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Lot 345
A selection of jewellery to include, a tooth pick tested as 9ct gold, dress studs hallmarked 9ct gold, a brooch stamped '9CT', a diamond set initial panel tested as 9ct gold, a three stone diamond ring hallmarked 9ct gold, a turquoise brooch tested as 9ct gold, and an Etruscan style brooch tested as 9ct gold, gross weight 14.1g, together with two Victorian silver and gold brooches, a base metal pencil, a white metal and paste pendant, a base metal cameo brooch, a brooch stamped 'STERLING SILVER', a Bohemian style brooch, and a gold plated watch casePaste pendant: good, all stones present, chipping and abrasion to pasteTurq brooch: good, surface wear to pearls, tarnishing to barInitial panel: one diamond lacking, chipping and wear to enamel, heavy scratches and wear
Lot 560
TWO TARTAN KILTS, WITH HIGHLAND DRESS both with jacket and belt, one waistcoat, sporran and flashesThe jacket in the first image does not have a size label available but feels like a smallthe jacket in the second image does have a label with "S 42" printed on it (image added)the kilt in the first image does not have a waist label present but the length is 60cm the kilt in the third image does not have a size label but does have card with information on it with sizes marked
Lot 4
Peter Cushing inscribed vintage post card dated 3.8.50 interesting content. a vintage colour postcard hand written in his familiar dark blue ink dated 3/10/1950 reading: "WELCOME to our dearest (?) and we do hope you will enjoy your restful ‘holiday’ as much as we will enjoy having you with us, our love always, Helen and Peter xx”. The front of the postcard shows a colour image of a statuette of the dress of the Scottish Regiments from 1633 as displayed in the Scottish United Services Museum, Edinburgh (ex-Peter Cushing collection). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 21
Patek Philippe. A fine and rare stainless steel manual wind wristwatch retailed by Hausmann & Co.Patek Philippe. Belle et rare montre bracelet en acier distribuée par Hausmann & Co. mouvement mécaniqueModel: CalatravaReference: 96Date: Circa 1935Movement: Jewelled manual wind, Seal of Geneva, No.826720Dial: Champagne, black baton hour markers with polished quarters, black outer minute divisions, engine turned subsidiary dial at 6 for running seconds, polished leaf handsCase: Brushed round form, snap on back, No.15130/1907Strap/Bracelet: Black lizard leatherBuckle/Clasp: Steel buckleSigned: Case, dial & movementSize: 31mmFootnotes:In 1932, the year the Stern Family became the owner's of Patek Philippe, the ref. 96 was launched. With its timeless proportions that pay homage to the era's Bauhaus, Art Deco, and Modernism styles the watch remains as stylish today as when it was first designed. It is quintessentially 1930s and yet effortlessly contemporary.Patek Philippe produced the reference 96 for four decades from 1932 to 1973. It was not only the first of the well loved Calatrava line of dress watches, but was also the first model to be marked by a numbered reference by Patek. The model was later replaced by the reference 3796.Only around 95 timepieces were manufactured in stainless steel.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 22
Patek Philippe. A rare stainless steel manual wind wristwatchPatek Philippe. Rare montre bracelet en acier mouvement mécaniqueModel: CalatravaReference: 96 Date: Circa 1935Movement: Jewelled manual wind, Seal of Geneva, No.826588Dial: Silvered, polished pointed baton hour markers, gilt outer dot minute divisions, engine turned subsidiary dial at 6 for running seconds, polished lance handsCase: Brushed round, snap on back, inside back stamped FB for François Borgel, No.610105/27Strap/Bracelet: Black lizard leatherBuckle/Clasp: Gold plated buckleSigned: Case, dial & movementSize: 31mmFootnotes:In 1932, the year the Stern Family became the owner's of Patek Philippe, the ref. 96 was launched. With its timeless proportions that pay homage to the era's Bauhaus, Art Deco, and Modernism styles the watch remains as stylish today as when it was first designed. It is quintessentially 1930s and yet effortlessly contemporary.Patek Philippe produced the reference 96 for four decades from 1932 to 1973. It was not only the first of the well loved Calatrava line of dress watches, but was also the first model to be marked by a numbered reference by Patek. The model was later replaced by the reference 3796.Only around 95 timepieces were manufactured in stainless steel.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 159
Claire Foy (as the Queen): A 1950s-style brocade dressSeason 6, Ep 10, 'Sleep Dearie Sleep'Custom-made in gunmetal grey brocade fabric, with floral embroidered shawl collar and sleeves and attached belt, with a black underskirt with handwritten production label reading S.1 Queen Elizabeth, and a matching cloche hat with floral motif (3)Footnotes:Worn when Imelda Staunton (as the Queen) is visited by her younger self (as Claire Foy).The dress also features three times in Season 1, Episodes 1, 6 and 9. Costume designer Michele Clapton discussed the 'thriftiness' of the Queen, as she re-wore outfits, which Princess Margaret very rarely did.For further information on this lot please visit Bonhams.com
Lot 21
