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Lot 442

Royal Air Force Officers Inter War Parade Dress Busby, leather covered shell with seal fur surround, knotted gold bullion cords with blue flecks. Fitted with an incorrect gilt metal NCO’s badge as opposed to the correct pattern badge for these busby’s. Fine officers ostrich feather plume with gilt metal ring. Interior has leather sweatband and partial artificial crimson silk lining. Patent leather chinstrap still present. Fur remains in very good condition and does the leather covering. Overall a good example.

Lot 589

WW2 Parade Tunic for an Officer in Infantry Reserve Regiment 59, superb quality example of a German officers parade tunic with bullion wire breast eagle, white backed officers collar patches mounted to dark green collar. Dark green cuffs with white backed cuff insignia. White backed shoulder boards sitting on a grey underlay as worn by reserve regiments. Gilt metal 59 numerals to the shoulder boards. Tunic is complete with the original officers dress aiguillettes with metal finials. Interior of the tunic retains the original white card stiffener to the collar. Fine quality interior lining with the original dagger hanging strap. Wonderful example of a parade tunic of the Third Reich.

Lot 492

WW2 Service Dress Tunic Attributed to Captain P H B Wall 48 (Royal Marine) Commando, Awarded the Military Cross for Gallantry in 1945, four pocket officers service dress tunic with Royal Marines officers tunic buttons to the front and pockets. Above the breast pocket are medal ribbons for the Military Cross, 1939-45 star, Atlantic star with rosette, Africa star, Italy star, George VI Coronation medal and American Legion of Merit medal. No collar badges or rank insignia remain to the tunic. Accompanied by a pair of service dress breeches and separate cloth belt, the belt has name label “P.H.B. WALL”. Set remains in good condition showing just light service wear. Captain, later Major, Patrick Henry Bligh Wall, served with 48 Royal Marine Commando part of the 4th Commando brigade, when he was awarded the Military Cross for gallantry in action. The recommendation for the award was as follows, “On the night 20/21 Apr, 1945, Major Wall as second-in-command and patrol master of the commando, decided to lead, himself, the first patrol across the River Maas in the Biebosch area, penetrating 7000 yards in front of our forward defence locality. Here, he thrice encountered the enemy in much the same strength as himself and in shooting it out with them, caused them several casualties. Major Wall himself was the only casualty in the patrol and had a slight bullet scratch across his hand. Under Major Wall’s leadership and fired by his example of unflagging energy, the patrol moved about in enemy occupied territory for 36 hours without food, beating the enemy on every occasion they were met. When touch with his boats was lost, Major Wall, though an indifferent swimmer, ordered Lt Kingsley to take over command, and he himself led a small swimming party in a break out attempt. The result of the patrol, which was organised planned and led by Major Wall, was much useful information gained, several casualties, including four killed, inflicted on the enemy without loss to our side. Only the fact that one prisoner was killed by the enemy in a subsequent dash and two others wounded had to be left for humane reasons with morphia, prevented the patrol from bringing back a prisoner.”

Lot 602

German Army Officers Dress Dagger with Hanging Straps, good example with deep orange handle, original scabbard with hanging rings. Good patina to the exterior fittings of the dagger. Blade has Carl Eickhorn trade mark to the base of the blade. Velvet backed cloth hanging straps with DRGM marked top fitting. Some dents to the lower section of the scabbard but otherwise a good example.

Lot 314

Selection of Royal Air Force and Colonial Air Forces Badges, consisting of RFC other ranks cap badge with lug fittings, pair of RFC officers collar badges with lug fittings, single RFC collar badge, brass and enamel RFC sweetheart brooch, 2x Royal Australian Air Force (RAAF) cap badges, Royal Canadian Air Force (RCAF) brass cap badge, cast brass South African Air Force cap badge, 2x brass other ranks RAF cap badges, WW2 Bakelite RAF cap badge with blade fittings, Observer Corps cap badge (repaired lugs), various metal trade badges, gilt metal pathfinders arm badge with blade fittings, EIIR dress belt buckle, plus other items. Various conditions. (41 items)

Lot 488

Post 1902 Royal Navy Rear Admirals Full Dress Tunic, fine example of the Royal Navy full dress tailcoat tunic with double row of gilt metal buttons. Cuffs decorated with heavy gold bullion wire and rank lace. Stand up collar in white cloth with heavily embroidered bullion wire. Reverse of the tailcoat has heavily gold lace decoration and gilt metal buttons. Partially quilted lining to the interior with cloth lower section. Shoulders have provisions for the fitting of shoulder straps. Overall in very good condition with all the bullion work remaining bright.

