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Lot 192
Costume & Clothing.- Broughton (U. H. R.) The Dress of the First Regiment of Life Guards in three centuries, number 31 of 300 copies, plates, tissue-guards, 5 clippings loosely inserted, later half-crushed morocco, gilt, 1925 § Cooke (John William) Generations of Style: it's all about the clothing, first edition, illustrations, one or two folding, original pinstripe cloth, printed paper label to upper cover, New York, 2003 § Harrods. A Selection from Harrods General Catalogue 1929, illustrations, original cloth, dust-jacket, fractional creasing to edges, 1985; and others similar, v.s. (c.55)
Lot 451
Armand Marseille Bisque Head Doll, the back of head with impressed marks Made in Germany, 390. A. 11. M, sleeping blue glass eyes and open mouth showing teeth, composite jointed body, dressed in a blue and cream ruffled dress, bonnet and boots, 66cm high together with another Armand Marseille Bisque Head Doll with impressed marks 390n, sleeping blue glass eyes and open mouth showing teeth, composite jointed body, dressed with shoes, 75cm high (2)
Lot 322
ELIZABETH KEITH: LAMA PRIEST IN CEREMONIAL DRESS, 1924By Elizabeth Keith (1887-1956), hand signed Elizabeth KeithColor woodblock print on paper, depicting a Lama priest seated on a brick wall, clad in a ceremonial dress and hat and holding a praying beads mala. Hand signed by the artist in pencil at the lower right and titled 'Lama Priest in Ceremonial dress'. The lower left bearing the artist monogram EK and dated 1924. In a vintage gilt wood frame, behind glass. Condition: Very good condition with minor wear. Provenance: Danish private collection, acquired at Bruun Rasmussen on 10 November 2011, lot 1145, with labels to the backside. Dimensions: Image size 38 x 26 cm, Size incl. frame 42 x 29 cm Elizabeth Keith (1887-1956), was a Scottish artist and writer known for her skills in print-making and watercolors. Her artistic style was greatly influenced by her extensive travels to Asian countries such as Japan, China, Korea, and the Philippines.
Lot 5
KATSUZO ENTSUBA: A MODERNIST BRONZE SCULPTURE OF A YOUNG GIRLBy Katsuzo Entsuba (1905 - 2003), seal mark Yuane Japan, 20th centuryPortraying a young woman standing on a base, with one foot slightly raised and wearing a short summer dress, exhibiting subtle details, from the smooth lines of the dress to the elegant curves of the woman, her hair is arranged in a neat bun at the back, the young woman's expression is calm and serene, conveying a sense of peace and tranquility. The base with a seal mark ´Yuane´. Mounted to a rectangular stone base.Condition: Very good condition with minor wear, the base with some scratches. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 3,357 g Dimensions: Height 39.5 cm
Lot 961
Rupert / Beano / Dandy annuals, some Rupert with un-done Magic Paintings .11 Rupert Annuals between 1961 - 1985, mostly 1960s. 1966, 1967, 1968 with un-done Magic Paintings, all three in good condition (un-clipped). Five Beano Annuals 1964, 1966, 1968, 1969, 1970 and three Dandy Annuals 1966, 1968, 1969. Most in good condition.The 1966 "Space" annual has none of the pages 63, 64, 66 to 70 inclusive "done". Page 65 has a small 1/2 inch splash to the guide's dress.The 1967 annual has none of the pages 31 to 38 done.The 1963 annual has pages 63 to 65 inclusive "done", whilst pages 66, 67, 69 and 70 are not "done". Page 68 is "not done" except for the Kingfisher image at the top left of page 68 "done"The 1965 annual has pages 79, 80 adn 84 "done". Pages 81, 82, 83, 85 and 86 have not been done but have been affected by dampness/drips from other pages.
