C. 300 AD, Roman. Silvered bronze bow brooch with prominent head and segmented decoration on the bow. Fibulae were both dress essentials for holding together cloaks, tunics, dresses and shawls, as well as important status markers in Roman society. Crossbow broacheswere often part of Roman military uniforms in the later Empire. Excellent condition. Size: 57mmx32mm;13gr. Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed in the 1990s on the UK /European art markets.
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C. 300 AD, Roman. Bronze zoomorphic brooch in the form of a fish with well-modelled scales and slender tail. Hinge, pin and catchplate are well preserved on the reverse. Zoomorphic brooches were common under the Roman Empire, and are typically associated with Gaul and Britain, where they may have been an important part of dress amongst military communities. Good condition. Size: 38mmx14mm; 4gr. Provenance: From the private collection of a Cambridgeshire gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.
Ancient Egyptian. Striking restrung necklace comprising red, grey and brown hardstone beads of circular and annular form, arranged around a steatite scarab. The steatite scarab features well-modelled head and a hieroglyphic design on the reverse. Scarabs, from Latin scarabaeus (“beetle”), which in turn comes from Greek karabos (“beetle”; “crayfish”), were artistic depictions of the Egyptian dung beetle. In Egyptian mythology, these insects were linked to the Sun God Ra, who after his death in the Underworld, was reborn as a scarab. Used as amulets, seals and to fulfil commemorative functions, scarabs were an important element of dress. Their undersides frequently feature hieroglyphic or geometric designs to identify their owners or ward off evil spirits. Due to their small, abstract nature, scarabs cannot normally be closely dated generally. See K. M. Kooney (2008). ‘Scarabs,’ in The UCLA Encyclopaedia of Egyptology, available online at https://escholarship.org/uc/item/13v7v5gd Good condition; professionally restrung and wearable. Size: 26mm; 7gr. Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1990s.
C. 300 AD, Roman. Superb bronze bow brooch with prominent coiled head terminating in finely-executed spheres and incised linear decoration interspersed with stylised stars on the bow. Fibulae were both dress essentials for holding together cloaks, tunics, dresses and shawls, as well as important status markers in Roman society. Crossbow brooches were often part of Roman military uniforms in the later Empire. Excellent condition. Size: H: 94.2mm, W: 39.2mm; 38.91g. Provenance: Private London collection, formed in the 1990s on the UK and European art market.
Ca. 1st Millennium BC. Ancient Egyptian. Steatite scarab with well-modelled head, perforation for suspension and decoration on the reverse comprising two rows of concentric circles separated by a line. Scarabs, from Latin scarabaeus (“beetle”), which in turn comes from Greek karabos (“beetle”; “crayfish”), were artistic depictions of the Egyptian dung beetle. In Egyptian mythology, these insects were linked to the Sun God Ra, who after his death in the Underworld, was reborn as a scarab. Used as amulets, seals and to fulfil commemorative functions, scarabs were an important element of dress. Their undersides frequently feature hieroglyphic or geometric designs to identify their owners or ward off evil spirits. Due to their small, abstract nature, scarabs cannot normally be closely dated generally. See K. M. Kooney (2008). ‘Scarabs,’ in The UCLA Encyclopaedia of Egyptology, available online at https://escholarship.org/uc/item/13v7v5gd Good condition. Size: H: 11.9mm, W: 16.8mm; 1.73g. Provenance: Private UK collection; formerly with a USA gallery; imported by Mr. E.E. in the shortly before and after the WW2.
