Prints of photographs by Vassa Voynovich aka John Scott.Coloured print of Her Majesty Queen Elizabeth II, Trooping the Colour 1951. This is the image that the Queen chose to be displayed in cinemas when the national anthem was played. Paper size 58.5x44cm, image size: 35.5 x 27cm.Large and impressive black and white photograph of the Queen with 107 Grenadier Guards in bearskins, some damage to edges: 49 x 62.5cm.42 x 32cm coloured print of a guardsman from the Household Cavalry in full dress uniform standing outside a stable.3 x vinyl photograph albums 14 x 16cm, filled with coloured prints of Prince Charles posing for official portraits in multiple uniforms, approximately 62 prints in each album, copyright for these belongs to the Crown. (See illustration)Note: This lot was withdrawn from a previous sale and please be aware it is being sold with an on going copyright dispute despite having a sworn assignment of copyright from the vendor. We therefore offer no guarantee as to the purchaser's entitlement.
We found 228098 price guide item(s) matching your search
There are 228098 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
228098 item(s)/page
Photographs and a small amount of correspondence relating to Mr Frank Gaines, Head coachman to George V at Windsor Castle, who was a royal coachman during 3 reigns. Including a hand written memorandum to Gaines from Princess May/Mary? at Sandringham Oct 1927 and a letter written by The Lady in Waiting on behalf of Princess Mary thanking Gaines for his good wishes on the birth of her son, Goldsborough Hall, August 1924. Also two oval mounted photographs of Prince George, Duke of Kent and Prince Henry, Duke of Gloucester, annotated George 1912 and Henry 1912, probably gifts for Royal staff. Photograph of Princess Mary driving a carriage. Various other photographs and photographic postcards of Gaines driving carriages and other coachmen. Other images: George V portrait, a group of WWI medical corps soldiers, a very full 'Torpedo' type charabanc. A large guards and carriage procession leaving the inner courtyard of Buckingham Palace. 6 postcards of people in fancy dress, two dated Sandringham 1912. Various other images of Scotland/Balmoral and Sandringham and miscellaneous subjects and persons. A newspaper cutting from the Daily Mirror announcing Gains' retirement. Total: 47 photographs and photographic postcards.
A late 19th/early 20th century 'D' shaped side cabinet in the Louis XV style with ormolu gallery and mounts, marble top and frieze drawer, cupboard enclosed by single door with painted panel depicting a couple in 18th century dress, signed 'M Lebouz'; similar side panels and mirrored undershelf, on cabriole legs, width 27", height 43"
PAIR OF LARGE MEISSEN PORCELAIN FIGURES19TH CENTURY modelled as a gentleman and lady in 18th century dress, the gentleman with a hat tucked under one arm and a basket of flowers, leaning against a scrolled spandrel, the lady holding a basket of flowers and a wreath; both raised on square bases, with blue crossed swords marks, variously impressed, incised and painted with numbers (2)50cm and 48cm highProvenance: Private Collection from an Ambassador’s Residence
PAIR OF LARGE MEISSEN STYLE PORCELAIN FIGURES19TH CENTURY in polychrome enamels and costumes, modelled as a gentleman and lady in 18th century dress, the gentleman with a hat at his feet, standing against a scrolled spandrel, the lady holding a basket of flowers, with blue maker's marks (2)68cm and 66.5cm highProvenance: Private Collection from an Ambassador’s Residence
'Maternita' a Lenci Pottery figure designed by Helen Konig Scavini, modelled as a mother and child seated, watching a bird perched on her dress, glazed in colours, painted factory marks, paper retailers label, professional restoration, 32cm. high Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 1184 catalogue number 468 for this model illustrated.
