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Lot 249
* Embroidery. A large fragment of a wedding dress, 1782, metalwork and silk embroidery on a cream silk ground, depicting a large central fleuron with scrolling flower and leaf stems emanating from either side, including roses, tulips, and carnations, with matching bodice bows and part of stomacher panel neatly stitch-mounted upper left and right respectively, pattern hand-worked in gold metal thread and silks in predominantly red, blue, green, yellow, pink, and cream, using long and short stitch, couching, stem stitch, and latticework, silk ground partially stained and perished in places, but stitching intact and colours largely strong, hand-stitched to a linen backing, typed label upper right 'This was worked for the front of a wedding dress in the year 1782', above a calligraphic black ink label 'presented by - Mrs. Wright.', 52 x 104cm, framed and glazed, 58 x 109.5cmQty: (1)
Lot 258
* Indian. A large printed textile panel, early-mid 20th century, cotton panel, block-printed in pinks, greens, and purple, on a cream ground, depicting 2 male and 2 female figures wearing elaborate ceremonial dress, including ornate hats and jewellery, with border either side of figures and birds, 85.5 x 123.5cm, framed and glazed, 89.3 x 126.6cmQty: (1)
Lot 280
* Spitalfields. A pair of silk brocade panels, circa 1750s, 2 lengths of figured cream silk, woven with a large pattern of a flower-filled oyster shell, over-flowing with blooms including tulips, from which emanates floral sprays, in shades of pink, green, blue, yellow, and brown, selvedges to sides, lower edges with hand-stitched hem, upper edges with remains of stitching, occasional small pale brown marks, one panel with 2 or 3 tiny holes, the other with 3.5cm closed tear in top edge, but fabric robust and colours bright, 89 x 53cm and 92 x 53cmQty: (2)NOTESA pair of panels of Spitalfields silk in very good condition, taken from an early court dress. The large botanical pattern is typical of the work of renowned designer Anna Maria Garthwaite, and it is not unlikely that these pieces were designed by her.
Lot 287
* Children's clothes. A boy's mourning dress, circa 1840, hand-stitched figured black velvet with large floral pattern, some of the pattern picked out in purple thread hand-worked in satin stitch, stem stitch, and french knots, fitted bodice with round neck and short sleeves, lined with linen, rear opening with metal hook and stitched eyelet closures, full gathered skirt padded and lined with hand-quilted black cotton fabric, side pocket (inserted later), wide flounced lace frill to inside hem, some marks and wear, including some tears and period darns, chest 53cm (21ins), sleeves 8cm (3.25ins), length 48cm (19ins), together with 6 items of Victorian/Edwardian boys' clothing, comprising: a hand-stitched cream coat with asymmetrical button fastening, lappet-hem, and velvet collar, cuffs, pocket flaps, and half-belt, some marks, lacking button fastenings and trims (those to front opening replaced); a hand-stitched padded cream twill coat trimmed with braid and matching covered buttons, and embroidered to collar and cuffs, some marks and small holes; a cream silk waistcoat trimmed with cord, probably for a wedding, lightly spotted, lacking a button; a grey wool sailor suit jacket, with wooden whistle and metal ship and anchor pendant on plaited cord, some light spotting and small holes; a hand-stitched lined white cotton coat with pointed collar; and an unlined white cotton twill coat with collar and cuffs edged with buttonhole stitch, a few marks (mostly to front), various sizesQty: (7)
Lot 288
* Children's clothes. A christening cape, late Victorian or Edwardian, hand-stitched fine cream wool cape, two-layered and with a collar, all edges hand-embroidered with flower, berry, and leaf sprays, worked in cream silk thread in satin and stem stitch and french knots, and scalloped with fringed edging, some scattered small holes (with slight loss of threadwork on collar), lined with cream satin and ivory glazed linen, lining spotted and with a water-stain, together with: A child's bonnet, circa 1910, hand-stitched and machine-stitched cream silk faille, crown with rose spray within a circle of dots embroidered in pale gold silk thread, front with double band of ruching, and large cream satin rosette, brim trimmed with pleated cream satin ribbon, lower edge with cream knotted fringe, lined with silk, and with satin ties, some scattered very small holes and marks, 22cm (including fringe) x 14.5cm, An infant's dress with Irish crochet, circa 1920, hand-stitched white fine cotton lawn baby dress, with puffed sleeves, and tucks and inserts of handmade Irish crochet lace, 4 tiny buttons at rear, without the inserted ribbon at waist, and 10 other items similar, comprising: a fine cotton lawn sleeveless baby dress or petticoat with Irish crochet insertions, a few small holes and marks; 4 pairs of white cotton bloomers and 2 white cotton buttoned combination vests; 2 late 18th or early 19th century fine lawn infants' shirts; and a hand-stitched white cotton bib embroidered with lily-of-the-valley flowers, accompanied by a bookmark with hand-drawn posy and inscription in a calligraphic hand in blue ink 'The bib has a design of lilies in compliment to the baby's grandmother', plus a child's white sunhatQty: (14)