Lot 511

1949 Pattern Royal Military Police Northern Ireland District Warrant Officers Battle Dress Blouse, embroidered black on red shoulder titles with embroidered Northern Ireland District formation sign and red backed warrant officers rank crown to the lower arm. WW2 service medal ribbons above the breast pocket. Alfred Polinoff Ltd makers size label to the inside with 1954 date. Some scattered moth nips but generally good condition.

Lot 495

Queens Regiment Hants & Dorset District Officers Battle Dress Blouse, 1937 pattern battle dress blouse with embroidered regimental shoulder titles, printed Hants & Dorset district formation sign and red felt battalion bar. Red backed rank pips to the shoulders. Interior with Rego Clothiers Ltd label dated 1939. Remains in good condition.

Lot 503

Control Commission Germany Officer Battle Dress Blouse, fine Canadian made battle dress with embroidered Control Commission Germany formation sign and yellow embroidered on black OFFICER underneath. Above breast pocket is medal ribbons for WW1 and WW2 service. Ink stampings to the inside and dated 1943.

Lot 472

Mess Tunics and Foreign Service Tunics of Lieutenant Colonel A T Rowlandson 124th and 126th Baluchistan Infantry, short pattern mess dress tunic is French Grey / beige cloth with red facings to the collar and cuffs. Small brass ball buttons to the front and clips. Bullion officers knotted shoulder boards with bullion rank pips and crowns. Brass buttons to the shoulder straps with 124th Baluchistan Infantry. Loops to the breast for medal ribbons. Quilted lining to the interior with London Tailors label to the collar with inked name. Complete with the mess waistcoat. Similar example but with button for the 126th Baluchistan infantry, also with the mess waistcoat; Private purchase four pocket service dress tunic in fine cloth with stitched holes for tunic buttons and rank insignia to the shoulders and issue KD officers four pocket tunic with polished brass buttons of the 126th Baluchistan infantry and metal shoulder titles and rank badges to the shoulders. The mess uniforms suffer heavy from moth damage and shredding to the silk sections of the waistcoats, also some stitching faults to the bullion. (6 items) Lieutenant Colonel Alfred Turner Rowlandson Baluchistan Infantry, Indian Army. Born in January 1867, Madras India, educated at the Royal Military College Sandhurst. Commissioned as a Lieutenant in the Kings Own August 1886, transferred to the Indian Staff Corps February 1891; promoted Captain Indian Army August 1897, he served with the 26th Baluchistan Infantry during the Third China War and with the 24th Baluchistan Infantry during the Tibet Expedition. Promoted to Major 25th August 1904, appointed commandant Mounted Infantry School, India on 5th December 1905, Commandant 126th Baluchistan Infantry and promoted to Lieutenant Colonel in 1911. He died in Kowloon on 19th July 1913 and is buried in Hong Kong. His China and Tibet medals were sold at Spink on 24th July 2014.

Lot 605

German Army Officers Dress Dagger With Hangers, white celluloid grip with blackened top pommel, cross guard and spacer ring. Housed in its original scabbard with two metal hanging rings. Plain blade with small Robert Klaas makers trade mark to the base of the blade. Attached to the scabbard are an original pair of velvet backed hanging straps. The top strap fitting is stamped DRGM as are the bottom clips. The handle has been twisted and the top pommel corroded so does not turn.

Lot 601

Luftwaffe 2nd Pattern Officers Dress Dagger, with white celluloid handle retaining the original grip wire. Officers silver bullion knot still attached, however this has frayed and worn. Housed in the original scabbard with two hanging rings. Un-marked plain blade with some surface staining. Couple of small stress cracks to the grip but good untouched example.

Lot 421

Royal Navy Officers Dress Bicorn Hat, of black beaver skin with embroidered tress edges and central rosette, missing bullion end tassels and central braiding. Housed in the original metal storage tin. Accompanied by Royal Navy officers leather undress belt with sword hangers and gilt metal buckle; Royal Naval Reserve officers undress belt and buckle. (3 items)

Lot 490

WW2 FANY Service Dress Tunic, four pocket service dress tunic with bronze collar badges and bronzed buttons to the front, pockets and cuffs. Lined to the inside. Shows some service wear but still in good condition.

