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Lot 1105
CARTIER - a set of 3 Art Deco diamond ribbon bow dress studs, 1 having en tremblant drop, set with rose-cut diamonds, signed Cartier Paris, largest height 23mm, 11.4g total (3)2 are lacking tassel drops, all stones present, backing posts are slightly bent, otherwise no obvious damage or repair, 2 are signed
Lot 1031
A platinum cased and diamond set lady's dress wristwatch with unsigned jewelled movement, the silvered dial with Arabic numerals, the case surround and strap mountings set with circular cut diamonds, case width 1.1cm, length 7.1cm, on a black cord strap, cased.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1007
A Gelda platinum cased and diamond set lady's dress wristwatch with signed oval jewelled movement, the silvered dial with Arabic numerals, the case mounted with circular cut diamonds, fitted to a later associated bracelet with foldover clasp, unmarked, total weight 24g, case width 1.6cm, case length 6.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1021
A Hamilton white gold and diamond set lady's dress wristwatch with signed square dial, the watch case with diamond set terminals, case width 1.5cm, on a colourless paste set bracelet, together with a Benrus gold square cased lady's wristwatch, the case back detailed '14kt', case width 1.6cm, on a gilt metal expanding bracelet.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1010
A J.W. Benson London 18ct gold keyless wind half-hunting cased dress watch, the jewelled lever movement detailed 'Swiss Made', the signed silvered dial with Arabic numerals and subsidiary seconds, the inner case presentation inscribed, import mark London 1923, the case back exterior engraved with a coronet above an S, weight 59.1g, case diameter 4.5cm, the original leather case with gilt tooled presentation inscription.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 148
ALEJANDRO CHRISTOPHERSEN (ARGENTINIAN 1866-1945)PORTRAIT OF A LADY IN A GREEN HAT HOLDING A FOLIOOil on canvasSigned (lower left)60 x 80cm (23½ x 31¼ in.)Provenance: From the Estate of the late Jean-Claude Ciancimino Condition Report: The canvas has been relined, but the surface impasto appears well preserved. Some light surface dirt and discolouration of the varnish, would benefit from a clean. UV light reveals a restoration of approximately 3 cm above the brown of the dress at the height of the seam as well as a restoration of approx. 10 cm in the woman's right shoulder, where there also is a visible area of light craquelure. Otherwise UV reveals minor scattered retouching. Condition Report Disclaimer
Lot 23
FOLLOWER OF SIR PETER LELYPORTRAIT OF A LADY, SEATED IN A LANDSCAPE, THREE-QUARTER LENGTH, IN A BROWN DRESS Oil on canvas133 x 101cm (52¼ x 39¾ in.)Provenance:The Wodehouse, Wombourne, StaffordshireCondition Report: The canvas has been lined, but is now a little slack. Craquelure and surface dirt throughout. Stretcher marks visible. Light surface dirt and superficial scratches throughout. There are one or two isolated spots of flaking which have been re-painted. These are slight and barely noticeable. Light rubbing and abrasions to the framing edges. Inspection under UV reveals retouching and infilling throughout, together with a heavy, green masking varnish which is preventing inspection of further restoration.Condition Report Disclaimer
Lot 25
TILLY KETTLE (BRITISH 1735-1786)PORTRAIT OF A LADY, SEATED THREE-QUARTER LENGTH, IN A LANDSCAPE Oil on canvas Signed (lower left)124 x 99.5cm (48¾ x 39 in.)Provenance:Colonel Thomas Shaw-Hellier (1836-1910)The Wodehouse, Wombourne, StaffordshireExhibited:Wolverhampton Art and Industrial Exhibition, 1902, no.1Condition Report: The canvas has been relined. Paint layers appear stable and surface impasto appears well preserved. Very fine surface cracking throughout and some courser surface cracking mainly in the lighter pigments of the skin and the dress. A layer of surface dirt and discoloured uneven varnish, would benefit from a clean. UV reveals areas of retouching mainly in the background areas, as well as in the sitter's forehead and around her hand. Much of this retouching seems excessive and restoration could reduce it considerably. Condition Report Disclaimer
Lot 26