Claire Foy (as the Queen): A replica of the Coronation ceremonial garments including the Imperial Mantle and Stole, Supertunica, Anointing Gown and Robe of StateSeason 1, Episode 5, 'Smoke and Mirrors'Custom-made replica costume comprising of a full-length white linen pleated Anointing Gown with capped sleeves and collar, fastened with large buttons along the back, with production label The Queen; a Supertunica in gold lamé with simulated cord detailed edges and corresponding wide belt fastening, lined in crimson satin; over which sits the extensively ornate Imperial Mantle of gold lamé, gilt-embossed with a pattern of emblems including eagles, crowns and fleur-de-lis, with appliqué coloured embroidered roses, thistles and shamrocks, edged with gold fringing and lined in crimson satin; a corresponding hand-embroidered Stole of gold cadmium depicting various Coats of Arms, and symbols of the United Kingdom and fringed edge; and a Robe of State in crimson velvet, with gold decoration around the mantle featuring two lines of wide gold ribbon with a third line of embroidered embellishment with faux-fur ermine, and lined in champagne gold satin (5)Footnotes:As seen in the Queen's Anointing and Coronation scene.The order of the garments worn by British monarchs is based on the 14th-century illuminated manuscript, the Liber Regalis.For her Coronation in 1953, Her Majesty Queen Elizabeth II entered Westminster Abbey in an elaborate Norman Hartnell dress and the crimson red Robe of State. During the Anointing, the Robe was removed and Elizabeth II wore a plain white anointing dress over her main dress. The Anointing was done behind a screen to show the sanctity of the act; a moment between the Sovereign and God.Afterwards, the Queen was divested of the white anointing garment, known as the Colobium sindonis meaning 'the little gown of linen', which was put over the Hartnell dress. The shimmering gold cloth Supertunica was put on next. The Queen then received the regalia. The Dean of Westminster and Mistress of the Robes then placed the Imperial Mantle and Stole around the Queen. After receiving all the Royal Vestments, she was crowned. To leave Westminster Abbey, the Mantle, Stole, Supertunica and Colobium sindonis were removed in private, and the Queen exited in her Norman Hartnell dress with the Coronation Regalia, wearing the purple velvet Robe of Estate.In The Crown, the importance of the Anointing is emphasised by Edward VIII's character (as played by Alex Jennings), who is watching the Coronation on television from his Paris home, Villa Windsor. When asked by one of his friends why the ritual is hidden from view, he responds, 'because we are mortals'. By depicting his reaction to the Coronation, the show reminds the viewers of how different the lives of the Royals could have been, had Edward VIII not abdicated.For further information on this lot please visit Bonhams.com
Lot 62
Erin Doherty (as Princess Anne): An Investiture ensembleSeason 3, Episode 6, 'Tywysog Cymru'Custom-made sleeveless, A-line canary yellow mini-dress with rounded neck; together with a button-up cobalt blue silk coat, and a hat by Sue Andrews with large ruffle embellishment, with the designer's label to the band (3)Footnotes:This outfit was worn during the Josh O'Connor (as Prince Charles) Investiture scene in Wales. Erin Doherty and Marion Bailey (as Princess Anne and the Queen Mother) stand together to watch him take the oath.For more information on the Investiture, please see the footnote to Lot 66.For further information on this lot please visit Bonhams.com
Lot 145
Lesley Manville (as Princess Margaret): A dress and coat ensembleSeason 6, Episode 5, 'Willsmania'Custom-made mint green satin dress with tulip pattern, long sleeves and pussy bow tie detail, with matching textured three-quarter length jacket of the same colour; together with a pill box-style felted hat with fascinator detail, a navy clutch bag with gold-coloured chevron flap, a pair of blue leather sling-back heels, and a pair of black gloves (5)Footnotes:As seen in the Royal Family Golden Wedding Anniversary lunch and photo scene.For further information on this lot please visit Bonhams.com
Lot 54
Olivia Colman (as the Queen): A floor-length evening gownSeason 3, Episode 1, 'Olding'Custom-made sea green sleeveless gown with an embellished top overlay, together with a small silver beaded bag, and a pair of long white satin evening gloves (3)Footnotes:This dress can be seen being worn at the celebrations scenes for the Duke of Kent's birthday. Over lunch, Olivia Colman (as the Queen) discusses her first meeting with Jason Watkins (as the new Prime Minister, Harold Wilson).This outfit was used for the promotion of Season 3.For further information on this lot please visit Bonhams.com
Lot 63
Marion Bailey (as the Queen Mother): An Investiture ensembleSeason 3, Episode 6, 'Tywysog Cymru'Custom-made lime green short-sleeve lace dress, and a long jacket with lace panels at the front; together with a silver-coloured diamante and green stone brooch, a crocodile effect white leather handbag, white peep-toe Lotus sling back heels, long white gloves, and a large, lime green straw hat with feather brim (7)Footnotes:For more information on the Investiture, please see the footnote to Lot 66.For further information on this lot please visit Bonhams.com
Lot 135
