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1980s vintage dance dresses, comprising a Bruce Oldfield velvet and taffeta evening dress, the velvet bodice and long sleeves trimmed with spangles and a tiered layered taffeta damask skirt, fully lined approx size12 excellent condition: and a lilac/white striped strapless dress, fully lined with several tiered layers to the skirt. approx size12. good vintage condition (2)
1980s Designer dresses custom made by Bruce Oldfield : a blue flowered silk chiffon dress with portrait collar, swathed waist line and multi layer handkerchief point skirt, fully lined size approx 12 and a forest green two piece dress,comprising a long sleeved lace jacket , with front zip and a silk velvet skirt, both fully lined. size approx 12, both outfits in excellent condition. (3)
A group of long dresses circa 1950s/1960s, comprising Peter Robinson London pink/blue brocade dress with stiffened underskirt, a coral taffeta dress with puffed sleeves and waist bow trim (no label), and a lace wedding dress, fully lined in taffeta with mandarin collar, button front and cuffs, dropped waistline and full skirt . All size 8-10 in good vintage condition. (3) condition report: a few small holes but nothing significant. Zips are metal
A mahogany and line inlaid, longcase clock, the cream metal dial, depicting illustrations of figures with head-dress, and each panel labelled "Africa, America Europe, Asia, Sir James The Rose" all painted to illustrations; and black painted Roman Numerals to dial, and maker "Chas Deanham, Durham" painted to dial
A 1960s pink taffeta and voile dress with ruffled neckline and cuffs, tie belt (no label), and a similar vintage striped silk strapless dress by County Clothes of Cheltenham, fully lined and boned bodice, dropped waistline and full skirt. Size approx 10-12. good vintage condition. (2) Condition report: pink dress has small hole near hem, not noticeable. Sripped dress has metal zip
A quantity of good quality designer and vintage dresses, two include two Catherine Walker (approx 12), Vintage Roland Klein pink long dress, Bob Schulz floral sheer summer dress, bespoke made floral orange and pink summer dress, Christopher Mcdonnel cotton long shirt dress, Kumart hand made in India silk long dress, Colin Glascoe floral Kaftan dress (small stain to shoulder) all been worn, but generally good condition
Cream colored matte figure of an elegant Art Deco era lady in a butterfly themed dress and accessories, holding a butterfly shaped fan. Florence Sculture d'Arte affixed label. Artist: Giuseppe ArmaniIssued: c. 1995Dimensions: 4.75"L x 4"W x 12.75"HManufacturer: Florence Sculture d'ArteCondition: Age related wear.
Cream colored matte figure of a stylish lady in a long brown side-tied dress. She pets her cat on the ledge next to her. Florence Sculture d'Arte affixed label. Artist: Giuseppe ArmaniIssued: c. 1995Dimensions: 4"L x 4"W x 13"HManufacturer: Florence Sculture d'ArteCondition: Age related wear.
Historical figurine character boxes, one depicting Henry and the other depicting Elizabeth. Each box is detailed and designed with period dress in muted colors. Pot Bellys backstamp. Issued: c. 2000Dimensions: 2.5"L x 2.5"W x 2.5"HCondition: Age related wear. Tiny chips to top of Elizabeth's crown and collar.
Cream colored matte figure of a finely dressed lady in a charcoal grey and cream trim dress and shawl. She holds a small cat. Florence Sculture d'Arte affixed label. Artist: Giuseppe ArmaniIssued: c. 1997Dimensions: 4"L x 4"W x 13.75"HManufacturer: Florence Sculture d'ArteCondition: Age related wear.
A glossy figure of a young girl in a floral skirt dress, holding a bunch of oranges. Lladro backstamp. This item has its original box: 10.5"L x 6.25"W x 5"H. Artist: Fulgencio GarciaIssued: 1973-2017Dimensions: 2.5"L x 2.75"W x 6.75"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
Cream colored matte figure of a stylish Art Deco era lady in a blue patterned dress, leaning on a cornucopia topped statue while holding an apple. Florence Sculture d'Arte affixed label. Artist: Giuseppe ArmaniIssued: c. 1996Dimensions: 4"L x 4"W x 12.25"HManufacturer: Florence Sculture d'ArteCondition: Age related wear.
Cream colored matte and glazed figure of a finely dressed lady in a black, cream and tan dress and wide brimmed feather-accent hat. Her dog sits at her feet. Florence Sculture d'Arte affixed label. Artist: Giuseppe ArmaniIssued: c. 1995Dimensions: 14"H x 4.5" diaManufacturer: Florence Sculture d'ArteCondition: Age related wear.
Cream color matte figure of a lady in an elegant dress with dark teal skirt and black textured bodice. She is holding a powder compact and facial puff. Florence Sculture d'Arte affixed label. Artist: Giuseppe ArmaniIssued: c. 1995Dimensions: 5"L x 4"W x 13"HManufacturer: Florence Sculture d'ArteCondition: Age related wear.
