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Lot 740

ENGLISH PASTELLIST, 18TH CENTURY PORTRAIT OF LADY ELIZABETH COMPTON half length in a white dress, a book in her hands, pastel, 50 x 40cm Lady Elizabeth Compton (1760-1835) was the daughter of Charles Compton, 7th Earl of Northampton and Lady Anne Somerset. She married George Augustus Henry Cavendish, 1st Earl of Burlington, third son of William Cavendish, 4th Duke of Devonshire and Charlotte Elizabeth Boyle, Baroness Clifford on the 27th February 1782. ++In apparently good condition, long undisturbed in the present good quality 19th century giltwood and composition cavetto frame

Lot 742

ENGLISH SCHOOL, 19TH CENTURY PORTRAIT OF A LADY seated three quarter length in a black dress with lace collar and bonnet, pastel, 25.5 x 19.5cm ++In fine condition, long in the present and possibly the original ornate early Victorian giltwood and composition frame, the frame with some losses from damp, the drawing undamaged

Lot 1043

A FINE FRENCH BISQUE HEADED CHARACTER DOLL, LATE 19TH C with fixed blue glass eyes, mohair wig with cork pate and stitched kid leather body, 40cm h, head incised crossed hammers above C, in contemporary clothes ++In good condition, the head of fine quality, not cracked, chipped or restored. The kid leather forearms and legs somewhat soiled and creased from handling. Pink cotton bustle dress faded

Lot 155

*Diderot (Denis, & D'Alembert, Jean). A collection of approximately 500 engravings, originally published in the 'Encyclopedie...,' circa 1780, uncoloured engravings including some folding, many with a page of descriptive text, including metal work, lead foundery, dress making, vellum manufacture, milliner, brass foundery, cannon foundery, stocking manufacture, carpets, wheelwright, tailoring and pottery, several duplicates, each approximately 360 x 230 mm (approx.500)

Lot 1718

A 14ct Gold Citrine Dress Ring, size P

Lot 1705

An Unmarked Yellow Gold Ruby and Diamond Dress Ring, 12g, size L

Lot 144

Royal Doulton bone china figure group: 'Afternoon Tea', HN 1747. CONDITION REPORT: Large hairline crack to base, which comes up through back of sofa and dress.

Lot 174

Edwardian lady's full length layered dress with lace neckline, lapels and half balloon sleeves.

Lot 176

British Army officer's number 2 dress jacket with trousers. (2)

Lot 178

Naval officer's dress coat with medal ribbons and rank braids.

Lot 182

Eastern European Army officer's dress jacket with epaulets and insignia, together with forage cap.

Lot 207

Edward VII regimental dress miniature, engraved to reverse, 'Alec La Ridpath Major L.W.V.?' in Spink and Son box.

Lot 210

Collection of assorted silver jewellery to include: bar brooch; dress rings; necklaces; eagle bar brooch; toad earrings etc.

Lot 218

Yellow metal dress ring set with diamonds.

Lot 243

Silver bangle, RAF pendant, heart shaped locket, assorted yellow metal dress rings.

Lot 255

Three British Army dress and other forage caps, Royal Artillery and REME. (3)

Lot 117

A sapphire dress ring, the central oval cut stone within a twin band of white stones, set on an 18ct gold band,

Lot 554C

Three Silver Dress Rings; to include an oversized pink marble effect stone.

Lot 369

A lady's dress ring in gold setting, together with gent's wrist watches, Zippo lighters, etc

Lot 79

A Steiff Hippo with button to ear, together with a Victorian dress and stole

Lot 213

An Yves Saint Laurent couture black silk dinner dress, Autumn-Winter, 1974, labelled but indistinctly numbered, of tiered smock-style with ruff collar, pussy-cat bow, full sleeves with deep buttoned cuffs, bust 86cm, 34in CONDITION REPORT: Good condition, very fresh, looks little worn

