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Lot 315
A late Victorian scalloped circular brooch etched with butterflies and bamboo and centred by a purple stone. An Art Deco bar brooch set with small blue and white stones, stamped "silver". An Egyptian/African stone-set dress ring. A vintage string of blue glass beads. A pencil casing and a 1953 scarf clip
Lot 1443
A c.1960's Susan Small Full Length Cream and Gold Thread Gown (used as a wedding dress) with centre front button detail concealing a zip, full length sleeves (size 16); together with a cream tulle veil, pearl coronet and satin shoes (size 41) and a 'Rigidus' 1920's brown leather clutch bag.
Lot 567
A Crown Devon pottery figure of an Art Deco lady, wearing a purple dress, 29cm high, together with a pair of Royal Crown Derby porcelain figures, of a Shepherd and Shepherdess, boxed, and a German porcelain basketCondition report: Dancer looks to be ok. Derby boy has lost some fingers. Bowl has losses to the petals and flowers in places, although not easy to tell.
Lot 68
Chinese school, 18th century, a half-length portrait of an English aristocratic lady, wearing a blue dress, reverse painting on glass, 22 x 18cm oval, together with another of a seated gentleman, 22 x 18cm (2)Condition report: Both are complete. There are some areas of light loss in places. Both are framed to match. Collected from a local house move.
Lot 2450
Follower of Adam Buck - a late 18th/early 19th century watercolour on ivory portrait miniature of a young lady wearing a white dress, 6cm x 5cm, mounted within a gold locket case with pendant suspension loop.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2455
A 19th century Indian watercolour on ivory oval miniature half-length portrait of a Mughal emperor, possibly Bahadur Shah II or Akbar Shah II, wearing ceremonial dress, 4.5cm x 5.6cm, within a silver frame, fitted with suspension loop and chain.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 542
dating: second quarter of the 19th Century provenance: Grand Duchy of Tuscany, Full-dress uniform. White wool tailcoat with red collar, borders, cuffs and outlines, decorated with gilt thread embroideries depicting bands and chains. Gilt flat buttons featuring anchor. Lined with white silk. Complete with metallic epaulettes featuring anchors, with metallic wire fringes. White wool trousers with gilt stripe. height giacca circa 100
Lot 423
dating: about 1570 provenance: France, Strong, straight blade, ribbed at the center, of lozenge section. Rectangular tang, sharpened towards the center and with remains of gilding and finishing, stamped on the left side in a shape of stylized bird. Elegant gilded bronze hilt, partially abraded. Parallelepiped quillon block (veined on one side) with frames on the borders and a Pan face in bass-relief on both sides, quillons curved toward the blade (one cracked and slightly bent), decorated with floral motifs and animal's masks at the ends, on both sides as well. Parry-ring chiselled with leaves and spirals holding a female face in relief in the center. Quatrelobed pommel, in two halves joined in the center, surmounted with a two-faced lady's bust composing a button; front and back lobes chiselled with a lion's head, the two lateral are bulbiform and enriched with garlands in relief as well. Grip with a naked female figure, in relief, holding a vase with flowers, surrounded by bands and architectonic elements and flowers. Wooden scabbard, covered with velvet (completely worn) with fantastic, gilded bronze mounts. Cap with a scene in which a group of characters is worshiping an idol (a sort of ape demonic figure) placed on a column: in the center and on the right three ladies in classical period dress, one of which kneeling, on the left two male characters, one with a helmet, the other with a long beard and conical hat, under all the characters a crouching lion, the bottom of the cap with a big mask. Upper part of the cap with rounded ring, with a mask in the center surrounded by flowers and fruits. An additional mouthpiece with double slot in the upper part of the scabbard, a knife and an awl inside of it, provided with wooden grip with gilded brass cap, decorated with masks in relief. Long chape decorated with a beautiful effigy of Hermes, messenger of the Gods, surmounted with a garland; below a mask, flowers and effigy that resumes the idol on the cap. Lower end with carving similar to the pommel but of reduced dimensions and with male faces. Back part of the cap engraved with lozenges, with a big cross and provided with a loop, festooned border and engraved with leaves. Back of chape carved with floral motifs. This fantastic dagger shows many details found on works by Hans Holbein the Elder (Augsburg, 1460 - Issenheim, 1524). See a series of Swiss daggers in the Wallace Collection, illustrated in 'European Arms and Armor - Volume II Arms' on plate 137 which contain various resembles with ours, such as the pommel of the A 768 dagger, the chapes of A 769 and A 770 and the drawing of the cap of A 768 (found in our dagger on the back part). The stamp on the blade is very similar to the stamps of the A 768, and vaguely recalls also those of the A 769 and A 770. See also the very similar knife and awl in the dagger kept in the Victoria and Albert Museum in London, which also shows similarities with ours on the chape and decoration engraved on the cap. Also the