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Lot 88
A garnet and diamond dress ring, with rectangular claw set vodalite/rhodolite garnet, 9mm x 7mm, raised above a surround of eight cut diamonds, totalling approximately 0.25ct, the ring head 12.8mm x 10.7mm, the yellow under bezel between raised shoulders on yellow shank, ring size R, unmarked, tests as 18ct gold, 3.93g all in.
Lot 89
A blue zircon and diamond dress ring, the central round faceted zircon set in sixteen claws, approximately 7.2mm x 7.2mm x 4mm, surrounded by eight diamonds each approx 0.01ct, the ring head 10.3mm on a yellow under bezel chenier set shoulders on a yellow metal shank, stamped 18ct plat, ring size O, 3.05g all in.
Lot 109
A selection of yellow metal jewellery, including a 9ct yellow gold signet ring, with engraved initial to head, ring size N 1/2, a gold coloured and enamel dress ring, ring size J, a gold coloured pendant, shaped as a cross with circular pendant bale, a 9ct yellow gold tie clip, stamped ‘ASJ’ Birmingham 5.5cm long, and further items of jewellery, gross weight 16gms (7)
Lot 145
A selection of jewellery, to include a 9ct yellow gold multi gem dress ring, designed as a flower head with trefoil split shoulders, leading to plain polished shank, ring size P, a 9ct amethyst set bar brooch, with open work yellow gold flower designed head, stamped to reverse, 3.5cm long, and a untested garnet set dress ring, ring size H, gross weight 6gms (3)
Lot 169
A pair of of untested emerald set yellow gold gentlemen's dress studs, the 'M' shaped studs with black enamel detail and green stone set to the centre, stamped to reverse 'B' in shield and '10k' with a pair of similarly designed diamond set brooches, one set with three round cut diamonds and further single diamond set brooch, 1.3cm wide, stamped '10k' to reverse, 7.4gms (4)
Lot 172
Elizabeth Pulman (1836-1900), an albumen print portrait of a Maori in traditional dress, titled in the negative 'PULMAN PHOTO AUKND N.Z.', 14cm x 9.5cm, mounted on a paper sheet with a further albumen print portrait of a Maori also titled 'PULMAN PHOTO AUKND N.Z.', 9.5cm x 5.8cm, and nine further albumen print Maori portraits possibly also by Pulman, each 9.5cm x 5.8cm; with a further sheet mounted with an albumen print of a Maori family outside their home, 13.5cm x 23cm, and an albumen print of a river landscape, 20.5cm x 29cm, the sheets each 45.7cm x 59.5cm (2) (at fault)
Lot 211
After William Redmore Bigg (British, 1755-1814),'Sunday Morning, A Cottage Family Going To Church',Engraving on paper by William Nutter (ca. 1759–1802), published by William Redmore Bigg, London 1795,50.5cm x 57.5cm,Framed and glazed (at fault)Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORTS:The print is framed under glass and has not been removed for inspection. The paper shows a full height near vertical crease to the central area running up through the hand of the child with the stick and through the female figure standing behind. The crease line shows several small scuffs, most noticeable on the female figure's dress. There are further small scuffs visible on the face of the donkey and on the trunk and foliage of the tree. The paper surface shows a ripple and slight puckering across the sheet. The lower margin shows some wear and staining. The frame is structurally sound, but shows wear to the gilt and wood finishes.
Lot 234
Welsh school (early 19th century),An oval half length portrait of a young girl in traditional dress circa 1830,Watercolour on paper,11cm x 8cm,Convex glazed ebonised frame Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORT:The paint surface shows no obvious damage, however the paper has darkened somewhat and the colours may have faded slightly over time. The glass shows two small but visible scratches in the centre, with further fine surface wear throughout. The ebonised frame shows extensive surface scratching, surface wear, and areas of white residue. It also appears to have lost its hanging ring.
Lot 311
An Edwardian ivory cotton peignoir or boudoir jacket, copiously trimmed with valenciennes lace, with three Victorian cotton Cambric night shirts, with broderie anglaise and tucked detail to fronts and collars, together with an Edwardian night dress with white work and valenciennes detail, and a Cambric broderie anglaise trimmed full length apron, and a crochet trimmed cotton apron (7) CONDITION REPORT:The peignoir shows age-related darkening to the fabric, and the odd small stain, but no obvious holes or tears. The other pieces show similar wear and staining. One of the night dresses shows tears and losses to the lower edge. The full length apron has a red ribbon cross tacked to the front.
