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Click here to subscribeAssorted Circa 1950`s and 1960`s Costume including a Tricoville yellow crimplene shift dress with beaded decoration; cream cut work shift dress with faux double breasted detailing; green chiffon cocktail dress; Jaeger green wool tweed fitted jacket and skirt; cream wool double breasted jacket and skirt; two others, other dresses etc (on rail)
Circa 1940`s And Later Full Length Evening Gowns, including a black lace one shoulder dress with a fitted bodice and tiered lace skirt labelled `Distinction`; purple bias cut lace dress with short capped sleeves and pink trims; `Susan Small` black velvet long sleeved evening dress with a bead decorated bodice; gold brocade dress with a stylised loop back and beaded bodice; cream satin off the shoulder dress with bead and sequin decoration to the bodice; blue floral brocade dress with a cross over bodice, pleated waistband, labelled `Acquer Model`; red full length dress with spaghetti straps, gathered bodice top, and pair of red evening gloves (7)
Assorted 20th Century Evening Wear including a Gina Couture pink satin cocktail dress with beaded and bow detailing; modern black beaded sleeveless dress and matching belt; Marjon Couture black and red cut velvet evening dress with black spaghetti straps; yellow satin cocktail dress with bow detailing to the reverse; turquoise and cream satin cocktail dress with floral appliques (5)
Assorted Costume Including Victorian Black Wool Fitted Jacket with silk trims; silk and crepe night wear and lingerie; yellow crepe cocktail dress with white bead and sequin decoration and a similar pair of Rayne shoes in yellow; Blanes of London silk brocade evening dress with green and purple silk cummerband, other evening wear etc and a box of accessories including evening bags, costume jewellery, hats etc (on rail and one box)
Assorted 1950`s and Later Cocktail Dresses, including a brown satin strapless dress with button detailing to one side; Kitty Copeland black jersey draped dress (size 40); Strobach London black satin dress; black crepe dress with a beaded bodice; Jewsburys Ltd Manchester brown satin dress with belt; Henri black chiffon dress with a ruched neckline and satin cummerband; Cornell purple chiffon long sleeved dress (size 36) (7)
Five Circa 1950`s and Later Cocktail and Evening Dresses including a Susan Small lime green chiffon Grecian style cocktail dress with gold bead decoration to the bodice; Marjon Couture pink jersey evening dress with pearl and silver bead detailing (size 14); Susan Small strapless evening dress with blue floral lace over cream satin and a blue satin cummerband; Jean Allen green lace evening dress with green chiffon detailing under the bodice (size 16); Paul Jonas silk floral patterned cocktail dress with a brown raw silk waistband (5)
Circa 1950`s and Later Cocktail and Evening Dresses including a red short sleeved dress with stylised ribbon appliques on net over red satin; Acquer red chiffon dress with attached chiffon capelet; Cote d`amor cream, brown and silvered evening dress with ruched and rosette detailing to the back; pale blue full length jersey Grecian style dress; white silk crepe strapless tiered dress with pale pink bodice; Frank Usher strapless full length white dress with gold raffia embroidered stripes (size 38); Margaret Paynton shift dress with white and pink wool embroidered large flowers over a blue lining; Frank Usher black and white cocktail dress with net foliate appliques (size 38) (8)
Assorted Circa 1950`s and Later Dresses including Robert Dorland red crepe ruched evening dress; red silk patterned shift dress; Samuels Manchester pink coat dress with bead and sequin detailing and cut away back; Carnegie black and white shift dress; Adorn Model green chiffon dress with embroidered and sequin detailing; eau de nil lace and satin cocktail dress; Rocha Grafton Street London black sequin coat dress with cream satin collar and cuffs; Jean Allen silver satin and embroidered dress (size 38); Edith Bennett Ltd green brocade two piece suit and other items (20)
Circa 1950`s and 1960`s Evening Wear including Blanes London silver cocktail dress with diamante detailing to the bodice (size 16); gold brocade cocktail dress with button detailing to the skirt; Charmont Model black lace mounted evening dress; gold brocade and chiffon long evening dress with halter neck top (4)
19th Century And Later Costume, including a Victorian brown silk two piece comprising a fitted bodice with later trim and full skirt; cream fitted bodice with cream applique, lace cuffs and mounts, later blue trims; Edwardian white cotton cut work dress with three quarter length sleeves; cream silk two tiered day dress with attached belt, long sleeves and lace mounted collar and cuffs (4)