4th-3rd century B.C. With ellipsoid bezel, intaglio standing female figure with distaff and bow or staff, possibly Artemis; repaired. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, items 68-69, for type; Boardman, J., Greek Gems and finger rings, London, 2001, no.733 for similar position of a goddess on an engraved ring. 10.36 grams, 20.60 mm overall, 17.50 x 19.12 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16) (3/4 in.). Formerly in an old collection formed in the 1970s.Ex Dutch gentleman.Property of a London gentleman.This is classical Greek type ring dating to 4th century B.C., and the bezel shows a goddess standing naked. The position of the goddess recalls that of Hera or Aphrodite, in the Salting Group (Boardman, 2001, no.733), but the simple dress of the figure with the chiton seems to refer to Diana holding a hunting spear. [No Reserve]
2nd-3rd century A.D.. Standing with hands at her sides, wearing a conical cap, raising her dress to her mouth to reveal her genitals; palmette to the reverse. 26 grams, 48 mm (1 7/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]
Circa 14th-19th century A.D.. Mixed group of buckles and buckle-plates including D-shaped, double-loop, trapezoidal and other types. See Egan, G. & Pritchard, F., Dress Accessories 1150-1450, London, 2002, for discussion of earlier types. 414 grams total, 12-57 mm (1/2 - 2 in.). Found Hertfordshire, UK. [102, No Reserve]
1st millennium B.C. and later. Including a dress pin with ram-head finial, an axe-head and other items. 43.9 grams total, 32-65 mm (1 1/4 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [4, No Reserve]
Circa 11th-12th century A.D.. Mixed group including conical and fluted-rosette types. See Egan, G. & Pritchard, F., Dress Accessories 1150-1450, London, 2002, for discussion. 48.7 grams total, 23-28 mm (7/8 - 1 1/8 in.). Property of the vendor's grandfather, thence by family descent, circa 1985.From the private collection of a New York, USA gentleman. [3, No Reserve]
13th-16th century A.D.. Featuring a slightly domed upper face and articulate tongue set within a recess. Cf. Egan, G. & Pritchard, F., Dress Accessories 1150-1450, London, 2002, item 1336, for type. 2.48 grams, 29 mm (1 1/8 in.). Ex Tucker collection, Buckinghamshire, UK; formed in the 1980s. [No Reserve]
2nd-3rd century A.D.. Modelled in the round, Venus standing nude with hands raised to dress her hair; dorsal pillar pierced at shoulder height for suspension. Cf. Rolland, H., Bronzes Antiques de Haute Provence, Paris, 1965, item 78, for type; Ogden, J.M., Gold Jewellery in Ptolemaic, Roman and Byzantine Egypt,Durham, 1990, Vol.2, fig.13, for identical statuette in cast bronze. 4.9 grams, 40 mm (1 5/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent.The iconography of Venus Anadyomene was one of the most commonly used images of the goddess in classical sculpture, and was still popular during the late Roman Empire. The best example of this is the Louvre Venus Anadyomene (Ma 3537) of the 4th century A.D., found in the 19th century at Saint George de la Montagne near Bordeaux, inside a rich aristocratic house and coming from Aphrodisias, an ancient place of statuary production for export. [No Reserve]
Circa 9th-10th century A.D.. A female in floor-length robe holding a shield in her right hand and drawn knife in her left, stylised headdress and long plaited band of hair to the rear; pierced lug to the reverse. See Vang Petersen, P., Valkyrier og Bersærker. Mytologien i Smykkekunsten, in Madsen, P.K. (ed.), Danefæ. Skatte fra den Danske Muld, Copenhagen, 2010; Garde?a, L., ‘Warrior-women’ in Viking Age Scandinavia, A preliminary archaeological study in Analecta Archaeologica Ressoviensia, vol.8, Rzeszów, 2013. 8.08 grams, 40.68 mm (1 1/2 in.). Acquired on the UK art market in the 1980s.Ex property of a Cambridgeshire, UK, gentleman.This pendant resembles a find from Galgebakke, Denmark, a silver figure holding a short sword and clutching a shield by the boss (Vang Petersen, item 4). The Galgebakke figure is identified as female on the basis of the elaborate crested hairstyle, and an ankle-length dress with tiny feet beneath. The interpretation usually offered for this figure is that of a skjoldmø or 'shield-maiden', a female who takes up arms in pursuit of vengeance such as the legendary Hervor in Hervarar saga ok Heiðreks. Scholars used to interpret these armed females as valkyries - hand maidens of the god Oðinn - but the idea has been challenged recently (Garde?a, 2013).