AFTER SIR JOSHUA REYNOLDS PRA (1723-1792)Portrait of Jane Maxwell, Duchess of Gordon small half-length, wearing a white dress with puffed sleeves and ribbon head-dressoil on panel, unframed9 3/4 x 8 in (24.8 x 20.3cm)Provenance: Collection of David H. ReidLiterature: Sir Joshua Reynolds, David Mannings, Yale University Press, 2000 p 222 no.744cThis portrait is a reduced copy on panel by an unknown hand after the 1775 Portrait of the sitter by Reynolds (Trustees of the Goodwood Collection). There are a number of other copies known after the same portrait. These include one by Henry Raeburn at Fyvie Castle; another portrait attributed to a ' follower' of Raeburn at Blair Castle, Blair Atholl, Perthshire; two versions on enamel by Henry Bone RA also exist (one currently at Mount Stuart). There is also an original duplicate of the 1775 portrait in the collection of Lady Carthcart at Cluny Castle, Aberdeenshire.The Reynolds portrait was also engraved by William Dickinson in 1775 and a smaller plate followed in 1796.Jane Maxwell (c.1749-1812) was the wife of the 4th Duke of Gordon. She is depicted wearing a white 'Elizabethan' costume with a miniature on a chain. It has been suggested that her dress might have been worn at a masked Ball given by the French Ambassador in 1773. A similar dress is worn by the Duchess of Devonshire in a miniature by Cosway c.1782 (Royal Collection)The sitter was both a political hostess and a fashionable leader of society both in Edinburgh and London. Described in her own lifetime as 'having an open ruddy countenance, quick in repartee, and no one excelling her in performing the honours of the table, her society is generally courted' (The Female Jockey Club, 1794)
ATTRIBUTED TO MARIA SPILSBURY (c.1777-1823)Portrait of a young Girl, wearing a white dress and blue sash,holding a pink ribbon, a favourite dog at her side, with a wooded landscape beyondoil on canvas38 x 26 in (96.6 x 66.1cm)In a fine early nineteenth century gilded frameProvenance: V. Bowden, Esq
ALESSANDRO CITTADINI (1820-1877) A YOUNG WOMAN in a blue dress with lace collar, signed, ivory, oval, 4.2 x 3.2cm, set in a contemporary pierced gold brooch and a Victorian gold locket (2)++Miniature and mount in good condition, locket with light scratches to the overpainted photograph, the centre part swivelling to reveal in the back hair
An Italian porcelain figure group of two dancing ladies in crinoline dresses, mid 20th century, each decorated in 18th century style dress with floral encrustations upon a Rococo style base, 18.5 cm high, 23 cm wide. CONDITION REPORT: The left hand figure is missing 40% of the crinoline cuff around her arm. There are further losses to her crinoline dress. The right hand figure also has small losses to the crinoline dress. Both figures are missing a section of crinoline on the rear. The mark is simply inscribed Italy.
A Furstenberg type porcelain figure group, early 20th century, modelled as a gentleman and lady in 19th century dress, the gentleman on one knee, 18.5 cm high, approximately 26 cm wide (see illustration). CONDITION REPORT: The ribbon tips in the ladies hat have been professionally restored to a high standard. There is a tiny white speck on the tip of the gentleman's right shoe. There is a further small patch on the gentleman's right shoe where the black enamel has not taken to the porcelain just to the right of the bow. The ladies left shoe has been professionally restored to a high standard. Other than those faults mentioned the item appears to be in good decorative order.
A set of four Minton porcelain cabinet plates, second half 19th century, each handpainted and signed by Antonin Bullemier (1840-1900), each depicting a young boy and girl in 18th century style dress within interior and exterior scene backgrounds, all within a gilt pendant border with claret lozenges, printed marks verso and pattern number G5799, diameter 24.5 cm (see illustration). CONDITION REPORT: The plate with the image of the girl covering the boys eyes is in good order and rings out nicely when lightly tapped. There is a very fine 1 cm surface scratch approximately 2 cm above their heads which is not instantly obvious. There are no obvious surface scratches within the enamels. The border decoration all appears to be intact and the gilding is good. There are no obvious chips, hairline cracks or restorations. The plate depicting an image of the boy buttoning the girls dress rings out nicely when lightly tapped and the enamels appear to be free from any scratches. The border decoration and gilding is all good and intact. There are no obvious chips, cracks or restorations. The image of the boy and girl picking flowers has a 7 cm hairline crack issuing from the centre left of the rim towards the centre of the plate. The enamels are in good order and free from any scratches. The border decorations gilding are all good. There are no obvious chips or restorations. The plate depicting a young boy holding aloft jewellery appears to be in good order but does not ring out nicely when lightly tapped but gives out a dull thud. Having looked with a torch and a jewellers loupe we can see no major hairline cracks although the whole of the glazing is very finely crazed throughout. The enamel images are good with no obvious scratches although there are one or two very minor surface scratches just above the males head. The border decoration and gilding is good throughout. There appear to be no chips or obvious hairline cracks or restorations.
Loading...-
228098 item(s)/page