Lot 108

A Christian Dior couture sequined and embroidered tulle dance dress, circa 1955, un-dated white on black woven label, stamped to reverse '16089', strapless, with integral corset, Princess-line of pale grey tulle adorned with graduated bands of pearlised irridescent sequins and droplets, silver seed beads and rhinestone brilliants, bust 79cm, 31in, waist 59cm, 23in CONDITION REPORT: Overall impression is good. Would benefit from cleaning- top layer of tulle has peppering of small, faint, light brown stains in general and occasional pin-head sized hole, not immediately obvious. The front hem appears slightly more soiled. Rear left lower skirt: approx 2cmx0.5cm small hole to tulle. Rear right lower skirt: two small brown stains to lowest band of sequins and embroidery- largest is 2x1cm. One small hole in tulle, approx 1x1cm. Interior corset is yellowed. Embroidery and embellishment is good with occasional minor losses- very beautiful.

Lot 195

A Pauline Trigère brown chiffon and pink ostrich plume sprigged cocktail dress, mid 1960s, labelled, with moss crêpe slip, ties to neck, bust 86cm, 34in CONDITION REPORT: good condition

Lot 270

A Westwood/McLaren checked wool dress, 'Witches' collection, Autumn-Winter, 1983-84, World's End labelled, with pointed sleeves, low scooped neck, front pleats held in place by ceramic toggles, large pointed, draped pocket to front skirt side, bust approx 86-92cm, 34-36in CONDITION REPORT: good condition, two very small darned repairs to lower rear skirt

Lot 92

A Norman Hartnell couture ivory and gold sequined evening gown, circa 1938, labelled, with handwritten client name 'Lady Harvey', scalloped illusion neckline of nude tulle, the ground entirely covered with swirling motif beaded with gold sequins and miniscule seed beads; together with a 'Finnigans of Bond St' box and with handwritten note 'Lady Barclay-Harvey', bust 106cm, 42in (3) Provenance: Probably worn by Lady Muriel Felicia Vere Barclay-Harvey, née Bertie, (b.1893-d.1980), daughter of the 12th Earl of Lindsey. She was a nurse and founder of the Lady Muriel Nurses' Club; former wife of Henry Liddell-Grainger, and later the second wife of Sir Charles Malcolm Barclay-Harvey (b.2nd March 1890 - d.17th November 1969), whom she married in 1938. He was a British politician and Governor of South Australia from 12th August 1939 until 26th April 1944. The National Portrait Gallery has a photographic portrait of her within their collection, wearing her nurses uniform and taken in 1916 by Bassano Ltd. CONDITION REPORT: Dress has been let out approx 1in along centre front seam and this area has been re-embellished. Tulle neckline and shoulder straps are fragile and has new tulle panels attached to straps. Piece of original tulle is detached, hole in tulle centre front neckline. Tulle has been removed at left and right underarms. Centre front skirt seam has been let out but probably by Hartnell - extremely well done. Waist altered to correspond. Tarnishing centre back hem area. Smells of moth balls. The beading to dress is good and intact.

Lot 308

A Comme des Garçons ensemble with padded 'hands', Autumn-Winter, 2007-8, labelled and size S, comprising: grey polyester jersey A-line sleeveless dress, the front applied with elbow length padded gloves; the grey pin-striped wool tailcoat with padded hands which cross the chest (2) CONDITION REPORT: Good condition. Pinstriped jacket has a slightly crumpled appearance but I think this is intentional. The hand on the chest has had 3 of the finger seams re-stitched. Hand on the waist - 4 of the fingers have re-stitched seams but it is not immediately noticeable. Grey dress with elbow-length gloves - good condition, small faint stain near front left hem.

Lot 143

A Carven couture black soutache lace cocktail dress, circa 1960, labelled, with boned bodice, thin velvet straps, rear peplum with large velvet bow, tulle petticoats, bust 86cm, 34in CONDITION REPORT: Good condition, zip is broken (minor), very clean and fresh inside and out

Lot 291

A Comme des Garçons black knitted cotton tape dress, 1983-4, Tricot label, L-shaped, with elongated panel forming a cowl collar, slits for the arms, diagonal hem See 'Future Beauty' p.77 for a garment of similar angular shape made of printed cotton from the S/S 1984 collection. CONDITION REPORT: good condition

Lot 246

A Thea Porter 'gypsy' dress, circa 1969, un-labelled, with brocaded bodice, the silk midriff and skirt in contrasting Indian block printed silks, sheer sleeves and edged in velvet ribbon, bust 86cm, 34in, waist 66cm, 26in CONDITION REPORT: good condition, colours are fresh and good. Faint perspiration stains along underarm seam edge and brocade is faintly tarnished to exterior here (minor).

