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Lot 101
A COLLECTION OF EARLY 20TH CENTURY COSTUME JEWELLERY, to include an oval hinged half engraved bangle, a curb link bracelet, together with a heart and cross pendants, a 9ct back and front small locket, a base white metal, filigree design glass stone drop pendant, a guard chain, together with a vacant glass pendant and paste three stone dress ring (6)
Lot 181
Early 1970s Marcel Fenez by Roland Klein two-piece sleeveless shift dress and matching short jacket. Made from woven damask of black and green spots (on the dress) and spots and flowers on the jacket. A vintage size 16, closer to a size 14 in modern sizes. Excellent condition.Roland Klein worked at Christian Dior, Patou (for Karl Lagerfeld) and in 1965 he joined Marcel Fenez. He was made director of the house in 1973.
Lot 184
A pair of 1950s sundresses. A sunshine yellow and white polka dot cotton dress with full skirt, shaped bodice and dolman 3/4 sleeves with strap button detail. Size waist 27 inches bust aprox 34 inches.A nylon taffeta floral print sleeveless dress with full skirt, scoop neck with fitted bodice and ruched detail above waist. SIze waist 24 inches, bust approx 34 inches.
Lot 185
A pair of 1960s dresses by Dollyrockers and Just Jane. Both great examples of the British Boutique movement in the 60s.A 1960s Dollyrockers short prairie style dress by Dollyrockers, designed by Sambo. Earthy floral print of greens, browns and purples, this dress is in excellent condition. Waist 27 inches, bust 36 inches (laid flat).A 1960s Just Jane smock dress in multi floral print cotton. Rare larger size. Top bust 40 inches (laid flat) . Excellent condition.
Lot 186
A two-piece 1970s dress and jacket by Harella.A cotton floral print empire line shift dress with short sleeves and a matching tailored jacket with large lapels and cuffed sleeves. Still with original price tag, this set is in excellent condition. Label states size 12.Harella was set-up in 1919 and was hugely successful in the 60s and 70s, finally closing in 1979.
Lot 190
A pair of early 1960s summer day dresses. One Carnegie of London pastel organdy summer dress with matching bolero and belt in pastel colour print. Size small 8 waist 25 inches.A 1960s Dula Model day dress made in Dacron. Pastel floral print dress with cap sleeves and pencil shape skirt, also comes with matching belt. Size 8 waist 25 inches.
Lot 193
A collection of 4 Horrockses 1970s day dresses.A yellow and black print cotton, zip front dress with tie collar and pleated skirt. Vintage size 16.A green and navy cotton print, wing collar, button through shirt dress with matching belt. Vintage size 14.A tan stripe cotton mix button through shirt dress. Vintage size 16. A 1970s paisley, cotton, shirt dress. Size 16
Lot 195
A collection of 4 vintage 60s and 70s dresses by Carnegie, Rodette, Debenham and Freebody and ClevalineA 1970s Clevaline of London frilled, halterneck, summer dress in bright floral print. Size underbust 28 inches. A late 1960s purple acetate Carnegie shift dress. Vintage size 16 with winger collar and tie. with original swingtag.A late 60s/early 70s Debenham and Freebody (later becoming Debenhams) day dress with sash belt, faux button front and flounced sleeves in terelyne cotton. With original swingtag. A vintage size 18.A late 1960s Rodette of London maxi dress. A soft poly print, empire line, column dress with button fastening along the length of the skirt, from under bust. A vintage size 14. With original swingtag.
Lot 197
A pair of 1950s dresses labelled Bijou and Rodney.A dove grey rayon grosgrain dress by Bijou. Circle skirt and fitted bodice, shawl collar neckline and slightly padded shoulder. Rare larger size waist 29 inches waist. Some minor damage to the skirt and original belt missing.A petrol blue with gold lurex thread, rayon tafetta, dress labelled Rodney Dresses. Gathered full skirt, fitted bodice and crossover neckline. matching slim belt. Label vintage size 12. 36 inch hips.
Lot 211
A pair of vintage dresses. A late 1960s Roger Brines black silk velvet maxi and a 1970s Sage green maxi.Late 60s black maxi featuring a silk velvet bodice, flocked silk chiffon blouson sleeves, zipped velvet cuffs with a lined flock chiffon gathered maxi skirt. Labelled Roger Brines - a French couturier based in London who was favoured by Princess Margaret. Waist 30 inch.A sage green 1970s rayon lirelle maxi dress. Features pie-crust collar, plisse pleated sleeves and a matching diamante belt. Vintage size 12.
Lot 213
Late 1940s Victor Stiebel 3 piece ensemble - silk slip, dress and bolero labelled Victor Stiebel at Jaqmar. British Couturier Founder of the incorporated Society of British Fashion Designers. A column dress in bias cut crepe featuring low v neck and back with back pleat detail on skirt. Comes with silk slip and matching bolero. Wonderful example of unusual pattern cutting techniques. Waist 31 inches, bust 40 inches laid flat.
Lot 239
3 designer dresses as follows:1 x Oscar de la Renta, Pink Label, oyster chiffon babydoll dress. Size small. new with tags.1 x Jean Paul Gaultier for Target fitted, off the shoulder shirt dress with button through front in purple/pink floral print. Size XS.1 x Roberto Cavalli black stretch jersey dress with oversize flower and one shoulder chiffon sleeve. Size small. New with tags
Lot 250
Victorian boy's 3 piece outfit with original photograph. Wealthy Victorian boys wore skirts between the ages of 4 and 8. This outfit comprises of a dress made up of stiffened cotton buttoned upper and dogtooth pleated kilt with black rosettes. Also comes with a matching dogtooth jacket and waistcoat decorated with ribbon and buttons.
