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Lot 161

A NORTH EUROPEAN SMALL-SWORD WITH SILVER-ENCRUSTED HILT, CIRCA 1680. with tapering slender blade stamped `En Toledo`, steel hilt comprising double shell-guard with moulded brim, a pair of arms, globular quillon, knuckle-guard interrupted by a central moulding, and globular pommel, decorated throughout with scrolling flowers and foliage within beadwork frames, and ovals filled with figures in contemporary dress on the shell-guard and the front of the pommel (rubbed), and the grip with a later wire binding and `Turk`s heads`. 80.3cm; 31 5/8in blade. Provenance. Christie`s, 15th December 1982, lot 45

Lot 203

A VICTORIAN 1827 PATTERN RIFLE OFFICER`S SWORD BY HAWKES & CO, LONDON, NO. 1357. with etched blade, nickel-plated hilt, leather sword knot, in its leather-covered regulation scabbard, complete with its sword cover and dress scabbard (worn). 82cm; 32 1/4in blade

Lot 256

THE CASED COURT DRESS OF THE HONOURABLE GUY CHARTERIS (1886-1967), EARLY 20TH CENTURY. comprising court sword with cut steel hilt, in its scabbard, coatee, breeches, waistcoat, shoes with buckles en suite with the sword, cocked hat, and a pair of gloves: all contained in a black japanned tin case

Lot 260

A HIGHLAND DRESS POWDER HORN, 19TH CENTURY. of flattened cowhorn, with German silver fittings cast in low relief, comprising thistle-shaped finial, bulbous basal cap decorated with elaborate patterns of thistle flowers and foliage (loose), set with a foil-backed piece of glass in the base, and an additional foil-backed piece of glass in a scrollwork setting on the front, and retaining its German silver suspension chain. 33.5cm; 13 1/4in

Lot 16

Assortment of jewellery and coins comprising: two 9ct. gold dress rings, three pairs of 9ct. gold earrings, a stick pin set with a round cut garnet eighteen silver 3d pieces and a sovereign pendant.

Lot 164

Attributed to Sir William Russell Flint, pencil drawing of a woman in 18th century dress the reverse partial nude sketch on paper unsigned

Lot 461

Two Royal Artillery Regiment officer`s caps, by Herbert Johnson, one dress and one khaki,

Lot 464

Royal Dragoons officers dress coat and cap, ca with gold braid to the peak, by Herbert Johnson, and a navy blue waistcoat,

Lot 465

Royal Horse Guards and 1st Dragoons officers khaki uniform jacket, brass buttons with `RHG 1stD`, medal ribbons above left breast pocket, purple cord through left shoulder running down to pocket, khaki ca and dress ca with gold foliate braid both probsbly for the same regiment, by Herbert Johnson, and a khaki side hat by Clement H. Sunderland of Liverpool,

Lot 466

Royal Marines officer`s navy blue dress jacket, with four stripes to the right arm, brass buttons and gold braid,

Lot 585

Purple and black lace evening dress with matching bolero an embroidered coat, three pieces of material and a blue costume

Lot 613

Indian watercolour lady in a gold dress flying a kite, Jaipur, Rajastan, North West India, late 19th century. Gouache on paper with gilt. 6.75" x 4.75"

Lot 622

19th century oval crystoleum of a young woman in Arab dress 17 x 14in. (43.18 x 35.56cm)

Lot 367

A Continental figure group, in the manner of Derby, Europa and the Bull, Europa, wearing a floral dress and green drape places a garland around the head of her abductor Zeus, in the form of a white bull, swirling rococo base, picked out in gilt, 28cm high, late 19th century

Lot 1022

An early 20th century silver coloured metal wager cup, typically as a lady in traditional Low Countries dress supporting an ogee bowl between two rods, chased and embossed with masks, leafy scrolls and diapers, 20cm high, apparently unmarked

