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Lot 1
A LATE 18TH/EARLY 19TH-CENTURY STAFFORDSHIRE PEARL-GLAZED EARTHENWARE FIGURE OF "AUTUM" (sic), modelled as a young Bacchus holding a goblet and a bunch of grapes, standing against a vine-strewn stump and with vine head-dress, on an entitled canted square plinth, the brown and green-lined square pedestal modelled in relief with fauns butchering a hare, 26cm, (10.2in) high (restoration)
Lot 1
TWO EARLY 20TH-CENTURY LADIES' BLOUSE SETS each comprising a pin brooch and three dress buttons, one of Rolled Gold (gold plated) with circular buttons enamelled in green and white within white metal collets, on original printed card, the other of white metal with triangular ornament and buttons of green enamelled trefoil design, in original card box simulating snakeskin, with label "Mounted/Real Silver/Borders, all with split ring fasteners
Lot 1
Eleven fragments from a dress, in silk embroidery and silver brocade on silk damask ground, probably English early to mid 18th century. The superb quality of the embroidery suggests a professional embroiderer rather than purely domestic work. Sold as a collection of fragments with all faults not subject to return.
Lot 1
A Volkstedt group of bird nesters circa 1770, the man perched on a tree stump handing a nest to the woman who holds her apron up to receive it, a yellow cage to one side of the base and the man's hat at their feet, the man wearing a puce jacket and yellow breeches, his companion a yellow hat and puce-patterned dress, 27.5cm., 10 3/4in. minor chips, cage restored
Lot 1
A set of three Meissen allegorical figures of Continents late 19th/early 20th century, after the models by F.E.Meyer, including "Africa" wearing an elephant headdress, blue cape and feathered skirt, holding a parrot and a gilt staff, "Asia" carrying an incense-burner and a gilt staff, wearing a puce jewelled cape and floral dress, and "Europe" wearing a crown and holding an orb and sceptre, a globe, book and cornucopia at her feet, all with gilt-edged scroll-moulded bases with their respective attribute animals, crossed swords in underglaze-blue, incised model numbers 1777, 1720 and 1710, impressed numerals, painter's numeral 41. to all, 14.3cm., 5.625in. to 15.7cm., 6.125in. tip of parrot's tailfeathers chipped (3)
Lot 1
A Meissen figure of a lady playing cards late 19th century, her hat, long puce coat and floral-decorated dress all edged with lacework, the table and circular base with Vitruvian scroll all heightened in gilding, crossed swords mark in underglaze-blue, incised model number T.64, impressed 43, painter's numeral 41. in black enamel, 16.3cm., 6.5in. very minor restoration and tiny chips
Lot 1
A Meissen group allegorical of "Touch" late 19th century, after the model by Schonheit, from the series of the Five Senses of around 1772, as a lady seated on a stool with a trunk beneath it, a parrot in a gilded cage biting her right forefinger, wearing a lace-trimmed bonnet, green floral jacket, yellow apron and floral dress, the rectangular base moulded with false gadroons heightened in pink and gilding, crossed swords mark in underglaze-blue, incised model number E.4, impressed 36 and 94, painter's mark W in iron-red, tiny chips to lacework
Lot 1
A gold-mounted poudre d'ecaille portrait snuff box, French, probably Paris, circa 1785, circular, the lid inset with an oval contemporary miniature of a young lady with blue ribbons in her powdered hair and blue dress with white fichu, gold beaded frame and gold beaded pique borders, the tobacco brown poudre d'ecaille ground impressed with reeding, tortoiseshell lining, diameter 7.5cm, 3 in
Lot 1
19th century oak cupboard profusely carved with figures in medieval dress and armour, the top with a cupboard door, the panels carved in relief with figures in a castle hall, with the date 1330, two small drawers under, the base with a single drawer and a cupboard with carved panelled door with shield, crown, flowers and foliage, 57'' wide x 85'' high
Lot 1
