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Graham Clan tartan kilt, with full dress waist coat, jacket with silver buttons, Glasgow 1910, silver sporran, cap with silver badge with motto, a pair of boxer shorts, socks and a pair of black leather dress shoes.Graham Clan a potted history. Ne Oublie (do not forget)Sir John de Graham right hand man to William Wallace 1298.In 16thC Lord Graham appointed as Earl of Montrose led the Scottish vanguard against the English at the Battle of Flodden Field.In 18thC James Graham, 3rd Duke of Montrose in 1782 persuaded parliament to repeal the 1747 act prohibiting the wearing of highland dress, Scots were now allowed to wear their tartan
A remarkable Cryséde dress made at Cryséde St Ives circa 1933 in silk, using the Morrab Gardens pattern, the long sleeves each with intricate caps of rolled fabric on a gauze ground, the loose dress has an Art Deco "pearl" buckle, the multi-colour design is printed on a neutral background. (See illustration)
A Cryséde dress in the Hound and Tree pattern from the Myrtle Cottage Garden series circa 1924. Hand block printed on silk crepe-de-chine with plain blue dyed inserts, the ruched long sleeves narrowing to points at the wrist. This dress was made at Cryséde St Ives and purchased in London in the early 1930s. (See illustration)
A Cryséde dress in the Garden Flowers pattern (Mesembryanthemum and Nasturtium). It has always been understood by Polly Walker, the vendor, youngest daughter of Alec and Kay Walker, founders of Cryséde Newlyn 1920, that this design was created by Cedric Morris. Polly Walker understands that this dress was made by Charles Simpson`s wife, Ruth Simpson. She learned this from their daughter, Leonora Simpson. This sleeveless long dress has a separate belt and a remnant of fabric. (See illustration)
* Choris (Louis). Twenty plates from ‘Voyage Pittoresque autour du Monde...., Paris, [1822], hand coloured lithographs of natives, topography and flora and fauna, occ. spotting and marginal fraying, each approx. 250 x 410mm, together with, Jefferys (Thomas), A collection of approx. eighty engravings of national dress and costume, c.1760, uncoloured engravings, occ. spotting and toning, each approx. 260 x 200mm. (approx.100)
* Military. A group of approx. 200 cabinet cards, late 19th and early 20th c., mostly single subject photographic portraits of soldiers in military dress, many with printed details to mounts, condition varied, loosely contained in plastic sleeves in four modern ring binders, oblong folio. (approx. 200)
* Persia. A group of seven press photos, c. 1920, all of local types, including a man letting blood, two dervishes, a high priest, a street trader, three children and a middle class woman in traditional dress, all but one with typed details and wetstamp of Georg Haeckel to verso, each approx. 16.5 x 11.5cm. (7)
Fashion designs. A collection of ninety-seven ladies fashion designs, 1960s, together ninety-seven pen, ink and gouache drawings on paper (a few uncoloured), some watermarked Canson & Montgolfier or Vidalon-les-Annonay, all captioned in French in contemp. ms., each approx. 310 x 240mm (12.25 x 9.5 ins), together with a copy of Elle magazine, No. 770, 23 September 1960, picturing a model wearing one of the designs (captioned ‘Germaine et Jane, 179 NF. R. Claude’). An interesting archive featuring designs for skirts, blouses, dresses, suits and a wedding dress. (98)
Lacroix (Paul). XVIIme Siecle Lettres Sciences et Arts, France 1500-1700, pub. Firmin-Didot, Paris, 1882, 17 chromolithographed plates, illustrations, t.e.g., contemporary black half morocco by Smeers, spine with raised bands and gilt decoration, 4to, limited edition, 10/100 copies, with publisher’s presentation inscription, together with Les Manuscrits et L’Art de les Orner, by Alphonse Labitte, Paris, 1893, b & w illustrations, t.e.g., original wrapper bound in contemporary red half morocco by Bretault, 4to, limited edition, 13/15 copies, with six others including Paul Lacroix’s Manners, Cutoms and Dress of the Middle Ages, and During the Renaissance Period, 1874, and Military and Religious Life in the Middle Ages and at the Period of the Renaissance, c. 1874. (8)
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228098 item(s)/page