCondition Report: this lot presents as clean overall. The blade is pitted and corroded. Its edges and tip are sharp. It would require further attention. The hilt is in very good condition. The possibly added later plaques have corroded in dark brown to black. One plaque is lacking two inlays.
A metal thread embroidered sash,Poland, 19th century,Woven and embroidered in the Kontusz sash (pas kontuszowy) style, each heads with a vegetal spray under a ribband tied floral garland, the field divided in narrow registers of woven repeating lozenges within plain strapwork within embroidered geometrical borders, the edges with dotted bean like patterns, each end with metal threads fringes316cm. long Footnotes: Sashes such as this one find their origin in the imported Persian scarves which travelled through the Ottoman Empire en route to Poland. The rise of the Afghan Hotaki dynasty and the resulting conflicts forced the production to a halt in Persia, and forced relocation to Constantinople and ultimately Poland. Benefiting from Polish noble patronage the workshops operated under Armenian control. The sashes replaced the former imported Persian scarves and formed an integral part of the male nobility's formal dress inspired by oriental designs.A more elaborate sash is at the Victoria and Albert Museum, London (inv. T.98-1968). Others sold at Christie's South Kensington, 11 October 2013, lot 863 and 9 October 2015, lot 222Condition Report: The weave broken, scattered losses. Fringes partly detached to one end, and mostly detached tot he other. Frayed with loose threads in places. Stained. Dulled.
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