Lot 1027
An Edith Head costume design for Dolores Hart as Nellie in the film King Creole (Paramount Pictures, 1958), starring opposite Elvis Presley.An original mixed medium costume design by Edith Head, illustration likely by sketch artist Pat Brato. The sketch is of Hart as the character “Nellie” in a waitress uniform, a shirt-dress that buttons up the front with an apron. The sketch features hand-written annotations in pencil reading, “Nellie #1, SODA FOUNTAIN, DANNY SINGS, in work.” At the bottom right corner are illegible initials.Nellie is seen wearing her waitress uniform when Danny Fisher (Elvis) sings "Lover Doll" at a five-and-dime store, a ploy to distract shop clerks while two men swipe merchandise. Nellie (Dolores Hart) is aware of the scheme; Danny ends the song by the soda fountain counter where Nellie confronts him, asking if he was in on the ordeal. They begin to flirt with each other as she gets him a root beer and he asks her when she gets off work.SKETCH 14.5 X 23 INCHESMOUNT 19.5 X 31 INCHES
Lot 1030
A fully beaded-ivory-cocktail-length-dress worn by Jamie Lee Curtis at the 55th Academy Awards ceremony (ABC, 1983).Hollywood glamour defines this garment, composed of an ivory chiffon, fully embellished with pearlized-glass-bugle-beads, which catch and glisten in the light. The dress is cut on the bias; the dolman sleeves create a loose bodice (34" inch bust); the waistline (24.5" inches) is gathered and cinched; and the skirt is open and hits below the knee. The garment construction features center seams at the front and back of the bodice. The beading is sewn on the diagonal, creating a subtle chevron pattern on the bodice. Two darts extend from the waist to the bust, which creates a defined V-shape, creating a diamond shape that extends the length of the bodice. The fabric looks like it was cut with a pattern then beaded and assembled. Only the skirt is handsewn and lined with blush-colored acetate at the internal waistline. A Petersham is tacked at the waistband to help shape the garment due to the weight of the embellishment. There is no label or size marker present. The dress was worn by Jamie Lee Curtis to the 55th Academy Awards. She presented the Oscar for Best Sound Effects Editing alongside Carl Weathers. Weathers, who presented with Curtis, commented on how lovely her dress was before presenting the award. Marlene Dietrich originally owned the gown and wore a similar version in the 1942 film The Lady Is Willing (Columbia Pictures, 1942), Dietrich's gowns were designed by Irene Lantz, whose clothing line was featured in premier retailers and department stores. PROVENANCE Lot 8 "Unforgettable: Fashion of the Oscars," Christie's Auction House (Sale #9074) March 19, 1999.
Lot 1031
A romantic haute couture Christian Lacroix gown worn by Kristin Scott Thomas at the 69th Annual Academy Awards (ABC, 1997).A full-length black gown designed by French couturier Christian Lacroix. This gown is black with a sheer silk bodice and a full-layered skirt. Designed with dramatic proportions, the collar/neckline goes off-the-shoulder and is structured with wire, pleated, and gathered. Black silk-linen-scrim-organza sewn at the collar and neckline then travels down the bodice and snaps at the left hip becoming a sash that trails past the hem. The neckline has a deep cut with wire structuring the cups of the bust, the silk is sheer but there are limestone chiffon crepe pads that line the cups. The sheer light-weight silk continues into the bodice with a Basque waist, the sheer fitted long-sleeves and tight bodice create a sensual nature to the dress. The defined structure contrasts against the volume at the collar and full skirt. The gown's opening and closure are at the front with an internal zipper that goes up to the waist with fabric-covered buttons that travel from the hips to the waist, and hook-and-eyes continue to bust. The design details continue into the multi-layer-full-skirt composed of a dupioni shantung fabric that leaves a partial opening at the back to reveal a black underskirt with pleated silk. There is a bustle design with pleated nylon tulle that goes to the hem. There is a dragonfly-metal brooch above the left hip with pink and rhinestones (the pin backing came unglued so wire has been used to secure the pin). There is no size label present, just the designer label, "Christian Lacroix Haute Couture."Kristin Scott Thomas was seen wearing this gown while attending the 69th Academy Awards, nominated for Best Actress in a Leading Role nominee for The English Patient. Ralph Fiennes and Thomas are star-crossed-lovers of the World War II epic, the film went on to win 9 Academy Awards, including Best Picture.The gown worn for the event was a part of Christian Lacroix's Spring/Summer 1997 haute couture show. Christian Lacroix's couture label started in 1987 and showed collections until 2009, his pieces are known for their elaborate, bold patterns and bright colors.PROVENANCE Lot 40 "Unforgettable: Fashion of the Oscars," Christie's Auction House (Sale #9074) March 19, 1999.
