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Art Deco Period - Attractive and Stylish 18ct White Gold Baguette and Brilliant Cut Diamond Set Dress Ring. Marked 18ct to Interior of Shank. The Brilliant Cut and Baguette Cut Diamonds of Top Quality. Est G - H Colour, VSI Clarity, Est Diamond Weight 1.40 cts. Ring Size M. Weight 5.00 grams. Setting / Shank Excellent.
Scottish Highland dress, a MacGregor Ancient tartan kilt with matching necktie, a jacket with stag horn buttons and a leather sporran. The Kilt jacket is approximately 40'' chest. The Jacket is approximately 23'' in length from shoulder to the bottom seam. The kilt appears free from holes and tears.
Victor Rousseau (Belgian, 1865-1954) A large pair of early 20th Century bronze figurines in the form of classical male & female characters. The male figure in loincloth holding olive branch standing on pedestal base with tools at feet. The female figure in dress standing on naturalistic base holding torch above head. Both with cast signature. Measures approx; 55cm tall.
A 19th oil on canvas portrait painting study depicting a young aristocratic gentleman. The sitter depicting with curly locks and in black dress jacket with arm raised on a stack of old leather books with pocket watch. Framed and glazed within ornate gilt gesso frame. Measures approx; 73cm x 64cm (59cm x 50cm).
TV Dustin Hoffman signed 6 x 4 inch white card, along with colour magazine photo Red Dress image from 1982 film Tootsie. Tape marks to back of card and handwritten title at bottom, autograph excellent. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
CHRISTOFFEL BISSCHOP (Netherlands, 1828-1904). "Portrait of a Seated Woman.Oil on panel.It has repainting and slight damage to the edges.It has a gilt frame with faults in the carving and gilding.Signed in the lower right corner.Measurements: 22,5 x 17 cm; 47 x 42 cm (frame).Christofell Bisschop was a Dutch painter and lithographer, known mainly for his genre scenes and figures. His father was a prominent merchant. He had several teachers: in Leeuwarden he studied with the designer Hendik Schaaff (1805-1850), in Amsterdam with the painter Jacobus Schoemaker Doyer and in Delft with the lithographer Willem Hendrik Schmidt (1809-1849). From 1848 to 1852 he studied at the Royal Academy of Art in The Hague, where his instructor was Huib van Hove. From there he went to Paris, where he took lessons from Charles Gleyre. In 1855, he established a studio in The Hague and exhibited widely in the Netherlands as well as in France and England. He also took part in the Philadelphia Centennial Exhibition. Many of his interior scenes were painted in the town of Hindeloopen, which is known for the preservation of traditional dress. He was appointed Ridder in the Order of the Crown of Oak in 1863. Six years later, in Kensington, he married Catharina Swift, who had been his pupil during his visits to England, and they settled in Scheveningen in a villa called "Friesland". She later became a well-known painter under the name of Kate Bisschop-Swift. She was a member of the Pulchri Studio and the Hollandsche Teekenmaatschappij,
CHARLES LEVY SASPORTAS (Montmorency, 1877- Paris, 1968).Untitled, 1918.Oil on canvas.It has restorations and a small tear in the canvas on the left edge.Size: 122 x 92 cm; 129 x 98 cm (frame).In this canvas the painter offers us an expressive female portrait, starring a woman with a black dress, in which dominates a wide neckline, adorned with a white brocade. The woman also wears a pearl necklace and matching earrings, and is adorned with a rose that stands out for its brilliant colour against the black.In the 18th century, European portraiture was varied and wide-ranging, with numerous influences and largely determined by the tastes of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture, which evolved throughout the century and unified all the national schools: the desire to capture the personality of the human being and his character, beyond his external reality and social rank, in his effigy. The 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which, as we see here, came to dispense with all symbolic or scenographic elements in order to depict the individual rather than the personage.Charles Levy Sasportas was an outstanding portrait painter, famous for painting high society figures in New England and France or New York, where he had a studio in Central Park, and in 1933 Villa Comtadine published a brochure entitled: "CHARLES L. SASPORTAS DE PARIS, FRANCE Portrait Painter", thus gaining great recognition from the prevailing social class. Sasportas was a member of the Societe des Artistes Francais.His portraits can be found in important private and public collections, including the Smithsonian Institution's National Portrait Gallery of the United States, which holds a 1949 painting of General Jonathan Wainwright by Sasportas, as well as portraits of William Henry Hoover and Emily Lowe. The National Society of Colonial Dames of America in Illinois owns a 1915 portrait of Katherine Carpenter Birmingham.
