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Lot 90

A Jeanne Lanvin couture coral silk crêpe de chine day dress, Winter 1933-34, large woven dated label, no 50538, with rectangular detachable top stitched collar with neck ties, square top-stitched patch pockets, ties to the wrists, bust 92cm, 36in (2)Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Soiled from storage, in need of cleaning, mark on detachable collar from button of blue and white crepe day ensemble, lot 76. Grime marks on skirt front which would probably clean out, barely visible perspiration stain at left underarm. Good condition.

Lot 91

A complex eau de nil moiré bias-cut cocktail dress, probably Lanvin, circa 1928-29, with broad criss-cross bands to front and back bodice, skirt falling in handkerchief folds with weighted asymmetric hem cut longer at the back, bust 86-92cm, 34-36inSee 'Jardins des Modes', 1932, p129, 'Le Bleu Opale' for a slightly later Lanvin gown with very similar criss-cross banding.Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Godet at rear right hip has pulled and needs re-stitching in place. Perspiration stains at underarm edges. Faint brown dicolouration on skirt front left side and faint rouge mark front right side of skirt. 2 centre front internal skirt seams need re-stitching (minor). Overall good condition.

Lot 92

A Jeanne Lanvin couture navy and white chequered print silk afternoon dress, 'Inquietude', Summer, 1934, large woven and dated label, no 50725, with detachable pleated 'pierrot' collar, bust 86cm, 34in'Femina' August 1923, p42 shows similar Pierrot collars.Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Stains and tears at underarms, discolouration between rear shoulder blades, small splits along neck edge. 3 light brown stains centre front bodice, couple of soil marks on skirt. In need of conservation. Detachable collar is good condition.

Lot 521

An Officer's dress sword and scabbard from the Rifle Volunteers, 96cm long

Lot 106

A tray of watches; costume jewellery; dress rings etc.

Lot 252

TWO CONTINENTAL PAINTINGS ON TIN, depicting figures in traditional dress in domestic scenes, figures leaning out of window and lovers embracing, approximately 19.5cm x 15.5cm (2)

Lot 399

A PLATINUM DIAMOND SET DRESS RING, round brilliant cut diamond approximately 0.7ct, claw set to centre, having six round brilliant cut diamonds set to each shoulder, approximately 0.16ct (size P)

Lot 204

A CONTINENTAL PORTRAIT STUDY, lady and gentleman in traditional dress in mountainous landscape, oil on canvas (relined), approximately 105cm x 79cm

Lot 55

An 18ct four-stone diamond dress ring: total diamond weight 1.20ct

Lot 154

A quantity of dress jewellery to inc necklaces, earrings etc

Lot 56A

18ct Fiorella 3 stone diamond dress ring

Lot 62A

18ct diamond set dress ring in Cartier style settings

Lot 36

An 18ct diamond dress ring set with central 0.82ct emerald cut diamond, with surrounding brilliant cut diamonds and split shank diamond set shoulders

Lot 24

An 18ct diamond solitaire dress ring, central stone 0.72 ct (Scale Weight) set within a halo of diamonds and diamond set shoulders

Lot 50

An 18ct diamond dress ring, the central brilliant cut stone 0.73ct surrounded by brilliant cut stones and diamond set shoulders

Lot 143

A 9ct dress ring; together with a diamond set 9ct bar brooch, and 9ct drop earrings with enamelled finish

Lot 45

An antique diamond dress ring, the three central stones(1.37ct, 0.95ct and 0.98ct) in ornate diamond set shank

Lot 141

A 9ct aquamarine and diamond set dress ring, the central stone approx 5ct with diamond set shoulders

Lot 68

A 9k opal and topaz dress ring

Lot 124

A 9ct stone set dress ring

Lot 58A

18ct Princess & Brilliant cut diamond dress ring

Lot 28

An 18ct diamond dress ring, the central emerald cut diamond 0.74ct, with two stepped rows of brilliant cut diamonds surrounding, diamond set shoulders

Lot 109

An 18ct diamond and emerald dress ring

Lot 26

An 18ct diamond dress ring, the central emerald cut diamond 1.91ct with two brilliant cut diamonds to each side

Lot 34

An 18ct rose gold asscher cut diamond dress ring, the central stone 0.66ct set within an annulet of brilliant cut diamonds and diamond set shoulders