Lot 250

A good Thea Porter 'gypsy' dress, 1969-71, un-labelled, of floral printed black and red voile, trimmed with gold braid and key-hole neckline, bust 81cm, 32in, waist 61cm, 24in An identical dress was exhibited in 'Thea Porter: Bohemian Chic', a retrospective of her work at the Fashion and Textile Museum, London, 6th February-3rd May 2015. CONDITION REPORT: Good condition, colours are fresh and good. Left sleeve has approx. 5 pinhead sized holes, 3 pinhead sized holes to front of skirt and one slightly larger hole (but still very small). Red lining has dye transfer watermark at front hem, not visible to exterior.

Lot 302

A Junya Watanabe/Comme des Garçons patchworked denim dress, Spring-Summer, 2002, labelled and size S, with intentionally distressed, frayed panels scattered amongst the diamond shaped patches, large zip fastener to the back, bust 86-92cm, 34-36in CONDITION REPORT: good condition, no problems

Lot 134

A couture chiné taffeta dress, the fabric by Staron, 1956, bearing Italian retailer's label 'Rocco Materay. Roma', the bodice edged in pleats with large appliqué poppies to the midriff, integral boning, bust 86-92cm, 34-36in, waist 61cm, 24in Fath, Griffe, Balmain and Dessès all produced dresses using this fabric for their Spring-Summer 1956 collections. CONDITION REPORT: Bodice has been let out centre back. Waistline needs re-stitching in a couple of places. Organza lining has discoloured and has several large splits. The hem has been lowered.

Lot 62

An embroidered brick-red velvet evening dress, probably Callot Soeurs, early 1920s, embroidered with gold running stitches and pink floss silk, spangled with pink bugle beads with orientalist motifs, large central medallion, scalloped hem embroidered to shape, lined in chiffon, bust approx 86-92cm, 34-36in CONDITION REPORT: With petersham inner waistband and inner velvet bodice panels fastened by hooks and eyes. Nick-like breaks along the front armhole edges. Slight fading discoloration to rear seat area of skirt. Splits in front right embroidered scalloped hem edge

Lot 97

An ivory crêpe georgette and chantilly lace 'poppy' dress, circa 1930, covered with vermicular clear bugle beads, appliquéd with lace poppy motifs, some with large rhinestone centres, criss-cross straps front and back, black tulle hem, bust 92cm, 36in; with a matching scarf (2) CONDITION REPORT: Inner layer of ivory crepe has been added to the upper bodice. Underarm areas are heavily darned and repaired,

Lot 88

A Jeanne Lanvin couture stencilled tulle dress, probably Spring-Summer, 1938, large woven label numbered in pencil 49879, the black and white over-dress worn over integral acid-green satin slip, one of the balloon sleeves appliquéd in black and white organza, bust 86cm, 34in Lanvin's S/S 1938 collection included dresses with large puff sleeves and organza appliqués.

Lot 118

A Bruyère couture magenta gingham summer dress, mid 1950s, labelled and indistinctly numbered, with white and purple floral embroidery to the neckline, pockets and sleeves, bust 97cm, 38in, waist 71cm, 28in CONDITION REPORT: Very fresh. Small repair at waist fastening - probably where a button once was and pulled a hole. Waistline at rear right and centre front have been re-sewn.

