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A collection of eight 9ct gold stone set dress rings to include an emerald and diamond cluster, sapphire and diamond cluster and pearl and diamond cluster along with a diamond and emerald wish bone ring, sapphire and diamond half set eternity ring, two stone set signet rings, a cubic zirconia set solitaire with a combined total gross weight approx 17.7gms and a 9ct gold rope twist band weight approx 2.7gms Condition report: wear and tear commensurate with age, all stones intact, some possible replacements
A collection of gold jewellery to include an 18ct gold and diamond ring (band misshaped) total gross weight approx 2.3gms, a 9ct gold Victorian brooch with floral accents set to the centre with red paste and border of seed pearls, an early Victorian rose gold ring set to the centre with turquoise and outer border of pearls (worn) four other 9ct gold rings to include two bands (misshaped) a sapphire and diamond ring and one dress ring set with citrine, together with two pairs of 9ct gold clip on earrings and 9ct gold slave bangle with engraved decoration, with a combined total gross weight approx 22gms
After J.D.Guirand, 'Bacchante', a silver plated bronze study of a dancing girl, modelled in mid pose with flowing dress, she holds a bunch of grapes in one hand, set on a pink marble cuboid base, 43cm high.Condition: Minor wear to plating in places, consistent with age. Base corners restored and some further nibbling to base corner edges and abrasions to top.
A collection of costume jewellery to include a silver cross and chain and a fancy pendant, gold plated and gilt metal jewellery to include chain, rings, bracelets, cufflinks and a bangle along with crown ornaments, two ladies dress watches, a plated miniature clock, a calendar along with various commemorative coins including Festival of Britain (1 bag)
A collection of Georgian and Victorian and later jewellery to include a Georgian paste set oval buckle, a Victorian white metal chain with pierced decoration and bead fringing, Victorian ebony bangle with floral gilt decoration, along with a Victorian gilt metal locket and brass chain, , gold plated paste set bar brooch, various dress studs, a carved mother of pearl decoration, opalite hat pin et (1 bag)CONDITION:lorngettes taken out 23/10/2020 hs
A collection of costume jewellery to include 32 various silver rings, some stone set including a Blue John set ring, combined total gross weight approx 3ozt, along with three 9ct gold and silver rings and two gilt metal rings, together with paste set pendants and brooches, micro mosaic bracelet, brooch and cross, onyx pendant set with a small diamond chip, three ladies dress watches and plastic/bone ornaments and beads (1 bag)
A collection of ladies and gents wristwatches to include gents watches, a vintage gents Bernex incabloc auto, a gold plated Rotary with exhibition case back, a Seiko Perpetual calendar with date aperture, vintage gilt metal Accurist, along with later Diesel, Ellesse and Timex versions, together with various ladies dress watches comprising DKNY, Oris, Armarni, Toimex, Rotary, limit, Montine and Bulova, etc with white and gilt metal versions, bracelet and leather straps (1 bag)
A collection of watches to include two 9ct gold early 20th Century watches on later leather and plated metal expander strap, along with an Ingersol open faced chrome pocket watch, a vintage gents Navis watch, five other gents watches including Rotary Lorus and Reflex six ladies dress watches to include brands Sekonda and Royal etc (1 bag)
A collection of jewellery to include three 9ct gold dress studs, weight approx 2.2gms (cased) along with silver and white metal jewellery to include a Blue John silver pendant and chain, an Irish patriotic hard stone set brooch with shillelagh, shamrock and harp, along with a Victorian gilt metal cameo brooch, a silver and marcasite ring, onyx ring and gilt metal ring, silver, moonstone and marcasite butterfly brooch, fob medallions, continental silver bracelet etc (1 bag)
A collection of Staffordshire figures, including a flatback entitled 'Fortune Teller', height 32cm, four other flatbacks including a Highlander seated with drum and cannon, a fireside spaniel and a figure of a youth holding a lamb (7)CONDITION: Man holding dog - his right forearm glue repaired and his right hand fingers glue re-attached.Piper - bruise to the rear of his head-dress, not serious.Sleeping Scots guard - some repairs to the tip of the flags, clearly visible verso; some kiln - dust at his shoulder and back, not serious.Others structurally good. Some wear to gilding throughout.