Lot 125

A 9ct stone set dress ring

Lot 123

A 9ct stone set dress ring

Lot 145

A quantity of dress jewellery and watches

Lot 142

An Art Deco-style filigree diamond set dress ring, set with brilliant cut and baguette diamonds in symmetrical pattern

Lot 75

An 18ct and platinum five-stone diamond dress ring

Lot 114

A quantity of vintage dress jewellery

Lot 106

Three 9ct dress rings

Lot 151

A quantity of dress jewellery to inc watches, silver ingot, earrings etc

Lot 203

A solid 925 silver figure of a girl in 18th century dress 30cm high (1535 grams)

Lot 127

A quantity of dress jewellery to inc earrings, necklaces, diamante, glass beads etc

Lot 27

A large 4.61ct pear-shaped diamond dress ring, in an 18ct mount, the central stone surrounded by two rows of brilliant cut stones and with the shank diamond set with three rows of brilliant cut stones for three quarters of the length

Lot 4

GENTLEMAN'S TANZANITE AND DIAMOND DRESS RING the central oval cut tanzanite approximately 0.7cts in diamond surround totalling approximately 0.75cts, on heavy fourteen carat gold shank, ring size R-S

Lot 194

EIGHTEEN CARAT WHITE GOLD RUBY AND DIAMOND DRESS RINGset with three oval rubies and a single diamond, size N

Lot 47

DIAMOND DRESS RINGthe bezel formed by three graduated ovals with grain set round diamonds, on bifurcated diamond shoulders, in nine carat gold, size R

Lot 172

MID TWENTIETH CENTURY DIAMOND DRESS RING9g set with a principal round brilliant cut diamond in an open work round brilliant cut diamond set bezel with scrolling designs, on open bifurcated shoulders

Lot 54

AQUAMARINE AND DIAMOND DRESS RINGthe central oval aquamarine 9.5mm long and surrounded by round diamonds, with blue gems to the bezel sides, on diamond set shoulders, in eighteen carat white gold, size N

Lot 182

DIAMOND DRESS RINGwith five round brilliant cut diamonds set to either side of a waved band, in eighteen carat gold, size O

Lot 63

DIAMOND DRESS RINGthe floral motif bezel with a central round brilliant cut cognac coloured diamond of approximately 0.93 carats surrounded by round brilliant cut diamonds totalling approximately 0.65 carats, in eighteen carat white gold, size N

Lot 179

DIAMOND DRESS RINGthe heart shaped bezel with grain set diamonds, in eighteen carat white gold, size L-M

Lot 69

DIAMOND DRESS RINGset with a single marquise cut diamond of approximately 0.30 carats and a single round diamond, in platinum, size G

Lot 68

BLUE AND WHITE DIAMOND DRESS RINGset with a central row of channel set graduated princess cut blue diamonds, flanked by two half rows of round white diamonds, in fourteen carat gold, size M-N

Lot 170

EIGHTEEN CARAT WHITE GOLD DIAMOND DRESS RINGwith rows of channel set diamonds, size N

Lot 16

PEARL AND CORAL DRESS RINGthe central white round split pearl surrounded by round sections of coral, in nine carat gold, size N

Lot 90

DIAMOND DRESS RINGwith a single countersunk brilliant cut diamond of approximately 0.65 carats, in eighteen carat gold, size L-M, 10.9g

Lot 238

SILK WEDDING GOWN COVERS, 'My First Wedding Dress' and 'My Second Wedding Dress'.

Lot 178

A large box of assorted dress watches.

Lot 219

A collection of costume jewellery, ladies and gents quartz dress watches and novelty jewellery boxes etc.

Lot 335

Eight gents dress watches including stainless steel bracelet watches.

Lot 266

A box of assorted dress watches costume jewellery and collectables.

Lot 179

A box of assorted dress watches mainly gents and including chronographs.

