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Lot 203
A faux fur bear with blue-coloured glass eyes and padded paws. Bear has metal joint in its neck. Bear comes with accessories such as a metal and glass pendant. Bear is wearing a cotton dress. Bear is 29 cm in height. Appears in excellent condition. Bear is odourless. (This does not constitute a guarantee)
Lot 49
Trendon Ltd - Sasha Doll - A boxed limited edition 1980 Sasha Doll # 180 with light brown hair and dark blue velvet dress. The doll appears in Mint condition with certificate showing it to be number 1980/10 and she also comes with an October 1980 catalogue. The box is Poor with storage wear and some tape repairs. (This does not constitute a guarantee)
Lot 156
Six gentleman's dress wristwatches:an Omega Automatic Seamaster with burnt-orange dial;an Eterna - Sonic - electronic with 1973 presentation inscription to rear;an Eterna-matic KonTiki;two signed Limit and another signed Hana. Condition Report: The case material on the Eterna Sonic appears to be gold-plated and the back is steel (engraved with '1973'), the gold-plate is very tarnished. Condition appears good from the outside, probably the 'original' glass and the dial looks in reasonable condition with no major problems noted. Under a loupe the surface of the glass is scratched. The Eterna KonTiki case is gold-plate, there is some wear to the plate around the edges. The back is steel with some scratching commensurate with age, the dial itself looks to be a little dusty inside but no major problems noted.
Lot 229
A 19th century rose-gold coloured oval-framed shoulder-length portrait study of a beautiful young girl; in her curly blonde hair she wears a light-blue ribbon and matching dress, her head turned to dexter, the glazed reverse with plaited locks of the subject's hair (9.5cm including suspension loop)
Lot 209
‡ CERI RICHARDS CBE black crayon on paper - two figures, in Arabian dress, one seated with harp, the other in song, signed and dated 1967Dimensions: 39 x 42cmsProvenance:illustrations for the Book of Psalms for the Oxford Artist's Bible (Oxford University Press 1967), purchased by vendor from the artist's nephew through Welsh fine art dealer Philip Davies, Ceri Richards' nephew was a clergyman in Newcastle-upon-Tyne, please also see Lot 210Condition Report:paper aged, discoloured, creases, early foxing, framed and glazed
Lot 470
Two similar late 19th century folding room screens: the taller three-fold screen decorated with figures in 18th century dress and before grand buildings and within country surroundings (195cm high), the slightly smaller three-fold with arched top and similarly decorated with hunting scenes (182cm high) (both requiring attention)
Lot 226
Thomas Herbert Maguire (British, 1821-1895), General Alfred Huyshe, CB, oil on canvas, signed, 48in (122cm) x 36in (91.5cm), framed. Note: General Alfred Huyshe, CB, 1811-1880. The 4th son of John and Millborough Ann Huyshe, served in Honourable East India Company's service, commissioned as 2nd Lieutenant on 13th December 1827 into the Bengal Artillery. General Alfred Huyshe served in India as a Brigade Major of Artillery during the Gwalior campaign 1843-44, including the battle of Maharajpore. He Commanded a Troop of Horse Artillery throughout the Punjaub campaign of 1848-49, including the battles of Sadoolapore, Chillianwallah, and Goojerat, twice mentioned in despatches, Brevet of Major. The portrait shows General Alfred Huyshe in dress uniform, wearing a group of three medals: Gwalior Star, Punjab medal with two clasps, and Indian Mutiny medal, together with the Companion of the Order of the Bath (CB). A book by Alfred Huyshe, Instructions and Regulations for the Exercise and Movements of the Bengal Horse Artillery, was published in 1844.