Lot 344

7th Queens Own Hussars Collar Badges, consisting of 2x Victorian other ranks gilt metal examples, matched pair of Victorian troopers collars, 7x post 1902 troopers examples, pair of bullion mess dress examples, 2x pairs of Kings crown bronze OSD examples and 4x post 1953 officers silver gilt collar badges. Various conditions, viewing recommended. (21 items)

Lot 606

Third Reich SA Mans Dress Dagger, complete with its original handle having enamel SA device and eagle inserted. Complete with its original scabbard having single hanging ring with single brown leather hanging strap. Dagger is complete with a mint condition blade having etched motto “Alles fur Deutschland”, reverse of the blade has makers trade mark of H&F Lauterjung W Solingen. NS gau mark to the reverse of the lower cross guard.

Lot 90

Rare No2 Area South East Asia Command Singapore Formation Sign, black embroidered anchor with bullion embroidered number 2 to the centre of red cloth circle backing with black border. Mounted on battle dress cloth backing.

Lot 504

Brigadier’s Battle Dress Blouse Eastern Command, being a Canadian made battle dress blouse dated 1944 to the inside. Red back rank pips and crown to the shoulder boards. Both arms have Eastern Command printed formation signs. Gorget collar patches and medal ribbons above breast pocket. One arm has a slice cut to the cloth and through part of the formation sign.

Lot 603

German Army Officers Dress Dagger, interesting example which has had the cross guard removed. Yellow/orange celluloid grip, top pommel and spacer ring. Original scabbard with two hanging rings. Blade remains in very good condition with Carl Eickhorn makers trade mark to the base. Accompanying the dagger is an original dress knot which shows some wear and fraying to the bullion wire. Ideal for parts or find a cross guard to make up a good example of an Army officers dress dagger.

Lot 474

Victorian Royal Engineers Volunteers (Weymouth College) Other Ranks Full Uniform and Headdress, group consists of two scarlet other ranks tunics with dark blue velvet cuffs and collar, white knotted decoration to the cuffs and cord bordering to the collar and shoulder boards. White metal Victorian crowned Volunteer Engineers tunic buttons. Pair of dress tunic trousers of dark blue cloth with large central red stripe. Interior of the trousers has original paper size label with inked name “Sapper Simmons Weymouth College Engineers”. Other ranks blue cloth cork body home service helmet with white metal Victorian crowned Volunteer Engineers helmet plate, cross base with removable spike, leather backed linked chin chains. Interior of the helmet has leather sweatband with label having the name “Simmons”. Blue cloth field cap with white cord edging to the curtain, white metal fused grenade and Victorian white metal general service buttons. Final item in the grouping is a Volunteers other ranks pillbox pattern cap with the original leather sweatband and thin chinstrap. Set remains in very good condition. (6 items)

Lot 489

5th Inniskilling Dragoon Guards Officers Service Dress Uniform, fine example of an officers four pocket service dress uniform with gilt metal officers tunic buttons to the front, pockets and cuffs. Shoulder boards have the rank pips directly embroidered onto them. Named tailors label to the inside with the date 1939. Accompanied by a pair of officers service dress breeches. (2 items)

Lot 480

Honourable Artillery Company Infantry Musicians Dress Uniform, being a Guards pattern scarlet dress tunic with embroidered front and shoulder nests for a musician. White metal tunic buttons to the front. Interior has partial blanket lining with the original paper label to the lower section and embroidered Hobson & Sons label to the collar. Accompanied by the matching trousers with central red stripe to the legs. Set remains in very good condition. (2 items)

Lot 498

181st Field Regiment Royal Artillery 15th (Scottish) Division Officers Battle Dress Blouse, 1940 pattern battle dress blouse with embroidered Royal Artillery shoulder title, embroidered 15th division formation signs, RA arm of service stripes and embroidered 181st Field Regiment Royal Artillery formation signs. Red backed rank pips to the shoulder boards. Interior with 1944 dated size label with tailors details of Steinberg & Sons Ltd. Remains in very good condition. 181st Field Regiment was converted from the 6th Battalion Kings Shropshire Light Infantry and took the strung bugle of the KSLI badge as the formation sign.

Lot 519

1949 Pattern 1st Division Royal Artillery Battle Dress Blouse, with embroidered red on blue Royal Artillery shoulder titles, printed 1st Division Royal Artillery formation signs and corporals rank stripes. 1951 dated size label to the interior.

