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A circa 1900 hand-painted silk and celluloid fan, the front depicting a Spanish festival, the hooded figures carrying burning torches and holding aloft an icon, surrounded by figures in traditional dress, signed "Garcia Roca", the reverse painted with a spire amongst flowers and foliage and inscribed "Colomina"
ELEANOR ALLEN MOORE ( ROBERTSON) (1885 -1995) Street Scene, Peking watercolour, signed 35cm x 25cm Provenance: Ewan Mundy Fine Art Limited Note : Attended the GSA. She first exhibited at the Royal Glasgow Institute in 1909. Working as a Voluntary Aid Detachment nurse took her to Craigleith Hospital, Edinburgh with little time for painting. On return to Loudoun (Ayrshire) she painted The Silk Dress which was exhibited at the Royal Glasgow Institute in 1919 and illustrated in the catalogue. She married Dr Robert Cecil Robertson of Kilmarnock in 1922 and the following year their daughter Ailsa was born. In 1925 the family moved to Shanghai where Dr Robertson took up a position in Public Health. The countryside and particularly the Chinese people provided a rich resource for her artistic talent and she produced many fascinating vivid images of life there. In 1937 the British were evacuated to Hong Kong where her husband died in 1942. She no longer painted after returning to Britain and died in Edinburgh. Her work is included in "The Glasgow Girls" exhibition at Kirkcudbright until 30th August 2010. Private Scottish Collection. Copy of the purchase receipt accompanies this lot.
* CHANTAL JOFFE Young mother after August mixed media 9cm x 14cm Note : Chantal Joffe (born 1969 in St. Albans) is an English artist based in London. She is the sister of artist Jasper Joffe. Joffe completed her Foundation studies at Camberwell College of Arts in 1988, received her BA in Fine Art from Glasgow School of Art in 1989 and her MA in painting from the Royal College of Art in 1993. She has shown work internationally in many exhibitions including "London Calling" at Galleri KB in Oslo, "John Moores 22" at the Walker Art Gallery in Liverpool, "The Way I See It" at Galerie Jennifer Flay in Paris, "British Portrait 1" at Studio d`Arte Raffaelli in Italy and "Big Girl, Little Girl" at Collective Gallery in Edinburgh. She is represented by Victoria Miro in London. She won the £25,000 Charles Wollaston Prize in the 2006 Royal Academy summer exhibition for her painting Blond Girl-Black Dress. See also www.saatchi-gallery.co.uk Private Scottish Collection.
A collection of jewellery, comprising an oval gilt metal hinged bangle, a gilt metal and imitation turquoise chain link bracelet, a 9ct gold and amethyst set bar brooch, two further brooches, a gold nugget, a circular gold back and front pendant locket, with a neckchain, a Victorian amethyst set three stone ring, an imitation pearl necklace, a pair of oval colourless paste set buckles, a coloured paste set dress clip, a colourless paste bracelet, six various studs, three odd cufflinks, a foil backed mauve gem set clasp, and four further items.
Cigarette cards: Modern album containing 12 sets, mixed manufacturers, Mitchell`s Clan Tartan`s (1st & 2nd), Lea Old Pottery & Porcelain (4th series), Cavenders Feathered Friends & Foreign Birds, United Kingdom Tobacco Co Officers in Full Dress and Carreras Kings & Queens of England, Races Historic & Modern, History of Army Uniforms, History of Naval Uniforms, Highwaymen & Film Favourites (gen gd/vg)
The Don Confectionery Co Ltd - an early 20th century novelty confectionery tin, in the form of a slab sided vase, printed in polychrome with a lady wearing a long green satin dress, to verso with a lady holding a fan, outlined with borders of cabachon set jewels, fluted angles, 27cm high, 14cm wide, lithographed to base
An Edwardian novelty confectionery tin, in the form of a low bellied panelled vase and cover, printed in polychrome with an oval portrait of a young gentleman in 18th century dress, to verso with a young lady conforming, the sides with stylised flowers and foliage, on a brown ground, 27.5cm high, 14.5cm square, c.1905