UNITED KINGDOM. Elizabeth II, 1952-. Gold 10 pounds, 2008. Royal Mint. Proof. John Bergdahl's design in the Britannia series pays tribute to Britain's proud naval history as symbolised by the pronounced waves.Fourth, crowned bust of Queen Elizabeth II right; IRB below; ELIZABETH ' II D ' G REG ' FID ' DEF ' 10 ' POUNDS '. Design by Ian Rank-Broadley. / Standing Britannia facing left, wearing Corinthian helmet, holding trident and shield with the cross of the Union flag, her dress transforming into a wave to left; legend around reads BRITANNIA 2008 · 1/10 OUNCE FINE GOLD ·. Design by John Bergdahl. Edge milled.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 2323871-001. NGC Census in this grade: 90.NGC Census in higher grade: 35Total NGC Census: 127Reference: S-BN9; KM-1099Mintage: 1,998.Diameter: 16.5 mm.Weight: 3.41 g. (AGW=1/10 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Victoria, 1837-1901. Silver crown, 1847. Royal Mint. Proof ("undecimo" on edge). The so called 'Gothic' crown was never intended for circulation and sold to the public only through official agents, at the time being Hunt and Roskell. It was an immediate success and has always been in high demand, generally held as one of the most beautiful designs British coinage has to offer.Crowned bust of Queen Victoria facing left, dress decorated with roses, thistles and shamrocks; around in lower case Gothic script, Victoria dei gratia britanniar. reg: f: d Design by William Wyon. / Crowned cruciform shields, Star of the Garter at centre, floral emblems and gothic arches in angles; latin legend in lower case Gothic script reads 'tueatur unita deus anno dom mdcccxlvii' (translation, May God guard these United Kingdoms in the Year of Our Lord 1847). Design by William Dyce. Edge inscribed (raised lettering); Decus et tutamen. anno regni undecimo.In secure plastic holder, graded NGC PF 62, certification number 6321325-001. NGC Census in this grade: 93.NGC Census in higher grade: 140Total NGC Census: 503Reference: S-3883; ESC-2571; KM-744; Dav-106Mintage: 8,000.Diameter: 39 mm.Weight: 28.276 g.Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
UNITED KINGDOM. Victoria, 1837-1901. Silver crown, 1847. Royal Mint. Proof ("undecimo" on edge). The so called 'Gothic' crown was never intended for circulation and sold to the public only through official agents, at the time being Hunt and Roskell. It was an immediate success and has always been in high demand, generally held as one of the most beautiful designs British coinage has to offer.Crowned bust of Queen Victoria facing left, dress decorated with roses, thistles and shamrocks; around in lower case Gothic script, Victoria dei gratia britanniar. reg: f: d Design by William Wyon. / Crowned cruciform shields, Star of the Garter at centre, floral emblems and gothic arches in angles; latin legend in lower case Gothic script reads 'tueatur unita deus anno dom mdcccxlvii' (translation, May God guard these United Kingdoms in the Year of Our Lord 1847). Design by William Dyce. Edge inscribed (raised lettering); Decus et tutamen. anno regni undecimo.In secure plastic holder, graded ANACS PF61, certification number 730578. Reference: S-3883; KM-744; Dav-106Mintage: 8,000.Diameter: 39 mm.Weight: 28.276 g.Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
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228098 item(s)/page