Lot 117

CAROL II: (1893-1953) King of Romania 1930-40 & HELEN (1896-1982) Princess of Greece and Denmark, the daughter of King Constantine I of Greece. A fine vintage signed 7.5 x 10 photograph by both the future King Carol and his wife Princess Helen individually, the image depicting the Crown Prince standing in a full length pose, in military uniform, alongside his bride, wearing a simple white dress and with a Romanian 'Greek Key' tiara upon her head, on the occasion of their wedding day. The Royal couple are accompanied by their two bridesmaids, one of whom is the bride's sister, Katherine, and are also seen wearing simple white dresses and chaplets. Signed ('Carol') by the Crown Prince and signed ('Helene') by the Princess, both in fountain pen ink at the base of the image, the Princess adding the date 1921 in her hand. Also signed ('Katherine') by their bridesmaid in bold, dark fountain pen ink with her name alone to a light area at the base of the image. VG Katherine (1913-2007) Princess of Greece and Denmark, daughter of King Constantine I of Greece. Crown Prince Carol and Princess Helen first met in 1920 following the conclusion of Carol's round the world trip which he had taken to forget his morganatic wife Zizi Lambrino (1898-1953) whom he had married in 1918 (the marriage was annulled a year later). On a train journey from Greece to Switzerland Helen fell in love with the heir to the Romanian throne and soon after their arrival in Switzerland Crown Prince Carol asked for Helen's hand in marriage, much to the joy of the Queen of Romania, but not to the princess' parents. Their engagement was announced in Zurich in November 1920 and they were married in the Metropolitan Cathedral in Athens on 10th March 1921. Being the first Greek Princess to marry in Athens, Helen wore the Romanian 'Greek Key' tiara, a gift from her mother-in-law. Following their two month honeymoon, the newlyweds returned to Romania on 8th May 1921, the Princess already pregnant and giving birth to their only son, Prince Michael, just seven and a half months after the wedding.  King Carol II was the first member of the Romanian royal family to be raised in the Orthodox faith. Married three times, Carol possessed a hedonistic personality that contributed to the controversies and misrule that marred his reign. On 6th September 1940, he was forced by his Prime Minister, Ion Antonescu, to leave his country and withdraw into foreign exile. Princess Helen of Greece and Denmark was noted for her humanitarian efforts to save Romanian Jews during World War II and was titled Queen Mother of Romania during the reign of her son, King Michael, from 1940-47.  

Lot 177

ELIZABETH II & PRINCE PHILIP: ELIZABETH II (1926-     ) Queen of the United Kingdom 1952-     & PRINCE PHILIP (1921-     ) Duke of Edinburgh, husband and consort of Queen Elizabeth II. An excellent, large signed colour 21.5 x 29.5 photograph by both Queen Elizabeth II and Prince Philip individually, the formal image showing the Queen seated in a full length pose and with her husband standing in a full length pose behind her. Both wear full formal dress and are seen within a corridor of Buckingham Palace. Photograph by Peter Grugeon. Signed ('Elizabeth R') by the Queen and signed ('Philip') by the Prince, both in dark fountain pen inks to the lower photographer's mount. The Queen has also added the date, 1980, in her hand. Framed and glazed in the original gold coloured wooden frame (some minor faults) to an overall size of 24 x 32. A particularly fine signed Royal portrait, and quite desirable in this larger format. About EX Peter Grugeon (1918-1980) English Photographer, famous for his portraits of the British Royal family from in the 1970s. In 2015 Queen Elizabeth II became the longest reigning British monarch, surpassing the reign of her great-great-grandmother, Queen Victoria, and is the longest reigning Queen regnant and female head of state in world history. (See also lots 125 & 140) Following World War II Philip was granted permission by King George VI to marry Elizabeth. Before the official announcement of their engagement, he abandoned his Greek and Danish royal titles and became a naturalised British subject, adopting the surname Mountbatten from his maternal grandparents. After an engagement of five months, he married Elizabeth on 20 November 1947. Just before the wedding, he was created Duke of Edinburgh. He is the longest-serving consort of a reigning British monarch and the oldest-ever male member of the British royal family.     