Lot 1058
A black dress coat as seen worn by Glenn Ford as "Yancey 'Cimarron' Cravat" in the drama/western Cimarron (MGM, 1960). The black, single-vent, wool-blend coat features two front pockets, a single breast pocket, a single interior pocket, and textured collar trim. A Metro-Goldwyn-Mayer label is present with faded, illegible writing. No size present. Cimarron follows the Cravats along with their friends and family as they navigate the The Oklahoma Land Run of 1889.Includes a color photograph featuring Ford wearing the coat. Photo, 8 x 10 inches
Lot 113
An original costume ensemble as seen worn by a background actor portraying a citizen in the background during the climax of the film Logan's Run (Metro-Goldwyn-Mayer, 1976). This ensemble includes an orange colored satin mini-dress with a matching orange colored belt. Also included is a gold-tone spiraling arm bracelet. Size labels are not present. Based on the 1967 novel by William F. Nolan, the film depicts a dystopian future society in which all citizens are killed when they reach the age of 30, with "Sandman" agents responsible for hunting down and terminating "runners" (those who attempt to escape their mandated deaths). In the film, Sandman "Logan 5" (York) abandons his duties to seek out a mythic place called the Sanctuary.Citizens can be seen wearing garments of this type at the end of the film, when the walled city is being destroyed. They flee chaotically from the city, descending the steps down to encounter the "Old Man" (Peter Ustinov), the first person over 30 any of them has ever seen.PROVENANCE Partial Lot 276, "Hollywood Auction 17," Profiles in History, December 12, 2003
Lot 138
An Azzedine Alaia dress as seen worn by Rosie Huntington-Whiteley as "Carly Witwicky" in the action and adventure Transformers: Dark of the Moon (Paramount, 2011). The cream, body-con, sleeveless dress features a tulip-style silhouette and front zipper. Labeled "Alaia." Together with three costume tags.Transformers: Dark of the Moon, the third film in the franchise, follows the Autobots and Decepticons and their race to reach a Cybertronian spacecraft full of secret information hidden on the moon.Size 36
Lot 1417
A costume design by Edith Head for Audrey Hepburn as Holly Golightly in Breakfast at Tiffany's (Paramount 1961). A mixed medium costume design for Audrey Hepburn by Edith Head. The sketch features a full-length Audrey-like figure in a light pink full-length gown with a full skirt and fitted bodice, similar in likeness to the cocktail dress Audrey wears in the film. The figure wears a tiara, earrings, and elbow-length gloves, and holds a cover-up in her right hand. The dress is drawn with glittering surface embellishment on the bodice and skirt; however, this design differs from the scoop neckline and calf-length hemline worn in the film. Edith's design is a sophisticated evening gown, featuring a bateau neckline with an ankle-length hem. The sketch is signed by Edith Head at the bottom left corner. Audrey wears a pink dress upon returning from an evening with José, soon to find out her brother Fred is dead and going into a traumatic physical fit of grief. The bright color and embellished design was a contrast to her character’s previous outfits of understated elegance.This sketch was likely a conceptual sketch for Audrey as Holly Golightly, the dress in the film is cocktail length and designed by French couturier Hubert de Givenchy. Breakfast at Tiffany’s was a film that defined Audrey’s timeless style and the refined elegance that was Givenchy’s signature. The pink dress showcases architectural construction with a fitted princess-seamed bodice and a gathered skirt that is as buoyant as Audrey’s charming smile. The facet foil back crystals, the guipure fan tassels, and the vibrant pink add up to a defining moment in fashion where women were feminine, sleek, distinct, and articulate in how they dressed.The design worn in the film was a part of Givenchy’s 1960 fall show with well-known clientele Lee Radziwill and model Capucine wearing the embellished design in black. Audrey asked if the design could be made in pink specifically for the film, only two of these pink design confections were made. A rare design that showcases the artistry of French haute couture and the beautiful Audrey Hepburn as Holly Golightly. Audrey’s Givenchy wardrobes while they evolved in each film collaboration have become a timeless reference to elegance and glamour in both film and fashion. This lot comes with a DVD/Blu-Ray of the film.