Elizabeth Debicki (as Princess Diana): A floor length silk gownSeason 5, Episode 7, 'No Woman's Land'Custom-made ivory-coloured silk gown with a square neckline and beaded bodice in a geometric diamond form, a rectangular matte ivory-coloured silk clutch, and a pair of matte ivory-coloured pointed heels with ankle straps (3)Footnotes:As seen in the Concert Hall/Gala Event scene, the present gown was also used in promotional material for Season 5.This gown was inspired by a dress designed by Catherine Walker that Princess Diana wore in 1996 to a dinner at Harrods with Mohamed Al-Fayed. However, costume designers Amy and Sidonie Roberts opted for a square, rather than a rounded neckline for the look in The Crown as this style was popular with the Princess during this period.For further information on this lot please visit Bonhams.com
Lot 154
Lesley Manville (as Princess Margaret): A patterned kaftan gownSeason 6, Episode 8, 'Ritz'Custom-made dress with cape sleeves and a lilac sash tie with an abstract motif; together with a black chainmail bag with gold detail, and a pair of silver-coloured, latticed sandals by Bruno Mageli (3)Footnotes:As seen in the Lesley Manville (as Princess Margaret) party scene on Mustique Island, in the Caribbean.Princess Margaret was gifted the property 'Les Jolies Eaux', meaning Beautiful Waters, on Mustique Island as a wedding gift by Colin Tennant in 1959.For further information on this lot please visit Bonhams.com
Lot 101
Emma Corrin (as Princess Diana): A floor length velvet halter neck evening gownSeason 4, Episode 10, 'War'Custom-made black velvet evening dress with tuxedo-style neck and low cut-out back, with double-breasted statement buttons embellished with large diamantés at the centre, with large satin striped lapels; together with a pair of black suede pointed slingback kitten heels by Ravel (2)Footnotes:As seen in the final scene of the season with the Royal Family Christmas photo on the set of Sandringham.For further information on this lot please visit Bonhams.com
Lot 36
Vanessa Kirby (as Princess Margaret): A casual ensemble and cocktail dressSeason 2, Episode 4, 'Beryl'Two custom-made ensembles comprising; a patterned mohair coat in burnt orange, amber and teal, a black and beige patterned pencil skirt, a cream blouse with brown lace overlay, and a satin head scarf; together with motoring helmet and goggles by Nannini, brown suede court shoes by Fiancées, and a brown suede handbag with gold hardware; also a custom-made bespoke cowl-neck black mesh cocktail dress with orange underlining (8)Footnotes:Vanessa Kirby (as Princess Margaret) can be seen wearing the coat, goggles and helmet on her first visit to Matthew Goode's (as Tony Armstrong-Jones) photography studio, with the cocktail dress being worn for the photo shoot.In the episode, the character is unhappy sitting for her official Birthday portrait with Cecil Beaton, wearing the romantic butterfly dress, as seen in the previous lot; however, she is a more confident and grown-up version of herself in Armstrong-Jones' studio. Costume designer Jane Petrie said that 'Margaret is the butterfly, trying to fly away' which is expressed through the costumes, as the darker colours of the motorbike and studio outfits show Margaret's break with the traditional Princess aesthetic.For further information on this lot please visit Bonhams.com
Lot 148
Imelda Staunton (as the Queen): A dress and coat ensembleSeason 6, Episode 6, 'Ruritania'Custom-made lime green outfit comprising a below-the-knee dress with three-quarter length sleeves and a round neck, a matching full-length coat with fabric-covered buttons; together with a matching hat with curved, sloped brim by Sean Barrett, and a simulated pearl and diamante brooch in the form of a bunch of grapes (4)Footnotes:As seen in the WI meeting speech scene. The Women's Institute, often abbreviated to the 'WI', was formed in 1915. The first meeting took place in Anglesey and was created to bring life to rural communities and to aid the war effort, by encouraging women to produce more food during the First World War. Her Majesty Queen Elizabeth II joined the WI in 1943 and became President of the Sandringham branch in 2003, following in the footsteps of the Queen Mother, who was President of the same branch. In 2015, the WI celebrated its centenary at the Royal Albert Hall. The Queen was in attendance and she made a speech.For further information on this lot please visit Bonhams.com
Lot 99
Emma Corrin (as Princess Diana): A performance dressSeason 4, Episode 9, 'Avalanche'Custom made mid-length ivory gown with a drop waist, pleated skirt and spaghetti straps; together with a pair of cream-coloured satin dance shoes by Freed of London (2)Footnotes:As seen in the Wayne Sleep dance scene, set at the Royal Opera House.Wayne Sleep (b.1948) is a British dancer and choreographer. In 1985, he was asked by Princess Diana to rehearse a dance as a surprise for Prince Charles' 37th birthday. They rehearsed in secret, and, despite their height differences, with Wayne Sleep being 5ft 2in and Diana 5ft 11in, they pulled off an enjoyable performance. Wayne Sleep later commented on the Princess' good sense of humour.Princess Diana left her seat during the Gala Performance at the Royal Opera House, and they performed the dance to Billy Joel's Uptown Girl.For further information on this lot please visit Bonhams.com
