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Lot 284
Books and exhibition catalogues relating to North American Indians. Provenance Dr Alan Black Collection.LiteratureCooper Square. New Interpretations of Aboriginal American Culture History, 1972;Per E. Guldbeck. The Care of Historical Collections, 1972;Taschen. The North American Indian, Photographs by Edward Sheriff Curtis, 30 Postcodes, 1997;Lawrence W. Cheek. Santa Fe, 1996;Adolf Hungry Wolf. Traditional Dress, Knowledge and Methods of Traditional Clothings, 1990;Alice Beck Kehoe. America before the European Invasions, 2002;William S. Laughline and Albert B. Harper (Edited by). The First Americans, Origins, Affinities, and Adaptations, 1979;George R. Milner. The Moundbuilders, Ancient Peoples of Eastern North America, 2006;Beatrice Blackwood. The Classification of Artefacts in the Pitt Rivers Museum Oxford, 1970;Colin F. Taylor and William C. Sturtevant (Consultants). The Native Americans, The Indigenous People of North America, 1996;Charles P. Mountford. The Dreamtime, Australian Aboriginal Myths, 1974;Ruth B. Phillips. Trading Identities, The Souvenir in Native North American Art from the Northeast, 1700-1900, 1998;Barton Wright. Clown of the Hopi, Tradition Keepers and Delight Makers, 1995;The British Museum Bulletin. July 1976;Susan M. Pearce. Redmen of North America, 1974;Edward S. Curtis. Indian Life and Indian Lore In the Land of the Head-Hunters, 1974;Esther Pasztory. Pre-Columbian Art, 1998;Michael Belcher. Exhibitions in Museums, 1992;Sierra Press. Art of the Rocks, A wish you were here postcard book;Bodmer, Catlin, McKenny & Hall. The North American Indian Portfolios from the Library of Congress, 1993;Max Carocci. Ritual & Honour, Warriors of the North American Plains, 2011;Constance Stapleton. Crafts of America, a guide to the finest traditional crafts made in the United States, 1988.Brian M. Fagan. Ancient North America, The Archaeology of a Continent, 1995;Larry J. Zimmerman. Native North America, Belief and Ritual Visionaries, Holy People and Tricksters Spirits of Earth & Sky, 1996;Edward S. Curtis. The North American Indian, The Complete Portfolios, 1997;Edward S. Rogers. Indians of the North Pacific Coast, Royal Ontario Museum, 1970;J. Garth Taylor. The Canadian Eskimos, Royal Ontario Museum, 1971;Edward S. Rogers.Algonkians of the Eastern Woodlands, Royal Ontario Museum, 1970;Edward S. Rogers. Indians of the Subarctic, Royal Ontario Museum, 1970;U. Bär Verlag. Edward Sheriff Curtis 1868 – 1952, 1990;Published by the John Judkyn Memorial with the assistance of the United States International Communication Agency. The First Americans, The Art of the North American Indian;J. C. Ewers. Hair Pipes in Plains Indian Adornment, 1985;Karen Duffek. Bill Reid Beyond the Essential Form, 1993;An Aperture book New York. The North American Indians, Photographs by Edward S. Curtis, 1972;Virgil J. Vogel. American Indian Medicine, 1973;Eiteljorg Museum. Six Indian Crafts Cards, 1994;Pomegranate San Francisco. Inuit Art Birds, a book of postcards, 2003;Alvin M. Josephy Jr. The Indian Heritage of America, 1968;Decost Smith. Red Indian Experiences, 1949;Neil Carr. The American Indian;Laurel Phillipson. World Prehistory, 1984;Valerie Fraser & Gordon Brotherston (edited by). The Other America, for the exhibition Native Artifacts of the New World Museum of Mankind 1982;Portraits of Native Americans. Postcards from the Field Museum;Roger G. Kennedy. Hidden Cities, the discovery and loss of ancient North American civilization, 1994;George Wharton James. Indian Blankets & Their Makers, 1974;Shirley Greenway. Exploration of North America, 1998;Fiona MacDonald. Native Americans, 1998;Martin F. Schmitt and Dee Brown. Fighting Indians of the West;Cottie Burland. North American Indian Mythology, 1973;Cottie Burland. North American Indian Mythology, 1985;Dr. Herman