Lot 471

Full Dress Uniform of Lieutenant Colonel A T Rowlandson 124th Baluchistan Infantry & Cross Belt and Waist Belt of 126th Baluchistan Infantry, the full dress tunic in French Grey / beige cloth with red facings to the collar and cuffs. Central red stripe to the front of the tunic. Officers large pattern regimental tunic buttons to the front. Officers bullion twist cord shoulder straps with bullion rank pips and crowns. Gilt braid bordering the collar. Tunic partially lined to the interior with original tailors label having inked name. Original red dress trousers accompany the tunic. Brown leather officers cross belt and pouch fitted with gilt metal officers cross belt plate for the 126th Baluchistan Infantry and matching gilt metal pouch badge. Some minor scattered moth but otherwise a very fine set. Lieutenant Colonel Alfred Turner Rowlandson Baluchistan Infantry, Indian Army. Born in January 1867, Madras India, educated at the Royal Military College Sandhurst. Commissioned as a Lieutenant in the Kings Own August 1886, transferred to the Indian Staff Corps February 1891; promoted Captain Indian Army August 1897, he served with the 26th Baluchistan Infantry during the Third China War and with the 24th Baluchistan Infantry during the Tibet Expedition. Promoted to Major 25th August 1904, appointed commandant Mounted Infantry School, India on 5th December 1905, Commandant 126th Baluchistan Infantry and promoted to Lieutenant Colonel in 1911. He died in Kowloon on 19th July 1913 and is buried in Hong Kong. His China and Tibet medals were sold at Spink on 24th July 2014.

Lot 660

English Lord Lieutenants Dress Belt, red leather belt with silver wire embroidered lace decoration to the front. Silvered rectangular belt buckle fitted with Tudor rose within wreath to centre. Complete with the sword slings. Remains in very good condition.

Lot 478

Royal Horse Artillery Regimentally Interesting Tunic, being a sample tunic, one half being a pattern and the other half another. Tunic has gilt metal ball type regimental buttons to the front. Interior of the tunic has J Daniels & Co tailors label and inked “”. Attached to one of the shoulder straps is OHMS paper label with inked “Sample Dress Jacket RHA not approved”. Very unusual item of Military uniform, was obviously more cost effective for two samples to be made from one tunic.

Lot 296

WW2 RAMC 49th Division Battle Dress Combination, printed RAMC shoulder title with printed 49th division formation sign and single maroon brigade bar. All mounted onto battle dress cloth backing.

Lot 199

GOLD PAVE SET CIRCULAR DIAMOND FLOWER HEAD DRESS RING. 12mm diameter approx. Gilded, leather covered box.

Lot 203

AN 18CT GOLD DRESS RING SET WITH A LARGE OVAL GARNET, approximately 16 x 7mm, surrounded by eighteen diamonds. Ring size P. CONDITION REPORT: In good condition. no obvious damage. UK hallmarks.

Lot 154

KKK Interest - A heavy blackened brass ornament depicting a KKK member in full dress, this is an unusual piece from America's Darker history involving these Racist and Anti-Semitic groups in the early 1900's. An interesting piece.

Lot 678

Two silver ladies dress rings

Lot 740

LONGINES 18 CT DRESS WRISTWATCH. Longines gents 18 ct gold dress wristwatch with original box and a recent service

Lot 170

An 18th century corsage ornament, probably Iberian, designed as an articulated drop of foliate wirework with pendant cross, set throughout with oval and square cut deep pink hardstones, probably garnets, in closed back and foiled settings, integral suspensory loop so that the jewel may be sewn to the front of the dress, or worn on a ribbon or chain; length 8.8cm