Ca. 1st Millennium BC. Ancient Egyptian. Steatite scarab with well-modelled head, perforation for suspension and floral motif on the reverse. Scarabs, from Latin scarabaeus (“beetle”), which in turn comes from Greek karabos (“beetle”; “crayfish”), were artistic depictions of the Egyptian dung beetle. In Egyptian mythology, these insects were linked to the Sun God Ra, who after his death in the Underworld, was reborn as a scarab. Used as amulets, seals and to fulfil commemorative functions, scarabs were an important element of dress. Their undersides frequently feature hieroglyphic or geometric designs to identify their owners or ward off evil spirits. Due to their small, abstract nature, scarabs cannot normally be closely dated generally. See K. M. Kooney (2008). ‘Scarabs,’ in The UCLA Encyclopaedia of Egyptology, available online at https://escholarship.org/uc/item/13v7v5gd Good condition. Size: H: 4.40mm, W: 17.4mm; 1.69g. Provenance: Private UK collection; formerly with a USA gallery; imported by Mr. E.E. in the shortly before and after the WW2.
Ca. 1st Millennium BC. Ancient Egyptian. Steatite scarab with well-modelled head, perforation for suspension and hieroglyphic design on the reverse. Scarabs, from Latin scarabaeus (“beetle”), which in turn comes from Greek karabos (“beetle”; “crayfish”), were artistic depictions of the Egyptian dung beetle. In Egyptian mythology, these insects were linked to the Sun God Ra, who after his death in the Underworld, was reborn as a scarab. Used as amulets, seals and to fulfil commemorative functions, scarabs were an important element of dress. Their undersides frequently feature hieroglyphic or geometric designs to identify their owners or ward off evil spirits. Due to their small, abstract nature, scarabs cannot normally be closely dated generally. See K. M. Kooney (2008). ‘Scarabs,’ in The UCLA Encyclopaedia of Egyptology, available online at https://escholarship.org/uc/item/13v7v5gd Fair condition. Size: H: 10.9mm, W: 14.7mm; 1.22g. Provenance: Private UK collection; formerly with a USA gallery; acquired by Mr. E.E. between 1940 -1950 in Egypt.
Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Maitresse et chauffeur, Paris". Medium: Original photolithograph. Date: Composed 1976. Printed 1995. Dimensions: Image size: 9 9/16 x 7 7/8 in. (243 x 200 mm).Lot Note(s): Signed "Helmut" in black marker, lower right. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Through the photographer Henry Talbot; from an extensive private collection, Sydney, Australia. Comment(s): Dress by Gilles du Four Marie-Martine. For French Vogue. Image copyright © Helmut Newton Foundation. [26744-3-800]
Aurelianus AD 270-275, Siscia Mint, ca. AD 272-274.Radiate and cuirassed bust of Aurelianus right, IMP AVRELIANVS AVG;Emperor in military dress stg. r., holding sceptre, receiving a globe from Jupiter stg. l., holding long sceptre, IOVI CONSER, in exergue *PRIC V.1 225. Sharp portrait, browntones. About very fine Size: D: 20.5mm; 3.67g
Constantius II AD 324-361, Siscia Mint, ca. AD 350.Pearl-diademed, draped and cuirassed bust of Constantius II right, A behind head, DN CONSTANTIVS PF AVG;Emperor in military dress standing left, holding labarum and sceptre, behind him Victoria holding wreath above his head and palm branch, in left field A, HOC SIGNO VICTOR ERIS, in exergue _BSIS*RIC VIII 282. Perfectly round, well centered. About extremely fine. Size: D: 22.9mm; 5.06g
Constans AD 333-350, Siscia Mint, ca. AD 348-350.Pearl-diademed, draped and cuirassed bust of Constans right, A behind head, DN CONSTANS PF AVG;On the deck of galley Emperor in military dress standing left, holding labarum and small Victoria with wreath, at the stern seated Victoria steering vessel, in left field A, FEL TEMP REPARATIO, in exergue _ASIS_RIC VIII 252. Sharp details. Very fine Size: D: 24.0mm; 4.34g
A Victorian Staffordshire figure of a lady, in standing pose and wearing blue dress with yellow skirt, with basket of fruit in arms, on naturalistic base, h.21cm; together with a Staffordshire figure of a standing gentleman wearing blue jacket and green breeches, with hand on spade, on naturalistic base, h.17cm, and one other Staffordshire figure of a lady with basket, h.16cm (3)
A 19th century Staffordshire figure of a lady, in standing pose with lamb at her knee, in blue dress with green skirt, on naturalistic base, heightened in gilt; together with a near-pair of Staffordshire figures of a standing gentleman in pink jacket and yellow trousers and seated lady in similar clothes and holding a lute, the tallest h.13cm (3)
A pair of continental hard-paste porcelain musician figures, each in 18th century dress and decorated in bright enamels and heightened in gilt, h.23cm; together with a continental porcelain figure of a man with mountain goat; and a porcelain flower-picker figure (4)Condition report: Girl in blue – chips to the foliage and other extremities.Boy with goat – goats ear chipped and leg re-glued, boy missing fingers, foliage chipped.Lady in red – hand/book replaced, crack to reverse.Boy with bagpipes – bagpipes and fingers broken, toes chipped, purple robe chipped.All with some damage and/or repairs.