Lot 351C

Björk's Iris van Herpen copper fibre dress worn for the Vulnicura 'Black Lake' video 2015, based on the Autumn-Winter, 2012 'Capriole' couture collection, with ruffle trimmed straps and bands which follow the curve of the hips, bust 86cm, 34in CONDITION REPORT: Fair condition, bad seam pull on all seams but especially at the waist. the interior satin lining has a rubberised finish which has started to degrade especially around the hem area and has become 'sticky'

Lot 329

An Alexander McQueen special commission evening gown, circa 2000, with narrow gold on black label, the bodice of pewter-grey shot faille, with high asymmetric neckline, the polonaised black wool skirt woven with fine grey mohair strands, cut short at the front to reveal the legs but long and trained to the back, bust 81-86cm, 32-34in, waist 71cm, 28in Provenance: This dress was a special order for a Hollywood actress. The vendor is not sure if it was for a red carpet event or was worn in a film. CONDITION REPORT: good condition

Lot 85

An haute couture beaded bias-cut pink chiffon evening dress, circa 1937-8, with associated slip bearing a Maison Paquin label c.1949-50, with complex raised-work snaking medusa-like bands radiating from the midriff front and back, bust approx 81cm, 32in This gown bears striking similarities to Schiaparelli's 'Medusa' veil from her Circus collection, Summer 1938, presented February of that year. CONDITION REPORT: Straps and area below prestud closure are fragile, and V-shaped area of chiffon is missing below the closure. Similarly beaded fabric has been added in a V shape to the area below the rear closure to widen. Small hole to rear hem. The slip is non original and has been altered to fit this dress, binding at centre V neck is worn and has been partially re-sewn. The lining has breaks at underarm edges but it is loosely sewn and could be removed. Beadwork is stunning and generally good condition.

Lot 339

An Azzedine Alaïa black chenille-knitted evening gown, 'Houpette', Spring-Summer, 1994, labelled, with original shop tag and size M, the sculpted figure-hugging dress with radiating concentric chenille bands, trained hem, bust approx 86-92cm, 34-36in CONDITION REPORT: good condition, no problems

Lot 264

An Antony Price black velvet evening gown, circa 1988, labelled, size 8, with boned, strapless bodice, the skirt with graduated puff-ball flounce over a slim full length skirt, waist 61cm, 24in, bust approx 81cm, 32in An identical dress belonging to Jerry Hall, together with a photograph of her wearing it, was sold by Kerry Taylor Auctions, 10th June 2008, lot 83. CONDITION REPORT: Good condition.

Lot 44

A muslin dress with printed calico spencer, French, circa 1800, the simple dress cuffs and hem edged in ivory silk ribbons, narrow bodice drawstring ties to the back; the spencer printed in coral pink on blue, the narrow back with diamond-shaped panel and deep gathers to the inset sleeves (2) CONDITION REPORT: Spencer: good condition, very fresh, no problems. Dress: good condition, a few small pinholes to bodice, ivory satin ribbon edgings are good. Muslin is very light/diaphanous, a few small holes above rear hem, the odd pinhead sized hole but generally good condition. Very fresh and clean appearance.

Lot 68

A pink satin flapper dress, circa 1926, adorned with rhinestone and silver bugle bead flowers, central medallion with floating panel to skirt front, low back, bust 81-86cm, 32-34in; together with a pale blue crêpe de chine jacket with degradé fringes (2) CONDITION REPORT: Dress: brown stains to floating panels on skirt front, one small light brown stain to bodice front, brown stain to rear skirt at hemline. 2 small repairs to front waistband where satin has been patched and beading re-stitched. Chiffon lining at them has tears, gold lace at hem has occasional floating thread. Dress has been taken in at side seams of bodice. Beading is good, very sparkly, a few detached rhinestones. Jacket: faint perspiration stains at underarms, 1 or 2 fringes are frayed, a couple of small light brown stains, ends of some of the longest fringes are a bit grubby, not obvious, pinhead sized hole to right shoulder.