Lot 79
Helena Bonham Carter (as Princess Margaret): A full-length banquet gownSeason 3, Episode 9, 'Imbroglio'Custom-made pale silver and grey sleeveless gown with a square neckline, embellished with an embossed floral design in dark grey, with a band to the waist bearing rose detailing attached to the centre, and a red, white and blue Royal Victorian Order sash (2)Footnotes:This dress can be seen being worn in the Guildhall, Banqueting Hall scene. It was also used in for the promotional poster for Season 3.For further information on this lot please visit Bonhams.com
Lot 152
Imelda Staunton (as the Queen): A crepe dress suitSeason 6, Episode 9, 'Hope Street'Custom-made coral red ensemble comprising a knee-length dress with round neck and three-quarter length sleeves, a matching jacket with circular red buttons with gold-coloured mesh centres; together with a red woven straw hat with black ribbon band and feather (3)Footnotes:As seen in the Buckingham Palace balcony scene for the Golden Jubilee, this dress was directly inspired by the outfit worn by Her Majesty Queen Elizabeth II in 2002.For further information on this lot please visit Bonhams.com
Lot 28
Claire Foy (as the Queen): A tulle ballgownSeason 1, Episode 10, 'Gloriana'Custom-made Eau de Nil strapless dress with silver lace overlay, handwritten production label S1 Queen Elizabeth and handwritten size label 36/27, with a white petticoat and a blue Order of the Garter sash (3)Footnotes:As seen in the Buckingham Palace scene for the Cecil Beaton photoshoot.Sir Cecil Beaton (1904-1980) was a British photographer, portrayed in The Crown by Mark Tandy. Beaton was the Royal Family's court photographer for three generations, starting in 1937. Beaton's links to the Royal family were long-standing, with Beaton being the official photographer for the Queen's Coronation in 1953 as well as many other official portraits and was known to have a way of making his sitter feel at ease to capture not only the moment, but their vulnerability too.For further information on this lot please visit Bonhams.com
Lot 15
The character of the Queen: A watercolour costume design by Michele ClaptonDepicting designs for the character of the Queen in a powder blue and silver ballgown with white fur stole, with material swatches, across two sheets, signed and annotated by the designer 38 x 29cm. (15 x 11½ in.) Footnotes:This costume design is for the dress featured in Lot 16.For further information on this lot please visit Bonhams.com
Lot 78
Erin Doherty (as Princess Anne): A full-length banquet gownSeason 3, Episode 9, 'Imbroglio'Custom-made silver-blue sleeveless dress with pale green floral motif and tuxedo collar, button front and collar, and a red, white and blue Royal Victorian Order sash (2)Footnotes:This dress can be seen being worn in the Guildhall, Banqueting Hall scene. It was also used in for the promotional poster for Season 3.For further information on this lot please visit Bonhams.com
Lot 42
Claire Foy (as the Queen): A mid-length formal dressSeason 2, Episode 5, 'Marionettes'Custom-made pale pink dress with pale gold pattern and a knotted sweetheart neckline and short sleeves; together with brown leather peep-toe kitten heels by Dover Last, and a brown fabric, single-handle handbag, the dress and shoes with handwritten production labels reading Elizabeth (3)Footnotes:As seen in the scene where Claire Foy (as the Queen) makes her first TV broadcast scene on the set for Sandringham.In 1957, four years after her Coronation and 25 years after the first Christmas Speech on the radio made by the Queen's grandfather, King George V, Her Majesty Queen Elizabeth II was broadcast live from The Long Library at Sandringham in Norfolk to deliver her personal and heartfelt speech to the country. This was a revolutionary moment for the modern medium of television but also for the Royal family to engage with the public in their homes, most poignantly on Christmas Day. The pink blush metallic dress worn by Claire Foy, with the distinctive knotted sweetheart neckline, is extremely similar in style to the dress that the Queen wore during the black and white broadcast. Mirrored in an extract from the original speech within The Crown episode where Queen Elizabeth poignantly states:'Today is another landmark because television has made it possible for many of you to see me in your homes on Christmas Day. My own family often gather round to watch television as they are this moment, and that is how I imagine you now. I very much hope that this new medium will make my Christmas message more personal and direct.'For further information on this lot please visit Bonhams.com
Lot 9
Claire Foy (as the Queen): A polka-dot skirt suit ensembleSeason 1, Episode 2, 'Hyde Park Corner'Custom-made mocha polka-dot button-down top with three-quarter length sleeves, fabric-covered buttons and belt to waist, and matching skirt with petticoat; together with a white wicker hat decorated with white flowers and brown leaves, a beige painted ostrich skin handbag, and a pair of white peep toe heels, with production labels reading Elizabeth (5)Footnotes:This dress is inspired by the one worn by Princess Elizabeth when she arrived in Nairobi, Kenya, in 1952. In this scene, Claire Foy (as Princess Elizabeth) gives a speech expressing her happiness to be in the city, and her disappointment that her father was not able to visit. In this episode, her father, Jared Harris (as King George VI) passes away, and the young princess becomes Queen Elizabeth II while on her visit to Kenya.For further information on this lot please visit Bonhams.com
