Doulton Burslem "The Curtsey" a rare early figure, dated 1918, designed by E.W.Light, dress in lilac colour way, impressed date '11.18', painted artist, title and also 'HN66' and "Potted by Doulton & Co.", 23.6cm. This particular example is marked as HN66 although the model is more commonly recorded as HN57. In Eyles and Dennis's "Royal Doulton Figures", it is noted that The Curtsey was designed to be a pair along with The Flounced Skirt (commonly HN66) and the authors speculate that this lilac colour way is a renumbered version of HN57B.
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Joseph Wright of Derby (1734-1797) A HALF-LENGTH PORTRAIT OF JOSEPH SIKES WEARING A TURQUOISE JACKET WITH LACE RUFF, HIS LEFT HAND TUCKED INTO HIS ORNATE WAISTCOAT, A HAT UNDER HIS LEFT ARM named in gilt top left-hand corner 'Sikes' oil on canvas 74 x 61cms; 29 x 24in; together with: A COMPANION PORTRAIT OF JANE SIKES WEARING PEARLS IN HER HAIR, A LACE COLLAR AND LOW CUT DRESS WITH A FURTHER STRING OF PEARLS DRAPED OVER HER BUST oil on canvas 74 x 61cms; 29 x 24in., in swept gilt frames. PROVENANCE Owned successively by, Joseph Sikes (died 1798) Chauntry House, Newark His son, Reverend Joseph Sikes (died 1857) (unmarried) His niece and beneficiary, Mary Webster, married Robert Wallis Esq. on 12th June 1862 Thence by descent through the Wallis Family. NB This pair of early portraits have never before appeared in the public domain and are documented in "The Life and Works of Joseph Wright, A.R.A." by William Bemrose, published in London 1885, page 52. The following anecdote is recorded: "The Banqueting, or Dining Room, of the Chauntry, contains a strong, but delicately handled, lengthened portrait of the late Joseph Sikes, Esq., by the celebrated Mr. Wright, of St. Helen's, in Derby, the ancient residence of Mr. Sikes's family...." "A remarkable proof of the success of the artist in giving to 'canvas face and figure', was afforded by a favourite little terrier dog of the late Mr. Sikes's unconsciously accompanying him into the apartment at St. Helen's, upon the floor of which, in a very unfinished state, were arranged with many others, this portrait and that of his first lady, the delightful sagacity of that interesting class of animals quickly displaying itself by an attentive survey of the picture, and by the most lively emotions of gratification, to the extend even of actually licking the canvas. The alarm and astonishment, however, so naturally felt by Mr. Sikes from his honest though discourteous intruder, was strongly reproved by Mr. Wright, as the most unprecedented and unflattering respect he could have received; adding, that if the finish of the painting was as perfect as the compliment of the dog, his highest ambition must be exceeded, and if anyone took the trouble to write his life, that anecdote would necessarily form a prominent place". Jane Sikes (died 1773) is mentioned in Bemrose under sitters at Newark and in Wright's account book for the early 1760's period. Also in the account book is a reference to Wright receiving (through his father) £8 10s from Mr. Sikes, presumably in payment for this portrait. We are grateful to Erika Ingham from the National Portrait Gallery for the account book information. See illustration
18th Century British School BUST PORTRAITS OF THE DUKE OF GLOUCESTER IN A RED COAT WEARING THE GARTER STAR, AND HIS WIFE THE DUCHESS OF GLOUCESTER (NEE WALPOLE) IN A WHITE LACE-TRIMMED DRESS WITH BLUE RIBBON pastels 60 x 47.5cms; 23 1/2 x 18 3/4in. (a pair) See illustration Note: Maria Duchess of Gloucester (1736-1807) was the granddaughter of Robert Walpole (1676-1745). Her marriage to the Prince William Henry, Duke of Gloucester (1743-1805) led to the Royal Marriages Act 1772 since it was done without the consent of George III.