Lot 342
A dress as seen worn by Emily Bergl as "Rachel Lang" in the thriller The Rage: Carrie 2 (United Artists, 1999).The light blue, cotton-blend dress features a periwinkle floral embroidered design on the bottom front portion of the dress, a back zipper, and a blue slip lining. No size or label present. The Rage: Carrie 2, the sequel to the 1976 film starring Sissy Spacek, follows Rachel Lang, the half-sister of telekinetic (and now deceased) Carrie White, who after learning she has the same gift as Carrie, suffers a similar fate when learning her best friend's suicide was caused by their popular classmates. Bergl as Rachel wears the dress while on a date with popular jock, Jesse Ryan (Jason London). This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 347
A pair of dresses as seen worn by Rachel Blanchard as "Monica Jones" in the thriller The Rage: Carrie 2 (United Artists, 1999).The identical short-sleeved rayon dresses feature a blue gradient design and v-necklines. One is fire-proofed and labeled "Guess Collection," size M, the other has fake blood spatters throughout and is unlabeled. The Rage: Carrie 2, the sequel to the 1976 film starring Sissy Spacek, follows Rachel Lang, the half-sister of telekinetic (and now deceased) Carrie White, who after learning she has the same gift as Carrie, suffers a similar fate when learning her best friend's suicide was caused by their popular classmates. Blanchard as Monica wears the dress to the ill-fated high school party.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 349
A hero costume as seen worn by Milla Jovovich in the role of "Alice" in the Resident Evil (Constantin Film, 2002).The costume consists of: a bias-cut poly-satin red slip dress with spaghetti straps, side zipper, and asymmetrical hem; burgundy Spandex shorts; and a pair of black leather knee-high boots with flat soles. No sizes or labels present. Each boot has "Alice / #1" written on the inside in marker (with traces of fake blood).In the film, Alice awakens naked in the shower with no memory of who or where she is. She finds the dress and puts it on, wearing it for the film's duration. Costume Designer Esther Walz says of the iconic ensemble in New York Post: “I had a strong vision of what I wanted Alice to wear, so I drew it. She’s lost her memory, but we get the feeling that this dress had been laid out to go to dinner and then she passed out and then whatever happened in that facility happened, and she wakes up and finds this evening dress on the bed. At the time I was really obsessed with Galliano, and I was wearing a lot of Galliano, and I loved how he was using chiffon and how girly his things looked. I was also thinking of Asian films, where women would wear these flowy dresses but still fought. So it was the idea of an evening gown that was also kind of a battle suit. The asymmetry came from the fact that it needed to be open so she could fight, and would be able to move around.”Includes a DVD of the film.