Lot 57

A rare appliqued patchwork coverlet depicting the coronation of Queen Victoria, worked by H.C. Simmonds, English, circa 1838, cotton flap attached to one side crudely embroidered in red cotton ÒH.C. Simmonds, near the Mansion House at Weston near Bath, Somerset ShrÓ, the central section with a stylised church and Christ as a boy visiting the temple, the bordering scenes of the Flight into Egypt and the Nativity, often incorporating rather hairy angels, the upper edge with Coronation scene with large throne, three dimensional bishop, and courtiers and raisedwork royal cypher, the lower border with a large thatched cottage, bird in a cage, one of the figures with 1790s block printed cotton gown, the two side panels with scenes from country life including a church, Cross Keys public house, harvest scenes, animals, fine carriages, the outer border of ivy trails in green roller printed cotton, size 237 by 203cm, 93 by 78in. Stylistically the fine robes of the Coronation figures are more 1780s in style than 1830s which suggests that the embroideress was a little out of touch with contemporary fashions and probably didn`t see engravings of Queen`s Victoria`s actual coronation. The cottons are mainly roller-printed dress fabrics of the 1830s. Weston is a small village near Bath. The `Mansion House` may refer to Weston House, which stood in the High Street until demolished in the 1970s. It was built around 1700 and would have been the largest house in the village even in the mid 19th century. The Weston burial church registrar contains several children named Simmonds/Simmons in the 1830s but no earlier records of the name which suggests that the familly may only have been resident in Weston for a few years. We are indebted to Colin Johnstone of the Bath Record Office and Rosemary Harden of the Fashion Museum, Bath for their help in researching the provenance of this piece.

Lot 85

A Jay`s of London, black self-striped velvet and satin evening gown, circa 1890, labelled to the bodice waist, the skirt front and cuffs adorned with floss silk embroidered coiling blooms; together with a black lace cape c.1890; and a black satin promenade dress adorned with steel beads, (5)

Lot 95

A velvet cocktail dress, circa 1927, probably Lanvin, of dark brown/black silk velvet embroidered and beaded with a large bow to one hip, bust 102cm, 40in

Lot 96

An Agnes/Madame Havet golden velvet cocktail dress, circa 1927, labelled, with softly draped cross-over bodice, gold and silver beads and rhinestones to the dropped waist, the skirt with three dimensional flowerheads studded with pastes, bust 82cm, 32in; together with a silvery velvet cape with wired collar, (2)

Lot 98

A fine and rare Coco Chanel couture printed lace cocktail gown, Spring-Summer, 1928, narrow brown on beige woven label, no 77752, comprising: ivory crepe de chine slip with attached skirt panel of lace, the short over-bodice with scarf-like panel to one shoulder, the scarf and hem entirely edged in small lace flowers with tiered petals, bust 79cm, 21in; together with a copy of a Harper`s Bazaar sketch of a similar dress captioned ÒChanel Endorses Silken Lace`, April 1928, (2). Although Chanel often used lace in her gowns-this over-printed lace technique is very rarely seen.

Lot 103

An Agnes/Madame Havet gold lace cocktail dress, circa 1927, labelled, with gold sash to the dropped waist, bust 92cm, 36in

Lot 116

An early Balenciaga draped black jersey dinner gown, circa 1946, labelled but not numbered, with drooped, padded shoulders, streamlined front with V-pleats at the neck, the back with pleated and draped skirt and large glass cinder-like button, bust 86-92cm, 34-36in, curved waist 66cm 26in. Femina Suisse reported of the 1946 collection ÒBalenciaga`s draped effect is more 1885 than 1900É He possesses that sense of proportion and that ability to adapt which characterize the skillful designer whose audacity always stops at the required pleat. The black crepe dress is heavily draped at the hips, lightly so at the corsage, and pinched in at the waist by a wideish beltÓ.