Lot 186

An Edwardian diamond tiara, the gift of the 6th Earl Spencer to his daughter, composed of alternating linear and oval motifs in a graduated almost complete circlet, and set with more than eight hundred old round brilliant, old European and old cushion cut diamonds, total estimated weight approximately 48cts; the tiara is held on its cushioned frame by tiny and beautifully engineered wing-topped screws, so that it may be removed, and it then divides by means of hidden clasps, the central three sections becoming a choker necklace (length 35cm) and the two outer sections joining to form a bracelet (currently lacks one clasp, but another could readily be copied and requires no diamonds), length 19cm. Stylistically, this tiara is a rarity, with its clean lines and sleek forms, both reminiscent of Neo-Classical and French Empire styles and also foreshadowing the geometric shapes of Art Deco jewellery. The diamonds are most likely to have been cut in the 19th century and are of commensurate high quality - bright, white, clean and lively. The craftsmanship is superb, and its adaptability into various jewels has been achieved with great and subtle skill. Provenance: The tiara was given by Charles Robert Spencer, the 6th Earl, to his daughter Lady Delia Spencer on the occasion of her marriage in 1914; thence by inheritance. Lady Delia (Adelaide) Spencer was the eldest child of the 6th Earl. Born in 1889, her childhood was a typical late Victorian aristocratic idyll, abruptly ended by the death of her mother when Delia was only just 17. She had no formal education, but was a gifted musician ('cello and piano) and continued for the while to have lessons at the Royal College of Music. But her father, then Viscount Althorp, had many social and political duties, so Delia, to a great extent, took on her mother's rôle as hostess, manager of the households in London and Northamptonshire, and a mother figure to her five younger siblings. Four years later, in 1910, her father inherited the Earldom from his much older half-brother, and Delia's position was settled in the heart of not only aristocratic and royal circles, but also of the movers and shakers of the day, usually much older than her. This was a formidable education. By family tradition, this is the tiara Delia's father gave her on the occasion of her marriage, on February 18th 1914, to the Hon. Sidney Peel, younger son of the 1st Lord Peel, Speaker of the House of Commons and grandson of the Prime Minister Sir Robert Peel: he was 42, she was 23. Such a gift was customary: Delia's own youthful (spasmodic) diaries record several instances of tiaras as gifts, and twice to a bride when she herself was one of the bridesmaids. In the photograph of her wedding day, as the happy couple emerge from the church, the outline of the tiara can be made out under the (now thrown back) veil. The Times of 13th February, 1914 gave an extensive report of the forthcoming nuptials, listing all the important personel and describing the bride's dress (white satin trimmed with a flounce of old point d'argenton lace, and a family Brussels lace veil). It also mentioned the guard of honour provided by Sidney's squadron of the Bedfordshire Yeomanry, and the article was dominated by a list of the presents received - a diamond brooch from Queen Alexandra, pearl and diamond pendant from Princess Victoria, and - 'From Earl Spencer: a diamond tiara, a moonstone and diamond pendant, a nova mina and diamond brooch, a ruby guard ring…' Many years later, in the 1930s, Delia records her younger sister, Lady Margaret Douglas-Home, wearing her tiara to a dance at Norfolk House. Delia herself adored dancing and seems to have had a great gift for ensuring the enjoyment of others. She was widowed in 1938, but unlike Queen Victoria (upon whose knee she reputedly once sat as a small child), she did not withdraw into permanent mourning. She was a close friend of the royal family, lady-in-waiting to the then Queen Elizabeth (later the Queen Mother), and renowned for the fun and energy of her company with friends and family alike. Delia's father had died in 1922, and her brother Jack (Albert John) became the 7th Earl; his son Johnnie (Edward John) became the 8th Earl in 1975, and he was father of Lady Diana Spencer, who married Prince Charles in 1981 (the year Delia died) to become the Princess of Wales. Thus, Delia was Princess Diana's great aunt (and great great aunt to Prince William and Prince Harry). There were many plaudits both during Delia's lifetime and after her death, summed up by a niece who wrote: 'There are very few life enhancers in this world and Delia was definitely one. We all want to live our lives to the full, and when you were with Delia you felt just that extra spark of vitality and understanding which makes all the difference to life … Anybody who came in contact with her was the happier.' A hardback copy of her biography, 'A Memoir of the Lady Delia Peel, born Spencer, 1889-1981' by Priscilla Napier, is offered with this lot, together with a photocopied reproduction of the Times report of the wedding.

Lot 23

A pair of Meissen figures of gardeners, he wearing a green hat, floral decorated coat, green britches, holding a pannier, his left leg raised standing on a melon; she wearing a linen cap with puce ribbon, carrying a pannier on her back, wearing a floral decorated dress, bow tied to the front and white puce trimmed apron on a naturalistic base, both 28cm (11 in) high, on later ormolu stands (2) (D) He has lost his left hand and she her right index finger. There are also the inevitable chips to the applied foliage etc

Lot 24

A pair of Meissen figures of a boy and girl, he wearing a puce foliate decorated jacket, green britches, holding his hat full of birds eggs in his right hand on a naturalistic base with a black and white dog; she with a shawl over her head, wearing a yellow jacket, a flower decorated dress on a naturalistic base with an ewe, blue cross sword marks to back of base, both 24cm (9.5 in) high (2) (D) He has lost his left arm from his shoulders, his right thumb and there are losses to the applied foliage. There is a crack through the base and through the tree trunk behind him She has lost the little finger from her right hand and there are losses from the foliage applied around her