Lot 385
A collection of 19th century babies gowns, to include two christening dresses, one of tucked lawn with broderie anglaise incursions, another with open work embroidery, an early 20th century white lawn child's dress, with self embroidery and lace incursions, another similar, a cream lace gown over crepe de chine, and a 20" waist child's corset etc. (Qty)
Lot 386
An 1850's broderie anglaise child's dress and petticoat, together with a tucked muslin child's dress, circa 1860, with white work incursions, a cotton smock decorated with blue smocking with mother of pearl fastener to the reverse, with a ribbed cotton girls coat, the collar with broderie anglaise detail, double breasted with mother of pearl button (4)
Lot 387
A green Harris Tweed child's coat, retailed by Harrods, with double breast and abalone buttons, together with a young girls blue and ivory Harris Tweed coat, retailed by Hayford, a red wool childs dress, with cream crochet rimming to neck, hem and sleeves, back fastening with burgundy buttons, and a late Victorian child's jacket of mole coloured velvet (4)
Lot 390
An 1840's boys fine wool tartan dress, the bodice, peplum and sleeves edged with soutache braid and lined with linen, the skirt lined with glazed cotton, mounted on a dummy Note; Illustrated on page 171, Childhood, A Loan Exhibition of Paintings and Works of Art in Aid of The Save the Children Fund, Sotheby's 1988 CONDITION REPORT:We highly advise viewing our costume lots in our auction. Condition will be best illustrated via images.The dress shows wear commensurate with age, to include marks, small holes, slight mothing, and thread pulls (please see photos). No other obvious signs of damage or repair.
Lot 391
An 1840's fine wool tartan boys dress, the bodice lined with linen and the skirt with glazed cotton, the bodice and sleeves trimmed with red velvet, with black buttons to the centre front, mounted on dummy CONDITION REPORT:We highly advise viewing all costume lots in our auction. Condition will be best illustrated via images.The dress shows wear commensurate with age and use, including wear to corner points and velvet trim. The back left side shows moth damage to an area approximately 1cm square, with a further pinhole to the back right side. Several of the dress pleats also cover moth damage, the largest area approximately 2cm square. The pocket bag appears to be complete and intact. The dress fabric shows age related darkening and ingrained dirt throughout.
Lot 396
A fine light bronze brocaded silk robe a la anglaise, circa 1760, with pinked ruffles to sleeves and original double layered white work embroidered engagents, together with a 19th century quilted satin and copper petticoat with deep lace trim to hemCONDITION REPORT: We highly advise viewing our costume lots in our auction. Condition will be best illustrated via images.The dress shows wear throughout commensurate with age. Including discolouration to the underarms, and minor marks to the lining, along with small thread pulls, and wear to the embroidered engagents. No other obvious signs of damage or repair.
Lot 397
A fine canary yellow silk damask robe a la anglaise, circa 1760, with pinked ruffles to sleeves, and with an all over elaborate foliate design, lacking petticoat and stomacher CONDITION REPORT:We highly advise viewing the costume lots in our auction. Condition will be best illustrated via images.The dress shows wear throughout commensurate with age, including splits to the bodice neckline, rubbing and small losses to pleat edges and back ties, wear across the shoulders, areas of moth damage, fraying to the hem, and the odd pulled thread to the damask. The lining shows staining to the armpits. There is evidence of later repair where the bodice meets the skirt.
Lot 404
A Victorian sapphire blue and black finely striped silk dress, circa 1860, the shoulders, head of sleeve and cuffs with jet coloured trimming, front button fastening, lined with glazed cotton (at fault), together with a silk taffeta skirt, in pale gray with tartan pattern flounces, and a Victorian grey woollen cloak, circa 1852, with ivory plush banding to body and hood with chenille tassels, lined with cream silk taffeta partly quilted (3)
Lot 405
A Victorian brown silk satin dress, circa 1860, the separate skirt and bodice, the skirt deconstructed, the bodice trimmed with black velvet ribbon to simulate a yoke, trimmed also with black Buckinghamshire lace and corded buttons to centre front, with associated belt, together with a black figured satin skirt of large proportions, circa 1900 (2)
Lot 406
A Victorian black silk taffeta dress, circa 1867, with over skirt, the bodice and skirt trimmed with purple silk braid and silk fringe, front hook and eyelet closure with purple silk buttons over, lined with twilled cotton, together with a late Victorian black satin bodice and skirt, circa 1894, the bodice, lapels, and neck of purple silk overlaid with black guipure lace, indistinctly labelled (2)
Lot 413
An golden tan tulle evening dress, circa 1912, lined with ivory silk satin, the tulle embroidered with brown velvet butterflies and embellished with gold sequins, together with a silk chiffon stole (at fault) Condition report: We highly advise viewing our costume lots in person. Condition will be illustrated via imagesSilk satin disintegrating throughout dress and stole. Major holes and tearing to stole. loss of beadwork to dress. Loss to lace in dress. Staining and discolouration to dress. Areas of repair seen throughout dress. Tears to interior of dress. PROVENANCE: From the private collection of a local lady.
Lot 419
A royal blue georgette evening dress, circa 1930, with all over vermicular purple beading, drop waist handkerchief skirt, with possible later tulle additions, together with a separate belt CONDITION REPORT: We highly advise viewing our costume lots in our auction. Condition will be best illustrated via images.The dress shows some staining and bead loss throughout (please see photos). A small hole is seen underneath the armpit. The tulle at the bottom also shows minor damage (please see photo).
