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Lot 1005
An Omega 18ct white gold and diamond set rear winding lady's dress bracelet wristwatch, the signed square silvered dial with black baton shaped numerals and black hands, the bracelet mounted with two rows of six graduated marquise diamonds, otherwise the square dial and the tapered bracelet bordered by circular cut diamonds, import mark London 1965, case width approx 1.2cm, total length approx 17.5cm, with a Garrard & Co case.
Lot 1050
A late 19th Century French parcel-silvered, gilt brass and Limoges enamel mounted carriage alarm clock, of large proportions, the fine quality eight day movement with grande sonnerie striking on two gongs, alarm and push repeat, the large-sized jewelled lever escapement with engine turned decoration, the backplate numbered '3057', the rectangular black ground enamel dial with white enamel numerals and gilt inscribed 'Tiffany & Co Paris', above subsidiary alarm dial with white Arabic numerals, framed by a finely painted scene of a bird flying above a castle and gentleman in 16th Century dress accompanied by a dog, the enamel side panels with medieval lady and gallant on horseback, he holding a horn, she with hawk and dog, the glazed case with reeded swing handle and corner columns, three position setting lever to base inscribed 'Hours & Quarters', 'Silent' and 'Quarters Only', height approx 25.5cm, with winding key (minor faults and striking mechanism not working at present).
Lot 1145
A 9ct gold cased keyless wind open-faced dress watch, the jewelled lever movement detailed 'Marc Favre Precision', the silvered dial with black Arabic numerals and subsidiary seconds, the case interior numbered '253514', the case decorated with engraved borders, import mark London 1927, case diameter approx 4.5cm.
Lot 1532
A Continental porcelain rectangular plaque, early 20th Century, decorated with the Madonna and Child in polychrome enamels and heightened in gilt, approx 15cm x 10.3cm, and an oval porcelain plaque, decorated with a head and shoulders bust portrait of a lady wearing a lavender coloured dress, approx 10cm x 7.8cm.
Lot 578
SIR JAMES JEBUSA SHANNON R.A., R.B.A., P.R.S.P.P. (1862-1923)Portrait of Kittystanding full length, wearing a white dress and hatoil on canvas72 1/2 x 40 in (184.2 x 101.7cm)Provenance: The artist's family, by descent; thence to the present vendor's familyIn this portrait Shannon's limited colour palette, thinly washed paint surface and flattened compositional space shows the influence of WhistlerThis full length portrait of Shannon's only child Kitty (1887-1974) can be compared with an 1897 full length portrait of her in the Carnegie Museum of Art, Pittsburgh. A variant portrait of that was exhibited at The Royal Academy of Arts, Winter Exhibition 1928 no. 23 Shannon initially studied under Sir Edward Poynter Bt. PRA., and increasingly turned his attention to portraiture. He was a founding member of the Society of Portrait Painters in 1891. The purpose of this Society was to display and promote the variety of portraits available from a younger generation of portrait painters. Over the next few years Shannon's profile rose rapidly. Along with John Singer Sargent, and James Abbott McNeill Whistler, Shannon was considered by Munsey's Magazine in 1895 to be one of the three most 'distinguished American portrait painters to have flourished side by side in this generation among the mists and glooms of London'By the mid 1890's Shannon was at the height of his powers, elected an Associate of the Royal Academy in 1897. An American commentator of the time recorded 'As to Mr Shannon, his career in England has been simply phenomenal. Almost unknown three or four years ago he has, with his grace, elegance and refinement climbed to the very top of the ladder'
Lot 579
