Auxiliary Territorial Service and Women’s Transport Service First Aid Nursing Yeomanry Cloth Insignia. A selection of Auxiliary Territorial Service and Women’s Transport Service First Aid Nursing Yeomanry cloth insignia, comprising a Women’s Transport Service First Aid Nursing Yeomanry cloth shoulder title; an Auxiliary Territorial Service cloth shoulder title; a pair of A.T.S. printed shoulder titles; an unmatched pair of A.T.S. cloth shoulder titles; an A.T.S. cloth slip-on shoulder titles; an A.T.S. plastic economy cap badge; and A.T.S. officer’s gilt cap badge; an A.T.S. officer’s OSD single service dress collar badge; an A.T.S. cap badge with cloth backing as worn on the beret; and an A.T.S. pair of collar badges, generally good condition (lot) £140-£180
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A sapphire and diamond three stone dress ring, set with oval sapphire, in a raised basket double claw setting, the sapphire 9.2mm x 6.6mm, 5.2mm, flanked by two round brilliant cut diamonds, each in a claw setting approx 0.25ct, in platinum, on a yellow metal band stamped 18ct, ring size M, 4.5g all in.
Moss (Hugh & others). The Art of the Chinese Snuff Bottle. The J & J Collection, 2 volumes, 1st edition, New York: Weatherhill, 1993, coloured illustrations from photographs throughout, original cloth in slipcase (rubbed and partly faded), folio, together with Stevens (Bob C.), The Collector’s Book of Snuff Bottles, 2nd edition, New York: Weatherhill, 1980, colour plates, original cloth in slipcase, 4to, plus Cai Zi’e, History of The Aesthetics of Chinese Dress, 1st edition, Shijiazhuang, 2001, Chinese text, colour and black and white illustrations, original cloth in dust jacket, a little rubbed, 4to, plus other Asian art interest, mostly large format modern publications including auction catalogues, journals, etc.QTY: (approx. 150)
A pair of Meissen figures, gallant with tipstaff and lady companion with love letter in 18th century dress, 17cm, crossed swords mark in blue with letters EC; a Sitzendorf figure, lady sat reading, 21.5cm; a continental porcelain figure, dainty lady raising her skirts to step across a gap, 12cm, painted Sevres mark in blue (4)
A silver and moss agate brooch; a miniature silver photograph frame; a Ruskin type pewter brooch; a malachite pendant; another; a turquoise ring; Cypriot silver pomegranate pendant and earrings, boxed; dress rings; pair of cuff links; Pin box; miniature flat iron on stand; pocket mirror; wind-up musical box; three Venetian glass necklaces; qty
Attributed to Edward John Poynter - Half Length Portrait of a Lady in Roman Dress, identified as Mrs Whitelaw Reid, late 19th century oil on canvas, label verso, 35.5cm x 34.5cm. Note: Edward Poynter is documented meeting Elizabeth Whitelaw Reid (an American heiress and wife of the American Ambassador to Paris) on several occasions, including a function for Mark Twain at Dorchester House, 21st June 1907. This portrait, a fragment of a larger work, shares compositional and costume elements with 'Head study of a young girl in profile', Christie's 28th Jan 2015, lot no. 800, and 'Study' reproduced in 'The Magazine of Art', May-Oct 1897, opposite p.2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Circle of Adam Buck - Full Length Portrait of a Young Girl wearing a White Dress with Blue Ribbons, holding a Basket of Summer Flowers, 19th century pastel with coloured chalks on paper, 25.5cm x 21.5cm, within a painted composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
THREE VICTORIAN STAFFORDSHIRE POTTERY PORTRAIT FIGURES AND A SIMILAR JAR AND COVER, the figures comprising a pair titled 'PR OF WALES' and 'PR ALFRED', modelled as wearing military dress and standing by chairs, heights 27cm and 26cm, a family group of Queen Victoria and Prince Albert with Princess Victoria as a baby, height 20cm and a Victorian Staffordshire pottery jar and cover modelled as a queen wearing crown and robes, bears label to the base 'NEW HALL EX.COLLECTION OF SIR ALFRED OWEN', height 20cm (4) (Condition Report: Wales has paint loss and some crazing, Alfred has minor paint loss and a glaze scuff to the jacket, family group has some crazing and light staining, a few patches of paint loss, firing crack around Albert's neck, fine crack to the front of the base, the jar has crazing and staining)