subject of the decorative elements of this dagger is of extreme interest, as the suggested theme is not only pagan, but esoteric: The main image, in fact, that is the scene on the cap, is an explicit esoteric reference, in which the idol worshiped on the column is probably Lucifer himself, portrayed inside a building, in a niche under a canopy (Lucifer, bearer of Light, does not need the light of the sun, since he himself is the light), depicted with monstrous features in the act of spreading his arms holding a scepter and (probably) a cornucopia. On his right he is in fact worshiped by ladies, on the left by a bearded man in the act of swearing, and by a man wearing a helmet pointing (or throwing) a torch (or a scale) to the ground. Pommel with button as two-faced female figure can recall the myth of Janus, who sees the future and the past. The naked figures on the grip can also be interpreted as sacrificial victims tied by straps to an altar. The back of the cap bears the effigy of a large crucifix, but this has engraved arms so that each element has both a light and a dark side, and the foliage at the base of the cap can also be interpreted as flames. The depiction of Hermes, messenger of the gods but also god of writing and Magic. Quillon block bears Pan's heads, obviously also assimilated to the iconography of the Devil. An extraordinary dagger that deserves an adequate study of its unique characteristics. Museum restorations. length 38,2 cm.
Lot 541
dating: second quarter of the 19th Century provenance: Grand Duchy of Tuscany, Service dress uniform. Dark blue wool tailcoat with collar, cuffs and outlines of red fabric; collar and cuffs enriched with gilt embroideries. Black silk lining. Gilt buttons with crowned anchor. Complete with blue wool trousers with gilt stripe. Together with a pair of not pertinent epaulettes. height giacca circa 95 cm.
Lot 545
dating: Late 19th Century provenance: Spain, Dark cloth tail coat, with black collar and red cuffs embroidered with gilded threads; gilded buttons with Spanish coat of arms in relief. Gilded embroideries also at the back. White silk linen (damages and missing parts). Four decorations on the breast, clutches for a dress-sword. height 102 cm.
Lot 2002
Sir Norman Hartnell (1901-1979). Two original pen, watercolour and pencil fashion illustrations of 1960s day wear depicting a 1960s shift dress, with stylists notes signed Angela, and a tartan A line skirt and jacket suit with pussy bow entitled Haydock (with stylists notes to verso). 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2004
Sir Norman Hartnell (1901-1979). Three original fashion illustrations. One in watercolour with clients names and fabric details in Grecian style dress, another in ink and watercolour, and a similar draft in pencil. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2005
Sir Norman Hartnell (1901-1979). Two original 1970s fashion illustrations in watercolour pen and pencil, one in embellished evening dress in turquoise and white n1 and an A line dress in lemon showing matching coat n15. 35.5cm x 25cm. Together with separate contemporary sketch page pad marked HRH Princess Anne. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2006
Sir Norman Hartnell (1901-1979). Two original 1970s fashion illustrations in watercolour pen and pencil; one in sleeveless pink flowing long gown, the other in mini dress with ribbon details and matching hat. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2007
Sir Norman Hartnell (1901-1979). Two original 1970s fashion illustrations in watercolour pen and pencil; one in sleeveless boat neck evening gown with sample of moiré silk n2, and day dress with matching hat n15. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2008
Sir Norman Hartnell (1901-1979). Two 1970s original fashion illustrations watercolour, pen and pencil. Day wear dress and coat and matching hat in lime green n9, and sleeveless in orange and white n12. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2009
Sir Norman Hartnell (1901-1979). Two original fashion illustrations in watercolour, pen and pencil full length evening gown with puffed sleeves and ribbon waist n3; and dress and bolero style jacket with matching hat n8. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2010
Sir Norman Hartnell (1901-1979). Two original fashion illustrations in watercolour, pen and pencil- spotted full length evening gown n6, and day wear sleeveless dress with box pleated hem and matching hat and jacket n10. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2011
Sir Norman Hartnell (1901-1979). Two 1970s fashion illustrations in watercolour, pen and pencil- floral sleeveless evening gown full length with draped bodice n4 and lime green sleeveless full skirted day dress n11. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2012
Sir Norman Hartnell (1901-1979). Two 1970s fashion illustrations watercolour, pen and pencil. Spotted full length evening gown with belt and sample of suggested fabric n3 and sleepless dress with matching coat and hat n14. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2013
Sir Norman Hartnell (1901-1979). Two 1970s fashion illustrations watercolour, pen and pencil. Two designs for evening gowns- one bold frogging design on full length evening dress n5, and sleeveless gown marked 1 with samples of proposed fabrics. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor.