Lot 296
* Clothing. A lady's bustle bodice, Paris: Emile Pingat, circa 1880s, fine grey-blue wool fitted and boned bodice, with long sleeves (near side of right sleeve marked), v-shaped waist at front, and pleated peplum at rear, matching velvet standing collar and edging to front opening and cuffs, collar becoming detached in 2 places, 14 (of 15) embroidered buttons, black soutache braid embroidery down either side of front, to lower hem, peplum, and cuffs, cream silk twill lining, beginning to perish at neck, moiré grosgrain inner belt lettered in gold 'E. Pingat, 30.Rue-Louis-Le-Grand, Paris.30', bust 76cm (30ins), waist 58cm (23ins), sleeves 52cm (20.5ins), length of front 55.5cm (21.75ins), length of back (including peplum) 64.5cm (25.5ins), together with 4 other items of clothing, comprising a beaded bodice similar (some overall spotting and marks), a large unstructured coat, fabricated early 20th century from a circa 1850s shawl, with corduroy shawl collar, some holes, tears, and fraying, a 1920s cream silk wedding dress with lace inserts and pearls to neckline (occasional marks), and a large and heavy theatrical coat of red velvet, embellished with white metal studs and roundels (some missing), circa 1900, printed label 'Prince' at nape, and woven label 'The Henderson Ames Co Kalamazoo, Mich. Military and Society Goods', worn in placesQty: (5)NOTESEsteemed dressmaker and designer Emile Pingat (circa 1820-1901) was among the elite Paris couturiers of his age. Pingat was known for a combination of expensive materials and superb craftsmanship, producing elegant garments for the wealthy ladies of high society; the quality of his carefully finished artistic productions made him one of the top three French fashion designers during the second half of the 19th century. Examples of his clothing can be found in major institutions such as the V&A, The Met, and the Museum of Fine Arts, Boston.
Lot 297
* Clothing. A collection of Victorian mourning capes and coats, 8 women's black mourning garments, comprising 5 capes: 2 with jet beading, 1 with appliquéd decoration and ostrich feather trim, 1 of figured satin with cutwork shoulder flaps, and the other of lace over green satin lining, and 3 coats: a knee-length coat with appliquéd decoration to shoulders and sleeves, with woven label 'Costello, Ladies' Tailor' [Hull], a velvet bolero with cutwork collar, ownership woven hanging loop label at nape 'Mrs Melbourne, 71 Boar Lane, Leeds', and a jacket with lace and cutwork insertions, various sizes and all with varying degrees of wear, together with: 2 beaded flapper dresses, 1920s, 1 oyster pink, the other black with tasselled skirt, both in need of repair; a cream satin handmade wedding dress, circa 1940s, neckline embellished with pearls and bugle beads, v-waist and gathered skirt with short train, long sleeves with pointed cuff fastened with 8 small mother of pearl buttons, metal zip closure to rear (broken), some faint spotting and light soiling, a few tiny holes in train, bust 74cm (29ins), waist 60cm (23.5ins), sleeves 60cm (23.5ins), length at front 139cm (55ins) and at back 172cm (68ins), with accompanying long-tailed satin bow, full-length underslip, and net tiara edged with pearls and bugle beads; and a small child's green hand-smocked frock with puffed sleeves and peter pan collarQty: (12)
Lot 298
* Infants' clothing. A collection of Victorian christening gowns and other baby garments, comprising: 4 whitework christening gowns, variously intricately worked with embroidery, lace inserts, pintucks, broderie anglais etc.; a whitework dress; 3 long white cotton night dresses; a long white cotton night dress or petticoat; a short white cotton petticoat; and 3 pairs of drawers with buttonholes on waist band, various sizes, all in good conditionQty: (13)
Lot 643
A pair of continental porcelain figures, of a man and a woman in period dress, the man holding a posy of flowers, cross swords mark, height 8.5ins, together with another Continental figure of a couple with the man tying the ladies ice-skating boots, cross swords mark, height 5.5ins - The man - chip to underside of base, sword is broken and piece missing, chips to flowers and cracks to one wrist, chip to corner of coat, woman - broken and glued through neck and waist, fingers on both hands missing, fan broken, Ice skating - laces missing to both skates
Lot 1656
A PAIR OF BLACK ONYX AND GOLD CUFFLINKS each link formed with an oval section of black onyx backed in yellow gold, together with a carnelian and 9ct gold signet ring, size K 1/2, a boxed set of three gold and pearl dress studs, two 15ct gold and pearl set tie pins and a 9ct gold medallion for the Motor Cycling Club, dated 1920, 12.7 grams
Lot 1
A vintage 18ct yellow gold topaz and diamond oval cluster dress ring. Set with an oval mixed cut topaz in an open back claw setting with an approximate carat weight of 3.23 carats, surrounded by sixteen round cut diamonds in open back claw settings with a combined approximate weight of 1.76 carats, with tapered bi-split shoulders with cheniers. Stamped 18ct. Ring size N. With black leather box. Open 7 days for viewing 10am to 6pm.
