Follower of Sir Peter LelyPortrait of a lady, three-quarter length, in a red dress and green wrapoil on canvas106 x 83cm, unframedCondition report: The painting is executed in oil on a linen canvas support which has been lined. The canvas us in a poor condition. Old tears have been secured through the lining, but new damages and holes have occurred due to impact. The canvas has been affected by water damage at the top edge and mould has started to form in this area. There are scattered losses to the paint layer across the surface, associated with tears and damages. There is a large area of loss to the sitter’s forehead. Areas of overpaint are present, in the background this has darkened over time. The varnish is degraded and has become very yellowed with age. The brittleness of the ages varnish has led to scuffs and scrapes across the surface
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English School, c.1730Portrait of a lady, possibly a member of the Attlesea family, half length, in a red dress and green capeindistinctly inscribed on torn label verso, oil on canvas, painted oval76 x 63cm, unframedCondition report: The painting is executed in oil on a linen canvas support which has been lined. The lining canvas is old and brittle with tears forming around the tacking edges. There is a hole above the sitter’s head and a tear to the right hand side. The paint layer is stable overall. The portrait has an old, degraded varnish which appears to have been partially cleaned but leaving dark residues in the paint texture, leading to a mottled surface
Franz Seraph von Lenbach (German, 1836-1904)Portrait of a seated child in Van Dyck dresssigned and dated 'F Lenbach 1901' l.r., oil on board97 x 71.5cm, within an elaborate gilt and ebonised Spanish-style frameCondition report: The work is glazed and there is dirt trapped beneath the glass. The painting is executed on a large piece of board with thin washes of oil and some areas of high impasto. The board is held in the frame with nails on all four sides and is not properly supported. As a result the board has warped and the upper edge bows forward and touches the glass in areas. The paint layers appear to be in a good condition overall. Losses to the varnish, and potentially the paint layer, have occurred where the painting touches the glass. There appears to be a localised area of overpaint around the sitter’s head
English School, early 19th centuryPortrait of a young woman, deep in thoughtoil on canvas51 x 61cmCondition report: There is a small loss to the top right. Canvas is relined. Extensive retouching visible under UV light, particularly to the hair and edges of the canvas and around the hands, and slight green bloom caused by varnish over dress, please refer to images, although retouching is not particularly noticeable under normal light. Light craquelure at the edges, but appears to be stable.
A DIAMOND DRESS RING Bezel-set to the center with a round brilliant-cut diamond weighing approximately 0,50 carats, colour HI, clarity VSSi, pavé-set down the sides with approximately 0,20 carats of round brilliant-cut diamonds, colour GH, clarity VSSI, in an 18ct gold ring finger size LÂ (total diamond weight 0,70 carats) (2)
19th century miniature portrait of a gentleman, possibly an overpainted photograph, oil on card pasted on panel, 5.5cm x 5cm; a miniature portrait of a woman in 18th century dress, 4.5cm x 3cm and a miniature portrait of an 18th century lady, watercolour on ivory, a.f., 6cm x 5cm (oval), indistinctly inscribed Lascelles? verso. All unframed. (3). NB: Bidders are responsible for arranging all documents relating to CITES and must comply with the relevant regulations of their destination country. We will not post outside the UK.
Two 19th century carved bone torsos (possibly snuff bottles) of a woman in a dress with lace bodice, 7cm high and a gentleman in a long coat, 7cm high; pipe tamper or stopper in the form of a leg; two carved ivory heads, male and female; two further naïve carved heads and an articulated figure. Some items a.f. (8). NB: Bidders are responsible for arranging all documents relating to CITES and must comply with the relevant regulations of their destination country. We will not post outside the UK.
Edwardian cream duchess satin wedding dress, in two parts. The bodice with partially ruched crossover front, diamanté buckle and long sleeves with puffed caps. The panelled flared skirt with train back, with all over silver feather beadwork with additional applique and bead bow border to skirt hem. C.1906. Previously worn by Lady Duncan Millar of Biggar, South Lanarkshire and worn again by Mrs M. Scott in 1942.