Lot 326

A Yohji Yamamoto purse/pinafore dress, Spring-Summer, 2001, labelled and size 3, of lightweight black wool, front skirt with integral purse with metal mounts and clasp, the strap forming a halter-neck, waist 77cm, 30in An identical model was exhibited in the MOMU 'Dream shop' exhibition devoted to Yamamoto, 2006 (Antwerp Fashion Museum) and reproduced in the Rizzoli catalogue 'Yamamoto & Yohji' p.340. CONDITION REPORT: good condition

Lot 151

A Balenciaga couture black chantilly lace cocktail ensemble, circa 1964, Paris labelled and numbered '91419' to coat, the sheer over-dress with two hip-high slits to the front skirt, scalloped hem, matching negligee-style coat which gathers into the back with silk ribbon drawstring waist; and original black silk half slip, bust 96cm, 38in, waist 81cm, 32in (3) CONDITION REPORT: Dress and jacket in good condition, no problems. Darts have been let out on slip and rear/side seams.

Lot 221

A Loris Azzaro beaded bright pink silk jersey evening gown, circa 1970, labelled, with pink and silver floret sequins and layered beads to the collar and plastron, bust approx 81cm, 32in; with a pair of matching silk covered platform shoes, approx size 5 (3) CONDITION REPORT: Dress is good condition, no problems. Shoes - uppers are very fresh, soles are scuffed from wear.

Lot 320

An Issey Miyake 'Flying Saucer' dress, Spring-Summer, 1994, labelled and size M, composed of concertina-pleated discs of brightly coloured polyester, with slits for the arms Similar 'Flying Saucer' dresses were included in the 'Issey Miyake: Making Things' exhibition, Fondation Cartier pour l'art contemporain, Paris, 1998, which are illustrated in 'Issey Miyake' published by Taschen, pp.186-187. A similar example is held by the Metropolitan Museum, accession no. 1994.603.3. CONDITION REPORT: Good condition, no problems

Lot 235

A Pierre Cardin couture pleated salmon-pink satin dress, Spring-Summer, 1978, labelled Pierre Cardin, Paris, the bandeau-like bodice with black velvet bow, the skirt goffered with zig-zag pleats, bust 76cm, 30in This dress was reproduced in 'L'Officiel de la Mode', September 1978, p.211, and also 'Pierre Cardin: Past Present Future', p.108. CONDITION REPORT: Good condition, tiny spot on front right of skirt (barely noticeable

Lot 124

An Elizabeth Arden embroidered cocktail dress, late 1950s, labelled, of silver-grey organza, the bodice and skirt covered with undulating bands of silver bugle beads and silver thread fronds, pearlised sequin flowerheads and bands, the centre-back skirt panel with satin bows, bust 81cm, 32in, waist 56cm, 22in CONDITION REPORT: Good condition, slight rubbing to organza at underarms, inside bodice fresh and good. Beadwork is good with occasional losses. Bows at the back are slightly soiled, hem has been shortened but could be let down again. A few small light brown stains to rear hem area - not immediately noticeable.

Lot 265

A Pierre Cardin futuristic grey crêpe dinner dress, 1980s, woven ivory label, with steel-grey patent leather circlet to waist and matching belt which threads through, bust 92cm, 36in (2) CONDITION REPORT: good condition

Lot 185

A Christian Dior London marigold-yellow slubbed silk halter-neck dress and matching bolero jacket, 1960, labelled no 39865, the dress straps and jacket trim of large topaz coloured stones, the dress with integral corset, dress bust 86cm, 34in, jacket 92cm, 36in (2) The ensemble was purchased for a family occasion from Samuels in Hale village, Cheshire. The event was cancelled and the ensemble remained unworn. CONDITION REPORT: Dress: good condition, very fresh, small rust spot to tulle inner corset (minor). Jacket: good condition, no problems. Both pieces are pristine as never worn.