Lot 117

A rare Mad Carpentier crepe day dress, circa 1938, signature label, of royal blue and black crepe, padded shoulders, side zip, the pleated front skirt panel is attached to the waistbelts, pockets to each side, bust 86cm, 34in

Lot 121

The Duke of Windsor`s cream silk jacket by Metzel, American, 1944, with tailor`s label dated 7/18/44 and bearing the Duke`s name, double breasted with plain mother of pearl buttons, chest 96cm, 38in; together with Hawes & Curtis grey and red checked bow tie, finely checked grey and white shirt with royal cypher; cotton dress shirt with wing collar, embroidered `E` to the label, a thistle shaped pique bow tie and matching waistcoat, (6). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2857, 2852, 2090

Lot 122

A group of Duke of Windsor Hawes & Curtis shirts and accessories circa 1940-53, comprising: soft beige cotton shirt, another of blue and white plaid, another woven with fine quatrefoils; a white dress shirt with fold-over collar, all with Duke`s cypher embroidered to the breast; together with five white pique waistcoats and a matching thistle shaped bow tie embroidered in red with Duke`s cypher; and a quantity of assorted collars and cuffs, average chest size 97cm, 38in (qty). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2852, 2900, 2924

Lot 123

A group of Duke of Windsor Hawes & Curtis shirts and accessories circa 1940-53, comprising: soft beige cotton shirt, another of fine window pane check, two white dress shirts with fold-over collars, all with royal cypher embroidered to the breast; two white pique waistcoats and two matching thistle shaped bow ties, average chest size 97cm, 38in, (qty). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2852, 2900, 2924.

Lot 124

A rare Agnes/Madame Havet orientalist brocaded silk cocktail dress, circa 1925, labelled `Agnes, Madame Havet, 7 Rue Auber, Made in France`, the ming-style brocade in blue, orange and green highlighted in gold, the black satin pagoda sleeves, hem and collar with blue and gold embroidery, bust 101cm, 40in

Lot 137

A Christian Dior London black velvet cocktail dress, late 1950s, labelled and numbered 2214, also bearing Samuels of Manchester retailer`s label, with satin bow to bodice, stiffened petticoats, bust 92cm, 36in; together with Dior Paris silk toque made from silk feathers, (2)

Lot 148

A Mary Quant black and white wool day dress, 1963, labelled, the houndstooth check bodice over striped skirt with large black buttons, bust approx 92cm, 36in; together with a photograph of the dress being modelled by Jean Shrimpton, (2). This dress was modelled by Jean Shrimpton and photographed by John French for The Sunday Times, February 17 1963, cf p.136 `John French: Fashion Photographer`. It is noted that the dress cost 25 gns.

Lot 163

An Yves Saint Laurent Patron Original silver and blue-grey brocatelle cocktail dress, circa 1966, labelled and numbered 016651, the borders with elaborate rhinestone droplets, silver sequins and beads, bust 86cm, 34in

Lot 175

Yves Saint Laurent, 1970s, comprising: couture navy velvet cocktail dress, labelled and numbered 50281; black taffeta cocktail dress with tulle petticoats, labelled and numbered 46780; boutique silver sequined bodice; brocaded chiffon blouse; pleated chiffon cocktail dress with separate ruff collar, un-labelled, (qty)

Lot 184

An Ossie Clark/Celia Birtwell printed satin midi dress, circa 1969, with early black on white printed satin label, the ivory ground with deco-inspired tulips and ziz-zag bands, wide kimono-like sleeves, pale grey satin edgings, bust 86cm, 34in, waist 59cm, 23in

Lot 185

An Ossie Clark/Celia Birtwell printed moss crepe and chiffon dress, circa 1969-70, with early printed satin black on white label, with Floating Daisies moss crepe ground, with chiffon inserts to the breasts and sleeves, bust 82-86cm 32-34in

Lot 187

An Ossie Clark for Radley maxi dress, mid 1970s, labelled, with Celia Birtwell green and white print on a navy viscose ground, with front buttoning detail, bust 86cm, 34in

Lot 203

Bill Gibb/Kaffe Fassett knitwear, Autumn-Winter 1977-8, comprising: terracotta wool smock dress with deep rolled collar, overall pine-cone and window pane check pattern; together with matching pair of leggings, beret; a roll neck sweater, a tartan skirt; a short jacket with box pleat to the back and blouson sweater with deep ribbed V-neck, sweater bust 97cm, 38in; together with xerox designs of the smock dress, blouson sweater and polo-neck sweater, (11). cf `Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.77 for a contemporary fashion photograph of the smock dress ensemble