Two gemstone dress rings, to include: an oval facet cut citrine, 3.8 x 24 x 13.5mm, set in four double claws on openwork mount, yellow metal shank stamped '9ct', ring size N; together with a rounded triangular shaped amethyst dress ring, 18 x 19.2 x 12.2mm, set with four fluted claws in pierced mount, on yellow metal shank stamped '18ct', ring size P.
Orna Fahro lavender satin evening dress overlaid with black net lace, 47 cm across chest, with matching evening stole, a Ghost grey bias cut evening dress with gold embellishment and cowl neck, 45 cm across chest, a ribbed evening top with diamante zip detail to front by EZ, Paris, 45 cm across chest and a period black taffeta evening skirt with quilted hem (5)
An early 20th century German oval portrait miniature on ivory of a young lady with blue feather hat and white dress, signed 'VNC', and inscribed in ink verso 'VNC Dresden 1902', 8.5 x 6.5 cm to/w a small rectangular portrait miniature on card of a young girl and boy, signed 'ECA 1905', 5.5 x 4 cm, both in gilt metal frames (2)
A synthetic Alexandrite dress ring, the oval cut stone set in high ct yellow metal, an entwined circle border leading to split shoulders, approx size J, approx 12.6g, the stone approx 23mm x 17mm. CONDITION REPORT: Generally good condition with a couple of flea-bite nibbles to the girdle of the stone.
Margaret Kemplay Snowdon, British exh 1918-1938- Portrait of a lady seated full-length in white dress with pink ribbons and roses; oil on canvas, signed and dated 1906, in a reverse profile gilt composition parcel gilt and ebonised frame, 91.5x72cm (may be subject to Droit de Suite) Provenance: Christie's sale, 25th April 1996, lot 188 CONDITION REPORT: frame with some minor damages on the corners canvas has been re-lined retains the original wooden stretcher taping on the reverse is of recent application under inspection with uv lamp there is no evidence of retouching or restoration has been cleaned and re-varnished at some point in time overall in good condition
German School, mid 19th century- Portrait of a lady seated half-length in a white dress and mauve cape; oil on canvas, bears label for W F Ahrt Hamburg Schlusenbrucke 5 attached to the reverse of the frame, 71.5x55cm CONDITION REPORT: in a gilt composition frame with decape finish circa late 19th/early 20th century frame not the original frame lacks wooden block section left hand side of the reverse frame with wear to the corners and lower edge canvas not re-lined retains the original wooden stretcher canvas subject to bar marks fine old craquelure throughout under inspection with uv lamp there is are several small spots of restoration evident, as follows: on the forehead of the sitter two spots above the sitter's head to the left of the sitter's head otherwise good original condition
A Portrait Miniature, French School, late 18th century, depicting a gentleman quarter-length turned to the left in a brown coat, oval, within a glazed oval gilt metal filigree frame, 8x5.4xm: A Portrait Miniature, French School, 19th century, depicting Marie Sophie de Courcillon, Princess of Soubise after Jean-Marc Nattier, oval, within a glazed oval gilt metal frame, 8.2x6.5cm: A Portrait Miniature, European School, 19th century, depicting a lady, half-length turned to the right in a blue dress, oval, within a glazed oval giltwood frame, 7x4.5cm: together with one other miniature of a landscape subject, late 20th century, 3.5x2.75cm., (4)
A Portrait Miniature, British School, mid 19th century, depicting a daughter of Sir Francis Grant PRA, traditionally upheld to be Rebecca, quarter-length in a black dress, oval, in a pierced Florentine style glazed oval gilt metal frame, 8.8x6.9cm CONDITION REPORT: frame with some wear and tear to the surface of the reverse some defects to the edge of the paint surface upper centre left pigments somewhat time faded otherwise very good original condition
A Group of Three Portrait Miniatures, British School, early 19th century, depicting John Smith, half-length in a brown coat and white turned to the left, Isabelle Smith, half-length in a blue green dress and white bonnet turned to the right and Mary Smith, half-length in a white dress turned to the right, each in matching oval gilt metal glazed frames with pierced spiral cresting and glazed reverse enclosing plated hair, two bearing inscribed labels John Smith, died April 4th 1822 aged 51, and Mary Smith, died *** 7th 1845 aged 60, 7.5x6cm., (3) Note: John and Mary Smith were husband and wife, Isabelle was their granddaughter in law. CONDITION REPORT: some minor markings to the frames slight scratching the the glass here and there all three in very good condition