Lot 492
A suit ensemble as seen worn by Dominic Chianese as "Junior Soprano" in the Emmy Award-winning television series The Sopranos (Chase Films, 1997-2007). The navy blue, pinstripe suit features a double vent suit jacket with white basting stitches present and shoulder pads, label reads "Made in England," size 42L; a pair of matching dress pants, no label present, size W 36" L 37"; a 100% cotton, blue and white-striped button-down shirt with a white collar and sleeve cuffs, labeled "Peterborough Row," with "Uncle Junior" handwritten in black ink on the label, size 16; and a 100% silk, blue, maroon, gold, black, and grey colored tie with a printed Italian-style graphic throughout, labeled "Sherry Wolf," no size present.The suit is featured in Episode 6 of Season 1 titled "Pax Soprana," in the scene where Uncle Junior is getting fitted.
Lot 501
A white dress shirt as seen worn by Richard Gere as "Jack Moore" in the crime/thriller Red Corner (MGM, 1997). Together with costume tags. The white, 100% cotton button-down features a left breast pocket. Labeled, "Boss - Hugo Boss." No size present. The costume tags detail production, name, character, scene no., and change no. Throughout the entirety of the film, Gere as Jack wears various white button-downs. Includes an original photograph of Gere wearing the shirt, with "Chg 13, Sc. 119, Jack" handwritten on the front in black marker, and "Shirt open, button at neck, Jacket Open," handwritten on the back. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 504
An creame cotton men's dress shirt as seen worn by James Caan, playing "Philip Marlowe" in the television movie Poodle Springs (HBO, 1998).A basket weave creame cotton men's dress-shit, button-up front with single button cuffs. The shirt has fake blood stains on the collar, front, and cuffs of the shirt. There is a label at the interior of the collar reading, "Venice Custom Shirts, Sept. 97."This lot comes with two-wardrobe tags documenting the film, scene, and actor from the film.
Lot 507
An outfit as seen worn by James Caan as "Joe Sarno" in the crime/thriller The Way of the Gun (Artisan Entertainment, 2000). Together with two costume tags. The outfit includes a cream, cotton-blend, collared short-sleeved shirt with wide ribbing and a left breast pocket, labeled, "Cotton Mist," size L; and a pair of brown wool-blend dress pants, labeled "Haggar Black Label," size 34 x 32. Caan as Joe wears the outfit while trying to coordinate the rescue of money launderer Hale Chidduck's surrogate, Robin (Juliette Lewis).This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 521
An original costume ensemble as seen worn by Bob Odenkirk as "Jimmy McGill / Saul Goodman" in the fifth season, episode 1, "Magic Man," of the crime drama television series Better Call Saul (AMC, 2015-22).The ensemble consists of a long sleeve baby blue dress shirt labeled "Anto / B O / Nov 2017," the size label is not present; a two-piece dark gray suit; the jacket has a notched lapel and two-button closure, four, non-functional, buttons sewn on each cuff, padded shoulders, with one welted front pocket, a solitary exterior left breast pocket, and two interior breast pockets; on the right interior of the jacket is labeled di Stefano and on the left interior of the jacket reads "Bob Odenkirk" in personalized stitching, size labels are not present; and a gray tie with blue/white diagonal stripes labeled, "Briony." Together with a costume tag used by the Production Wardrobe Department during filming.This iconic costume as seen worn by Odenkirk as "Jimmy McGill / Saul Goodman" during a scene in the corridors / Bars office in the State Bar building when Jimmy changes his name to Saul Goodman. Later in the episode, the costume is as seen worn by Odenkirk during the scene with Rhea Seehorn as "Kim Wexler" at Kim's condo.