Lot 206

A Bill Gibb wool ensemble, 1979, labelled, comprising: plum moss crepe midi dress with pleated detailing to front and back bodice, the coat in woven diapered bands of russet tones and blues, side splits, with matching scarf, bust 102cm, 40in

Lot 212

A Bill Gibb whitework and sequined ensemble for Kate Franklin, mid season, 1973 and matching sketch, un-labelled, comprising cream cheesecloth halter-neck dress with cream embroidery; the matching jacket embroidered in pink with green and silver sequins, jacket bust 97cm, 38in; the ink sketch with attached fabric swatch annotated `To my dearest Kate who I hope never suffers from anorexia looking at this jacket. In joke!! Fondest love always Billy x`, 25 by 20cm within frame and mount, (3)

Lot 215

An Antony Price brocatelle ensemble, 1980s, worked in pink and purple silks, comprising mini dress with flared skirt, edged in brown faux-fur, worn over jodphur style trousers, bust 81cm, 32in, trousers waist 66cm, 26in, (2)

Lot 217

An Antony Price black velvet cocktail dress, 1980s, labelled and size 8, the plunging neckline edged in black maribou; together with a David Fielden purple and black cocktail dress spangled with glitter, both bust 82cm, 34in, waist 62cm, 24in (2)

Lot 220

A Comme des Garcons black and silver striped dress, 1986, labelled, with vertically striped front plastron to bodice, the skirt horizontally pleated, doubled over and falling in a curleque point to one side, bust 86cm, 34in

Lot 223

A John Galliano black cotton dress and jacket, circa 1987, labelled, the dress with V-neck, bias cut seam to chest, pleated puff-ball hem; the double breasted jacket with pockets set high into the waist, dress chest 86cm, 34in (2)

Lot 224

An early John Galliano bias-cut cream wool dress, probably Autumn-Winter, 1985, un-labelled, of heavy woollen blanket material with curved sleeves cut very narrow at the shoulder, ties to front high waist, bust approx 86cm 34in. An identical dress was sold in these rooms as lot 243, December 4th, 2008

Lot 226

An early John Galliano grey cotton smock dress, 1985-6, labelled `John Galliano 1`, the midriff with four draw-string ties some edged with fur pompoms which cause the front of the skirt to ruffle and raise, bust 86cm, 34in

Lot 234

A group of Viienne Westwood clothing, Savages and Pirate collections, 1980s, the majority labelled, comprising: cotton print dress, culotte skirt, a cotton tube dress with striped cotton floating panels; a pair of loose weave trousers; and three pairs of stockings, (qty)

Lot 250

A group of black/steel-grey Azzedine Alaia garments, late 1980s-early 90s, comprising: black knitted dress with broad waistband; elastane body with narrow back-straps; knitted cross-over bodice; gored faggotted skirt; and a simple knitted viscose tunic dress, average size bust 86cm, 34in, M, S, MS; together with a photograph of Marie wearing the body, (5)

Lot 252

An Azzedine Alaia Prince of Wales checked jacket, late 1980s-early 1990s, the double-breasted jacket with trench-coat like panels; with almost identical skirt by David Chambers; and a pair of Joseph wide legged knitted silken trousers, chest 86cm, 34in; and a black scoop necked velvet dress with plunging back, size L, (4)

Lot 253

An Azzedine Alaia black lace knit banded cocktail dress, late 1980s, un-labelled, bust approx 86cm, 34in

Lot 256

An early Stella McCartney bottle green and black lace bias-cut chemise dress, circa 1995, with simple school-style name tag to the interior and size 10;, together with a print by David Downton of Marie Helvin wearing the gown, bust 86cm, 34in (2). This gown was purchased from Stella`s graduation collection, from the small boutique Tokio.