Attributed to Francis Hargreaves, British act. 1810-1854, depicting a lady traditionally held to be wife of Sir Francis Grant, quarter-length in a white dress and blue shawl turned to the right, oval, in a glazed gilt metal oval frame with enclosed plated hair and applied gilt metal cipher to the reverse, 7x5.5cm: A Portrait Miniature, British School, early 19th century, depicting a lady quarter-length in profile, in a green dress and hat turned to the right, with enclosed plated hair to the reverse, the frame engraved Elizabeth Lady George H Cavendish 1809, 8x6cm: A Portrait Miniature, early-mid 20th century, depicting Emma Hart after George Romney, oval, in a glazed gilt metal oval frame, 9x6.5cm., (3) CONDITION REPORT: lady quarter-length in a white dress and blue shawl turned to the right: some old splits to the edge of the frame marks to the glass on both sides edge bent slightly centre left defect to paint surface top left above the head of the sitter paint surface somewhat time faded lady quarter-length in profile, in a green dress and hat turned to the right: glass somewhat scratched both sides otherwise good condition Emma Hart after George Romney: in good condition
A Portrait Miniature, British School, early 19th century, depicting a lady half-length in a white dress and straw hat with blue ribbon turned to the left, oval, within an oval yellow metal, white and red enamelled frame mounted with mine cut diamond chips, 7x5.8cm CONDITION REPORT: some scuffs and markings to the reverse of the frame scratching to the glass and engrained dirt around the paste settings paint surfacer somewhat time faded otherwise good condition
Follower of Richard Cosway RA, British 1742-1821, A Portrait Miniature, depicting a lady, quarter-length in a white dress with blue ribbon turned to the right, oval, in a glazed gilt metal oval frame with enclosed locket of hair and enamel cipher on the reverse, 6x5cm CONDITION REPORT: front section of frame a little loose top edge paint surface slightly time faded otherwise good condition
A Portrait Miniature, British School, early 20th century, depicting Ethel Smith (née Markham) half-length in a white dress with posy of hyacinths turned to the left, oval, signed with initials 'DW' and dated 1903, in a gilt metal glazed oval frame, in plush mounted Morocco leather presentation box with strut support, stamped Aug Walker 118 Bond St W, 7x5cm Note: Ethel Smith was the grandaughter of Sir Francis Grant PRA: A Portrait Miniature, early 20th century, depicting a lady half-length in a black shawl turned to the left, in a rectangular glazed gilt metal frame, 9.5x7.5cm: A Portrait Miniature, British School, early 20th century, depicting Lady Langham, after John Hoppner RA, oval, in a glazed oval gilt metal frame, 11.3x8.5cm., (3) CONDITION REPORT: lady half-length in a white dress with posy of hyacinths: leather case with rubbed corners marks around catch gilt metal frame oxidized paint surface and colours well preserved good condition lady half-length in a black shawl: paint surface slightly time faded otherwise very good condition Lady Langham, after John Hoppner: some spotting to the paint surface paint surface somewhat time faded otherwise good condition
Follower of Thomas Phillips RA, British 1770-1845- Portrait of a lady, traditionally held to be Julia Floyd, later married to Sir Robert Peel, seated half-length in a white dress holding a lorgnette; oil on canvas, 76.5x64cm Note: For a portrait showing a similar likeness to the sitter, please see "Julia (née Floyd), Lady Peel" by Samuel Cousins, after Sir Thomas Lawrence, mezzotint, published 1832, an example of this edition is in the National Portrait Gallery collection. CONDITION REPORT: in a gilt composition frame circa 1900 some chips and minor looses to the corers of the frame canvas has not been re-lined on the original wooden stretcher small area of old flaking above the head of the sitter canvas is subject to bar marks and old craquelure under inspection with uv lamp there is evidence of the varnish having been cleaned there appears to be no evidence of any retouching or over painting otherwise good original condition
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