Lot 724

Frans van der Mijn (Dutch, 1719-1783) Portrait of a lady as a shepherdess, in a blue velvet and gold dress, three-quarter length, standing in white with a blue bodice, pearl bracelets and holding a basket of flowers and a huette, beside an urn upon a pedestal, oil on canvas, in a painted carved frame, 50 x 41 cm oil on canvas 50 x 41cm (20 x 16in) Provenance: Baron Ash, Wingfield Castle, Suffolk; thence by descent in the Leader family, Monks Hall, Syleham, Suffolk. Exhibited: Birmingham, The City Museum and Art Gallery, Jubilee Commemorative Exhibition, 1934 (when lent by Baron Ash). Lined canvas. Areas of raised craquleure which are vulnerable to flaking, but no large paint losses. Uneven and yellowed varnish layer. Frame in good condition, a few small cracks in the veneer.

Lot 725

Manner of Jan van Scorel (Dutch, 1495-1562) Portrait of a woman in black, with folded hands, half length oil on paper laid to canvas 64 x 50cm (25 x 20in) Other Notes: This portrait is an identical version of a composition that is best known from a painting long attributed to Holbein in the National Museum of Fine Arts in Valletta, Malta. When that painting was lent to the National Gallery, London, in the late 1930s an attribution to Jan van Scorel was suggested, but even today that is not universally accepted. The present painting, unlike the Valletta picture, is painted on paper, later mounted on linen canvas. There is a fine network of age cracks in the lighter paint passages, through which underdrawing is visible, especially in the sitter's face and in the hands, and this would suggest a painting produced in the mid-16th Century, though the heavier wide cracks of the background suggest later over painting. A condition report is available online. Shiny varnish. Two bumps to the canvas. Old stretcher bar marks can be seen from the front. Lined. Loose in its frame. Tiny paint loss/chip to the right of her veil. Portrait of a Woman, after Jan Van Scorel 16th August 2016 Materials and technique The painting is executed in oil onto a paper support which has been mounted onto linen canvas and attached to a stretcher. There is a convex deformation to the canvas and paper at the lower right corner. The paint layer is thinly applied with a areas of low impasto around the white cuffs of the dress. The paint handling is accomplished and the blending and shadowing finely applied. The lighter paint passages have a fine network of age cracks which would be expected from an aged oil painting. In localised areas of the background the paint has wide drying cracks and 'alligatoring'. This type of surface texture is usually seen on paintings of a later date but may be associated with areas of overpaint. Fine underdrawing is visible with the naked eye around the features of the sitter and in the hands. The visible marks have a mechanical appearance, rather than loose freehand, and the paint layers above faithfully follow these lines. This is typical of underdrawing which has been applied using a pattern as a transfer technique. The colours used on the portrait are unlikely to help with dating the work. Earth colours, whites and blacks are pigments which tend to be uniform through out the centuries and would only help confirm the painting is pre 1900's. As such it is difficult to date the work accurately but it is a fine copy or version after the Jan Van Scorel painting. Condition report The paper is well attached to the lining canvas. The canvas, tacks and stretcher all appear in good condition are likely to date to the 20th century. There is a convex deformation in the lower right corner of the painting which has affected the canvas and paper support and caused circular cracking to the paint layer. There is a large loss to the paint layer to the right of the sitter's head. The rest of the paint layer appears in a good and stable condition. The painting has a varnish which has yellowed and is slightly streaky but generally even and glossy. The varnish is abraded where it has rubbed against the frame. There is a light layer of surface dirt present.

Lot 726

Franco-English School (late 17th-early 18th Century) Portrait of a lady in lace-trimmed blue dress and gold cloak; and Portrait of a lady in a red dress and blue cloak, by repute the daughters of Susan Killigrew of Ireland in gilt moulded frames (a pair) 40 x 32cm (16 x 12in) Provenance: The Killigrew family, Ireland, and by descent. Under glass and with craquelure overall.

Lot 732

Provincial Imitator of Joseph Highmore (British, 1692 –1780) Portrait of a small girl with a white rose in her hair, half length, wearing an embellished crucifix, and a pink and gold dress with lace sleeves, and holding a book oil on canvas 62 x 39cm (24 x 15in) Lined. Scattered areas of paint loss caused by impact, the rest of the paint layer is stable. Retouching across the background and sitter's face. The varnish is semi-matte and slightly yellowed. There is abrasion and loss to the decorative finish on the frame.

