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A sapphire and diamond Art Deco dress ring, the octagonal shallow sapphire in a rub over setting, measuring 10.5mm x 12mm, surrounded by baguette cut and round brilliant cut diamonds, the baguettes each approximately 0.10ct and 0.15ct, with twelve round brilliant cut diamonds each approximately 0.02cts, in a platinum setting, on a raised scroll basket, with etched shoulders, yellow metal tests as 18ct, ring size O, 5.7g all in.
A tanzanite and diamond dress ring, the rectangular faceted tanzanite in four claw setting, 10.6mm x 7.8mm x 4.8mm, flanked by four square cut diamonds, each approximately 0.25ct and baguette cut diamond shoulders, yellow metal stamped 14k, the band marked 4.84 hot, ring size M½, 6.5g all in.
An emerald and diamond dress ring, with three old cut diamonds alternating with two square emeralds in a rub over setting, one diamond totalling 0.35ct two diamonds totalling 0.21ct and two square emeralds totalling 0.74ct, with tapered flat sized shank, ring size N½, yellow metal unmarked believed to be 18ct gold, 3.6g all in.
A rare set of three children's miniature sample clothes and accessories exquisitely executed and contained in a cardboard tray inscribed in old ink 'Foundling Cloaths without pins made for a Pattern for A. Ja **ns to make by Decemr 1751', comprising full length apron, 30 x 9cms, a square - perhaps a pillow case, 11.5cms sq., and a jacket, 30 x 12.5cms. (4). It is likely that these evocative sample pieces originate from the Foundling Hospital founded in London in 1739 by the Sea Captain Thomas Coram for 'The education and maintenance of exposed and deserted young children'. The provision of clothing for foundlings was influenced by the Honorary Medical Attendant - William Cadogan (1711-1797) who was appointed in the 1740's. In 1748 he published his text - An Essay Upon Nursing And Management of Children From Their Birth to Three Years of Age - based on his experience with foundlings. In 1749 Cadogan was appointed a Governor of the London Foundling Hospital, in 1752 (a year later than the tray inscription) he moved from Bristol to London and the following year he was appointed Physician at The Foundling Hospital. Cadogan was strongly opposed to the swaddling of infants - clothing for children should be light and simple. The clothing of children was a constant consideration for the Hospital, by 1781 agreement was reached on a standard 'Foundling Dress' advocated by Cadogan. A Connoisseur's Collection
Clothing, etc., comprising two early 20th Century christening gowns, a lady's dress circa 1920 with buttoned sleeves, a pair of embroidered lady's kid leather gloves, an evening full length pair, a fingerless lace pair, and two miniature sample apron panels each inscribed in ink 'E.E. Gill' and with silk embroidered label 'Kislingbury', both s.d., 24 and 17cms. The last two probably Kislingbury, Northamptonshire.
Victoria (1819-1901). Queen of Great Britain & Ireland, 1837-1901. A pair of albumen print cabinet cards, c. 1888, the first by G.P. Cartland, Windsor, showing Saiyad Ahmad Hussain and Hafiz Abdul Karim, standing side by side with turbans and royal household dress with royal insignia, the other by Byrne & Co., Richmond, of Muhammed Buksh and the infant Prince Alexander of Battenberg held on his left arm, the latter with original tissue-guard, both loosely contained in an original royal envelope with mourning border and monogram to verso, inscribed in Victoria's hand for Viscount Cross and signed 'The Queen' in abbreviated form lower leftQTY: (3)NOTE:Richard Assheton Cross, 1st Viscount Cross (1823-1914), British statesman and Conservative politician who served as Home Secretary 1874-1880 & 1885-1886.The subjects of both photographs are very neatly identified in blue ink by Queen Victoria to lower imprint area of mount and dated 1888. 'Ahmed Husin' was engaged as one of the Queen's Indian attendants in 1888 and accompanied her to Balmoral that June. 'Hafiz Abdul Karim' was recruited as an Indian servant for Queen Victoria's Golden Jubilee. The Queen became interested in learning Hindustani in order to converse with Abdul and as a loyal friendship ensued, Abdul was promoted to 'munshi' in August 1888. 'Muhamed Bukksh' was engaged as one of the Queen's attendants in 1887 and left her service in 1895. He is pictured with 'little Alexander Battenberg'. Alexander Mountbatten, 1st Marquis of Carisbrooke (1886-1960), the last surviving grandson of Queen Victoria.