Wouters. Peoples and customs of the world, North-America, 1979;Earl H. Swanson, Warwick M. Bray, Ian S. Farrington. The Making of the Past, The New World, 1975;Smithsonian. Identity by Design, First Edition, 2007;Morning Star Gallery, 1996;Fred Harvey. Fine Arts Collection, 1976;Erik Bromberg. The Hopi Approach to the Art of Kachina Doll Carving, 1986;Franc J. Newcomb & Gladys A. Reichard. Sandpaintings of the Navajo Shooting Chant, 1975;Paul Hamlyn. North American Indian Art, 1967;Bill Mercer. Lená Taku Wasté These Good Things, 1997;Harry N. Abrams, Inc., Publishers, New York. Caring for your Collections, 1992;Sherelyn Ogden (edited by). Caring for American Indian Objects, A Practical and Cultural guide, 2004;Ralph & Lisa Shanks. North American Indian Travel Guide, 1987;Gerald McMaster and Clifford E. Trafzer (edited by). Native Universe, Voices of the Indian American;Antoine Tzapoff. Natifs d’Amerique, 1992;Susan Bradley (edited by). British Museum Occasional Paper 66, A Guide to the Storage, Exhibition and Handling of Antiquities, Ethnographia and Pictorial Art, 1993;Lar Hothem. North American Indian Artifacts, 1994;Russell E. Lewis. North American Indian Artifacts, 2006;William Healey Dall. Masks, Labrets and certain Aboriginal Customs, 1884;J. C. H. King and Christian F. Feest. Three Centuries of Woodlands Indian Art, 2007;Preston F. Miller & Carolyn Corey. The Four Winds Guide to Indian Artifacts, 1997;Paula Richardson Fleming & Judith Luskey. The North American Indians in Early Photographs, 1986;Robert H. Rody and John A. Brown. Myron Eells and the Puget Sound of Indians, 1976;Toby Herbst & Joel Kopp. The Flag in American Indian Art, 1993;Gary Allen Hood. The Art of America’s Southwest Indians, 1995;Colin F. Taylor (editorial consultant). The Native Americans The Indigenous People of North America, 1991;Edward Sheriff Curtis. Visions of a Vanishing Race, 1994;(75)
Lot 283
Books relating to North American Indians including Charles Miles, Indian & Eskimo Artifacts of North America, 1963 and Vincent Scully, Pueblo, Mountain, Village, Dance, 1975. (a lot) Provenance Dr Alan Black Collection.LiteratureRobert M. Utley. The Lance & the Shield, The Life and Times of Sitting Bull, 1993;Robert H. Lowe. Indians of the Plains, 1963;George Catlin. Letters and Notes on the Manners, Customs, and Conditions of North American Indians, 1973;Angie Debo. A History of the Indians of the United States, 1970;George Catlin. Life among the Indians, 1903;W. H. Davenport Adams. The Hunter and the Trapper in North America, or, Romantic Adventures in Field and Forest, 1877;Hilary Stewart. Looking at Totem Poles, 1993;Janet C. Berlo and Ruth B. Phillips. Native North American Art, 1998;Christian F. Feest. Native Arts of North America, 1992;Karl Bodmer. The American Indian;Ronald P. Koch. Dress Clothing of the Plains Indians, 1977;Virginia More Roediger. Ceremonial Costumers of the Pueblo Indians,1961;Dee Brown. An Indian History of the American West Bury my Heart at Wounded Knee, 1972;Frank Waters. Book of the Hopi, 1978;Paul Johnson. A History of the American People, 1997;Stan Padilla (compiled and edited by). A Natural Education, Native American Thoughts and Ideas, 1992;Museum of Northern Arizona. Native Peoples of the Colorado Plateau, 1992;Chief Seattle. How can one sell the air? Chief Seattles Vision, 1992;Thomas Page (text by). The Civilisation of the American Indians, 1979;Impact. Time Among the Ancient, 33 Postcards;John C. Ewers. Blackfeet Crafts, 1986;Carrie A. Lyford. Ojibwa Crafts, 1982;Gladys A. Reichard. Weaving a Navajo Blanket, 1974;Vine Deloria Jr. and the Critique of Anthropology. Thomas Biolsi and Larry J. Zimmerman (edited by). Indians & Anthropologists,1997;John C. Ewers (editor). Indian Art in Pipestone, George Catlin’s Portfolio in the British Museum, 1979;David W. Penney. North American Indian