Lot 1114
Circle of Sir William Beechey RA (1753-1839)Portrait of a young lady, half length, standing in a wooded landscape, wearing a white empire style dress with red wrap and her hair in a chignonOil on canvas, 75.5cm by 62.5cmRelined, cleaned and revarnished. Now covered in a layer of dirt and discoloured varnish. Evidence of over painting consistently within the upper left hand 20% of the background and less consistently within the background immediately beside her hair upper right and to a lesser extent above her left shoulder. Further patch of retouching / strengthening above the horizon left-hand side which is approx 7cm by 3cm overall with less consistent strengthening to the outline and definition of the tree against the lower left-hand side edge. Further restoration and retouching, some old widely spaced cracquelure across the sitters face and reenforcement to the colour of her cheeks. Further retouch/strengthening to some of the folds of her red shawl particularly at her right arm inner elbow point. Minor abrasions and rubbing to edges especially top edge which is slightly adrift of the frame. Retains reasonable surface with some impasto remaining particularly through the white of her dree. Pronounced essentially widely spaced cracquelure mostly throughout, with more deep crazing within the dark background immediately above her head possibly a result of bitumen to the artist's pigment.
Lot 1117
Alexandre Mosses (1793-1837)Portrait of an elegant gentleman wearing a yellow waistcoat and a black neck tie Portrait of a lady, likely his wife, seated in a red upholstered chair and wearing a black silk dress One signed and dated 1826, oil on canvas, 75cm by 63cm (2)Provenance: Brancepeth Castle, County Durham; Franco Cosulich GalleryExample with the gentleman, relined, cleaned, and revarnished. Now with general surface dirt and discoloured varnish in evidence. Canvas slightly slipped in frame revealing top edge. Slight rubbing marks to the edges, widely spaced stable cracquelure throughout canvas although more notable towards the top half. Paint surface has lost some texture and definition owing to the restoration process. Small wax repair visible to verso, see images. Fairly consistent strengthening throughout the background. Approx four patches of retouching of varying sizes across the forehead. Retouching and strengthening around his left eye and along the outline of his nose on his left-hand side in addition to a further area of vertical restoration which runs from the lower quarter of his nose (his left-hand side down to and incorporating his top lip and no more than 0.4cm wide and approx 2cm in length). Further small damage with retouching at the left of the cravat no more than 2cm by 2cm, a further small horizontal area of retouching at the intersection of shirt and cravat, likely repair to damage running horizontally through the waistcoat just above top button to the lower edge of the canvas, approx 10cm in length by 0.5cm width. Further minor sporadic retouches in the jacket. Example with the lady, various patch repair to reverse, see images to include lower left-hand corner (2) lower edge centre, right-hand side centre and centre. Relined, cleaned and revarnished. Now covered in a layer of dirt and discoloured varnish, areas of relatively isolated cracquelure, general minor rubbing to edges, approximately four small nicks to surface towards upper right hand corner. Retouching to edges in general, more pronounced in parts but not overly significant. Retouching/restoration, right-hand side of lips and extending down across chin approx 2cm by 1cm overall. Some relatively sporadic retouching and strengthening to the darker definition of her curls. Retouching along the right-hand side of her neck and outline. Retouching and overpainting at top side of her left sleeve, through her arm and more consistently to emphasise the shadow at her inside upper arm, a further patch of circulr retouching at wrist level within the dark area of the arm of the chair and approximately 1-1.5cm diameter. Retouching and strengthening broadly across the outside and inside of her right arm, approx 1-2cm at the widest point and also at her right elbow within background approx 4cm in length. Further common worthy patch of retouching within background left of her head towards right-hand corner etc. The paint is a little thin in places and flattened as part of the restoration process.