Lot 76
Humphrey Bangham (British)Olivia Colman (as the Queen), after Pietro Annigoni's portrait of Queen Elizabeth II in 1969 A three-quarter-length portrait, wearing red ceremonial dress, standing before the seaAcrylic and oil on canvas199 x 178cm (78 5/16 x 70 1/16in).Together with the unfinished example, and one other (3)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 133
Imelda Staunton (as the Queen): The 'Annus Horribilis' ensembleSeason 5, Episode 4, 'Annus Horribilis'Custom-made dark green ensemble comprising a crepe dress with striped contrast short sleeves, a single-breasted crepe coat with a silk trimmed collar, a suede belt, a matching brimmed hat with a velvet trim and a pair of black heeled loafers (5)Footnotes:In 1992 Queen Elizabeth II marked the 40th year of her reign by delivering the now famous 'Annus Horribilis' speech, for which she received a standing ovation from the 500 guests at the Guildhall luncheon. The speech was deemed the first time that the Queen's inner turmoil and vulnerability regarding her own life was shown openly to the world. In this year, the Queen saw three of her children separate from their spouses, a number of royal scandals were discussed within the tabloids, and Windsor Castle suffered a major fire only days before the speech:'No institution, city, monarchy, whatever, should expect to be free from scrutiny of those who give it their loyalty and support, not to mention those who don't. But we are all part of the same fabric of our national society and that scrutiny, by one part of another, can be just as effective if it is made with a touch of gentleness, good humour, and understanding.'For further information on this lot please visit Bonhams.com
Lot 64
Helena Bonham Carter (as Princess Margaret): An Investiture ensembleSeason 3, Episode 6, 'Tywysog Cymru'Custom-made baby pink mid-length, sleeveless, fit-and-flare dress, a pink long-sleeve dress coat with buttons down the front, and a fixed spiked gilt-metal belt, together with a pink draped fabric headpiece by Sue Andrews (4)Footnotes:For more information on the Investiture, please see the footnote to Lot 66.For further information on this lot please visit Bonhams.com
Lot 130
Lia Williams (as Wallis Simpson): A 1940s-style crepe dressSeason 5, Episode 3, 'Mou Mou'Custom-made burgundy silk crepe long-sleeved dress with pin-tucked body, A-line calf-length skirt and ruched belt attached with buttons to either side; together with a pair of navy and cream sling-back heels, a navy, white and grey faux-crocodile leather and suede hexagonal handbag, and a straw-brimmed hat with red bows, with hat box with costume department labels Wallis Simpson Hat Spain Filming (4)Footnotes:This episode opens with a group of men playing football in Alexandria, Egypt, in 1946. The clamour of the players and the crowd is juxtaposed by the elegantly dressed Alex Jennings and Lia Williams (as the Duke of Windsor and Wallis Simpson) stepping out of a chauffeur-driven car in the city.For further information on this lot please visit Bonhams.com
Lot 134
Elizabeth Debicki (as Princess Diana): The 'revenge' dressSeason 5, Episode 5, 'The Way Ahead'Custom-made off-the-shoulder pleated black silk and chiffon cocktail dress with mini chiffon train, together with black satin pointed sling-back shoes, and a black silk and velvet envelope clutch bag (3)Footnotes:As seen in the Serpentine Gallery party scene, and inspired by the original dress designed by Christina Stambolian.Princess Diana wore the original dress to the Vanity Fair party at the Serpentine Gallery on the 20th of November 1994, the same day that Charles' affair with Camilla Parker Bowles had gone public. Despite being bought three years prior, Princess Diana's choice to wear the figure-hugging black mini-dress showed her resilience and drive to take back control of her life. This was one of her most iconic looks, and the concept of the 'revenge' dress continues today.For further information on this lot please visit Bonhams.com
Lot 110
A selection of framed photographs of members of the cast of The Crown in characterTo include photographs of Claire Foy and Olivia Colman (as the Queen); Imelda Staunton and Jonathan Pryce (as the Queen and Prince Philip) in a hinged quadruple frame; Matt Smith (as Prince Philip); Emma Corrin and Josh O'Connor (as Princess Diana and Prince Charles); Elizabeth Debicki (as Princess Diana in the 'Revenge' dress), two in silver frames, the largest: 26cm wide, 31cm high (10in wide, 12in high) (9)For further information on this lot please visit Bonhams.com
Lot 151