Lot 522
A costume ensemble as seen worn by Patrick Fabian as "Howard Hamlin" in the crime drama television series Better Call Saul (AMC, 2015-22).The ensemble consists of a cotton lavender long-sleeve dress shirt with white French cuffs and collar labeled "di Stefano," Size L; a two-piece navy wool suit with white pinstripes; the jacket has a notched lapel and two-button closure, four, non-functional, buttons sewn on each cuff, padded shoulders, with two welted front pockets, a solitary exterior left breast pocket, and two interior breast pockets; the right interior of the jacket has labels that reads, "di Stefano," and "Patrick Fabian;" the left interior of the jacket has labels that reads "Vitale Barberis Canonico," and "Ariston;" the interior of the pants has a label that reads, "Patrick Fabian;" a navy tie with a label that reads, "Otaa;" a pair of navy suspenders with red darts, a brown leather triangle at back; a set of gold-toned cuff links with knots on the ends and a straight tie bar with screw on balls on the ends, and a lavender handkerchief. Together with a costume tag used by the Production Wardrobe Department during filming.
Lot 543
From the private collection of the recently deceased John Fabb of A.R. Fabb, a maker and supplier of military and sci-fi costume patches and crests for the film industry. Over the course of his career, John worked closely with John Mollo, known for his award-winning costume work for the Star Wars film series, Berman and Nathans, and costume designers from films such as Alien (20th Century Fox, 1979) and Superman (Dovemead Ltd., 1978).An original John Mollo costume sketch print related to Stanley Kubrick's war/adventure film Barry Lyndon (Warner Bros.,1975) starring Ryan O'Neal and Marisa Berenson. The sketch depitcs a Prussian Infantry Officer, c. 1750, with various costume notes such as "white gaiters for dress. black for service" and "silver embroidery and loose tassels." 12.75 x 17.5 inches
Lot 548
A dress waistcoat as seen worn by Susannah York as Mrs. Marjorie Scarlett in Conduct Unbecoming (Lion International, 1975).This iridescent dupioni silk waistcoat has a satin taffeta lining and collar with damage to the back collar neck, a double-breasted hook-and-eye closure and interior snap-button closure, and a pintuck pleat at the back, labeled "Bermans & Nathans" with a "Susannah York Conduct Unbecoming 8255" stamp, no size is present.Conduct Unbecoming is a period drama adapted from a play of the same name. The film is set in the barracks of a British Indian Army when the widow of a fallen soldier accuses a newly arrived lieutenant of assaulting her.
Lot 553
A 3-piece set as seen worn by Robert Hardy as Winston Churchill in War and Remembrance (Dan Curtis Productions, 1988).This lot includes a felt fedora with grosgrain band labeled "Scotts," with a handwritten "CBC Beaverbrook" on the leather lining, and handwritten C.B.C on a sticker label; a 100% cotton button-up poplin shirt with a chest patch pocket, button cuffs, and shirttail hem, labeled "Jonelle Care Free Cotton," no size present (please note there is staining to the back neck collar); adjustable suspenders with belt attachments; a navy blue and white polka dot bowtie with back hook closure; a button-up suiting vest with four front welt pockets, labeled "Angels," with hand-written "Robert Hardy June 1989" text on the maker's label; a button-up suiting blazer with a chest welt pocket, two waist flap pockets, lightly padded shoulders, button cuffs, tonal satin-blend lining with a welt pocket, and multi-colored striped sleeve lining, no label or size present; a beige cotton-blend "fat suit" with velcro closures labeled "Brettles," and "Angles," with a handwritten "Mr. Robert Hardy" handwritten on the costumiers label; grey, black, and white striped pants with a zip fly and hook and bar closure, decorative buttons on the waist, and a back welt pocket, labeled "Angels," with "Mr. Robert Hardy," handwritten on the maker's label, no size present; and lace-up black leather dress shoes, labeled "Executives," size 8.War and Remembrance is a television mini-series based on the novel of the same name. The series follows a family between America's entrance into World War II and the day after the disaster at Pearl Harbor.