Lot 3295
260 AD. Cologne mint. Obv: IMP C POSTVMVS PF AVG legend with radiate, draped bust right. Rev: PM TRP COS II PP legend with emperor, in military dress, standing left, holding globe and vertical spear, point upwards. Elmer 129 Cologne; RIC 54 variant (mint); Sear 10971 variant (mint"). 4.00 grams. [No Reserve] Extremely fine.
Lot 3335
350 AD. Thessalonica mint. Obv: DN VETRANIO PF AVG legend with pearl-diademed, draped, cuirassed bust right. Rev: CONCORDIA MILITVM legend with emperor, diademed and in military dress standing facing, looking left, holding labarum in each hand, star above; A-B across fields, mintmark dot TS delta dot in exergue. RIC VIII Thessalonica 131; Sear 18904. 6.02 grams. Extremely fine. Scarce.
Lot 465
14th century AD. A D-section gold hoop with profile beast-heads flanking the hinge attachment and couch for the leaf-shaped pin with facing beast-head below the hinge; to the reverse, Middle English blackletter legend '+ther nys nut on that may parreie' (there is not one who can compare"). See Egan, G. & Pritchard, F. Dress Accessories 1150-1450, London, 2002 for similar. 4.15 grams, 24mm (1"). Property of a Surrey lady; acquired by her grandfather in the late 1970s as part of a small collection acquired from Cheshire. Accompanied by a positive X-Ray Fluorescence metal analysis certificate. The legend is in a Middle English dialect, expressing the sentiment that the wearer's beloved is 'without compare', a non-pareille. The form nys is a standard Middle English idiom for 'is not', and on a spelling for 'one'. [No Reserve] Very fine condition.
Lot 50
5th-3rd century BC. A large ceramic bell krater with pedestal base, bell-shaped body, square handles and broad everted rim; the rim with a band of vine-leaves to the underside of the exterior; the body with two figural scenes separated by painted palmettes beneath the handles, running scroll beneath; Side A: a bare-chested male seated on a stool with white garland to the brow, neck and shoulder, white armring and bracelets, right hand extended towards a standing female with stephane and mantle to the left shoulder and arm holding a necklace in the left hand, frond in the right facing a second standing female with fan and frond; Side B: two males in loosely draped robes facing a female with one leg raised. Accompanied by an Art Loss Register certificate. 7 kg, 44cm (17 1/4"). From the estate of a deceased north country collector; acquired over a 30 year period from the early 1970s. South Italian vases are ceramics, mostly decorated in the red-figure technique, that were produced by Greek colonists in southern Italy and Sicily, the region often referred to as Magna Graecia. South Italian vases are divided into five wares named after the regions in which they were produced: Lucanian, Apulian, Campanian, Paestan, and Sicilian. South Italian wares, unlike Attic, were not widely exported and seem to have been intended solely for local consumption. Each fabric has its own distinct features, including preferences in shape and decoration that make them identifiable, even when exact provenance is unknown. Campanian vases were produced by Greeks in the cities of Capua and Cumae, which were settled by Greek colonists fleeing political unrest in the Sicilian city of Syracuse; both cities however remained under native control. Capua was an Etruscan foundation that passed into the hands of Samnites in 426 B.C. Cumae, one of the earliest of the Greek colonies in Magna Graecia, was founded on the Bay of Naples by Euboeans no later than 730–720 BC It, too, was captured by native Campanians in 421 BC, but Greek laws and customs were retained. The workshops of Cumae were founded slightly later than those of Capua, around the middle of the fourth century BC. The range of subjects is relatively limited, the most characteristic being representations of women and warriors in native Osco-Samnite dress. The armor consists of a three-disk breastplate and helmet with a tall vertical feather on both sides of the head. Local dress for women consists of a short cape over the garment and a headdress of draped fabric, rather medieval in appearance. The figures participate in libations for departing or returning warriors as well as in funerary rites. These representations are comparable to those found in painted tombs of the region as well as at Paestum. Fine condition.
Lot 755
9th-10th century AD. A large schist statue of of the goddess Durga as Mahishasuramardini, 'slayer of the buffalo demon', standing on the head of the buffalo demon, with body behind and feet hanging over base; goddess wearing a conical crown, four arms and naked to the upper torso, close fitting dress falling to the feet; large tang to the base; mounted on a custom-made stand. 27.5 kg total, 78cm including stand (30 3/4"). Private collection, North London; acquired in the early 1990s. Fine condition.
Lot 76
3rd century BC-3rd century AD. A matched pair of solid gold dress pins, each a tapering shank with ribbed upper and incised vandykes, discoid terminal with radiating slots to the upper face and edge. 31 grams total, 96mm (3 3/4"). Property of a North West London gentleman; formerly with a central London gallery in 1990. [2] Extremely fine condition.
Lot 98
2nd-3rd century AD. A marble fragment with a high-relief bust of a young man with short hair wearing a wreath, wide round face with almond-shaped eyes, large ears and small mouth, wearing Roman-style dress; left hand holding an instrument. 1.04 kg, 13cm (5"). From an important London, W1, collection; acquired 1960-1980s. [A video of this lot is available on the TimeLine Auctions website] Very fine condition.
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228098 item(s)/page