Meg Bellamy (as Kate Middleton): A charity fashion show mesh dressSeason 6, Episode 9, 'Hope Street'Custom-made strapless see-through dress with turquoise, bronze, and blue panels, with blue and white trim; together with a pair of black satin sling-back heels with beaded floral design to the toes (2)Footnotes:As seen in the St Andrews Fashion Show scene, and directly inspired by one designed and made by Charlotte Todd. Charlotte Todd made the dress for under £30, and Kate Middleton wore it at the St Andrews charity fashion show 'Don't Walk' in 2002. It was made as a skirt to be worn over a slip, but Kate Middleton decided to wear it as a dress over her underwear. Prince William was at the show, and this was reportedly the moment Kate first caught his eye. Todd's dress sold at auction for £65,000 in 2011, just over a month before Prince William and Kate's wedding.Please note that the black underwear is for illustration purposes onlyFor further information on this lot please visit Bonhams.com
Lot 65
Olivia Colman (as the Queen): An Investiture ensembleSeason 3, Episode 6, 'Tywysog Cymru'Custom-made pale gold coloured sleeveless shift dress and a matching three-quarter-length satin coat with simulated pearl diamante embellishments at the sleeves and collar; together with pale gold pointed court shoes with lattice effect by Rainbow Club, a pale gold clutch bag and a matching umbrella (5)Footnotes:This outfit is inspired by the Norman Hartnell design that the Queen wore at the Investiture Ceremony at Caernarfon Castle, where she presented her son with regalia, and he took the oath, marking Prince Charles as the Prince of Wales. For more information on his Investiture, please see the footnote to Lot 66.The Norman Hartnell dress is now part of the Royal Collection Trust (RCIN 100052). For more information on Norman Hartnell, please see the footnote to Lot 23.For further information on this lot please visit Bonhams.com
Lot 72
Geraldine Chaplin (as Wallis Simpson): A summer dressSeason 3, Episode 8, 'Dangling Man'Custom-made mid-length false top dress with a brown, black and pink braid-like swirl pattern, and four pink off-centre buttons to the front and roll-collar; together with a pair of brown faux-snakeskin court shoes with buckle (2)Footnotes:Geraldine Chaplin (as Wallis Simpson) can be seen wearing this dress in the Villa Windsor episode when Josh O'Connor (as Prince Charles) visits Derek Jacobi (as his great-Uncle David) due to his failing health.For further information on this lot please visit Bonhams.com
Lot 14
Lia Williams (as Wallis Simpson): A silk panther print dressSeason 1, Episode 3, 'Windsor'Custom-made navy-coloured dress with short sleeves, upright collar and an abstract panther print depicting the animal with an open mouth, swirling tail and yellow eyesFootnotes:This dress is worn in the scene where Alex Jennings (as the Duke of Windsor) delivers his abdication speech on the radio.For further information on this lot please visit Bonhams.com
Lot 22
Vanessa Kirby (as Princess Margaret): A Coronation Gown and Coronation RobeSeason 1, Episode 5, 'Smoke and Mirrors'Custom-made pearl white satin gown with capped scalloped sleeves trimmed with gold and with square neckline, with gold piping to front and extensive gold embroidered floral details; together with a custom-made replica royal purple velvet Coronation Robe, with three stripes of military gold ribbon embellishment, and a faux fur ermine-style trim, with gold cord fastening, fully lined, and a red, white and blue Royal Victorian Order sash (3)Footnotes:As seen in the Coronation scene in Season 1.This gown is inspired by the one worn by Princess Margaret to her sister's Coronation in 1953, by British designer Norman Hartnell (1901-1979). The gown was embroidered in crystal with marguerites and roses, in reference to the Princess' name, Margaret Rose.Hartnell found his love of fashion while studying at Cambridge University, where he created costumes for their drama society, the Footlights. He didn't finish his university studies as he wanted to pursue his fashion career. His major breakthrough came in 1935, when Lady Alice Christabel Montagu Douglas Scott asked him to design her wedding dress. She was marrying Prince Henry, the Duke of Gloucester, the younger brother of the future King George VI, and the two young bridesmaids were the future Queen Elizabeth II and Princess Margaret. Queen Elizabeth, the Queen Mother was very impressed by Hartnell and he soon became one of her favourite designers, awarding him with a Royal Warrant in 1940. Queen Elizabeth II also loved Hartnell's designs, creating her wedding dress in 1947 and Coronation Gown in 1953. Queen Elizabeth II gave Hartnell his second Royal Warrant in 1957, and then in 1977, because of his services to the Royal Household, he was knighted by the Queen Mother.For further information on this lot please visit Bonhams.com
Lot 13
The character of Wallis Simpson: Two watercolour costume design sheets by Michele ClaptonThe first sheet depicting two designs for the character of Wallis Simpson wearing black fitted three-quarter length dresses; the second sheet depicting a fitted ball gown with striking white embellishments to the shoulder with an alternative design, both with notes in pencil signed by the designer (2) 38 x 29cm. (15 x 11½ in.) Footnotes:Michele Clapton was the Costume Designer for Season 1 of The Crown.The left-hand dress design on the first sheet was worn in Season 1, Episode 3, 'Windsor' for Alex Jennings' (as the Duke of Windsor's) abdication speech. Please refer to Lot 14.The dress design on the second sheet was worn in Season 1, Episode 10, 'Gloriana', for the flashback scene when the Duke of Windsor tells his brother that he will abdicate.For further information on this lot please visit Bonhams.com
Lot 17