Lot 566
A pair of dress pants as seen worn by James Earl Jones as "Raymond 'Ray' Lee Murdoch" in the comedy/drama A Family Thing (United Artists, 1996). The navy blue, polyester-blend field trousers feature two side and two back pockets. Labeled "Fechheimer" and includes a "Chicago Police Dept" label in the back pocket. Size 48R. A Family Thing follows Earl Pitcher Jr., who, when his mother gives a deathbed confession that his biological mother died while giving birth to him, must travel and make peace with his other family. Jones as Ray wears the pants with the rest of his Chicago city Police uniform. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 570
A pink sequined dress as seen worn by Madchen Amick as "Annie O'Keefe" in the thriller Heartless (AMCO Entertainment Group, 1997). The baby pink spandex-blend maxi gown features matching sequins attached to the fabric throughout, with a halter neck, low cut back, and additional back straps. No size or label present.In the film, Amick as Annie wears the gown while attending the Annual Gala Charity Ball & Wine Taster. Heartless follows a young woman who, after undergoing a heart transplant, begins to take on the personality of her donor. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 572
A collection of costumes as seen worn by Kristin Scott Thomas as Mary Panton in Up at the Villa (October Films, 2000).This lot includes a front button knit sweater with side slip pockets and a detachable waist tie, no label or size present; red and beige striped trousers with a front zipper and hook-and-eye closure; a beige crepe-satin dress with a plunging neckline, crossover back straps, and back velcro closure (please note there is heavy makeup staining throughout); two matching linen dresses with floral contrast trim, breast patch pockets, skirt pleating, a partial button front, and detachable waist belt (please note one of the dresses is missing front buttons), no label is present; two organdy and iridescent satin halterneck dresses with an open back, back snap button closure, faux front button closure, asymmetrical tiered skirt and one matching embroidered satin jacket (includes an alternative halter top with velcro back); and a button front linen skirt set with a sleeveless collared blouse with wooden rabbit buttons, a matching dickey, and an open front cropped jacket with faux pockets and contrast trim labeled "Jane Law," no other labels or sizes present. Up at the Villa is a romantic drama based on a novel of the same name. The film follows an English widow on her vacation in Italy and the unexpected obstacles she must overcome.
Lot 597
A set of costumes as seen worn by Greta Scacchi as Mary Duvan in Beyond the Sea (Lions Gate Films, 2004).This lot includes a fully lined cream and blue dress with back zipper closure and pleated waist labeled "Angels" with hand-written "Beyond the Sea Mary Duvan" on the maker's label; a pale blue overcoat with an open front, darted back collar, lining that matches the accompanying dress, and a bow and pleating at the back, labeled "Angels" with a hand-written "Beyond the Sea Mary Duvan" on the maker's label; a beige suiting dress with a surplice front, pleated floral sash detail, asymmetric neckline, and hidden back zip closure, labeled "Angels" with hand-written "Beyond the Sea Greta Scacchi" on the maker's label; a patent croc-embossed purse with snap-top closure and two interior pockets, not labeled; and a pair of suede almond toe heels with a leather lining and sole, size 42.Beyond the Sea is a biographical musical drama based on Bobby Darin's life.