Lot 160

HIROHITO (1901-1989) Emperor Showa of Japan 1926-89 & KOJUN (1903-2000) Empress Consort of Emperor Showa of Japan. An exceptional, very fine pair of vintage signed 9.5 x 12.5 photographs by Emperor Hirohito and Empress Kojun individually, the images depicting them both standing in formal three quarter length poses, the Emperor wearing a suit and the Empress in traditional Japanese dress. Signed by both with their names alone, in Japanese characters, in bold, dark fountain pen inks to light areas of the images. Individually framed and glazed in the original attractive sterling silver presentation frames, both featuring the Imperial Japanese seal at the head, to overall sizes of 12 x 15 each. Both are contained in their original wooden boxes. A rare pair of signed portraits. EX                          Provenance: The present photographs were presented to Thomas Clayton Davis (1889-1960) Canadian Lawyer, Judge & Diplomat, while serving as the Canadian Ambassador Extraordinary and Plenipotentiary to Japan, June 1954 - March 1957. Prince Hirohito married his distant cousin Princess Nagako Kuni (the future Empress Kojun) on 26th January 1924. Empress Kojun was Empress Consort from 1926 to 1989, making her the longest lived Empress Consort in Japanese history. Hirohito, or Emperor Showa as he is more commonly known in Japan, began his reign whilst Japan was already one of the world's great powers. He was head of state under the Constitution of the Empire of Japan during Japan's imperial expansion, militarisation and involvement in World War II. During the post-war period Hirohito became the symbol of the new state and Japan's recovery, and by the end of his reign, Japan had emerged as the world's second largest economy.    

Lot 81

WILHELM II: (1859-1941) German Emperor & King of Prussia 1888-1918. A good, large vintage signed Imperial cabinet photograph of the Kaiser in a head and shoulders pose wearing his full military dress adorned by various medals and orders and a damask sash. Photograph by Reichard and Lindner of Berlin. Signed ('William I.R.') with the English form of his signature, as Imperator er Rex (Kaiser and King) to a clear area at the head of the image and dated 1889 in his hand. Bearing the photographer's stamp and date, 1888, to the base of the image and lower photographer's mount and with photographer's imprint to the verso. An impressive signed photograph. Some very light, minor overall foxing, otherwise VG The present image was captured by the Berlin photographers Reichard and Lindner in the first year of the Emperor's reign. Wilhelm II served as the last German Emperor from 1888, ending with his abdication in 1918. In 1890 he dismissed the Chancellor Otto von Bismarck and launched Germany on an aggressive 'new course' of foreign affairs that culminated in his support for Austria-Hungary in the crisis of July 1914 that, within a matter of days, led to World War I.  