Lot 2015
Sir Norman Hartnell (1901-1979). Three 1960s fashion illustrations watercolour, pen and pencil. Black shift dress with matching short jacket, and two further A line sleeveless dresses with matching jackets. 35.5cm x 25cm. Provenance: A personal gift from one of the last owners of the company to the vendor. Condition Report: ConditionShirt dress with tear to top right corner on border off illustration, dusty and creases
Lot 2022
Two Cotton Uzbek style long sleeved full length dresses with applique embroidered panels, mirrors and fringing together with a pinafore dress with quilted bodice by Mayur long sleeved printed dress by Phool and a printed wrap around skirt (5)Condition Report: Usbek style dresses- Both are worn and have some fading, some stains, loose stitching at seams etcPinafoire dress- free size, marks to bib and front of skirtInidan cotton dres-
Lot 2023
Collection of vintage evening dresses to include a Jean Allen of London black velvet bodice with net skirt strapless dress, raspberry red velvet cut out floral design dress, and a black sequinned and net dress and a Hardy Amies 1960s blue and white silk long sleeved dress, and a Rembrandt royal blue lace covered shift dress and matching coat jacket and a Roter Couture chiffon dress with overdress (7)Condition Report: This is a large mixed lot General condition the 2 black dresses show most obvious signs of wear
Lot 2035
Quantity of vintage clothing to include Lesley Sandra wedding dress, Missoni knitwear, Dior black wool dress, Jean Varon, Young Jaeger, 3 leather collar cases and hand made felt fine wool natural dyed local Cheviot using logwood, cochineal and brazil wood figural portrait and leather case Condition Report: This is a mixed lot Poor condition
Lot 2043
Late 1970s Patricia Miller for Liberty cream voile long sleeved formal dress, 1980s Jean Allen Black velvet evening dress, Fenwick cotton voile smock dress with belt, Christian Dior mans blue shirt with wing neck collar and other day and evening wear Sold on behalf of the Debra charity Condition Report: ConditionThis is a large group lot, conditions have been picked out for some items only, all show signs of wear Cream dress mottling on shoulder from storage underarm 92cm x w72cm and length150cm, sleeve 66cmJean Allen dress size 16, bit grubby benefit from a dry clean
Lot 2044
Vintage Marisa Hattin of London Edwardian style lace and silk cream layered skirt with satin belt and matching blouse and silk camisole size 10 together with 1980s silk chiffon full length evening dress silver beaded approx. size 14 to 16Condition Report: Lace outfit light signs of wear, skirt has been dry cleanedLoss to Beading mainly on neck line few loose threads light sign wear to neck £60-80
Lot 2064
Freddy Wittop (1911-2001). Three Costume designs, in gouache and pencil, one depicting a French Cancan dancer in green dress with heart motifs and feather headdress, titled French Casino New York 1936-37, signed in red Freddy Wittop , and another Tosca titled Marjorie Lawrence, Metropolitan Opera, New York 1938 signed in red Freddy Wittop and another Sophisticated wearing sull lenght gown with feathered detail and feathered headdress tiitled Ambassadors, Paris 1938 signed Freddy Wittop in pencil each 33.5cm x 24cm approx within mount. Wittop was one of the leading costume designers of his day and is best known for his designs for Hello Dolly and Folies Bergeres. Provenance: Found in a skip at a home for Retired Actors
Lot 2066
Freddy Wittop (1911-2001). Fashion illustrations, gouache and pencil, Evening dress- depicting a lady in bias cut cream strapless evening gown and headdress 32cm x 18cm and another Evening Coat 34cm x 23cm each signed in red Freddy Wittop together with un signed drawing Cherry sisters 23cm x 17cm and Bride 27cm x 18cm. Wittop was one of the leading costume designers of his day and is best known for his designs for Hello Dolly and Folies Bergeres Provenance: Found in a skip at a home for Retired Actors
Lot 2072
Gertrude Carol 1940s blue lace cocktail dress with 3/4 length sleeves, net underskirt and silk lining, a black velvet coat with cream satin collar and cuffs with paste decoration. Cream lace Wedding dress with pink satin lining and other vintage clothes and a pair of 1950s vintage nursery curtains Condition Report: This is a group lot- condition report on Blue dress and velvet coats other items in this lot as foundBlue lace dress minor tears to sleeves, zip needs attention fabric catchingBlack coat, lining perished to neck and underarm and with stains, tear to velvet collar, velvet crushed to seat area, and some paste stones missing