19th or early 20th century costume, possibly a fancy dress outfit, comprising pink damask jacket with cream damask cuffs, metallic frogging and lace collar, with matching cream damask waistcoat with brass buttons. (2).Condition:Approx. 34" chest, poor condition. Moth and sun bleaching and splitting.
Short net mini skirt, a black halter-neck top with paste decoration to the bodice and a Definitions pair of shorts, black shorts trimmed with gold braid and tassels, a vintage cotton skirt on an elastic waist, a red cocktail dress, a black straight skirt with leopard print, a plaid mini skirt, a chevron patterned mini dress and a Charlotte Halton blouse (9)
Vintage cotton dress printed with pale roses and matching belt, a Rene Dezhy vintage white cotton and embroidered dress with drop waist and short sleeves, button fastening to the back, a green spotted vintage dress with belt, a black velvet jacket, another evening jacket, a chiffon spot-printed skirt by Nougat, a quilted jacket William Morris style print, a black embroidered kaftan and a navy blue velvet evening jacket (9)
Vivienne Westwood Anglo Mania tunic dress, with bat-wing sleeves, half-elasticated sleeves, button detail to the hem and black decorations to the front and the words Dangerous Animal, scoop neck together with a Save the Queen full-length evening dress, spagetti straps printed detail (2)Condition ReportVivienne Westwood Size 38, Save the Queen no size label, approximately size 10
Cotton blue and caramel coloured shirt with short sleeves, labelled Joseph, a Pure Collection cotton pale blue and white strip, a Rose & Rose peasant style mini dress/tunic striped and embroidered with applique flowers, elasticated neck and lace insert to the hem, a dark blue Shirt Company shirt with pussy bow tie front, a black animal print Calvin Klein shirt with pin-tucked detail to the bodice, a Max Mara Weekend blouse, pink printed front with a plain back, an A.R.T. sleeveless blouse, waistcoat style, side fastening, a Denim shirt be Nexx (8)
Diane Von Furstenberg wool dress, geometric pattern in orange and maroon on a dark green background, a wool tunic, a Malene Birger black sleeveless top with fringe detail, a Filippak bodycon purple dress, extra small, a black fitted top with large leather patches to the sleeves, the label is faded, a Fenn Wright Manson knitted mini dress, side-zip fastening to the collar and a Diane Von Furstenberg navy blue jersey wool dress, size 2, scoop neck, short sleeves (6)
Vintage grey wool dress, bat-wing sleeves, drop waist, ballerina skirt, labelled Stirling Cooper, size 1, with three little bobbles on the shoulder, a silver lurex mini dress, trimmed in black labelled G:21, two crochet tops and cardigan, a fine knit cotton top, a blue mini skirt, a full-length evening dress in cream, cobweb lace over a slip labelled Pepa Bonet, a grey and black spotted velvet shift dress labelled Moschino Jeans, a blue cotton jumpsuit with a scarf, and a chiffon and embroidered evening dress with matching shawl and bag labelled Nomads Clothing (9)
Various assorted clothing to include a machine tapestry style jacket, a printed leopard skin cotton jacket, a full-length oriental style patterned skirt and blouse, a pair of jeans printed as tiger skin labelled Kenar, a cream linen trouser suit with full-length tunic top, a black cocktail dress, boned bodice, a grey and black striped coat dress labelled Gallery, a tweed double-breasted jacket with a velvet collar, Denim and Co. double-breasted jacket with epaulettes and a Charlotte Halton three-quarter length waisted dog-tooth check jacket with half-belt at the back (10)
Crinkle skirt and top embroidered with faux jet beads, labelled Elizabeth Bessant, a black Frank Usher evening dress, pleated skirt, slip bodice with spaghetti straps, another evening dress with shot chiffon, a suede fringed coat, saddle stitching labelled R & B, a fawn suede maxi skirt labelled Saburoku, a suede pink mini dress, sleeveless, scoop back, a black and white Chanel style jacket with gilt and black buttons, a tartan mini shift dress, zipped pocket, velvet detail, a Versace style blouson shirt, zip fastening (9)Condition ReportThe crinkle top and skirt a size 6 - 8 at a pinch! Guestimate
Tartan shift dress with a costume brooch, button fastening to the back, needs cleaning, a red tartan mini shift dress labelled Hamells, a blue and white vintage style sailor dress, drop waist, box pleated skirt, sailor collar in white/blue ribbon, a black cocktail top with fringed chiffon panels from the waist which is decorated with faux paste beads and sequins, halter-neck, a Laura Ashley linen dress in dark blue with flowers, a 1980's style cocktail dress, labelled McBerry, white ruched front and bodice, lace trimmed, puff sleeves, a black and white check shift dress, faux leather detail to the front and sleeves, labelled Select and a blue chiffon and sequinned mini dress (8)Condition ReportThe tartan dress is 12/14, the pinafore dress size 10, the blue sailor dress size 12/14, and the glitzy top 10, the Laura Ashley shift dress is labelled a 10, the black and white ruched dress possibly 12, the black and white checked dress 12 ish and the mini dress 8.We have had to guestimate, generally they will be smaller than current sizes.