Lot 125

ADAMS MARCUS: (1875-1959) British Society Photographer, noted for his portraits of children. An interesting archive of letters, personal papers, original photographs and drawings etc., previously belonging to Adams, featuring correspondence between Adams and his sitters, most notably the young Princess Elizabeth, the future Queen Elizabeth II, and quite possibly including the earliest signature of the monarch (aged 3 years) to have ever appeared at auction. The archive includes – (i)                 An extremely early, bold pencil signature (‘Elizabeth’) by Princess Elizabeth, at just 3 years of age and most likely executed with the assistance of her nurse, Clara Knight (1879-1946), known as ‘Allah’ within the Royal household, at the foot of an A.L.S. C Knight, by Knight, one page, 8vo, Piccadilly, 18th December 1929, to Marcus Adams, announcing ‘Your beautiful holly has made us look like Xmas already! The Princess says I am to say “Thank you very much for your lovely holly”. I don’t think I have ever seen such wonderful berries’.(ii)               A remarkable and charming series of three folio sheets of paper removed from Marcus Adams’ sketchbook and featuring a series of bold pencil sketches and doodles accomplished by the three year old Princess Elizabeth, with the assistance of the photographer, the first image is open to interpretation and depicts the head and neck of what could either be described as a somewhat fierce looking animal with cat like features, or a human with a rather angry stare, annotated by Adams ‘Drawn by Marcus Adams July 31st 1929 with the aid of Princess Lillybet (sic) in the children’s studio, London’, the outline of the drawing, including the ears, most likely in the hand of the Princess and the facial features, in particular the eyes, most likely in the hand of Adams. A long arched line appears above the drawing, again annotated by Adams, ‘This line was drawn by Princess Lillybet (sic) July 31st 1929’, the page also featuring the surname ‘Adams’ written in capital letters, evidently by the photographer himself. The second page features a pencil list in the hand of Adams (including ‘Bulbs, Seeds, Roses, Sweetpeas’ and other garden and household items) over which appear a series of drawings of animal heads, most resembling cats, again evidently drawn principally by Adams in an attempt to teach the young Princess how to draw, but also with some less well accomplished drawings of animal heads, undoubtedly the efforts of the Princess. The third page features a pencil drawing by Adams of a large country house and gardens, with a sole figure walking across the lawn and with a large tree in the foreground, the page featuring a series of somewhat random and bolder pencil lines, scribbles and circles etc., obviously the work of the young Princess. The name Lilybet appears at the base of the page, in the hand of Adams, and is heavily crossed through in pencil, presumably by the Princess.(iii)             A rare, early A.L.S., Elizabeth, one page, 8vo, Piccadilly, 18th December 1933, to Marcus Adams (‘Dear Mr. Adams’), stating, in full, ‘Ever so many thanks for the lovely holly you sent me today, and the Xmas cards. Wishing you a very happy xmas, from Elizabeth’. Accompanied by the original envelope hand addressed by the Princess. Some light overall staining and soiling, slightly affecting the text and signature.(iv)              A fascinating autograph manuscript signed (‘Marcus Adams’) by Adams entitled ‘Notes’ on my contacts with the Royal Family from 1928 to present day, nine pages, 4to, n.p., 1958, stating, in part, ‘…the curtain is completely raised to reveal the understanding of prophecy. The world will be awakened to realise the importance of this age and how vital the birth of Princess Elizabeth is in the fulfilment of things come…For this reason I appreciate… and feel highly honoured to have had the opportunity of making exclusive portrait records of the early life of this important personality……I have produced a series of portraits that convey the dignity of Royalty combined with a standard that justify my efforts, they are not just mere snapshots taken in a careless and casual fashion that may be news today and forgotten soon after… but never reach the standard of dignity that the Royal family deserve…Events can be recalled at the time of the Coronation of King George, when in one day over 200 called at the studio for press copies… to say nothing for the telephone calls… It was estimated that one particular group was produced… to some thousand million imprints. Besides the actual press there was always a constant request for right to reproduce… on mugs, jigsaw puzzles, handkerchiefs… babies rattles, almanacs, these all had be considered on their own merits, if any doubt was involved it was always referred to the Controllers of the Palace …I well remember on one occasion at Windsor the leading cable got so warmed up it showed signs of burning…I recall an incident that happened during the sitting my assistant whispered to me that the focussing screen had smashed. I met the circumstance calmly by taking two stamps from my wallet and sticking it together. The King who was always alert, remarked What’s the trouble Adams, Oh only the screen is broken and I am mending the bits with two of your fathers portraits, they acted in a perfect fashion and we can proceed with all speed….I was working with the late Queen Mary and Princess Elizabeth, she was in a great hurry, so I lost no time… After I had finished my part Her Majesty turned to Mr. [Bertram] Park and said, As Marcus Adams has been so quick I can spare you time to make some pictures of me, which dress would you like best… Thus Mr. Parks made some interesting studies, whilst I acted as his assistant. She [Elizabeth] was a child and I treated her as a child… a sitting would last about an hour. During one sitting complete with baby Margaret and the parents: my son tells me I exposed about 300 plates, it was probably the most difficult task I had encountered…’ Stapled within stiff card wrappers bearing the ink title and signature of Adams to the front cover.(v)                A.L.S., Marcus Adams “Gollywog”, one page, 4to, Swallowfield, Berkshire, Christmas 1931, to ‘H.R. Princess Elizabeth’, stating, in full, ‘A sprig of Holly and a big wish for a very Happy jolly & Bright Xmas from the Hills of Oxfordshire and the sender’.(vi)              A collection of ten folio pages removed from a scrapbook belonging to Adams and with various A.Ls.S., T.Ls.S., autograph notes, a few pencil drawings, some original photographs by Adams, Bertram Park and Howard Coster (some loose and most neatly laid down to pages) etc., all relating to the photographer’s work with the British Royal family and others, 1929-34,(vii)            A collection of correspondence comprising around 60 A.Ls.S., T.Ls.S., a few telegrams etc., from various individuals, most ladies-in-waiting to various members of the British Royal family but also including some other notable individuals, all to Marcus Adams or his son Gilbert Adams, late 1920s-1990, most on the subject of photographs, thanking Adams for prints or arranging appointments etc.,An exceptional archive of material containing several extremely rare examples of the autograph of the young Queen Elizabeth II in various forms. Some age wear, generally G to VG, Qty. Owing to restrictions imposed by the-saleroom the complete catalogue description can not be shown here. Please contact the auctioneers for further details.  

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