A SELECTION OF ITEMS, to include a cased incomplete set of white metal and mother of pearl dress studs, a gold plated J.T.Cottrill lady's wristwatch, cream dial, baton markers, approximate case width 18.2mm, fitted to a articulated bracelet with a fold over clasp, a jet pendant/brooch in the form of a leaf, two yellow metal brooches, a yellow metal bangle, a white metal engine turn retractable pencil, a white metal ball point pen, and a yellow metal rise stick pin
A MODERN FANCY DIAMOND OPEN WORK DRESS RING, round brilliant cut diamonds interspaced between yellow and white entwined settings, estimated modern round brilliant cut diamond weight 0.30ct, colour assessed as G-H, clarity assessed as VS1-2, ring size N 1/2, unmarked assessed as 18ct, approximate gross weight 8.1 grams
EIGHT ROYAL DOULTON, ROYAL WORCESTER AND COALPORT LADIES, the Royal Doulton comprising 'Elyse, HN 2429, 'Peggy' HN 2038, 'Sentiments Friendship' HN 3491, 'Southern Belle' HN 2229, Coalport Ladies of Fashion 'Melanie' and the Royal Worcester comprising 'Grandmothers Dress' No 3081, 'First Dance' No 3629 and 'Sweet Anne, No 3630 (8)
A COLLECTION OF GENT'S JEWELLERY ITEMS, to include a mid twentieth century 9ct gold dress studs together in associated leather pouch, hallmarked 9ct gold Birmingham 1958 approximate gross weight 2.4 grams, a gold plated Alacris Superior Level mechanical hand wound white enamel dial (please note dial is cracked and chipped), blue steeled hands on a gold plated belcher chain, a gold plated tie tack and gold plated cufflinks
A TRAY OF BROOCHES AND DRESS PINS, to include twelve brooches, a silver deer head, hallmarked Edinburgh, an oval abalone shell set brooch, stamped 'Sterling silver', a white metal Scottish agate set brooch, an abalone shell brooch in the form of a leaf, an agate set butterfly brooch, a blue and green white metal fish, an oval agate pendant, a turquoise set brooch along with two filigree dress pins
Don Balke (North Carolina, B. 1933) "Red Cardinal" Signed lower middle. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 13c Red Cardinal stamp issued June 10, 1978. Only the summer tanager matches the male Cardinal in full red color, but the tanager lacks the pronounced crest which the Cardinal proudly displays. A black mask, a stout coral red bill, and dark red feet also distinguish the Cardinal from other species. So brilliant is his color that he was named Cardinal for the scarlet robes of a church dignitary. The female's dress is much more subdued. She has an olive-gray back, dull reddish wings and crest, and soft pink-brown underparts. They remain together throughout the year, though in the early winter months the bond may be relaxed. Unlike the female of most species, the female Cardinal is as skilled a vocalist as the male. They may sing in any month, but on spring mornings when paired birds perch and play in the tops of trees, the countryside awakens to their rich, penetrating music. "During the love season," Audubon claims, "the song is emitted with increased emphasis by this proud musician, who, as if aware of his powers, swells his throat, spreads his rosy tail, droops his wings, and leans alternately to the right and left, as if on the eve of expiring with delight at the delicious sounds of his own voice." Yet some listeners prefer the female's softer music to the male's sometimes piercing notes. Found virtually everywhere in North America, the Cardinal flits about canals, and nests in bushes along banks. Just as often, the Cardinal's nest may be hidden in a thicket, or in a sapling. Image Size: 13.5 x 14.5 in. Overall Size: 14 x 17 in. Unframed. (B05053)
Ian Gavan (by), English National Ballet, Giclée, Hahnemühle photo rag, signed, non embossed, limited edition of 10, 16.5" x 11.7". Dancers from English National ballet perform an extract from "Etudes" during a dress rehearsal for their 70th Anniversary Gala at the Coliseum, London on January 16th 2020. For additional information regarding this lot please contact Edmond Terakopian at edo@pix.org.uk.
Ian Gavan (by), Far From The Norm, Giclée, Hahnemühle photo rag, signed, non embossed, limited edition of 10, 16.5" x 11.7". Dancers from the 'Far From The Norm Dance Company' perform during a dress rehearsal prior to the Sadlers Sampled festival at Sadlers Wells on 30th January 2020. For additional information regarding this lot please contact Edmond Terakopian at edo@pix.org.uk.
Stuart Wood (by), Polly, 12-colour pigment, Canson Infinity printmaking rag 310gsm matte, signed, non embossed, 16.5" x 11.7", certificate of authenticity. Polly wearing a Suzie Turner nude hammered silk slip dress. The Royal Suite, The Savoy Hotel, London, UK. For additional information regarding this lot please contact Edmond Terakopian at edo@pix.org.uk.