Redoute shift dress, Mondrian style in black and red, a white and black squared mini dress, full skirt, a Redoute wool and faux leather dress, side zip fastening to the front, brass rivet detail to the collar, a sequinned polo-neck top, a cotton full-length sleeveless dress labelled Marc Angelo, a velvet full-length evening dress, a black chiffon evening dress labelled Roman Originals, a black laced mini dress labelled Cotton Candy, a sequined mini dress labelled Vera & Lucy and two other dresses (11)
Ossie Clark for Radley moss crepe red dress, deep plunging front, empire line with tie-back, angel sleevesCondition ReportPlease see further imagesThere is a pulled thread on the right hand side of the skirt, also on the back left shoulder by the yoke. Watermark or storage damage on the back of the left sleeve and on the back of the skirt.
1950's vintage cotton dresses to include sundress with bolero labelled Sambo Fashions, paisley drop-waist scoop necked cotton dress labelled Sambo Fashions, purple and white cotton cocktail dress labelled Victor Josselyne with scoop back and bow detail, a cotton dress with matching bolero, pink and blue roses on a white ground, there are some stains to the bodice of the dress and a part-made rayon sundress, side zip, drop waist and various extra pieces of material (5)Condition Reportsee catalogue description
Late 1950's/early 1960's vintage costume red linen dress with fitted jacket labelled Best & Co, Fifth Avenue, New York, similar in orange, a blue satin duster coat, with pussy bowtie front, bracelet length sleeves, cuffs, and side pockets, a blue cotton dress labelled Rodney, pleated skirt, button front, the belt is missing, a blue and white cotton shift dress, a pink linen coat with matching dress labelled Mortimer, London with embroidered detail to the collar of the coat and the bodice of the sleeveless dress and a black and gold lurex skirt suit labelled Fabienne, Paris, gilt buttons to the top, three-quarter length sleeves (7)Condition ReportAll the garments appear to be in good condition, no staining and odour. The linen suits are creased
Vintage blue lace over pale mauve satin cocktail dress with matching duster coat, ruched satin waistband to the dress, a vintage full-length evening dress pink over purple satin, button fastening to the back, sleeves possibly removed, a 1950's black skirt suit, fitted waisted jacket, velvet trimmed collar, a late 50's/early 60's sleeveless cocktail dress in pale blue, empire line waist with matching bolero and a vintage cream poplin coat, this has some staining round the collar and a blue linen fitted dress with three-quarter length sleeves, scoop neck (7)
Late 1960's/early 70's psychedelic shirt dress in browns, oranges and creams, with two belts, a black lurex and chiffon blouse labelled Penelope Pickwick, a blue shift dress with detail to the neck and daisy buttons labelled Concorde by Rembrandt, a late 60's/early 70's evening dress, lace over satin, bell sleeves with ribbon detail, empire waist, labelled Cornell, a pink chiffon cocktail dress labelled Deborah Newall with ruched chiffon bodice and drape, spaghetti straps, a full-length blue lurex dress with bat-wing sleeves and a red full-length jersey evening dress (7)
1920's black net and lace full-length evening dress trimmed with later sequins around the neck, sleeveless, cut on the bias with a black slip, a purple and beaded 1920's/30's dress which has been taken apart so in two pieces, and a vintage satin dressing gown, apricot coloured sink with lace panel overlay to the sides, the fastening with a satin rosette (4)
Fred Perry cotton tennis dress, front button fastening with square neck collar, a white poplin housecoat, two button fastening, pockets, cuffs, three-quarter length sleeves, a vintage full-length red cotton housecoat trimmed with broderie anglaise, button fastening (one button missing) and some wear at the seams, a vintage cotton nightdress printed with roses, a nylon dressing gown trimmed with lace and a gentleman's vintage cotton nightshirt (6)