Circa 1897 A.D.. Collection of glass photographic slides recording railway construction in East Africa, river transport, customary dress and other topics; in a wooden box with hinged lid and numbered inner racking, initials 'DWC' to some slides. 3.01 kg total, 39.5 x 10.5 x 10.5 cm (15 1/2 x 4 1/8 x 4 1/8 in.). From the private collection of Dudley Collings, from his travels in Africa in the late 19th century.The caption on one slide refers to 'B.E.Africa' (Belgian East Africa), the area now known as Rwanda / Burundi. [56, No Reserve]
18th-early 20th century A.D. and earlier. A restrung necklace composed of ancient faience beads of tubular and biconical types, with later gold dangles comprising fishes, crescent moons, pierced bracteates bearing a male bust in military dress, pear-shaped and pelletted pendants; hook-and-eye closure. 26.37 grams, 48 cm long (19 in.). Acquired before 1983.Ex London gallery, 1990s.
Circa 1925-1595 B.C. With a central male deity (Marduk) in a Hittite gown facing right, holding a mace, facing a supplicant goddess in formal kaunakes, her right hand extended with the waters of Ea flowing from it; crescent moon above, between the figures a pillar and a flower, before na'ga, two supplicants attend with formal dress, possibly some ancient re-cutting; accompanied by a custom-made display stand and a museum-quality impression. Cf. Briggs, B., Early Near Eastern Seals in the Yale Babylonian Collection, Yale University Press, 1981, p.319, 872, for use of water of Ea on Old Babylonian seals. 6.00 grams, 20.85 mm (50 grams total, 84 mm high including stand) (3/4 in. (3 1/4 in.)). Ex Bedfordshire estate collection assembled during the early to mid 20th century.Ex RH collection, Leighton Buzzard, Bedfordshire, UK.Ex Helios Gallery antiquities, Wiltshire, UK.Accompanied by an original Helios Gallery certificate of authenticity with stock reference no.H2934d.Accompanied by a copy of a letter of attribution from antiquarian Phil Jones. [No Reserve]
Circa 12th-15th century A.D.. Mixed group of strap or belt-sliders with carinated profile. See Egan, G. & Pritchard, F., Dress Accessories 1150-1450, London, 2002. 52.5 grams total, 25-30 mm (1 - 1 1/8 in.). Property of the vendor's grandfather, thence by family descent, circa 1985.From the private collection of a New York, USA gentleman. [4, No Reserve]
Bronze Age, 13th-7th century B.C. Including a net-needle with pierced centre and ball finial, applicator with bull's head finial, dress-pin with scrolled finial and other items. 47 grams total, 8.5-12.5 cm (3 3/8 - 4 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [5, No Reserve]
Middle Period, circa 1700-1450 B.C. With a small, stylised face with detailed eyes, nose and mouth; right hand raised to hold a child; wearing a flounced skirt with double belt; mounted on a custom-made display stand. See Comstock, M., Vermeule C., Greek, Etruscan & Roman Bronzes in the Museum of Fine Arts Boston, New York, 1971, p.4, no.1, for similar. 499 grams total, 16.5 cm high including stand (6 1/2 in.). British private collection, acquired by 2000.From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent.In the Dictean Cave in Greece, many votive statuettes of this type were found. The flounced skirt is characteristic of Minoan women's dress, and it was lavishly decorated in folds of different colours. It could be worn with or without a narrow corselet, but in both cases exposing the breast. The exposed breast was connected to the cult of the mother goddess, and fertility, an element here reinforced by the presence of the suckling child. [No Reserve]
UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 pounds, 2020. Royal Mint. Proof. The second issue from the Great Engravers series, following the popular 2019 release of William Wyon's Una and the Lion.Fifth portrait of Queen Elizabeth II facing right; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 · . Design by Jody Clark. / Three standing female figures in classical dress, representing Ireland, England, and Scotland. A harp, a Union Flag shield, and a thistle lie at the feet of the respective personification. Artist signature to the left and quiver and palm frond in exergue; FOEDUS INVIOLABILE. Original design by William Wyon. Edge Milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Mintage: 3,510.Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 pounds, 2020. Royal Mint. Proof. The second issue from the Great Engravers series, following the popular 2019 release of William Wyon's Una and the Lion.Fifth portrait of Queen Elizabeth II facing right; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 · . Design by Jody Clark. / Three standing female figures in classical dress, representing Ireland, England, and Scotland. A harp, a Union Flag shield, and a thistle lie at the feet of the respective personification. Artist signature to the left and quiver and palm frond in exergue; FOEDUS INVIOLABILE. Original design by William Wyon. Edge Milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6030069-004. NGC Census in this grade: 983, equal-finest graded.Total NGC Census: 1160Mintage: 3,510.Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
Toys From The Attic Part II - Americana & The Great Depression - a pair of 1930's national costume dolls, in Polish Krakow dress, comprising a gentleman and a lady, each with moulded and painted 'composite' heads, partially stuffed cloth bodies with painted 'composite' lower arms and lower legs, each 46cm and 44cm high (2)These dolls are probably Work Progress Administration (WPA) dolls that were produced in the United States during the Depression years. The aim of the program was to provide jobs and therefore stimulate the economy with production of items such as children's toys.
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228098 item(s)/page