Art, 2004;David Morrison. The Diamond Jenness Collections from Bering Strait, 1991;William Wildschut and John C. Ewers. Crow Indian Beadwork, a descriptive and historical study, 1985;William C. Orchard. The Technique of Porcupine Quill Decoration among the Indians of North America, 1971;Carrie A. Lyford. Quill and Beadwork of the Western Sioux, 1982;Robert H. Lowie. Indians of the Plains, 1985;William Wildschut and John C. Ewers. Crow Indian Beadwork, a descriptive and historical study, 1959;J. C. H. King. Smoking Pipes of the North American Indian, 1977;Jake Page. In the Hands of the Great Spirit, the 20,000 year history of the American Indians, 2003;Carl Waldman. Atlas of the North American Indian, 1985;Michael Johnson. The Native Tribes of North America, A Concise Encyclopaedia;M. G. Johnson and C. F. Taylor. Early Warrior Costume of the Sioux and Blackfeet, London: English Westerners Society 1983;John Anson Warner. The Life & Art of the North American Indian, 1975;Colin F. Taylor Ph. D (editorial consultant). Native American Arts & Crafts, 1995;Smithsonian. All Roads are Good, Native Voices on Life and Culture, 1994;Tom Hill and Richard W. Hill Sr (edited by). Creation’s Journey, Native American Identity and Belief, 1994;Peter Bolz and Hans-Ulrich Sanner. Native American Art, The Collections of the Ethnological Museum Berlin, 1999;Colin F. Taylor Ph. D. The Plains Indians, a cultural and historical view of the North American plains tribes of the pre-reservation period, 1997;Glenn E. Markoe. Vestiges of a Proud Nation, The Ogden B. Read Northern Plains Indian Collection, 1986;Norman Bancroft-Hunt and Werner Forman. The Indians of the Great Plains, 1981;Smithsonian. Spirit of a Native Place, Building the National Museum of the American Indian, 2004;Nancy-Lou Patterson. Canadian Native Art, 1973;W. Haberland. Art of the World, North America, 1968;Bertha P. Dutton. Indians of the American southwest, 1975;Vincent Scully. Pueblo, Moutain, Village, Dance, 1975;The Metropolitan Museum of Art. Masterworks from the Museum of the American Indian,1973;Jim Schoppert. Instrument of Change, Retrospective Exhibition, 1997;T.R. Fehrenbach. Comanches, The Destruction of People, 1975;Ann T. Walton. After the Buffalo were gone, the Louis Warren Hill, SR., Collection of Indian Art, 1985;Peter T. Furst and Jill L. Furst. North American Indian Art, 1982;Sarah Peabody Turnbaugh and William A. Turnbaugh. The Nineteenth Century American Collector: A Rhode Island Perspective, selections from the Museum of Primitive Art and Culture, 1991;Valérie Chaussonet. Crossroads Alaska, Native Cultures of Alaska and Siberia, 1995;Father Peter J. Powell. To Honour the Crow People, 1988;Ted J. Brasser. “Bo’jou, Neejee!”, Profiles of Canadian Indian Art, 1976;Leroy H. Appleton. American Indian Design and Decoration, 1971;Charles Miles. Indian & Eskimo Artifacts of North America;(60)
Lot 281
Books relating to North American Indian beadwork and jewellery. (18) Provenance Dr Alan Black Collection.LiteratureMonte Smith. The Technique of North American Indian Beadwork, states ‘First Edition’;Monte Smith. The Technique of North American Indian Beadwork;The Heard Museum, Phoenix, Arizona, Gloria A. Lomahaftewa (exhibition curator). Glass Tapestry, Plateau Beaded Bags from The Elaine Horwitch Collection, November 1993;Gerry Biron. A Cherished Curiosity, The Souvenir Beaded Bag in Historic Haudenosaunee (Iriquois Art), 2012;W. Ben Hunt and J. F. ‘Buck’ Burshears. American Indian Beadwork, 1973 (2);Kate C. Duncan (written by), Terry P. Dickey & Mary Beth Smetzer (compiled and edited by). Some Warmer Tone, Alaska Athabaskan Bead Embroidery, 1984;Colin F. Taylor, Ph. D. Yupika, The Plains Indian Woman’s Dress, an overview of historical developments and styles, 1997;Kate C. Duncan. Northern Athapaskan Art, A Beadwork Tradition, 1989;Lois Sherr Dubin. The