Lot 734

English School (18th Century) Portrait of Miss Mary Rolt of Milton Ernest, Bedfordshire, head and shoulders, in a cream dress and pink and blue cloak oil on panel, oval 26 x 21cm (10 x 8in) Provenance: The Orlebar family at Hinwick House, Bedfordshire, and by descent. Somewhat scrubbed and over-cleaned and loose in its gilt frame. Old inscription by the vendor's father to the reverse.

Lot 761

Continental School (19th Century) Continental man and woman in traditional dress watercolour 34 x 27cm (13 x 11in) Cream mount is discoloured, dirt under the glass and a little foxing.

Lot 831

French School (19th Century) Portrait miniature of a Lady, in classical dress, her chin resting on her hand, with a shipping scene beyond watercolour on ivory 7 x 6cm (3 x 2in) Dirt under the glass. Some surface damage to the upper right corner. Some grooves in the paint surface

Lot 835

George Engleheart (English, 1750-1829) Portrait of a Lady, wearing a white dress trimmed with a bow and a turquoise blue robe, with a white silk ribbon in her hair, circa 1770 watercolour on ivory 4 x 3cm (2 x 1in) Other Notes: Painted circa 1770, this work dates to early in Engleheart's career. During the early years of his professional career, Engleheart paid great attention to character and recorded minute detail reminiscent of the work of John Smart (1741-1811). This was not a feature he was perhaps able to sustain; such were the demands on his time from an ever-growing patronage. Engleheart ranks with Smart, Cosway, and Humphry as one of the most talented miniaturists active in Georgian England. Engleheart was the third surviving son of a German plaster-modeller, Francis Engleheart, born in Kew, London, in 1750, with an innate creative ambition inherited from his father. His artistic verve helped him to carve a successful and extraordinarily prolific career as an accomplished miniaturist. According to his fee-books, he produced some 4,853 portrait miniatures on ivory during his lifetime, many of which depicting notable members of London's high society. He began his training as the pupil of the Irish landscape artist George Barret (c.1730-1784) when he was admitted to the Royal Academy Schools in London in 1769. He shortly moved on to work under the supervision of Sir Joshua Reynolds (1723-1792) whose miniature portrait he meticulously copied. His subsequent miniatures betray glimmers of stylistic and compositional devices absorbed during these early years of imitation. Condition is fine. 115 inventory number to the reverse.

Lot 836

George Engleheart (English, 1750-1829) Portrait miniature of Mrs Cookson, in a lilac dress, with white frilled collar, a white ribbon tied in a bow at corsage, white bandeau in her upswept powdered hair and falling over her shoulders, 1788 watercolour on ivory 4.40cm (2in) Provenance: Sotheby's, 'Silhouettes, Portrait Miniatures, Objects of Vertu, Gold Boxes and European Silver', 7th March 1983, lot 42. English Private Collection. Other Notes: George Engleheart kept meticulous fee books detailing the identity of his sitters and the amounts due to him. Mrs Cookson, the sitter in this miniature, is recorded as having sat for Engleheart in 1788. Although both her forename and maiden names are unknown, it may depict Mrs Ann Helena Cookson (née Weir) (1766-1789), the first wife of the successful and affluent army officer George Cookson of Wellington, Shropshire (1760-1835). Daughter of Dr Thomas Weir of Jamaica, Ann Cookson would have been twenty-one at the time this portrait was painted, having married Cookson two years earlier.

