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Postcards, Yorkshire, approx. 200 cards RPs and printed to include Malham, Malton, Leconfield, Butlin's Filey, Fewston, Goole, Guisborough, Hawes, The Moulmein and Mino in Hull Dock, Hull Newland Home Band, Level Crossing Keighley, Amen Corner, The Dress Dept at E. Barnsbee & Co.s premises Leeds, A Young & Co. Leeds China Stores etc. (gen gd)
Japan, one album, extensive collection of Japanese matchbox labels, mid 20th century, various sets including landscapes, warriors, geishas, arts, Kabuki, carp, mountains, foreign dress, penguins, nudes, Hiroshige and Eisen Kisokaido, animals, sports, ju-jitsu, fruit, symbols, horses, Yamaguchi Bank, Harima Match Co, Tohoku Match Co, Tobacco Match, Nippon Match Co, approx. 86 pages, well presented and fixed with corner stickers, full contents illustrated.
A 19th century 1857 pattern officer's dress sword by Mole, blade length 82cm, pierced guard and fish skin grip.Condition:- General weart through age and use, small damage to grip as per extra photos, some very small indents in blade edge, some pitting to the scabbard, no sign of any major damage or repair.
Scarce WW1 Royal Flying Corps (RFC) original 1st Class Air Mechanic badge. This is scarce original example of the Royal Flying Corps (RFC) 1st Class Air Mechanic embroidered cloth two blade propeller rank badge worn on the right sleeve of service dress jacket , tunic and greatcoat. The badge measures approx 70mm wide and is in very good , unworn condition (see photographs)Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
A 19th century mourning brooch, set with a sardonyx cameo, the finely carved cameo depicting a lady in classical dress, the floriate surround with black enamel; the inscription to the back - In Memory of William Gillett Obit. March 4th 1852'; 5cm long, tests as 9ct gold, 24g gross; in associated box
A collection of gold and costume jewellery,to include a 9ct gold propelling toothpick, London 1965, a gold green hardstone link bracelet, with safety chain, 160mm long, a gold diamond bar and curb link bracelet, 200mm long, a gold ruby and diamond pendant, 12mm long, suspended by a gold serpentine link chain, 360mm long, a gold plain cross pendant, 32mm long, suspended by a gold cable link chain, 440mm long, a 9ct gold curb link chain, 600mm, London import hallmark 1977, a 9ct gold articulated teddy bear charm, London 1973, a cased set of silver mother of pearl dress studs, with a quantity of gold, silver, all tested or hallmarked as approximately 18ct, 14ct, 9ct gold, silver and together with a small group of costume jewellery. 18ct gold - 3.72g total, 14ct gold - 33.36g, 9ct gold - 84.66g total, silver - 34.52g totalCondition ReportMarks and scratches.Broken pieces.Tarnish.As found.
A small collection of gold, silver and costume jewellery,comprising a gold Latin cross propelling pencil, 40mm x 17mm, tested as approximately 9ct gold, a silver hinged buckle bangle, 26mm wide, internal measurement 54mm x 49mm, tested as approximately silver, a cased set of three gilt metal dress studs, one stud back broken, each stud 12mm in diameter, and a gilt metal foiled paste foliate pendant, one paste deficient, 50mm long, suspended by a gilt metal trace link chain, 400mm long, 9ct gold 3.29g, silver - 28.47gCondition ReportOne cased dress stud back broken.One paste deficient to pendant.Marks and scratches to surfaces.Tarnish.As found.