John Miers and Studio (18th/19th century): Portrait Silhouette of a Gentleman, wearing period costume and decorative lace collar, facing right, inscribed on the profilist`s original label for The Strand, London, black ink, possibly on plaster, oval, 8cm by 6.5cm; and Another of a Lady, wearing period dress, decorative lace hat decorated with flowers, lace collar and gold chain, black ink on paper, oval, 8cm by 6.5cm (2)
English School (19th century): Portrait Silhouette of a Young Boy, dressed in period Regency costume, half length, the wing of a country house in the distance, pen, ink and watercolour with some gilding, 8cm by 7cm; Two Further Silhouettes, one of a gentleman wearing Victorian costume, the other of a small child in period dress; and Three Further Later Silhouette Portraits, inscribed ``Portraits of J G Howsley taken by Miss Repton of Springfield, Essex etc`` with a printed paper cutout of a standing Regency gentleman attached to the reverse, and a watercolour of an Officer with hand resting on sword, pencil and watercolour, various sizes (5)
English School (19th century): Portrait Silhouette of a Lady, standing full length, wearing a blue dress and lace hat, holding a posy of flowers in her left hand, said to be Miss or Mrs Burley, inscribed with the sitter`s name on a later label verso, black ink, gouache and grey wash highlighted with white, 19.5cm by 16.5cm; and Five Further Examples of Gentlemen, one inscribed William Benson July 21st 1822, one also indistinctly signed, black ink on paper, some highlighted with gold, all oval, various sizes (6)
… Pearce (19th century): Portrait Silhouette of a Lady, full length, wearing period Victorian dress, holding a flower in her right hand, facing right, signed Pearce and inscribed Artist, Torquay, black ink and grey wash heightened with gold, a paper cut-out, 28cm by 20cm; and Five Further Examples, one depicting a child with a dog, facing right, another of a small girl, full length, wearing period dress, facing left, and three other figurative subjects, one of two gentlemen in Regency dress, letters and documents on a table nearby, one inscribed A Monsieur twice, also indistinctly inscribed on the margin below and signed E Henck, all black ink on paper, some highlighted with gold, various sizes (6)
T… Lewis (fl.c.1808-1830`s): Silhouette of a Lady, full length, wearing period Victorian costume and lace bonnet, holding a book in her right hand, signed and dated 1840, extensively inscribed with some biographical details on the silhouettist verso, black ink and grey wash highlighted with gold and Chinese white, 25.5cm by 13.5cm; and Two Further Silhouettes, one depicting a young girl, full length, wearing a tartan dress, her hair decorated with ribbons and holding a basket of flowers in her right hand, the other titled On the Way to the Derby 1834, black ink on the underside of glass, with decorated embellished margin, 19.5cm by 15.5cm and 17cm by 32.5cm respectively (3) Example 1 Ref: McKechnie p.425
Charles Rosenberg & Studio (18th/19th century): Portrait Silhouette of a Gentleman, wearing period costume, facing right, partially inscribed on an old label verso with the silhouettist`s name, black ink on the reverse of convex glass, oval, 7cm by 6cm (damaged): and Six Further Examples, one of a gentleman wearing Regency dress, facing left, painted on the underside of convex glass, another gentleman, seated, three of ladies, two facing left, one right, three quarter length wearing a shawl and jewellery, her hair in ringlets, and a child, facing left, wearing period costume and white lace collar, oval, various sizes (7)
Thomas Marshall: Portrait Miniature of Katherine Mary, Lady Forester, wearing black dress with lace collar and bonnet before an orange curtain, inscribed on an old label verso with the sitter`s name, the artist`s name and 1830, watercolour (possibly on ivory), oval, 5cm by 4cm; and Five Further Portrait Miniatures of Ladies, one inscribed Hannah Mole, lent by M Holtby, Sax Dane Lodge, Poppleton, York, another attributed to J R Galland (fl.1818), a lady standing half length wearing an orange dress with lace accessories, her hat decorated with flowers, various sizes (6)
Thomas Heaphy (1775-1835) Portrait of Hastings Nathaniel Middleton (1781-1821), standing in elegant dress holding his hat and gloves, a country house and parkland in the distance Signed and dated 1802, extensively inscribed on exhibition labels verso, pencil drawing and watercolour wash, 25.5cm by 20.5cm Provenance: Abbott & Holder Ltd, 30 Museum Street, London Hastings Nathaniel Middleton was born in Lucknow, India his father was a director of the East India Company. A portrait of the Director was sold at Sotheby`s in 1974 (portrait by Hickey). Abbott & Holder were grateful to Marion Strepny (?) who supplied this information on 21st June 2005.