Lot 6
An early 18th century Japanese netsuke from Edo period. Not signed. In carved ivory portraying a Sennin sat on a rock and touching one of his ears while raising his dress, 43,7x39,5x25,9 mm. 28,76 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa", Barcelona: 1998. Page 34. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.
Lot 155
Bernard Meninsky (British, 1891-1950)Portrait of Anna Marks signed 'Meninsky' (lower right)oil on canvas35.5 x 46cm (14 x 18 1/8in).Footnotes:ProvenanceCommissioned directly from the Artist byHerbert H. Marks, the sitter's father, and thence by descent toAnna Marks, by whom bequeathed to the present ownerPrivate Collection, U.K.ExhibitedLondon, The Arts Council of Great Britain, Bernard Meninsky Memorial Exhibition, 1951, no. 13The present lot depicts Anna Marks, daughter of poet, artist and writer Ida Affleck Graves (1902-1999). Associated with the Bloomsbury Group, Ida's first poetry collection The China Cupboard and Other Poems, was published by Leonard and Virginia Woolf's Hogarth Press. Anna Marks is shown wearing a red dress, made by her mother Ida.For further information on this lot please visit Bonhams.com
Lot 3
An opal and diamond dress ring, set with an oval opal approximately 14mm x 10mm surrounded by twenty round brilliant cut diamonds to a white metal cage setting and 18ct yellow gold shank, approximately 7 grams CONDITION REPORT: The opal has a small hairline crack, surface scratches, in worn condition, surface scratches to the shank and setting of the ring
Lot 12
Professional theatrical costumes comprising a cream silk and heavily beaded dress in the style of Marie Antoinette and a silk, brocade and sequinned gents costume in the style of Louis XVI(Provenance: From the Estate of the theatrical Thorndike family, daughter of Sybil, from her collection of period theatrical costumes)Location: Rail
Lot 17
A collection of professional theatrical costumes to include from The National Theatre, comprising a 19th century style ladies cream silk, satin and brocade top outer section of a ladies costume (skirt deficient) and an early 20th century style ladies lilac and grey evening dress A/F, with large bow to the rear, together with an Antoinette Gregory theatrical ladies costume in the Medieval style having a cream skirt and a brocade bodice with metallic thread detail. There are sections of these costumes that are late 19th/early 20th century with later adaptions for theatrical use over the 20th centuryProvenance: From the Estate of the theatrical Thorndike family, daughter of Sybil, from her collection of period theatrical costumesCondition: The grey and lilac dress requires considerable attention especially around the neckline-see additional photosLocation: Rail
Lot 26
Theatrical clothing to include a dress in the style of an Edwardian full length dress in cream and turquoise, with lace bodice and sleeves having a pearl waistband, together with an early 20th century sleeveless evening dress in cream with gold coloured metallic thread and cream coloured beaded detail and another sleeveless evening dress in green. Provenance: From the Estate of the theatrical Thorndike family, daughter of Sybil, from her collection of period theatrical costumesLocation: Rail
Lot 36
The contents of a dressing up box to include a ladies' velvet evening dress A/F, size 38 chest, a large paisley throw/tablecloth with tasselled ends and another in black and white, mixed gloves to include a pair of black Salvatore Ferragamo gloves, vintage evening bags, an early 20th Century silk tunic style top, a sequinned bolero evening jacket, a fox stole, a hat, an outer garment possibly of a flapper dress with dropped waist, sheer lilac panel and applique effect bodice, a pair of brown Victorian dress sleeves and mixed scarves, Condition: There is a tear near one of the sleeves of the black dress-see additional photosLocation 10:3
Lot 37
A collection of vintage jewellery and watches to include an Art Deco marcasite and silver coloured cocktail watch, a Tissot ladies watch on silver coloured bracelet strap, a 1977 silver pendant marked 925, a Scottish brooch with citrine coloured stone and four silver/white metal dress rings with paste stonesLocation: Porter
Lot 39
A 1920's-1940's black sheer cocktail dress below the knee line, having intricate swirls of silver coloured beadwork amongst gold coloured and sequinned flowers with a red bordered neckline A/F, all handsewnCondition: the neckline is a later edition with amateur hand with areas of missing beadwork, no visible holes or tears, a few pulls to the thread - see photos
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228098 item(s)/page