A collection of gem-set jewellery to include a pair of 18ct gold emerald and diamond set cluster earrings, a pair of opal and diamond cluster earrings, unmarked; two more pairs of opal earrings, unmarked; an 18ct gold sapphire and diamond eternity band, a large 9ct gold opal dress ring; and a synthetic opal and colourless gem-set ring, stamped 925
Girard-Perregaux: a late 1970s dress watch Gyromatic model, the case marked 18K 750 to the interior, signed Girard-Perregaux Gyromatic automatic movement numbered 328569, square gold dial with applied bevelled baton hour markers, date aperture at 3, outer seconds track, gold pencil hands, on a gold mesh bracelet strap with foldover bracelet clasp, in box, no papers(Case: 29mm excluding crown)
Omega de Ville: a late 20th-century dress watch white metal case marked 750 to the interior, signed Omega calibre 625 manual wind movement numbered 35215163, signed rounded square silver-coloured cross hatch dial, applied silver-coloured baton hour markers, pencil hands, textured case edge, on an integrated textured gold bracelet strap, foldover clasp with Omega logo and marked 750, in box, no papers(Case: 32mm excluding crown)
A pair of Victorian Mary Gregory cranberry glass vases. Height 23 cm. CONDITION REPORT: Both vases are generally in good order with no major issues. The gilding to the top rim is rubbed to both vases. Both vase top rims have very minor nibbles, mostly to the sharp inner edges. This is more pronounced on one than the other. The right hand vase (figure facing inwards) has a surface scratch to the dress of the girl. Both vases have a few small air bubbles.
Lladro & Nao - An assortment of three vintage 20th century Spanish bone china figurines to include a a lladro lady figure with parasol (not attached), a Lladro figure in the form of a girl pouring flowers from with dress skirts into a basket below and a Nao cat figure in original box. Some chips to flowers. Measures 26cm tall.
Andalusian School, Circle of JUAN MARTÍNEZ MONTAÑÉS (Alcalá la Real, Jaén, 1568 - Seville, 1649); 17th century."Infant Jesus".Carved and polychrome pine wood.The right foot has been restored.It has faults in the carving.Measurements: 46 x 14 x 13 cm.Round sculpture representing the Baby Jesus, the figure is naked, with articulated arms, which indicates that it is a figure conceived to dress, which were very popular during the Baroque period. This work is stylistically related to the Spanish Baroque, revealing a special influence of the great master of the Sevillian sculptural school of the 17th century, Juan Martínez Montañés. The material preferred by Montañés was always polychrome wood, with the collaboration of great painters, including Francisco Pacheco, Velázquez's master. He enjoyed great fame and popularity, becoming known in Seville as "the god of wood" and in Madrid as "the Andalusian Lysippus". His art, which he passed on to his pupils in his studio, was inspired above all by the natural, sometimes showing more classicist characteristics than Baroque ones. Towards the end of his career, however, he evolved towards a fully Baroque realism. Formally, the classical elegance and harmony, the basis of Baroque works with a mountain influence, stand out. It is, above all, a fully naturalistic work, idealised in terms of the subject matter, but highly realistic and expressive. In the Sevillian environment, the 17th century was a period of enormous economic and, therefore, artistic boom.