Frank O. Salisbury, British 1874-1962 - Ten portraits of unknown sitters: A gentleman in a suit; A young woman sat wearing dress and long necklace; A man wearing a suit and round glasses; A man with a moustache and striped tie; a man sat with hands clasped on knees; Possibly J.R.W Alexander 1947. New York, a woman in black or dark coloured dress, fur robe and triple pearl necklace; A gentleman in a suit with white beard; A man sat in an armchair ; A man wearing a three piece suit; A man with gaze directed right; chalk and pastel on paper, 64 x 52 cm and smaller (unframed) (10) (ARR) Provenance: The Walpole Society, donated by Philip Mould & Company on behalf of a private collector Note: Frank O. Salisbury was one of the leading society portrait painters of his day. The son of a plumber and glazier, he was drawn to art at an early age and throughout his career painted many important figures in the cultural and political sphere, including Queen Elizabeth II and Sir Winston Churchill. His portraits of Dame Maud McCarthy and Prince Edward, Duke of Windsor (King Edward VIII) are currently on display as part of the inaugural display at the newly reopened National Portrait Gallery in London. Salisbury also painted large-scale ceremonial, historical and religious scenes, many of which are now in public collections. Salisbury painted in a classical but lively style, bringing his sitters to life while remaining vehemently opposed to modern methods. The works for sale with Roseberys include portraits of glamourous society figures, politicians, eminent businesspeople, and members of the aristocracy. Interesting examples include portraits of Will Keith Kellogg, founder of the eponymous cereal company, Her Highness the Ameera of Bhahwalpur and Mrs Dunlap Hopkins, President of the Women’s School of Design in New York. There is also a highly moving study of a Nurse in Wartime uniform. Alongside these portraits, there is also a collection of large-scale studies for religious scenes. These works have remained unseen for several decades and were recently donated to The Walpole Society by Philip Mould & Company on behalf of a private collector.
Frank O. Salisbury, British 1874-1962 - Ten portraits of unnamed sitters: A woman in a white dress and fur shawl; A man in a chair, right hand leant on a walking cane; A man with round glasses; Two portraits of a man with round glasses holding books; A woman seated in a dress and a fur coat draped over her; A man in academic robe; A young girl in a dress inscribed 'HM Queens…' on the reverse; A man sat in a chair holding books in his hands with a figurative study on the back of the drawing; A lord in ceremonial wear; chalk and pastel on paper, 62 x 48 cm and smaller (unframed) (10) (ARR) Provenance: private collection; The Walpole Society, donated by the above
Frank O. Salisbury, British 1874-1962 - Ten portraits: Sir David Wakefield, May 1955; Unknown lady wearing a dress; Unknown gentleman in a chair; Unknown gentleman wearing a cloak; Unknown gentleman in religious clothing; Unknow lady sat in a decorative armchair wearing a red dress; Unknown gentleman wearing a suit with a striped tie; Unknown gentleman in a suit; Unknown lady wearing pearls;Unknown gentleman wearing a suit and bowtie;chalk and pastel on paper, 62 x 48 cm and smaller (unframed) (10) (ARR) Provenance: The Walpole Society, donated by Philip Mould & Company on behalf of a private collector Note:Frank O. Salisbury was one of the leading society portrait painters of his day. The son of a plumber and glazier, he was drawn to art at an early age and throughout his career painted many important figures in the cultural and political sphere, including Queen Elizabeth II and Sir Winston Churchill. His portraits of Dame Maud McCarthy and Prince Edward, Duke of Windsor (King Edward VIII) are currently on display as part of the inaugural display at the newly reopened National Portrait Gallery in London. Salisbury also painted large-scale ceremonial, historical and religious scenes, many of which are now in public collections. Salisbury painted in a classical but lively style, bringing his sitters to life while remaining vehemently opposed to modern methods. The works for sale with Roseberys include portraits of glamourous society figures, politicians, eminent businesspeople, and members of the aristocracy. Interesting examples include portraits of Will Keith Kellogg, founder of the eponymous cereal company, Her Highness the Ameera of Bhahwalpur and Mrs Dunlap Hopkins, President of the Women’s School of Design in New York. There is also a highly moving study of a Nurse in Wartime uniform. Alongside these portraits, there is also a collection of large-scale studies for religious scenes. These works have remained unseen for several decades and were recently donated to The Walpole Society by Philip Mould & Company on behalf of a private collector.