SIR JAMES JEBUSA SHANNON R.A.,R.B.A.,P.R.S.P.P. (1862-1923)Portrait of Florence, the artist's wifeseated three quarter-length, wearing a black dress, cloth hat with coloured scarf, and grey wrapoil on canvassigned 'J.J. Shannon' (lower left)40 x 30 in (101.6 x 76.3cm)Provenance: The artist's family, by descent; thence to the present vendor's family The former Florence Mary Cartwright (d.1948) married James Jebusa Shannon in 1886. She had met him two years previously while she had been attending the South Kensington School of Needlework.Florence was painted on a number of occasions by Shannon, at different periods of her life. Two portraits for instance in a private UK collection depict her in the years after her marriage; and as a young mother with her daughter Kitty. cf. also a portrait of Florence holding a guitar, c.1915, Christie's 7 July 2016, lot 10; and a Portrait of Florence c.1905 (on the New York art market, 2014)Throughout his career as an artist she provided a source of support and encouragement for her husband.James Jebusa Shannon was knighted in 1923. After his death, Florence (now Lady Shannon) actively promoted her late husband's work in the UK and the USA where she helped promote a memorial exhibition that toured to museums in Buffalo, Columbus, Cincinatti and Brooklyn
Lot 1501
French School (19th century), Portrait of a lady in early 17th century dress; Portrait of a young man in damascened armour; Portrait of a gentleman in armour, three, gouache, the larger 14cm x 11cm.(3) Property from the estates of the late Adrian Stanford and Norman St John-Stevas, Baron St John of Fawsley
Lot 2118
An Italian tumbler, detailed 800, a book marker, detailed 800, an Italian plated octagonal dish, a pendant tag, detailed 800, an Elizabeth II 1953 ten coin specimen proof set, with the original Royal Mint case, minor costume jewellery, including; brooches, a bead necklace and a ring, a San Giorgio d'Antiochia gilt metal and red enamelled medal, with the accompanying dress miniature medal, cased and further items including a steel cased Soria Moria gentleman's wristwatch, with a case, (qty).
Lot 2185
A gentleman's platinum cased, keyless wind, openfaced dress watch, with a jewelled Swiss lever movement, presentation inscribed and dated 1928 within the caseback, the signed silvered dial with black Arabic numerals, blued steel hands and signed Wegelin Fils Geneve, with the original fitted case. Illustrated
Lot 2211
A pair of gold and platinum mounted, mother of pearl and seed pearl hexagonal cufflinks and a matching pair of dress studs, detailed 18, with a mappin & Webb case, a freshwater pearl stick pin, cased and a pair of silver, enamelled and mother of pearl circular cufflinks, birmingham 1909, (3).
Lot 2276
A gentleman's Omega Chronostop steel cased wristwatch, the signed circular dial with baton shaped numerals, a date of the month aperture and with centre stop seconds, on an associated steel bracelet, a lady's Bulova Snorkel Automatic steel cased calendar wristwatch, two lady's 9ct gold cased wristwatches, a Favre-Leuba keyless wind openfaced steel cased dress watch, nine further mostly ladies and gentlemen's wristwatches, including; Certina Automatic and Maya Automatic, (14).
Lot 2304
A pair of gold, pale blue and white enamelled dress studs, detailed 9 CT, cased, a pair of gilt metal earring drops, two silver circular brooches, decorated with sailing ships, a pair of cufflinks, commemorating The 1937 Coronation, a gold and turquoise set stick pin, a pair of 9ct gold sleepers, a mourning watch chain, one paste set cufflink, a silver and cornelian set brooch and a silver oval pendant, with a neckchain, cased, (11).
Lot 2332
A lady's platinum cased, diamond and synthetic sapphire set dress wristwatch, the jewelled Swiss movement detailed Record W.Co, the shaped oval case mounted with small cushion shaped diamonds and with four small synthetic sapphires mounted at intervals, on a woven cord white gold bracelet, the snap clasp detailed 585.
Lot 190
A mixed lot of jewellery, including a 19th century gold (tests 15 carat) and enamel brooch (AF), 6.6gms; a quartz dress ring, mounted in yellow metal (tests 14 carat gold), 2.2gms; a pair of yellow metal (not testing as gold) earrings; a gilt metal shell cameo pendant, and a further pendant (5)
Lot 22
An Art Deco gold, onyx and diamond dress set, including a pair of cufflinks, four buttons, two collar studs, and four white metal securing pins, the octagonal links set to the centre with a small eight cut within an onyx ground, to white gold borders, the yellow gold backs stamped ‘’WHITE 18CT 9CT 400’, the links and buttons 12mm diameter, in an Asprey & Co box
Lot 255
Longines, a 9 carat gold manual wind dress watch retailed by Camerer Cuss & Co, London, the two piece case hallmarked Birmingham 1943, the white enamel dial signed with luminous Arabic numerals and hands, and subsidiary seconds dial, the 15 jewel Longines movement 6562593 (movement functioning), the case 3cm wide, 25.5gms
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228098 item(s)/page