Barringer, Wallis & Manners Ltd - Harry Vincent - an early 20th century canted rounded rectangular confecrtionery tin, printed in polychrome with a caricature of a gentleman in 18th century dress, inscribed Harvino Double Cream Toffee, on a blue ground, heart and chevron borders, 19.5cm high, 19cm wide, lithograph mark; another, rounded rectangular, inscribed Harvino, Full Cream Toffee, 13.5cm high, 14cm wide, 9.5cm deep; Terry, York - an early 20th century rounded rectangular confectionery tin, printed in polychrome with an Egyptian dessert landscape, inscribed Terry`s Cream Toffee, the verso conforming, the sides with Art Nouveau fruiting branches and sinuous lines, 19cm high, 18.5cm wide, 13cm deep; Williams`s Ltd - an early 20th century cylindrical 8lb confectionery tin, embossed and inscribed Williams`s Rich Cream Toffee, Wrapped in Dainty Pieces, on a red ground, dog tooth border, 15.5cm high, 26cm diam; another, similar, inscribed Rum & Butter (flavoured) Toffee, on a green ground, 8cm high, 26cm diam; Cleeves Ltd - an early 20th century oval confectionery tin, the cover printed in polychrome with a bust length portrait of a young girl, her arms full of flowers, the recto and verso with similar roundels, inscribed Glenda Toffees, on a faux sweet wrapper ground, 9cm high, 30cm wide, 20.5cm deep (6)
Barringer, Wallis & Manners Ltd - Henry Thorne & Co Ltd - an early 20th century oval confectionery tin, printed in polychrome with a girl and boy in circus costume, embossed and inscribed Thornes Assorted Toffee, Standard, Almond, Brazil, Mint, Etc. on a mauve ground, the verso conforming, 16.5cm high, 22.5cm wide, 13cm deep; Jonathan Edmondson & Co Ltd - an early 20th century oval confectionery tin, similar, embossed and inscribed Edmondson`s Red Seal Toffee on a purple ground; W Johnson & Son - an early 20th century oval confectionery tin, similar, printed in polychrome with a young girl in a cloth cap and long dress tied with blue ribbons, inscribed Johnson`s Sweet - Joy Toffies (sic), Know wat Sweet - Joy really is/By eating Sweet-Joy Toffies, on a two-tone light/dark blue ground, geometric borders; an early 20th century oval confectionery tin, `Ely` Toffee, printed in tones of blue with the Cambridgeshire town`s skyline within a canted rectangular cartouche, the verso conforming, chequered ground (4)
Turner & Wainwright Ltd - an early 20th century oval confectionery tin, Turnwright`s Ye Olde Butterscotche, printed with a lady wearing a long dress, hat and shawl, inscribed Adds a New Delight to Life, on a two-tone cream and buff faux sweet wrapper ground, stylised organic borders, the verso conforming, 17cm high, 23cm wide, 13cm deep; others, similar, Turnwright`s Toffee delight; Turnwright`s Maltmilk Toffee Delight (3)
Barringer, Wallis & Manners Ltd - Harry Vincent - an early 20th century bowed rectangular confectionary tin, inscribed Vincent`s Harvino Toffee In Dainty Pieces, the sides with the company monogram in a lozenge within stylised roses, geometric borders, stiff leaves to angles, blue ground, lithograph mark, 19.5cm high, 19.5cm wide, 10.5cm deep, c.1915; another, similar, Vincent`s Harvino Dainty Pieces, the sides printed in polychrome with a caricature of a gentleman in 18th century dress, his body as a toffee, red ground, c.1915 (2)
An Art Nouveau novelty confectionery tin, in the form of a beaten copper casket, hinged cover centred by a portrait oval of a young beauty in Eastern dress, embossed with stylised flowers and sinuous foliage, `brass cut-card work` to angles, bun feet, 8cm high, 24.5cm wide, 12.5cm deep, c.1920; another, the Florentine Casket, embossed with stylised organic motifs, 8cm high, 25cm wide, 13cm deep, c.1922-23; an Art Nouveau slope top casket, centred by a portrait roundel of a young girl, verso of cover inscribed Ratampuro, monogrammed TR, 9.5cm high, 23cm wide, 15cm deep, c.1915; others, various, Art Nouveau and Arts and Crafts (6)
An early 20th century vase shaped biscuit tin, embossed and printed in polychrome with a young lady in Renaissance dress, to verso with her suitor, he stands, leaning on his sword, within gilt scrolls and panels of colourful summer flowers on a blue ground, inscribed to underside of base 7401 Dresden, 26cm high, 13.5cm wide, 11cm deep, c.1905
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228188 item(s)/page