Lia Williams (as Wallis Simpson): A full-length column ballgownSeason 1, Episode 5, 'Smoke and Mirrors'Custom-made champagne-coloured one-shoulder structured gown, with black sequin flower motif creating a sash-like effect across the shoulder, with dramatic cinched-in waist and full train skirtFootnotes:The American divorcee Wallis Simpson was considered by many as one of the world's most stylish women and used her elegant wardrobe to great political effect.Simpson favoured haute couture designs by French fashion houses such as Givenchy, Schiaparelli and Dior, and was often compared with the more earthly and quintessentially British style of the Queen. Here, Lia Williams (as Wallis Simpson) wears this gown on the set of Villa Windsor, Paris, for a magazine photoshoot, while standing next to her husband.Michele Clapton, Costume Designer, has said that this dress is one of her favourite outfits of Season 1, as well as being one of the most complicated to construct.For further information on this lot please visit Bonhams.com
Lot 147
Imelda Staunton (as the Queen): A striped dress and coat ensembleSeason 6, Episode 5, 'Willsmania'Custom-made ensemble comprising a blue, yellow and turquoise silk striped dress with necktie and three-quarter length sleeves, a blue crepe wool coat with black and gold-coloured infinity detail on the sleeves, with front fastening, a wicker hat with upturned brim and matching striped trim; together with a pair of simulated pearl and diamante earrings, a gold-coloured brooch with simulated pearls and blue stones, and a black calf leather 'Jubilee' Launer handbag with gold hardware, accompanied by original Launer black box (6)Footnotes:As seen in the Golden Wedding Anniversary lunch scene and directly inspired by the outfit worn by Her Majesty Queen Elizabeth II to the event in 1997.For further information on this lot please visit Bonhams.com
Lot 30
Claire Foy (as the Queen): A full-length ballgownSeason 2, Episode 1, 'Misadventure', and Episode 4, 'Beryl'Custom-made teal green satin gown with asymmetric pink floral appliqué and beaded design, with a white petticoat, and a pair of pale gold satin pointed Rainbow Club heels with crossover details, and handwritten label reading Elizabeth (3)Footnotes:Unusually for The Crown, this dress appears twice in Season 2. It is first seen in Episode 2, whilst Claire Foy (as the Queen) is watching the ballet. Costume Designer for Season 2, Jane Petrie, felt that the dress needed to be seen in full and so persuaded Director Benjamin Caron to use the dress for a dancing scene in Episode 4 as well.The embroidery for the gown was done by Cathryn Avison.This gown was also used for the promotional poster for Season 2.For further information on this lot please visit Bonhams.com
Lot 23
Vanessa Kirby (as Princess Margaret): A full-length painted and embroidered Duchess satin ballgownSeason 1, Episode 8, 'Pride & Joy'Custom-made dark grey gown with a sweetheart neckline, adorned with hand-painted decoration depicting flowers and acanthus leaves reminiscent of Baroque floral design, with sequins and diamante embroidery on parts of the painted sections, and a thin belt, with production label reading Margaret S1; accompanied by a purple tulle wrap, and long grey suede buttoned gloves (3)Footnotes:As seen on the Clarence House set, where Vanessa Kirby (as Princess Margaret) gives a speech to the Dignitaries.Costume Designer Michele Clapton cited this as one of her favourite outfits. She explained that the design of this dress was inspired by the character of Princess Margaret, rather than a dress that she actually wore. Clapton created this gown with large pockets because she felt that these represented a confident swagger embodied by the Princess.This gown was used in the promotion for Season 1.For further information on this lot please visit Bonhams.com
Lot 35
Vanessa Kirby (as Princess Margaret): A full-length satin and tulle butterfly pattern ballgownSeason 2, Episode 4, 'Beryl'Custom-made sweetheart bodice dress with interspersed sequins depicting various types of butterflies to the tulle overlay, labelled to the inside Margaret; with a pastel rainbow-coloured tulle waist sash, a white tulle shoulder flounce with colourful butterfly embellishment and a white petticoat (4)Footnotes:As seen in the Cecil Beaton portrait scene.Sir Cecil Beaton (1904 - 1980) was a British photographer. He was the Royal Family's court photographer for three generations, starting in 1937. In this role, he was responsible for photographing Princess Margaret on the occasion of her 19th birthday in 1950; she posed in front of a variety of painted backgrounds, wearing a white tulle gown with butterfly sequin decoration, a pearl necklace and a pearl and diamond-clasp bracelet. In 1950, a book about the Princess praised her fashion sense, stating that she, 'probably sets more youthful fashions than any other teenager in the world.' The official portrait of the Princess is held in The National Portrait Gallery's Primary Collection (object number NPG P349). In The Crown, contrary to Costume Designer Jane Petrie's original vision for the dress, Vanessa Kirby chose to wear the flounce overlay off the shoulder. This is in contrast to the Royal dress code of the time and differs from the way Princess Margaret wore it in her portrait.This was one of the most expensive outfits to make from this season, due to the lengthy creation process, which entailed fabric cutting, screen printing the butterfly details, and then embroidery over the screen print. The embroidery was carried out by Barna Bhowmik and members of her family, to a very tight schedule due to filming requirements. The rainbow sash was also hand-dyed.For further information on this lot please visit Bonhams.com