A hallmarked Rotary 9ct gold dress watch. The gold case hallmarked London and stamped 375. Champagne dial with Arabic numbers and secondary dial, both with dagger hands. Set to an expanding gold plated stainless steel bracelet strap. Total gross weight. 17.41g. Together with a vintage gents Roamer 17 Jewel Antimagnetic wristwatch in stainless case with expanding stainless steel bracelet strap (2).All weights, measurements and sizes are approximate
Two 925 silver & quartz set dress rings. The first having a faceted rectangular cut green aventurine quartz to squared shank together with a brown oval faceted cut stone with green flecks under a 10x loupe to squared shank. Total weight approx 36.8g. Approx sizes M & O. All weights, measurements and sizes are approximate
Two 14ct gold and cz dress rings. The lot to include a two stone crossover ring hallmarked London, size K. A ring set with a square cut cz to the head with further round cut diamonds to the shoulders hallmarked Birmingham, size T. Weight 5.7g. All weights, measurements and sizes are approximate
An early 20th century hallmarked gold Bernex ladies 9ct gold dress watch. The hallmarked Birmingham case with sponsors mark for SLd. Champagne dial with baton numerals, Arabic numbers and the quarters. Marked Bernex 17 Jewels Incabloc. Set to a rolled gold strap bracelet. Total gross weight 10.7g. All weights, measurements and sizes are approximate
A mid century Elco automatic 17 jewels incabloc gentleman's wristwatch set to brown leather strap. Together with a MuDu 17 Rubis anti-magnetic wristwatch on black leather strap. Also, a Mido stainless wristwatch (lacking strap) Smiths De lux 15 jewels ladies dress watch and a contemporary Lorus watch. All weights, measurements and sizes are approximate
A STAFFORDSHIRE PRATTWARE SLIP CAST GROUP, early 19th century, modelled as the Babes in the Wood, both wearing yellow dresses, unmarked, 4" high (Est. plus 24% premium inc. VAT)Condition Report: One child's hand missing, with minor flaking to edge of blue tinged bonnet and above this one leaf lacks green glazing, also small flake to same child's teething ring on dress, and another glazeless leaf to reverse
A PRATTWARE FIGURE. c.1800, possibly Flora, wearing a laurel wreath in her brown hair, holding a posy of flowers in her left hand and a flower basket in her right hand, in a sprigged draped dress, standing barefoot on a canted oblong base, 9" high (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Generally very good bar a couple of small chips to base, no restoration
A GERMAN PORCELAIN OVAL PANEL painted in polychrome enamels with a portrait of a young girl wearing a yellow draped white dress, her left arm uplifted with a butterfly resting on her fingers, 1 3/4" x 2 1/4", in a scroll chased gilt metal mount, unmarked (Est. plus 24% premium inc. VAT)Condition Report: No cracks, chips and restoration, but the painting is sadly scratched quite deeply around and on her face
AN 18CT GOLD PENDANT, set with a painted bust length portrait of a young lady wearing her brown hair up and a blue dress, in a stamped and pierced scroll frame on hanging loop, London 1974 (Est. plus 24% premium inc. VAT)Condition Report: Painted on a leaf of plastic, back weighs 1.1g, flimsy
ENGLISH SCHOOL (18th century) A Lady, in a white décolleté dress and pearls in her hair, oval miniature on ivory, hair plait to reverse with the initials “AB” in gold beneath a crown, unsigned, 2” x 1 3/4", blue enamel and gold (unmarked) frame (Illustrated) (Est. plus 24% premium inc. VAT)Non transferable standard ivory exemption declaration number QHJQS2C1 Condition Report: Minor damp(?) spot possibly on the glass to her left, otherwise good. Minor chip to enamel.
ENGLISH SCHOOL (Late 18th century) A Lady, wearing a white décolleté dress with red sash, oval miniature on ivory with hair plait to reverse with the initials “EC” in gold, 2 1/2" x 2”, gold (unmarked) frame (Illustrated) (Est. plus 24% premium inc. VAT) Non transferable standard ivory exemption declaration number JNWHSRJ3 Condition Report: Very good, slight dent at top of frame.
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228098 item(s)/page