Lot 202

A rare and important photographic album including images of King Edward VIII and Wallis Simpson on the Nahlin cruise, compiled by their friends and companions Herman and Katherine Rogers, August-September, 1936, 69 pages containing approx. 277 black and white photographs showing the King, Wallis and friends at play cruising the Adriatic on the Nahlin, visiting Greek temples, Prince Paul of Yugoslavia's lunch on board, Sir Sydney Waterlow's picnic at Tailor's Bay, Chalkis where Nahlin hit a bridge, picnics on Greek islands (where Wallis sports rubber bathing hat and elasticated swimsuit and the King appears bare-chested or in Breton top), a meeting with Turkish general Fahrettin in Istanbul and a trip on Kemal Ataturk's private train, a trip to Vienna (where Wallis catches a cold), a partridge shoot on Sir Walter Selby's estate (the King wears a loose blouson jacket and a pair of Bermuda shorts in contrast to the hunting tweeds of his companions) and finally a visit to Balmoral with deer stalking trips - the King wears a stalking cape with hood (which causes great mirth), long stalking trousers, tartan suits and full highland dress with Balmoral tartan kilt, 29 by 40cm, 11 1/2 by 15 3/4in An additional 5% VAT is payable on the hammer price, this can be refunded if proof of export outside the EU is provided within 6 months of the sale date. In August 1936, King Edward VIII, who had recently acceded to the throne, chose to take his married lover - Mrs Wallis Simpson, on an extended cruise around the Adriatic and Eastern Mediterranean. The fact that Spain was in the throes of a civil war and there was unrest in the Balkans did not deter him from embarking on the trip, despite government advice to the contrary. The specially chartered Nahlin yacht, was partially re-fitted for the cruise, with the library converted into a master bedroom. Edward VIII and Wallis Simpson were accompanied by a few close friends including - Herman and Katherine Rogers (who made this album), Sir Alan 'Tommy' Lascelles (assistant private secretary), Minister of War - Duff Cooper and his beautiful wife Lady Diana, Lady Brownlow and Lord Brownlow (Lord-in-waiting). Whilst Britain remained unaware of the royal romance (thanks to acquiescent press barons who quashed all mention), in the US and Continental Europe the affair was widely reported as Wallis' aunt Bessie (who lived in the US) was to inform her upon her return to France at the end of the trip. Not all of the coverage was flattering. The visit to Balmoral took place at the end of the Nahlin cruise on 23rd September, 1936, Wallis having briefly stopped in London beforehand to meet with her lawyer to finalise details of her divorce from Ernest Simpson. Her petition for decree nisi was to be heard on 27th October, at Ipswich Assizes. If all went to plan and the divorce was granted - it meant the couple could be married before the planned coronation date of 12th May, 1937. In the Balmoral section of photographs at the end of the album, the pair look happy and relaxed and are seen joking with the Duke of Kent and Lord Louis Mountbatten. Just three months later, 10th December 1936, with the King unable to rule without Wallis beside him, he chose to abdicate his throne and empire - and was created Duke of Windsor. This album compiled by Katherine and Herman Rogers illustrates rare, private moments during the King's brief reign. They show the calm before the storm in the lead-up to the abdication crisis, where Edward VIII renounced crown and empire - all for the woman he loved, surely one of the most romantic gestures of all time? CONDITION REPORT: Exterior of album is good, a few small scuffs to edges. It appears to be complete except for a gap on page 4, taken soon after the board the Nahlin and one at the end of the album in the Balmoral section. The photos are pencil numbered on the back in sequence. They were pasted onto the grey card pages and where they have become loose or detached we have added clear photo corners to re-fix them in their correct places. The photos are generally good. There is a glue spot on the front of one with Katherine Rogers and Lord Brownlow in Vienna. In a series of photographs taken on Sir Watford Selby's partridge shoot, inked crosses on the pages at the back of the photos show through faintly on 7 in the paler areas. Also in the Balmoral section, faint lines can be seen in the skies of approx. 12.

Lot 239

An Ossie Clark/Celia Birtwell printed chiffon dress, early 1970s, Radley brown on white woven label and size 14, with empire-line bodice and print of scribbled flowers and crossed lines, bust 92cm, 36in, waist 71cm, 28in CONDITION REPORT: Good condition. Very faint perspiration stains at underarms, barely visible. 3cm pull along right sleeve seam with very small hole, easily repaired by re-stitching along seam.