Lot 2074
1930s pink silk palazzo pant suit trousers and matching short sleeve blouse, two cream silk blouses, one marked Interfashion and a crepe silk cream evening jacket with paste and sequin cuffs and pockets, a silk dress and a child's emerald green satin dress Condition Report: Pink Palazzo pants suit crumbled but wearable conditionSilk tennis dress, crumbled, discoloured at arm pits, seams coming looseModern child's dress good condition3 silk blouses poor condtion
Lot 2112
Diplomats Court Coatee Dress coat in black wool with heavy bullion braided collar, cuffs and waist area the braiding in the form of stylised Palmettes, gold buttons with Latin motif Honi Soit Qui Mal Y Pense, label to collar marked Right Honourable James Caldwell, black satin and quilted lining and silk lined sleevesCondition Report: underarm- 110cmSleeve- 61cm Neck to hem 109cm Overall good condition, moth hole to left shoulder 3/4 cm across and small area of moth damagestiches loose on seams and coming apart mainly to shoulder area and arm pits, velvet worn to cuff edging , light tarnishing to metal threadsilk sleeve lining has perspiration stains and silk perished in these areas part of lining unstitched and loose seams to interior
Lot 2113
Court Dress for Sir Henry Barber, May 1924, with Marshall and Co, Jermyn Street of London label, comprising midnight blue velvet frock coat with white satin and quilted lining, and matching breeches, cream stain waistcoat and black Tricorn folding hat with silver chain detail, in named tin trunk. Sir William Henry Barber, 1st Baronet (9 November 1860 2 July 1927, was a wealthy solicitor and property developer. After his death, Barber's widow founded the Barber Institute of Fine Arts at the University of Birmingham for the study and encouragement of art andCondition Report: Please see extra images Please note Bicorn hat not Tricorn hat- split at back and to fold at top, cut steel in good condition Breeches - overall good condition, shows signs of use to lining, repair and alterations to fittings for braces, split to seam, buckle missing from knee fastening, alterations to hem area, waist 37", inside leg 16", Waistcoat- underarm 40" stained and mottled, damage to underarm ,back of neck to hem 20"Jacket 3 buttons missing, split seam on neck line, velvet bruised and crushed from storage , 2 buttons missing at back of coat, some mottling to lining, stained to armpits, black lining appears in good condition
Lot 2118
A late 19th early 20th century cream satin Wedding Outfit, comprising a fitted jacket with leg of mutton sleeves, hook and eye closures, and internal boning, and matching full skirt with small train,pocket attached to the inside of the skirt, bow trim to the hem line, bears a dress makers label 'George Henry Lee & Co, Liverpool'. Together with a pair of J Collinson of Liverpool cream satin shoes, size 3.5, two 1930s evening bags, a Victorian black lace parasol with carved ivory handle, cream feather fan with mother of pearl sticks, 2 lace collars, lace trimming and three parachute silk escape maps (cut down) and other items Condition Report: Jacket- small tear to the right sleeve to shoulder area, small tears to cuffs of both sleeves (replacement buttons) , some lights stains throughout jacket , some very minor tears to silk collar , some loose stitching to underarm area, minor hole to back of the jacket Skirt has heavy brown staining throughout see imagesShoes staining all over and one with tear to front, Past bag few stones missing, lining stained to interior, Silk evening bag- worn and silk lining stainedParasol silk perished to interior Silk maps cut down and heavily stainedLace as foundFeather fan several sticks broken
Lot 2119
1980s Sandra Rhodes part silk blue skirt suit, the jacket with peplum and with busy floral print in white and black to long sleeves and two oversized buttons, with matching skirt and a 1960s Simon Ellis cream long dress with pierced panels of roundels with organza sleeves and collar and satin cuffs and silk satin lining Condition Report: Jacket with label marked size 14 English size and size 12 American size, Skirt
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228188 item(s)/page