History of Beads, from 30,000 BC to the Present, 1987;Henrietta Lidchi. Surviving Desires, Making and Selling Native Jewellery in the American Southwest, 2015;Joel Monture. The Complete Guide to the Traditional Native Merican Beadwork, A Definitive Study of the Authentic Tools, Materials, Techniques, and Styles, 1993;Gerry Biron and JoAnne Russo. Made of Thunder, Made of Glass, American Indian Beadwork of the Northeast, 2006;William C. Orchard. Beads and Beadwork of the American Indians, 1975;Robert K. Liu, Ph. D. (preface by) Wendy Weston-Ben (foreword by) Stefani Salkeld (catalog essays by). And the Bead Goes on! 1995;Caroline Crabtree and Pam Stallebrass. Beadwork, A World Guide, 2002;Kate C. Duncan and Eunice Carney. A Special Gift, The Kutchin Beadwork Tradition, 1997;Canada House Cultural Centre Gallery. (An Exhibition/Souvenir guidebook including an exhibition catalogue), Mohawk Micmac Maliseet and other Indian Souvenir Art from the Victorian Canada, an exhibition displaying the June Bedford Collection, 1985;Mary Seyd. Introducing Beads, 1973;(18)
Lot 506
An 18ct white gold 3-stone tanzanite and diamond dress ring, total diamond content approx 0.15ct, setting height 7.6mm, size Q, 4.3g Very good original condition, all stones present, central stone has no obvious chips or cracks, facet faces are relatively clean but table facet edges are slightly rubbed and abraded, diamonds are clean bright and white with no obvious inclusions, settings are nicely polished, marks clear, stamped 750
Lot 657
A 9ct gold onyx and split pearl dress set, 18ct white gold topped, comprising 4 buttons, pair of cufflinks and a pair of studs, cufflink panel length 10.7mm, 8.9g total, fitted Mappin & Webb case All in very good overall condition, no damage or loss to onyx, some of the panels are faded and now translucent, one stud has a pearl missing, all pieces are lightly surface scratched, marks clear.
Lot 601
A 14ct gold sapphire and diamond dress ring, oval-cut sapphire approx 0.55ct, setting height 5.8mm, size N, 1.4g Very good original condition, all stones present, sapphire has clean facet faces and sharp facet edges with just a couple of tiny girdle abrasions visible through a loupe and a dark vivid blue body colour, diamonds are slightly cloudy with mostly clean facet faces and sharp facet edges but one has a table chip visible through a loupe, settings are nicely polished, marks clear, engraved 585
Lot 604
3 various rings, comprising an 18ct blue topaz ring, setting height 8.3mm, size N, a 9ct gold ruby and diamond cluster ring, size R, and a silver dress ring, size P, (3) Blue topaz ring in good overall condition, no chips or cracks but stone is quite heavily abraded, settings surface scratched, hallmarks clear. Ruby ring in good condition, no damage or restoration, settings surface scratched, hallmarks clear. Silver ring missing two white stones, settings surface scratched, stamped 925.
Lot 577
An 18ct gold sapphire and diamond dress ring, total diamond content approx 0.18ct, setting height 7.2mm, size P, 3g Very good original condition, all stones present with no obvious chips cracks or restoration, sapphire has clean facet faces and sharp facet edges with a very dark blue body colour, diamonds are bright with a very slight hint of yellow and a few tiny internal feathers and black spot inclusions visible through a loupe, settings are surface scratched all over and shank just starting to wear thin, marks clear, stamped 18ct
Lot 589
A 14ct gold double pearl and diamond dress ring, setting height 11.1mm, size L, 2.4g, and a 9ct gold wedding band ring, maker's marks B&N, hallmarks London 1979, band width 7.8mm, size S, 5.1g, (2) Both in very good original condition with no damage or repairs, pearl ring has a bent shank and engraved 14K hallmark is rubbed, wedding band is surface scratched all over, hallmarks are clear.