Lot 229

A Chanel couture printed chiffon summer ensemble, 1972, large label and numbered 44108, comprising: floral printed shift dress with optional over-dress with buttoned back; finely pleated skirt; tie belt and scarf, bust 92cm, 36in (4) CONDITION REPORT: Inner tunic dress: good condition, looks little worn. Exterior is good, lining: slight soiling at front neck and a few faint spot stains to bodice area and faint perspiration stains at underarms which are not visible to exterior. Over-dress: good condition, no problems. Tie-belt and scarf: good condition.

Lot 193

A Galanos shocking pink and lime feather dress, 1960s, labelled, with concealed zip fastener to the front, lined in pink chiffon; with a gold and pink sequined belt, bust 81cm, 32in (2) CONDITION REPORT: There are a few detached feathers but overall the feather colouring is good. Feathers are matted at right shoulder, neck edge and underarm. Feathers generally intact and no obvious major losses. Feathers are soiled and faded at lower left hem edge. Inner pink chiffon lining is generally good- slight soiling around neck opening. Feathers are a bit spartan around the lower half of the zip closure but this isn't obvious when it's being worn. The hem has a deep feather return of 28cm- so they could be moved from that area if so desired. Belt- good condition, minor losses at closure.

Lot 76

A beaded ivory and pink tulle flapper dress, circa 1925, un-labelled, the ground entirely covered with opalescent sequins, the hem and bodice with floral motifs in pink and green sequins against a black beaded background, bust 96cm, 38in CONDITION REPORT: Good condition, very fresh appearance. Beading is good. Silver edging beads have rusted slightly at underarms from perspiration and there are a few missing sequins in this area also, not immediately obvious. Perspiration stains at underarms to interior tulle but not visible to exterior. Area at left underarm has been re-backed with tulle.

Lot 119

A Chanel couture scarlet chiffon cocktail dress and jacket, Autumn-Winter, 1960, narrow black on white woven label, the dress with integral tulle corset, with scarlet grosgrain ribbons outlining the bust and waist, finely pleated skirt, matching jacket with ribbon ties to neck, bust 81cm, 32in, waist 61cm, 24in (2) CONDITION REPORT: Dress: good condition, small stain to front/left side hem edge. Fabric has pulled/puckered to base of zip right side. Very slight soiling to bodice edges. Inner silk lining hem has been raised by 1cm. Interior is clean and good, no problems. Back skirt panel - the chiffon has been replaced. It is not pleated like the rest of the dress. Jacket is good condition, one small spot stain.

Lot 60

An early Jeanne Lanvin couture gold lace chemise dress, Summer collection, 1922, with black on white woven 'Jeanne Lanvin Paris' label stamped with the date, the layered black and bronze tulle over-dress of empire-line, embroidered in vermicular floss silks and metal threads with rose filled medallions, with green silk underskirt, lightly-boned silk inner breast band, bust 81cm, 32in CONDITION REPORT: Over dress is good condition, green silk petticoat has perished.

Lot 125

A Balenciaga couture purple and dark green slubbed chiné satin cocktail ensemble, Autumn-Winter, 1959, woven black on white Paris label, hand numbered bolduc 69862, with large rose repeats, the strapless dress with integral wired grosgrain corset, with cross-over pointed panels to front bodice culminating in ties at the front, curving rear waistline, with matching trapezoid bolero jacket, bust approx 81cm, 32in, waist 56cm, 22in (2) CONDITION REPORT: Fabric is fresh and lustrous. Hem has been slightly lowered on dress. Outer zip fastening on dress is defective. The rear waistline needs re-stitching approx 5cm (minor). Inner corset has 2 rear darts widened, slip attached to the corset has been replaced in cream rayon at the front.

Lot 71

A Mariano Fortuny gold stencilled blue velvet dress, mid 1920s, circular label to silk lining 'Mariano Fortuny Venise', with gold stencilled foliate medallions, laced front neckline, Murano glass beads to cuffs and matching belt with later added rhinestone buckle, bust 117cm, 46in (2) CONDITION REPORT: Good condition. Belt buckle is not Fortuny but a 1920s-30s addition. Laces are fraying. Some soiling/discolouration to lining at neckline. 2 extremely faint and small light brown stains to rear right shoulder (minor).

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