MANNER OF RAPHAEL MADONNA AND CHILDOil on panel57 x 42.5cm (22¼ x 16½ in.)Provenance: Sale, Coope Collection Christie's, 6 May 1910, sold 12 gnsWoodleys House, Woodleys, Woodstock, Oxfordshire, the home of four generations of a branch of the Ponsonby family for over 140 yearsCondition Report: Panel is supported by two vertical wooden stretchers on the reverse, which may well be original. Four horizontal cracks are visible, running from the left edge through to the centre of the work. UV reveals retouching in these areas as well as scattered retouching across the image, particularly on the Madonna's dress. The panel is slightly warped. It appears to have been cleaned, but there are areas of left varnish. Condition Report Disclaimer
Lot 44
FOLLOWER OF GERARD VAN HONTHORSTPORTRAIT OF A LADY, TRADITIONALLY IDENTIFIED AS LADY ELEANOR TEMPLE, WIFE OF SIR PETER TEMPLEOil on panel Dated 1636 (upper left) and inscribed on a label (on the reverse)71.5 x 57cm (28 x 22¼ in.)Condition Report: The panel has two vertical splits running the full length of the portrait. These splits have been in-filled and this is visible in natural light. Wooden supports have been added verso to the corresponding areas (see images online). There is an uneven layer of varnish which has caused the paint surface to appear matt and discoloured in some parts of the background. There is also retouching here which is visible in natural light. Some of this pigment has also been scrubbed and is wearing thin. Retouching to the sitter's dress has discoloured and is therefore visible in natural light. Rubbing and abrasions to the framing edges. Inspection under UV reveals retouching scattered throughout and traces of a green masking varnish. Measurements with frame: 86 x 71.5cmCondition Report Disclaimer
Lot 45
DUTCH SCHOOL (17TH CENTURY)PORTRAIT OF A LADY, BUST-LENGTH, WEARING A BLACK DRESS IN A FEIGNED OVAL STONE CARTOUCHEOil on panel15.8 x 13.3cm (6 x 5 in.)Provenance:Sale, Christie's, London, 17 July 1986, lot 194Condition Report: Surface dirt, scratching, and scuffs to the panel which has also been re-varnished. The paint is wearing thin in some isolated areas, predominantly in the background and framing edges. There are several small areas of retouching, again predominantly to the background, which can be seen in a natural light, including a horizontal line (approx. 10cm) running parallel to the lower framing edge. Inspection under UV light reveals scattered retouching as mentioned above, and a green cloudy masking varnish, which may be obscuring further retouching.Measurements including frame 37 x 34 cm.Condition Report Disclaimer
Lot 53
CIRCLE OF ALLAN RAMSAY (SCOTTISH 1713 - 1784)PORTRAIT OF A LADY, WEARING A GREEN LACE TRIMMED DRESS, BUST- LENGTH, IN A PAINTED OVALOil on canvas74 x 62cm (29 x 24¼ in.)Condition Report: The canvas has been relined and is on a later stretcher. Fine surface cracking throughout as well as visible stretcher marks. Paint layers appear stable. UV reveals areas of broader retouching in the background areas as well as filled in surface cracking in the sitter's face. Condition Report Disclaimer
Lot 6
JAMES SHAW (BRITISH FL.1769-1784) PORTRAIT OF A GIRL, HALF-LENGTH, IN A PINK DRESS, HOLDING A BASKET OF APPLES Oil on canvas, in a Rococo frame 76 x 59cm (29¾ x 23 in.) Provenance: The Wodehouse, Wombourne, StaffordshireThis picture is closely related to Sir Joshua Reynolds' portrait of Miss Edgecumbe in the Museum of Fine Arts, Boston.
Lot 89
AUGUSTUS LEOPOLD EGG (BRITISH 1816-1863)PORTIAOil on canvasSigned (lower left)42 x 31.5cm (16½ x 12¼ in.)Provenance:Barnwell Manor, Northamptonshire, Windsor House AntiquesThe subject is the female protagonist from The Merchant of Venice by William Shakespeare. Condition Report: Under glass and unexamined out of frame. The canvas is extended on all four sides and the canvas joins are now visible. The canvas has been relined and the reline is slightly visible around the outer edges, but the surface impasto is well preserved and the paint layers are stable. Some abrasions around the edges as well as an area of paint loss in the corner upper right. A layer of surface dirt and discoloured varnish. Some surface cracking, mainly concentrated in the figure's face, hands and dress. Condition Report Disclaimer
Lot 199
Smiths; A Hallmarked Silver Cased Gent's Wristwatch, the signed dial with Arabic numerals and seconds subsidiary dial, within cushion shape (28mm) case, the case back engraved "Imperial Chemical Industries Ltd Presented to W. Hodgson 20 Years Service 1957"; Accurist gold plated gent's dress wristwatch; Sekonda modern gent's wristwatch. (3)
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228188 item(s)/page