Chris Clyne CollectionThree cocktail dresses - black and gold coloured lace bodice over black silk, the skirt is a heavier weight slub silk, knee length, long lace sleeves, back zip fastening, size 8/10 ,silk cocktail dress in vibrant pink, purple and yellow floral design on burgundy ground , deep V-neck with bow, knee length, flared, panelled skirt, with ostrich feather detail to the shoulders, size 8/10 and a deep apricot coloured chiffon cocktail dress with ruched bodice, pleated skirt , sleeveless, the back panel to the dress is embroidered with sequins and silk screen print detail, with a raised pleated back collar, and a matching belt , size 8/10 ( 3)Chris Clyne, haute couture fashion designer. Born: 8 July 1946. Died: 4 December 2021, aged 75 Christine Jennifer Clyne studied and trained in couture in London and Paris. She launched her first business, Buckle Under, with business partner and friend Viv Knowland in the early 1970s, creating clothes and accessories for London’s finest. After her marriage she lived in Edinburgh where she and her talented seamstresses had kitted out most of Scotland’s finest, numbering among her clientele members of the Scottish aristocracy and several internationally recognised stars of stage, screen and television, and not least Princess Diana , about whom she remained discreet.It was on her initiative that several unforgettable charity fundraising events were organised in Edinburgh in the late 1980s. She staged catwalk extravaganzas in the McEwen Hall, at Hopetoun House and Harburn House in West Lothian. There was the Oriental Ball in aid of the Children’s Cancer Fund at the Royal Museum of Scotland in 1989She relocated to London in 2017, lived in Gloucestershire and carried on with her couture costume and also interior design.The Cotswold Auction Company is delighted to be able to offer a small selection of her superb clothes at auction . We are hoping to host a stand alone sale of her remaining collection later in the year.
Scottish School, 18th Century/Portrait of Ann Paterson, Daughter of Sir Hugh Earl of Marchmont/half-length, wearing a white dress with a blue shawl/inscribed on a contemporary label verso/within a feigned oval/oil on canvas, 76cm x 64cm/see illustration CONDITION REPORT: This painting is unframed, there is some flaking of paint particularly to the border surround. The canvas is loose on the stretcher and there are several holes where the canvas was secured to the stretcher, there are some small scratches to the painting.
Catherine B Gulley (fl. 1908-1962)/Portrait of a Young Woman/wearing a blue dress, her hair in ringlets/Portrait of a Young Woman/wearing a crimson dress and a pearl necklace/a pair/watercolour, 44cm x 35cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A late 20th century amethyst and diamond cluster dress ring, unmarked gold settings with oval mixed-cut amethyst and modern round brilliant-cut diamonds, with open ribbed shoulders, setting height 19.2mm, size R, 8.1gNo damage, all stones present, amethyst is a deep vivid purple, diamonds are bright and white, settings lightly worn with back of shank starting to wear thin and a small section of added gold, unmarked
A platinum diamond rectangular cluster dress ring, set with emerald rectangular and modern round brilliant-cut diamonds, principal diamond approx 0.3ct, total diamond content approx 0.9ct, setting height 8.4mm, size P, 4.9gNo damage or repair, all stones present, diamonds bright and white with only a few tiny inclusions visible in round-cut stones, settings lightly worn, mark clear, engraved Plat
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228098 item(s)/page