Rossetti (William Michael, 1829?1919). Five photos of William Michael Rossetti, 1890s?1900s, including one at Lucy''s grave, San Remo, 1907: gelatin silver print, upper margin and lower left corner near detached, verso initialled M.E.M.R., 270 x 200mm (see fig. 114 in Angela Thirlwell, 'William and Lucy, The Other Rossettis', 2003); Platinotype by J. Russell & Sons,142 x 103mm, mounted with photographer's printed details below, inscribed in pencil on verso, 'Platinotype Free. I like this the best of the 3 ? Suppose (but am not quite sure) that it has been taken for the Literary Series', in ink beneath [William's hand]: 'Taken 15/6/5' and beneath that the ink initials of his daughter M.E.M.R; Albumen print cabinet card by Elliott & Fry, 167 x 109mm, with ink inscription to verso, 'To my daughter Mary, W.M. Rossetti, Novr. '94'; Albumen print with arched top, mounted on remains of album leaf with ink inscription beneath, 'Papa, San Remo, 1895'; William Rossetti and a young girl [?Imogen, his granddaugter] wearing a straw hat and polka dot dress, c. early 1900s: positive black and white contact print on stiff plastic, 82 x 70mm; together with glass black and white negative of a drawing of Gabriele Rossetti by his son Dante Gabriel Rossetti; postcard with two portraits of Gabriele Rossetti after Marsegli and DGR; two pencil drawings of Gabriel Arthur Madox Rossetti, 6.1.1923 and another of Gabriel[?], by H[elen] R[ossetti] A[ngeli], dated 20? September 1932; pen and ink and pencil drawing of two cats and on the verso a neat pen, ink and pencil drawing of a monk at prayer in a chapel, no date or signature; three daguerrotypes of unidentified people (13)
Lot 1
Aldin (Cecil). Cecil Aldin's Merry Party. Containing an Account of Forager's Hunt Breakfast, Rags' Garden Party, Master Quack's Water Picnic, Tabitha's Tea Party, Peter's Dinner Party and Humpty and Dumpty's Fancy Dress Ball, told by May Byron, 1st ed., 1913, thirty mounted col. plts., (incl. six double?page), one page loose and frayed at edges, and a few other minor marginal faults, t.e.g., orig. linen?backed pict. boards, a little rubbed and soiled, corners bumped, thick 4to (1)
Lot 1
A Meissen group of seated lovers, modelled after an original by J.J. Kandler, wearing court dress and with a pug, 12cm high, blue crossed swords mark, Pressnummern, incised 778 (small chips, repairs and losses); and another Meissen group, with a couple dancing, on a scroll-moulded base, 15cm high, blue crossed swords mark, incised C.75 (restored), late 19th century
![KATE HARDCASTLE HN1718 IN PINK AND GREEN DRESS [AT FAULT].](http://lot-images.atgmedia.com/SR/10128/2133730/254-5-10128_468x382.jpg)
Lot 1
1745. 19 George II. An Act for the more effectual disarming the Highlands in Scotland, and for more effectually securing the Peace of the said Highlands, and for restraining the Use of the Highland Dress,. 16pp, plus parliamentary session title?page, together with 1746, 20 George II. An Act to enlarge the Time limited by an Act.. for restraining the Use of the Highland Dress, 4pp, plus parliamentary session title?page, and 1746, 20 George II. An Act to prevent the Return of such Rebels and Traitors concerned in the late Rebellion, as have been, or shall be pardoned on Condition of Transportation, and also to hinder their going into the Enemies Country, 4pp, plus parliamentary session title?page, and four other Acts relating to the Jacobite Rebellion of 1745, all disbound, folio. Apart from the actions of "Butcher Cumberland", Parliament undertook a course of legislative Scots bashing at the end of the Forty?five, aimed at dismantling clan society and preventing any further insurrection in the Highlands. Amongst the totemic Acts passed were the new Disarming Act, the Heritable Jurisdictions Act, and the Tenure of Ward Holding Act, all present here. Other Acts concerned the punishment of rebels, and forfeiture of estates. (7)
Lot 1
Sutcliffe (Frank Meadow). Three loose albumen prints of fisherwomen with baskets on the seashore, late 19th c., all a little chipped and crease, one sl. split without loss, numbered in images, 64, 130 and 269, together with another albumen print showing two young girls in traditional dress standing high above a harbour, sl. torn at top corners, image n. 327(?), all initialled in the plate, approx. 15 x 20cm, plus another mounted albumen print by Sutcliffe(?), titled "There's Daddy", Poulton's Series, late 19th c., showing a woman holding a young girl and pointing out to sea, approx. 29 x 19 cm (5)
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228098 item(s)/page