Lot 158
Imelda Staunton (the Queen): a funeral procession modelSeason 6, Episode 10, 'Sleep Dearie Sleep'Comprising a combination of approximately 500 Britains models of soldiers sourced by the Set Decorating Department, and custom 3D-printed figures painted by John Lee, Head of Model Making at the National Film & Television School; a specially commissioned architectural model of Buckingham Palace and Admiralty Arch; and a later replacement model of the funeral carriage, 1280cm wide, 122cm deep, 91cm high (503 1/2in wide, 48in deep, 35 1/2in high) (qty)Footnotes:Meticulously researched and inspired by the funeral of Her Majesty Queen Elizabeth II in 2022, this model is an accurate representation of the procession and was produced for a scene in the final episode of the last season.Taking between six and eight weeks to execute, the model was the inspiration of Stephen Daldry and was a true collaboration between Left Bank Pictures and the National Film & Television School (NFTS). It was made under the guidance of Major David Rankin-Hunt, (fondly referred to by The Crown's crew as 'Major David'), The Crown's Protocol Adviser. When it became clear that the Set Decorating department would not be able to source and acquire enough soldier figures to accurately represent the vast funeral procession of the Queen, they enlisted the help of BGI Supplies. Members of the Set Decorating team were dressed by the Costume department before being life cast and scanned by the company for accurate 3D models to then be printed. Due to the short timeframe in which the model needed to be produced, once the figures had been printed they were passed to John Lee, Head of Model Making at the NFTS who, alongside his team, painstakingly painted over 200 soldiers in the appropriate ceremonial dress. It took an entire day for around 10 people to install the model for filming in the Double Cube Room at Wilton House. While the width of the Mall and its scale relative to the figures is correct, the length of the model had to be reduced in order for it to be accommodated in the building.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 12
Claire Foy (as the Queen): Two mourning costumesSeason 1, Episode 2, 'Hyde Park Corner', and Season 1, Episode 3, 'Windsor'Two custom-made black ensembles, the first costume; with double-breasted coat with velvet collar and belt, a tulle underskirt, a pillbox hat with organza veil and a pair of leather court shoes; the second with single-breasted wool coat, cloche hat with black ribbon and feather detail, a pair of long black gloves, and a pair of leather court shoes, all items in costume two (except the underskirt and gloves) with handwritten production labels Elizabeth (8)Footnotes:The first costume is inspired by the dress and coat designed for and worn by the then Princess Elizabeth. King George VI died on the 6th of February 1952, at age 56. His funeral procession was the first time such an event for a British Monarch had ever been televised, and as such this allowed the costume team for the production to consult it for accuracy.King George VI's coffin initially rested at St. Mary Magdalene Church in Sandringham, before being moved to London. The King's coffin went from Sandringham to King's Cross Station by train and then went on a three-mile procession to Westminster Hall. It was there that the King would lie in state for the next few days; despite the cold bite of the February winter, over 300,000 came to pay their respects, creating a queue that extended over Vauxhall Bridge.The actual funeral took place on the 15th of February at St George's Chapel, in Windsor. The King's coffin was draped with the royal standard, topped with the crown, sceptre and orb, and was carried by soldiers. His wife, Elizabeth Bowes-Lyon, and their two daughters, Queen Elizabeth II, and Princess Margaret were all in attendance. The King was originally interred in the Royal Vault; however, after its completion, he was moved to the King George VI Memorial Chapel at Windsor Castle on the 26th of March 1969. The same Chapel contains the final resting place of Queen Elizabeth The Queen Mother, Queen Elizabeth II, Prince Philip, Duke of Edinburgh, and the ashes of Princess Margaret.For further information on this lot please visit Bonhams.com
Lot 153
Lesley Manville (as Princess Margaret): An evening gown ensembleSeason 6, Episode 8, 'Ritz'Custom-made powder blue long-sleeved jacket with floral pattern, a silver sleeveless silk maxi dress; together with a pair of silver-coloured heels by Pavers; a cream chainmail clutch bag with gold hardware; a chunky gold-coloured metal chain, a gold-coloured and simulated pearl link bracelet, and a pair of circular tortoiseshell-style glasses (7)Footnotes:As seen in Lesley Manville's (as Princess Margaret's) 70th birthday scene at The Ritz Hotel set.For further information on this lot please visit Bonhams.com
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