Lot 663
A custom-made ensemble as seen worn by Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The ensemble includes a striped cotton dress shirt; a taupe and ivory lightweight blazer with intentional soiling; a pair of light brown cotton trousers; a black satin hand painted tie with a nude female figure that reads “The Road to Ruin.” The dress shirt has an Eiffel Pierre labeled with client number “21903.” The trousers have an Eiffel Pierre label present. The ensemble comes together with a wardrobe bag with a label inscribed “Wasey:- 6 beige striped jackets 1st outfits.” Costume design by Judy Moorcroft.Includes a screen still photograph from the film.The Proceeds From This Lot Benefits The Material World Foundation.PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 664
A custom-made ensemble as seen worn by Sean Penn as "Glendon Wasey" in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The ensemble includes a striped cotton dress shirt; a taupe and ivory lightweight blazer with faint intentional soiling; a pair of light brown silk/ cotton blend trousers; a black satin hand painted tie with a nude female figure that reads “The Road to Ruin.” The tie is housed in a bag with a handwritten label that reads, “Wasey:-6 black “Road to Ruin” ties 1st outfit.” No labels present. Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation.PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 668
A white cotton dress from the wardrobe of Madonna for the production of Shanghai Surprise (HandMade Films, 1986). Madonna wears this style of dress in the film. The film starred then newlyweds Madonna and Sean Penn.The dress has hand painted details to the front and back. This dress does not have silk lining or frog closures. No labels present. It comes together with a wardrobe bag with a label inscribed “Madonna- 3x white cotton Chong Sams “Shanghai Public Baths.” Costume design by Judy Moorcroft.Includes a German publicity image.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 672
A custom-made, two-piece printed silk ensemble as seen worn by Madonna as Gloria Tatlock in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Sean Penn.The ivory and navy ensemble consists of a silk-lined jacket and a dress with fitted bodice with a belt and skirt with box pleats to the hem. The jacket has a Barbara Matera Ltd. New York label present that is typed “Madonna.” The dress has a Barbara Matera Ltd. New York label present that is faintly typed “Madonna.” Costume design by Judy Moorcroft.Includes a framed black and white scene still and a small black and white scene still.The Proceeds From This Lot Benefits The Material World Foundation. 17.25 x 21 inches (framed)PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 674
A pair of black and white leather dress shoes as seen worn by Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The interiors of the shoes read “The handcrafted world of Allen Edmonds." Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation. Size 9 1/2PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 686
A navy-blue cotton dress shirt, tan linen trousers and printed silk tie as seen worn by of Sean Penn as Glendon Wasey for Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Sean Penn.The shirt has a label that reads “Sy Mondaschein Selective Shirts.” The trousers have a weighted hem and no labels present. The silk tie has a fabric tag inscribed “2” and is in a bag with a label that reads, ”Wasey- Torn ties Opium Hong.” Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 690
A cotton dress shirt and pair of linen trousers from the wardrobe of Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The deep turquoise cotton shirt has no label present and the tan linen trousers with weighted hem have no label present. Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 691
A pair of cotton dress shirts from the wardrobe of Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The first is a striped shirt labeled “Sy Mondaschein Selective Shirts.” The second is deep turquoise with no labels present. One of the shirts is inscribed “2.” Costume design by Judy Moorcroft.The shirts were not seen in the final cut of the film.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 697
A four-piece ensemble as seen worn by Sean Penn as "Glendon Wasey" in Shanghai Surprise (HandMade Films, 1986), together with a production note to cast and crew dated 21 March 1986 regarding a change in the production schedule. The film starred then newlyweds Madonna and Penn.The ensemble includes a custom-made striped blazer with belted back in natural tones, no label present; a black dress shirt labeled “Sy Mondaschein Selective Shirts”; a pair of ivory raw silk trousers with a Barbara Matera label typed “Mr. Penn” and an ivory silk tie. Costume design by Judy Moorcroft.Includes a screen still from the film.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 699
A four-piece ensemble as seen worn by Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The ensemble includes a custom-made striped blazer in natural tones with a belted back, no label present; a black dress shirt labeled “Sy Mondaschein Selective Shirts”; a pair of ivory raw silk trousers with a Barbara Matera label typed “Mr. Penn” and an ivory silk tie. Together with a wardrobe bag with a label inscribed “Wasey:- 4 Beige striped belted back jackets.” Costume design by Judy Moorcroft.Includes a scene still image from the film.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 703
A cocktail dress as seen worn by Barbara Hershey as "Duchess Lucinda" in the comedy Splitting Heirs (Prominent Features, 1993). An emerald green, fitted mini cocktail dress with chiffon/mesh, leaf-shaped panels along the trim features an off-the-shoulder neckline and back zipper. Angels Costumiers costume tag is present and reads "840, 1992." No size present. Together with a costume tag. Splitting Heirs follows the son of a recently deceased duke and a man claiming to be his long-lost son as they fight for the inheritance.
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