Lot 861

English School (19th Century) Portrait of the jockey Job Marson (1817-1857) inscribed lower left "Dec. 1852" and sold with Mr Marson's racing whip oil on board (2) 58 x 44cm (23 x 17in) Other Notes: Job Marson (1817-1857) was a British classic winning jockey, whose most famous partnership came with Voltigeur, winner of the 1850 Derby and St. Leger. Voltigeur (1847–1874) was a British Thoroughbred racehorse and sire. In a career that lasted from 1849 to August 1852 he ran ten times and won five races. In 1850 he won the Epsom Derby and the St Leger against his fellow three-year-olds and then recorded his most famous victory when beating The Flying Dutchman in the Doncaster Cup. In May 1851 Voltigeur was beaten by The Flying Dutchman in what was probably the most celebrated match race in the history of British thoroughbred racing His first win came at Beverley in 1831, on a horse called Cinderella, and in his early years, he was much championed by fellow jockey Sim Templeman, getting many rides on his recommendation. His first big win came much later, in the 1841 Goodwood Cup, riding Charles XII. Within another two years he had won his first classic - the 1843 St. Leger on Nutwith. In 1847, he rode Van Tromp for Lord Eglinton in the Derby, coming third. Later that year, he went on to take the St. Leger on the horse. Rather than securing his position in Eglinton's favour, it had the opposite effect. Now suspecting that Marson had pulled Van Tromp in the Derby, Eglinton sacked him. Even Charles Marlow, Marson's successor as Eglinton's stable jockey, believed Marson to be innocent. The setback did not mar Marson's career too much. Lord Zetland took him on, and it was for Zetland that Marson would ride one of the supreme champion horses of the 19th century, Voltigeur, who won both the Derby and the St. Leger in 1850. For Sir Joseph Hawley, Marson won the 1851 1,000 Guineas on Aphrodite and the Derby on Teddington, receiving £2,000 in reward. His last major win again came for Zetland in the 1856 Doncaster Cup on Fandango. We are grateful to David Oldrey for his assistance with the catalogue entry. The paint layer is stable with a few light scuffs and scratches. There are areas of quite broad, loose retouching in the dress and sitter's face. The varnish is starting to bloom with areas of opaque hazing in the bottom half. There are a few small chips and losses to the frame.

Lot 922

A late 19th or early 20th century bronze figure of the young Edward VI, modelled standing in period dress, grasping his sheathed sword in one hand, unsigned 24cm (9in)

Lot 930

Carl Kauba, (Austrian, 1865-1922), a bronze model of a dancing couple, the patinated bronze figures in period dress mid-step, signed in the bronze, mounted to a marble base 24cm (9in)

Lot 961

A 17th century stumpwork picture, depicting a couple in period dress, possibly representing Solomon and the Queen of Sheba, a temple in the background and surrounded by various animals and foliage 32 x 43cm (12 x 17in)

Lot 287

A painted portrait miniature gold pendant, c.1760-1780,depicting a young lady in a white dress with a corsage and blue shawl, to a glazed cover, with gold rub over mount and bead decorated bale. Tested as approximately 18ct gold. 55 x 38cm including the bale.

Lot 510

ENGLISH SCHOOL (Early 19th Century), Portrait of a Young Woman wearing a white Empire line dress, half length, oil on canvas, unsigned, 24" x 18", gilt frame

Lot 610

AN ART DECO BRONZED FIGURE of a semi naked young woman wearing an Egyptianesque head-dress in her shingled hair, a tasselled shawl around her waist, kneeling and fixed to an oblong black marble base, stamped "Barbedien" (sic), figure 12 3/4" high, base 1"

Lot 362

A DIAMOND DRESS RING, centrally set with three brilliant cut stones each of approximately 0.30cts, claw set to a border of eighteen small round brilliants to a plain 18ct gold shank, size N 1/2 (Illustrated)

Lot 137

EUROPEAN SCHOOL (19th Century), Lady in a Ball Dress with red sash, oval on ivory, unsigned, 2 1/2" x 2", brass frame, together with another of a lady wearing a hat, unsigned, 3 1/4" x 2 1/2", gilt metal frame (2)

Lot 377

AN EMERALD AND DIAMOND DRESS RING, the three step cut emeralds claw set to a border of eighteen small round brilliant cut diamonds to a plain gold shank stamped GRAFF, size P

Lot 364

A DIAMOND DRESS RING, the marquise shaped panel millegrain set with thirteen mix cut stones to diamond set shoulders and a plain white metal shank, mark rubbed, size O (Illustrated)

Lot 211

A GEORGIAN EBONY BOX, 18th century, of circular form, lined with tortoiseshell, the cover inset with a miniature painting on ivory of a lady wearing a high powdered wig and a blue sash around her lace dress, the base inset with a silvered roundel engraved "OBE", 3" wide (Illustrated)

Lot 133

GERMAN SCHOOL (Early 19th Century), A Young Lady in a pale grey silk dress with a rose in her hair, on ivory, unsigned, dated 1st Sept 182(?) verso, and inscribed "Gesellschaft", label for W. Salt, art dealer Buxton, 3 1/2" x 2 1/2", gilt frame

Lot 384

A MODERN 18KT GOLD DRESS RING, the textured asymetric stepped "bars" claw set with three cabochon polished small amethysts to a plain shank, size N

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