TRIADE DE PADMASAMBHAVA ET SES ÉPOUSES, MANDARAVA ET YESHE TSOGYAL, EN ALLIAGE DE CUIVRE DORÉTIBET, CIRCA XVIIE SIÈCLEWith an original silver skull-cup (kapala) mounted within Padmasambhava's left hand.Himalayan Art Resources item no. 4810 24 cm (9 1/2 in.) high Footnotes:A GILT COPPER ALLOY TRIAD OF PADMASAMBHAVA AND HIS CONSORTS, MANDARAVA AND YESHE TSOGYALTIBET, CIRCA 17TH CENTURY西藏 約十七世紀 銅鎏金蓮花生大士與曼達拉娃及益西措嘉像Provenance:With Claude de Marteau, Brussels, by 1970sOne of the finest known examples of this rare, complete subject, the present gilt bronze triad depicts Padmasambhava—the 'Lotus Born'—according to his creation myth, joined by his two wives. Padmasambhava is credited with introducing Buddhism in Tibet in the 8th century. He is also the root guru of the Nyingma order, who regard him as a 'Second Buddha' and maintain he planted treasure teachings (terma) throughout the Himalayas to be discovered when the world is ready. According to traditional biographies, Padmasambhava was miraculously born in the center of a lotus blossom on Lake Danakosha in Oddiyana, which this sculpture commemorates. In delightful detail, two fish, a duck, a goose, an auspicious conch, and a mythical crocodile (makara) populate the lake's swirling vegetal waters envisioned by the ensemble's base. Padmasambhava is joined by his two consorts and close disciples, each smaller and seated on a lotus flower stemming from the same central stalk. His first consort, Mandarava (viewer's left), was a princess from Himachal Pradesh in Northwestern India and is therefore depicted wearing Indianized dress consisting of a pleated sari, large plug earrings, and jewelry with triangular foliate designs. She raises her hands in the age-old gesture of entreaty (anjali mudra), and the branching lotus stem below her also blooms a blue lily. His second consort, Yeshe Tsogyal (viewer's right), hailed from an aristocratic family in Central Tibet, and is therefore dressed in a heavy royal Tibetan cloak and wears floral-medallion earrings with small piercings. She wields the scented skull cup, a vajrayana implement, while displaying the gesture of teaching (vitarka mudra) with her other hand. Below, her stem also sprouts a white lotus bud. Tsogyal, whose name means 'Victor of the Lake', is considered the first Tibetan to have achieved Buddhahood in a single lifetime. The present ensemble ranks highly among a range of other examples depicting this subject listed as HAR set no. 5068. Exquisitely cast, thickly gilded, and featuring a particular style of long, plump lotus petals with frilled tips, this sculpture joins a growing body of sculptures being attributed to Tashi Lhunpo monastery in Shigatse, Central Tibet (for further discussion, see Luo, 'Tashi Lhunpo Statuary: Karma and Mt Meru', in Bonhams, Hong Kong, 26 November 2019). Tashi Lhunpo is the traditional monastic seat of the Panchen Lama, the Gelug order's second-in-command, and maintained a particularly close relationship with the Qing court during the reign of the Kangxi emperor (1662-1722). A related bronze of Panjaranatha Mahakala was sold at Bonhams, New York, 19 March 2019, lot 928.For further information on this lot please visit Bonhams.com
A South Sea cultured pearl and diamond dress ring by Mikimoto, from the ‘World of Creativity’ collection, the domed ring of radiating openwork design composed of four tapered brilliant-cut diamond set bands, centred with a golden cultured pearl, signed ‘MIKIMOTO’ and stamped ‘750’, total diamond weight approximately 1.02 carat, pearl diameter approximately 12mm, ring size N. £1,500-£2,000
A chrysoberyl and diamond dress ring, circa 1890, the oval mixed-cut chrysoberyl claw-set within a surround of single cut diamonds, spaced by six old-cut diamonds in raised collets, gold and silver mounted, with partial ‘9ct’ stamp, total diamond weight approximately 0.24 carat, ring size I. £500-£700
A collection of jewellery, comprising a 9ct gold mounted mother-of-pearl dress set, a Victorian silver chain and locket, a plaited silver bracelet, an enamel buckle, a silver hoop brooch, a pietra dura brooch, an Art Nouveau style brooch, a pair of nephrite ear pendants, and a silver dome ring, various lengths and sizes. (Quantity) £100-£150
Of Nelson interest: A small rectangular case, with hinged lid, the front bearing an oval enamelled portrait of Admiral Lord Nelson, wearing full dress uniform of a Rear Admiral with orders and decorations, the obverse depicting Lady Emma Hamilton, in red gown, holding a spaniel, the portraits within scroll engraved decoration, white metal unmarked, length 32mm. £100-£150 --- The portrait of Lord Nelson is after John Hoppner, commissioned 1801, the original now in the Royal Collection Trust; the obverse is after the portrait of ‘Lady Hamilton as Nature’, by George Romney, dated 1782, now in the Frick Collection, New York.
A DIAMOND DRESS RING, composed of a trio European-cut diamonds within collet-setting, to a surround and shoulders of similarly-cut diamonds, mounted in 18K gold, diamonds approximately 1.00ct total, ring size NCondition Report: Diamonds: approx. 1.00ct total, estimated colour I/J/K, estimated clarity SIStamped 18KNormal signs of wear, overall in good condition
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