Lot 648
A 9ct gold emerald and diamond cluster dress ring, total diamond content approx 0.15ct, maker's marks GA, setting height 7.9mm, size L, 2.6g Very good original condition, all stones present, emeralds generally have clean facet faces and slightly rubbed facet edges with general internal inclusions, diamonds are bright but slightly cloudy with small black spot inclusions visible through a loupe, settings lightly surface scratched all over, marks clear, engraved 375
Lot 605
A large 9ct gold diamond cluster dress ring, total diamond content approx 1.5ct, maker's marks UT, setting height 17.5mm, size P, 9.4g Very good original condition, only one stone missing near to where diamonds meet shank but this is hardly noticeable, diamonds are generally quite cloudy and slightly included with a few tiny chips visible through a loupe but still display a good sparkle when held to light, settings nicely polished, marks clear, engraved 375
Lot 548
3 x 9ct gold rings, comprising a wedding band (size T), amethyst dress ring (size Q) and a goldstone dress ring (size S), 13.8g total, (3) Wedding band is just surface scratched all over, hallmarks clear. Amethyst has one chip underneath a claw, otherwise settings just lightly surface scratched, hallmarks clear. Goldstone in very good condition with a few extremely minor edge chips, settings lightly scratched and rubbed, hallmarks clear.
Lot 492
A 20th century 14ct white gold pearl and diamond dress ring, total diamond content approx 0.12ct, pearl diameter 7.3mm, size N, 2.8g Very good overall condition, pearl is a greyish white body colour with a very slight pinkish hue, all diamonds present with no chips or cracks, stones are bright and white, settings are surface scratched all over, marks are very rubbed, stamped 14k
Lot 599
A 14ct white gold 6-stone diamond dress ring, total diamond content approx 0.5ct, setting height 9.6mm, size N, 5.9g Very good original bright condition, all stones present with no chips or cracks, diamonds have clean facet faces and sharp facet edges with only a few very small black spot inclusions and a couple of tiny girdle abrasions, settings are lightly surface scratched, marks are rubbed, stamped 585.
Lot 596
An unmarked gold graduated 5-stone diamond dress ring, total diamond content approx 0.1ct, unmarked settings test as 18ct, setting height 4.9mm, size K, 1.7g Very good overall condition, all stones present, central three stones are old-cuts with clean facet faces and sharp facet edges and no obvious internal inclusions, outer stones are rose-cuts with a few very minor chips and fractures, stones are still bright, settings are nicely polished, unmarked but test as 18ct gold
Lot 526
An 18ct gold sapphire and diamond dress ring, round-cut sapphire approx 3.25ct, setting height 9.7mm, size L, 3.1g Good overall original condition, sapphire is a very odd greenish blue body colour with plenty of windows, facet faces are slightly abraded and facet edges are rubbed and abraded but no chips or cracks, diamonds are clean bright and white, settings are surface scratched all over with a slight bend and also a split in the shank which may need repair, marks clear, stamped 18ct
Lot 607
An 8ct gold cabochon opal dress ring, with openwork shoulders and rope twist surround, setting height 12.1mm, size T, 1.9g Very good original condition, opal has no chips or cracks but just a few extremely light surface abrasions, settings are lightly surface scratched all over with a slightly thin shank, marks clear, stamped 333
Lot 538
A large 9ct gold onyx panel dress ring, ropetwist surround and openwork shoulders, hallmarks Birmingham 1990, setting height 26.6mm, size N/O, 8.8g Very good original condition, no chips, cracks or damage, just very light surface abrasions, settings are lightly surface scratched, hallmarks clear, stamped 375.
Lot 593
A 9ct gold diamond cluster dress ring, total diamond content approx 0.25ct, maker's marks SG, setting height 5.8mm, size M, 2.2g Very good original condition, all stones present with no major chips cracks or losses, diamonds are generally slightly milky and cloudy with a few small surface abrasions and tiny chips visible through a loupe, settings nicely polished, marks clear, engraved 375
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