Sir Joseph Noel Paton RSA (1821-1901) ``Odyssey V, Ulysses restrained by Circe`` Inscribed, extensively inscribed on various exhibition labels verso, pencil drawing on three joined pieces of paper, circular, 21.5cm diameter; provenance: Abbott & Holder Ltd, 30 Museum Street, London, and the artist`s family also exhibited: The Maas Gallery Ltd, 15a Clifford Street, London, stock no.MG13772; And a further portrait study of the artist as a young man, seated wearing Victorian dress and sideburns, inscribed personally to Lady Maitland with the compliments of J Noel Paton and dated April 1848, initialled and dated 1848, also initialled and dated July 1846 and inscribed on an exhibition label verso, pencil drawing with shaped cut corners, 26cm by 21cm overall, provenance: Abbott & Holder Ltd (as above) and numbered 62498, the original price of £400 and the stock no.62498 (2)
An Imperial Dress Sword Owned by Alexis de Santa Eulalia (1868-1917) of Portugal, A slender blade with etched initials, the brass hilt cast in low relief depicting acorns and laurel leaves with mother of pearl grip, the quillons incorporating a figure with shield and a crown, ending in a figural pommel. Includes original leather sheath with brass fittings, embroidery and a crown. Length: 36.0 inches."
A .925 silver model of a sailing ship, mounted onto an ebonized stand, a silver circular cased wristwatch, with an unsigned gilt jewelled lever movement, the enamelled dial with Arabic numerals, subsidiary seconds and blued steel hands, import mark London 1915, a George V dress miniature Territorial Efficiency Medal, a Victoria Jubilee Head florin 1887, a half crown 1929, and seven further coins.
A pair of Victorian gilt metal hinged bangles, each front with a rectangular black glass panel painted with a floral spray within a wirework surround, a Victorian pendant locket, the front engraved with a Masonic square and compasses motif, with a neckchain, a compass fob, an oval pendant locket, a filigree Hand of Fatima charm, nine dress studs, and sundry.
A single row necklace of cultured pearls, the front with a gold and cultured pearl pendant drop, on a 9ct gold and cultured pearl clasp, a pair of gold mounted cultured pearl earstuds, a gilt metal multiple strand dress Albert, with a gilt metal pendant fob, and a gold mounted pendant formed as an eye.
A Rolex white gold and diamond set lady`s dress wristwatch, the oval jewelled Swiss lever movement detailed `Rolex Prima`, the signed oval silvered dial with black Arabic numerals, the case detailed within `Rolex 18ct 24010 103`, the case and bracelet mountings set with circular cut diamonds (two diamonds lacking), on an associated chrome plated base metal bracelet.
A Mathey-Tissot gold cased keyless wind open-faced lady`s dress watch, with a signed gilt jewelled Swiss lever movement, the signed silvered dial with gilt baton numerals and gilt hands, together with a silver cased keyless wind open-faced lady`s fob watch with a decorated enamel dial, the case with engraved decoration, detailed `0, 935`, with a silver multiple link neckchain on a boltring clasp.
A Goldscheider Art Deco pottery figure of a dancing lady, modelled by Stefan Dakon, wearing a long floral pale blue dress, on an oval black base, printed factory marks including facsimile signature, painted `R.F.` and impressed `7078` over `83` and `10`, height approx 25cm (chips and crazing).
A tanzanite and 18 carat gold dress ring by Alistair (b. 1948) and Ann Huddart (1946-2008), London 1987, the round cut stone claw set within a free form `trailing ribbon` like head, finger size M?Alistair and Ann Huddart were a husband and wife team designing and making jewellery. Alistair studied at Sir John Cass part time but proclaims to be mainly self taught. He would make the rings by lost wax process, Ann was mainly responsible for making pendants. They began exhibiting circa 1970, and exhibited at the Goldsmiths Hall and Art In Action, Oxford, amongst others. The vendor purchased this ring at one such Goldsmiths Hall exhibition..
An opal and 14 carat gold dress ring by Alistair (b. 1948) and Ann Huddart (1946-2008), London 1986, the oval cabochon held by scrolling gold issuing from the shoulders, finger size M Alistair and Ann Huddart were a husband and wife team designing and making jewellery. Alistair studied at Sir John Cass part time but proclaims to be mainly self taught. He would make the rings by lost wax process, Ann was mainly responsible for making pendants. They began exhibiting circa 1970, and exhibited at the Goldsmiths Hall and Art In Action, Oxford, amongst others. The vendor purchased this ring at one such Goldsmiths Hall exhibition..
A 14 carat gold dress ring by Alistair (b. 1948) and Ann Huddart (1946-2008), London 1987, the head formed by four ribbon folds, finger size K? Alistair and Ann Huddart were a husband and wife team designing and making jewellery. Alistair studied at Sir John Cass part time but proclaims to be mainly self taught. He would make the rings by lost wax process, Ann was mainly responsible for making pendants. They began exhibiting circa 1970, and exhibited at the Goldsmiths Hall and Art In Action, Oxford, amongst others. The vendor purchased this ring at one such Goldsmiths Hall exhibition..
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