FIVE VICTORIAN STAFFORDSHIRE POTTERY FIGURE GROUPS OF COUPLES, comprising a harvest scene, height 30cm and the other four of couples arm in arm or with arms around shoulders and modelled wearing a variety of 19th century costume, smallest height 18.5cm (5) (Condition Report: harvest scene has restoration to the brims of the hats, extensive crazing and some paint loss, top hat group has a repair to the lady's neck, minor paint loss, the Highland dress group has minor paint loss and several glaze scuffs, the couple with blue jackets is generally ok and the couple with military man has extensive crazing , minor paint loss and a few glaze scuffs and a crack to the side of the lady)
NORMAN HARTNELL (1901-1979) Two signed pencil, watercolour and gouache dress designs 'Specially designed for H.R.H THE PRINCESS MARGARET', one of a black dress and jacket with two fabric swatches pinned to the top left corner, verso top left corner written in pencil 'Delivered', the other of a 1950's full skirt dress in claret with blue embellished elbow length cuffs, top left corner inscribed 'Reject. 11.' paper size 35.5cm x 25.5cm (2) (Condition report: the design with fabric swatches has a purple crayon mark to the side of the head, a fainter diagonal mark adjacent to the shoulder and arm and another mark and a crease about 4.5cm above the signature, the paper is darker in the bottom right hand corner, the other design has a darker strip along most of the bottom edge)
NORMAN HARTNELL (1901-1979) A signed pencil and watercolour design 'Specially designed for: H.M.THE - QUEEN.' (probably Queen Elizabeth The Queen Mother) of a peach and brown / fur trimmed dress and coat with matching hat, bag, gloves and shoes, inscribed 'No 3' to the top left corner, paper size 35.5cm x 25.5cm (Condition report: several dirty marks to the right hand side edge of the paper, stain to top right hand corner)
NORMAN HARTNELL (1901-1979) Two signed pencil, watercolour and gouache dress designs, one for the actress 'Miss Olga Lindo' (1899-1968) of a lilac evening dress with yellow trained coat and belt, the other with typed slip of paper clipped to the design 'SKETCH NO. 19 Dinner dress with full gathered back of black taffeta and straight front of black velvet, inscribed 'No: 19' in pencil to the top of the image, both 35.5cm x 25.5cm (2) (Condition report: the Olga Lindo sketch has patches of torn brown paper below the signature, various annotations in ink and pencil, a number of dirty marks, mainly around the edges, the black dinner dress design has a few dirty marks, particularly along the right hand side)
NORMAN HARTNELL (1901-1979) Four signed dress designs, two pencil and watercolours of floral full length evening dresses from the 1940's-50's era, one of which is inscribed 'Specially designed for NANTY FROCKS INC:', the other has 'when a princess' inscribed in pencil verso, the two ink and watercolour sketches from the late 1960's - 1970's era, comprising of a cream knee length dress 'DOUBLE CREAM' and a full length A line dress with wide sleeves 'SCARLET LADY', the latter two designs signed in felt pen, Scarlet Lady 32cm x 21.8cm, the other three 35.5cm x 25.5cm (4) (Condition report: the rosebud dress design has a dirty surface and light staining, especially down the left hand side, some wrinkles and crease in the paper, pin holes below a blue biro '6' in the top left hand corner, two pin holes in the bottom left corner, the 'Nanty Frocks Inc' sketch has staining to the bottom half left hand edge, lighter staining along the bottom edge, dirty mark in the bottom right hand corner and another to the right of the head, 'Double Cream' has pin holes to the corners / edges and light creases in the paper, 'Scarlet Lady' has pin holes to the corners/ edges and areas of staining, particularly along the right hand side)
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