Ca. 100-300 AD. Roman. A restrung necklace of Roman beads comprising multiple opaque and transparent sub- spherical, tubular and rectangular glass, glass-paste and stone beads in a variety of colours. The vibrant colours of the beads make this necklace a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good Condition, wearable.Size: L:220mm / W:mm ; 49.5g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.
Ca. 100-300 AD. Roman. A restrung set of earrings and a necklace of Roman beads comprising multiple opaque and transparent sub-spherical, glass, glass-paste and stone beads in a variety of colours. The vibrant colours of the beads make this set a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Size: L:set of 2: 30mm(earings),122mm(necklace) / W:47mm(earings),260mm(necklace); 55.6g; Provenance: Obtained from L.C. ; previously in a collection formed in the 1970s on the UK and European art market.
Ca. 100-300 AD. Roman. A restrung necklace of Roman beads comprising multiple opaque and transparent sub-spherical, and square glass, glass-paste and stone beads in a variety of colours. The vibrant colours of the beads make this necklace a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good Condition, wearable; Size: L:70mm / W:mm ; 57g; Provenance: Private London collection, formed since the 1980s on the UK and European art market
Ca. 100-300 AD. Roman. A restrung necklace of Roman beads comprising cylindrical carnelian beads and spherical metallic spacers. The vibrant red beads make this necklace a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good Condition, wearable.Size: L: 260mm / W:350mm ; 18.8g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1970s;
100-200 AD. Roman. Bronze brooch, depicting a horse with a fine head shown in profile. The catch-plate and pin are both fully preserved. Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people’s self-expression. For comparable Roman brooches, see Richard Hattatt. 2000. A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books, p. 218. Good condition. Size: L:22mm / W:34mm ; 22g; Provenance: From an old British collection, acquired on the UK art market in the 1970s.
c. 2000-1000 BC, Amlash culture. Bronze anthropomorphic amulet of a female figure, probably a goddess, show in profile, with her arms by her sides. She appears to wear a heavy dress which flows a far as her ankles; a thick belt runs around her waist. A round suspension loop is visible on the reverse. The Amlash culture refers to an assortment of historic materials and periods in Northern Iran, enduring for many centuries. This item may attest to religious practice in Amlash culture societies. Good condition; professionally restrung; Size: L:75mm / W:50mm ; 28.6g; Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 100-300 AD. Roman. A restrung necklace of Roman beads comprising multiple opaque and transparent sub- spherical, tubular and rectangular glass, glass-paste and stone beads in a variety of colours. The vibrant red beads comprising the centremost portion make this necklace a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good Condition, wearable. Size: L:250mm / W:mm ; 34.6g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
Ca. 100-300 AD. Roman. A restrung necklace of Roman beads comprising multiple opaque and transparent sub- spherical, tubular and rectangular glass, glass-paste and stone beads in a variety of colours. The vibrant colours of the beads make this necklace a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good Condition, wearable.Size: L:275mm / W:mm ; 59g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.
Ca. 100-300 AD. Roman. A restrung necklace of Roman millefiori glass beads of spherical and cylindrical form and made using a wide range of colours. Millefiori (from the Italian for “a thousand flowersâ€) is a glass working technique which produces distinctive decorative patterns by fusing together canes in a variety of different colours to create a mosaic effect. The vibrant colours of the beads make this necklace a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Excellent condition; wearable; Size: L:205mm / W:mm ; 47.6g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.
100-300 AD. Roman. Bronze brooch comprising two rectangular bars joined by two stylised leaping dolphins, which feature carefully incised fins and tails; the pin and catchplate are preserved on the reverse. Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested and they seem to have played an important role in Roman people’s self-expression. Cf. Richard Hattatt. 2000. A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books. Excellent condition.Size: L:17mm / W:30mm ; 8.4g; Provenance: Obtained from L.C. ; previously in a collection formed in the 1980s on the UK and European art market.
A blue and green vintage Japanese Kimono. The size is 66 x 54 in.The kimono is a traditional Japanese garment and the national dress of Japan. The kimono is a T-shaped, wrapped-front garment with square sleeves and a rectangular body, and is worn with the left side wrapped over the right side, unless the wearer is deceased. The kimono is traditionally worn with an obi, and is commonly worn with accessories such as zori sandals and tabi socks.
A cream Japanese vintage kimono with colorful flowers. The size is 66 x 54 in.The kimono is a traditional Japanese garment and the national dress of Japan. The kimono is a T-shaped, wrapped-front garment with square sleeves and a rectangular body, and is worn with the left side wrapped over the right side, unless the wearer is deceased. The kimono is traditionally worn with an obi, and is commonly worn with accessories such as zori sandals and tabi socks.
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228098 item(s)/page