Adolphe Henri Dubasty (1814-1884) - a cased pair of portrait miniatures, being half-length studies of a lady and gentleman, him with black tunic and her with black shoulderless dress and gold earrings, watercolour on ivory, each signed Dubasty Palais Royal 148, 8.5 x 7cm, in fitted leather case
Two yellow metal dress rings, composing an oval openwork diamond cluster ring, total weight of diamonds 0.08 carats, size L, gross weight 2.1g, stamped and tested as 9ct; and a three-stone diamond ring, total diamond weight estimated as 0.04 carats, size N½, gross weight 1.4g, stamped and tested as 18ct
A watercolour on ivory half length portrait miniature, 19th century, depicting a lady in half mourning dress with white bonnet and gold mourning jewellery, gilt framed and glazed, 20cm x 19cm, with a Victorian photographic miniature of a gentleman in matching gilt frame, and a further portrait miniature print (3) Trevanion & Dean does not ship items containing ivory outside the EU. Trevanion & Dean recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
John Thomas Barber Beaumont (1771-1841) portrait miniature on ivory, depicting a Lady with dark hair in a white dress with frilled collar wearing a coral tiara and collarette, subject facing Dexter, signed 'ITB', the reverse aperture set with hair and monogrammed initial 'M', all set to a yellow metal plain polished frame with pendant bail attached, 75mm x 63mm Trevanion & Dean does not ship items containing ivory outside the EU. Trevanion & Dean recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
A pair of late 19th century Meissen blue painted double salts depicting a boy and a girl in courtly dress, each sitting on a double salt over a scroll base, blue painted crossed sword mark and number '27, impressed marks and inscribed mark '3024', 13cm high (2) (at fault) For condition information please view this lot on our website HERE
Artist: Lucian Freud (German/English, 1922-2011). Title: "Girl in a Green Dress". Medium: Color offset lithograph. Date: Composed 1953. Printed 1996. Dimensions: Overall size: 10 1/16 x 9 1/16 in. (256 x 230 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29444-2-600]
Lladro figure of a boy playing golf, Royal Worcester figure 'Grandmothers Dress' modelled by F.G. Doughty, Royal Doulton figure 'Dressing Up' HN3300, Coalport limited edition figure 'Anyone for Tennis' number 453/500 with certificate, Royal Crown Derby paperweight 'Great Tit' with gold stopper, Coalport candle holder from 'The Coalbrookdale Collection' with certificate and a Royal Doulton character jug 'The Poacher'
German Reichsmarine 1st model Naval Officer's dress dagger, the 24cm double fullered steel blade marked with the naval acceptance mark of M over an anchor to the ricasso, brass crosspiece with fouled anchor, celluloud grip (lacking wirework) and flame pommel, in beaten brass scabbard with double rings on oak leaf banding L40cm overall
WW2 German Army officer's dress sword with slightly curving 80.5cm fullered steel blade, eagle and swastika langet, gilded metal hilt, P-shaped knucklebow with oak leaves and acorns, wire bound black celluloid grip and green woven sword knot on leather strap, in black painted metal scabbard L96cm overall
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228098 item(s)/page