Lot 1122
Circle of Mary Beale (1633-1699)Portrait of Katherine Lowther, Duchess of Bolton (by repute), head and shoulders, wearing a white dress and blue sash, in a feigned ovalOil on canvas, 74.5cm by 56cm Glazed. Reline likely relatively old clean and revarnish. Covered in a layer of dirt and discoloured varnish, due to the glazing it is less easy to fully discern the surface however clearly evidence of impasto remaining although parts of the drapery show filling of paint in areas. Visible stretcher shadow, slightly more prominent along top edge. Areas of fine stable cracquelure mostly within areas of more thickly applied paint. Some general strengthening throughout background. The hair shows more solid and consistent good sized circular patches of retouching and restoration. Delicate infilling to old cracquelure through face of a fairly low level. Odd small patch of more concentrated retouching to nose and left hand side point of lip which joins the cheek and small cluster left hand side of chin. Likely area of retouching and overpainting across the left shoulder and the flesh which sits against the white chamois. The shadows and definition of the drapery throughout the teal coloured silk dress show signs of general strengthening. Otherwise in a stable state of preservation.
Lot 1123
Circle of Thomas Murray (1663-1735) Portrait of a young lady, half length, wearing an aquamarine silk dress with white chemise and gold decorated wrap, historically known as "Princess" CharlotteOil on canvas, 57.5cm dia. (oval)Contained in a carved gilt frame.Provenance: J A Howrie?, 20.9.(19)41 according to label to reverseCyril Stone dealer, Hove, 1984Private collectionOld reline, cleaned and revarnished. Surface is slightly flattened from the restoration process and the paint is thin in places. Some surface dirt and discoloured varnish now in evidence. Likely some general strengthening throughout background. Evidence of some relativlely fine and sporadic retouching and infilling to old craquelure and flaked paint across the face; Somewhat more concentrated around the central area of the forehead, under her right eye and the upper part of her right ear. Parts of the chest area also with some retouching in addition to edges in general. Some later minor rubbing to edges present now as a result of proximity to frame. Some strengthening to shadows and definition of the drapery. Mostly fine stable craquelure throughout. Very slight buckle to canvas around face.
Lot 1129
Follower of Alonso Sanchez Coello (1531-1588) Spanish Portrait of Eleanor of Austria (by repute), standing, full length, wearing an elaborate embroidered court dress, a white ruff, plumed hat and holding a handkerchief Oil on canvas, 75.5cm by 57.5cm Provenance: Christie's, London, T.G Arthur Sale, 1914, Lot 145, 32 guineasBears Christie's stencil 1016CFOld reline. Cleaned and revarnished. Slight evidence of reline along top edge and three circular marks possibly denoting old nailheads? towards upper right hand corner with one closest to upper right hand corner missing paint to surface (see images). Essentially fine stable craquelure throughout surface. Some surface dirt and discoloured varnish now in evidence. There has been some general flattening to brush work and the paint is slightly thin in places, most notably her right hand. Evidence of old circular damage to her skirt approx. centre roughly 6cm in diameter. Further smaller damage approx. 3cm to the right of this which is L shaped and no more than 0.5cm on either length with small losses revealing weave of canvas (see images). Likely upright rectangular repair/restoration approx. 12cm by 6cm overall situated across the lower right of her skirt and into nearest background. Further small area of retouching or possible old damage approx.3cm to the left of her outstretched left hand index finger and within her costume which is no longer than 3cm overall in length and 0.5cm in width. Some old retouching/strengthening around her right hand grasping the furniture and immediate background in this area. Further odd and fairly small areas of retouching to background including rectangular patch top edge left approx. 2cm by 3cm, background around the ploom of her hat no more than 1cm in width, some general definition to her outline and the odd patch elsewhere etc... Otherwise in a broadly good and stable state of preservation. With the odd minor imperfection to the surface.
Lot 111
A Meissen Porcelain Figure Group, 19th century, as a lady and gentleman in 18th century dress, two putti at their feet, on a rocky moulded oval base, crossed swords mark in underglaze blue24cm highA Similar Figural Sweetmeat Dish, as an 18th century gentleman sitting beside a shaped oval dish on a scroll moulded base, crossed swords mark in underglaze blue30cm wide (2)Some restoration to extremities. Typical minor losses to applied foliage. Some wear and scratching.
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