Lot 257

A good Azzedine Alaia knitted viscose pinafore-style dress, circa 1990, with cutaways to the side, narrow back-straps, curved skirt panels cut to follow the figure, bust approx 86cm, 34in, size M

Lot 258

A group of mainly black evening ensembles, 1980s-90s, including black lace corset-style Norma Kamali cocktail dress and a black jersey body with cross-over front; an unlabelled Georgio St Angelo stretch-velvet cocktail dress; a Gnuyki velvet gown with sequined skirt and a halter-neck of plain black jersey; an unlabelled Dolce & Gabbana cutwork `black widow` dress, and others, average size bust 86cm, 34in; together with a photo of Marie wearing the cutwork dress and the Kamali corset dress, (11)

Lot 260

Two Azzedine Alaia cocktail dresses, late 1980s, early 90s, comprising: a black knitted figure-hugging dress, labelled size S; together with a dark brown jersey halter-neck dress with draped bust panels, average size bust 86cm, 34in; together with a photograph of Marie wearing the black dress (3)

Lot 262

A Bruce Oldfield gold sequined and beaded cocktail dress, 1990s, unlabelled, together with a labelled jacket made from 1930s black and gold brocade, bust 86cm, 32in (2)

Lot 279

An Herve Leger couture royal blue figure-hugging `bandage` dress circa 1998, labelled, bust approx 81cm, 32in; together with a picture of Marie wearing the dress (2)

Lot 292

A group of letters and a telegram related to the betrothal of James Hanson and Audrey Hepburn dated September-November 1952, comprising: four letters from James Hanson to Tanja Star-Busmann relating to the postponement and finally cancellation of the planned wedding; a telegram from Audrey to Tanja dated August 3rd, 1952 sent from Ciampino airport asking her to be a bridesmaid on 30th September; a letter from Audrey dated 6 November sent from Chicago telling Tanja to wear the Òpink dress, (the bridesmaid dress)É I would love to think you`d wear it at some gay party.Ó (6). See lot 333 for Audrey`s wedding gown, designed for her by the Fontana sisters.

Lot 293

The Givenchy haute couture black chantilly lace cocktail dress, worn in ÒHow to Steal a MillionÓ, 1966, comprising: lace cocktail gown with wrap-over back, high neck with scalloped edge, side fastenings, the full skirt edged in a flounce stiffened with horsehair, narrow black patent belt, worn over a black silk petticoat, labelled and numbered 30.361, the matching jacket with narrow Givenchy label to the neck, bust 86cm, 34in, waist 61cm, 21in; together with a photograph of Audrey wearing the gown, (5). Audrey wears this ensemble in the Ritz bar scene of the film, where her character dons a matching lace face mask over glittery eye-makeup in order to disguise herself. Her attempt not to draw attention to herself in this stunning creation spectacularly failed! Hubert de Givenchy created a similar, though not identical, cocktail gown as part of the haute couture collection, Autumn-Winter 1966, model 432.

Lot 294

A Marjolaine of Lausanne silver lurex crochet mini-dress, late 1960s, labelled, with long sleeves and simple A-line skirt, un-lined, bust 82cm, 32in

Lot 295

A gold lurex lace-knit maxi-dress, late 1960s, probably Marjolaine of Lausanne, with gold scalloped crochet hem, lined in silk, bust 82-86cm, 32-34in

Lot 308

A Givenchy haute couture jade green voided velvet cocktail dress, circa 1967, un-labelled, the low V-back with later added bow, bust 81cm, 32in, waist 61cm, 24in

Lot 309

A Rose Bertin scarlet velvet cocktail dress edged with lace ruffles, late 1960s, labelled `Rose Bertin, Lausanne, Zurich`, with empire-line bodice, short skirt, trimmed with ruffles of lace, bust 82cm, 32in

Lot 313

A Givenchy haute couture turquoise cloque silk cocktail gown, Autumn-Winter 1966, labelled and numbered 33517, edged in a tousled band of frayed floss silk, slit back opening with cord to neck, wide sash to waist, bust 86cm, 34in, waist 66cm, 26in; together with a portrait photograph of Audrey wearing the gown, (2). This gown was produced as part of Givenchy`s Winter 1966 collection, model no 461. Audrey wore this dress to promote the film `Two for the Road`, released in 1967.

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