Lot 420
A 1920's black tulle evening dress, copiously beaded with black bugle beads and blue sequins in an all over stylised pattern, tulle insets to side of skirt, with integral slip CONDITION REPORT:We highly advise viewing the costume lots in our auction. Condition will be best illustrated via images.The dress shows wear commensurate with age and use. There are losses to various areas of sequins and beading on the front and back, and an area of corroded sequins to the back. Several areas show loose and broken threads, which may indicate the potential for further sequin and bead loss. There are no obvious sweat marks or holes to the base fabric.
Lot 421
A mid 1920's eau de nil georgette evening dress, over turquoise silk satin, embroidered with silver bugle beads and turquoise seed beads, plaited satin band to hip line, and tulle trim to one side, together with a salmon pink georgette evening dress, embellished with silver bugle and seed beads, paste trim to hip line, and a black satin late 1920's evening dress (3) (at fault) Condition report: We highly advise viewing our costume lots in our auction. Condition will be illustrated via images. Turquoise dress: Major staining and discolouration. Bead loss. Areas of loss throughout. Areas of repairBlack dress: Area of repair and re stitching. Sweat stain and residue to armpits. Fraying to hems. Stains to reverse. Pink beaded dress: We would advise little handling to the dress due to the fragile nature. Major areas of bead loss.Major tears throughout. Staining to areas
Lot 422
A black silk lace sleeveless jacket, circa 1930, overlaid with tulle shoulder cape embroidered with jet coloured and steel blue beads, with similar bead fringe, together with a 1920's cream crepe de chine over blouse, the hip line, neckline, sleeves, and side bows of navy blue crepe de chine, a 1930's printed silk chiffon afternoon dress, predominantly pink, purple and cream, with slip and handkerchief hem, and a black velvet evening dress, circa 1940's (4) CONDITION REPORT: We highly advise viewing our costume lots in our auction. Condition will be best illustrated via images.The black jacket - shows wear commensurate with use and age, including some damage to the tulle (please see photo) and some bead loss. The lace also shows some areas of damage.The crepe de chine blouse shows marks and sweat stains (please see photos), along with minor thread pulls.Afternoon dress again shows signs of wear, including minor holes and rips, (as seen in photo) but no further obvious damage. the slip shows extensive wear (as seen in photo).The velvet evening dress shows minor signs of wear, but no obvious signs of damage, or repair.
Lot 423
A 1920's coral silk chiffon and black velvet dress, with silk and metallic thread Chinese influence embroidery, black velvet banding to dress and sleeves, fur trim to front hem, together with a navy blue fine wool coat, with black braid trim and roundels of coral and metal thread embroidery, fastening to front with one mother of pearl button (2) (at fault) Condition report: We highly advise viewing our costume lots in our auction. Condition will be best illustrated via images. Coat: Major areas of loss and tearing to inner lining near neck. arm pits and bottom of coat. Discolouration/stains seen to collar. Areas of repair and re-stitching to underarms. Areas of embroidery with minor pulls to fabric commensurate with age and use.Hole to reverse of coat. General staining and discolouration throughout, commensurate with age. Dress: Major thread pulls to embroidery of red silk. Tearing and repair work to underarms. Discolouration and staining seen throughout.
Lot 424
A collection of mid-late 20th century ladies dresses, to include a Frank Usher 1950's blue matelasse short evening dress with bouffant skirt, a raspberry brocade short evening dress, labelled 'Linzi', an Alexon striped skirt, a 1950's black satin dress with sleeves, a 1960's black satin cocktail dress, with golden thread, bead and paste band of embroidery, a 1950's black horizontally striped dress with black tassels, a 1960's khaki cocktail dress with bolero, a 1930's Chinese style brocade quilted jacket, a navy and white Blanes summer dress, and a blue wool ladies coat with mother of pearl buttons (11)
Lot 430
An oval silk work embroidered portrait, 19th century, depicting a young lady in a white silk dress standing in a landscape, in verre eglomise frame, the embroidery 24cm x 18.5cm, the frame 34cm x 29cm overall, with an oval late 19th century silk work embroidered study of a seated lady crocheting, inscribed 'Taken November 1885' and 'J.K.M November 8th 1895' verso, in ornate oval glazed frame, 23cm x 17.5cm (2) (at fault) CONDITION REPORT:The portrait of a standing lady shows no obvious damage to the embroidered silk work or background silk fabric. The verre eglomise mount shows some small areas of deterioration to the black finish around the edges. The lower left edge of the picture sits approximately 3mm above the mount.The portrait of the seated lady shows several areas of damage to the background fabric, the largest approximately 4cm x 1cm in the centre of the image.
Lot 31
Glazed bone china figure of young girl in a purple dress seated on an olive green bench holding a small rabbit. Part of the Romantic Theme series. Royal Doulton backstamp. Artist: Peggy DaviesDimensions: 3.25"L x 2.75"W x 4.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 45
Harradine Child Classics series. Modeled as a young girl in a bonnet and layered ruffled dress holds a basket of flowers. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1931-1953Dimensions: 2.5"L x 2.25"W x 5.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
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228188 item(s)/page