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A large Victorian patchwork quilt composed of small hexagonal pieces of early and mid 19th century dress fabrics and stitched together in diamond pattern with deep red background and zig-zag border, cotton backed (220 x 240 cm)Provenance, formerly the property of actor and director Henry Kiell Ayliff 1871-1949, and his sister Alice Mary Ayliff. Both born in South Africa, Henry came to Europe in the late 19th C, first studying Art at the Royal Academy in London. From 1901 he studied acting under Herman Vezin and went on to appear on stage in London and the provinces. Later he became a theatre director staging the first productions of many of George Bernard Shaw's plays A tall boy containing costume and other textiles, remained untouched for may years and now has been consigned by his grand-daughter Susanna . Overall very good. Minor areas of damage and wear to border
Black 1920's evening dress constructed from earlier panels of Maltese lace with very full asymmetric skirt , jet beaded and sequinned waistband, short batwing sleeves, silk lined. Underarm to underarm 55 cm, neck to hem 123 cm, sleeve 36 cmProvenance, formerly the property of actor and director Henry Kiell Ayliff 1871-1949, and his sister Alice Mary Ayliff. Both born in South Africa, Henry came to Europe in the late 19th C, first studying Art at the Royal Academy in London. From 1901 he studied acting under Herman Vezin and went on to appear on stage in London and the provinces. Later he became a theatre director staging the first productions of many of George Bernard Shaw's plays A tall boy containing costume and other textiles, remained untouched for may years and now has been consigned by his grand-daughter Susanna . Overall good with minor damage to underarm and back of bodice. Skirt good, with some faded stitching.
Cream Edwardian long sleeved dress with train and embroidered and fringed modesty panel, together with a fine cream wool corded and fringed cape and a pair of silk ballroom shoesProvenance, formerly the property of actor and director Henry Kiell Ayliff 1871-1949, and his sister Alice Mary Ayliff. Both born in South Africa, Henry came to Europe in the late 19th C, first studying Art at the Royal Academy in London. From 1901 he studied acting under Herman Vezin and went on to appear on stage in London and the provinces. Later he became a theatre director staging the first productions of many of George Bernard Shaw's plays A tall boy containing costume and other textiles, remained untouched for may years and now has been consigned by his grand-daughter Susanna .
Edwardian peach silk crepe embroidered dress, together with a Cantonese silk embroidered fringed capeProvenance, formerly the property of actor and director Henry Kiell Ayliff 1871-1949, and his sister Alice Mary Ayliff. Both born in South Africa, Henry came to Europe in the late 19th C, first studying Art at the Royal Academy in London. From 1901 he studied acting under Herman Vezin and went on to appear on stage in London and the provinces. Later he became a theatre director staging the first productions of many of George Bernard Shaw's plays A tall boy containing costume and other textiles, remained untouched for may years and now has been consigned by his grand-daughter Susanna . Dress measurements : armpit to armpit 50 cm, length 148 cm
Group of antique children's clothing including a rare 19th C wool and velvet boys dress, christening gowns, a small jacket, a christening gown with lace inserts, and other white wear, including two Victorian lady's night dresses with hand stitched embroidery Anglais . Boys dress in need of restoration, with moth damage now treated, other items mainly good, small jacket discoloured
Mixed group of items 1970's 'Primera Rome' rolled magazine clutch bag, two 1960's white dotted clear plastic rain coats and a similar cape by Tip-Topper, 1930's linen nursery tea table cloth embroidered alphabet and animals, fifty one assorted mats and food covers crocheted with 'milk', 'bread', 'shrimps', 'cake', etc. including unusual examples such as 'War 1939', Anne Hathaway etc., quantity of crochet edgings for tablecloths etc. along with 1930's bath towel woven circus animals and figures, 1930's girls smocked polka dot dress another with printed sprigs, checked apron, baby's silk matinee jacket, fine wool head scarf printed roses and a quantity of miscellaneous trimmings etc. .
1920's fuschia silk beaded flapper dress with asymmetric hem, lace panel inserts and floral motif to waistband . Back of neck to hem107 cm, underarm to underarm and waist 47 cm. Overall good condition. No visible losses to beadwork Silk lining has been mostly removed . Small area of staining on right shoulder and several areas of light fading on chest, hip and back of dress
1930's bias cut navy blue and white voile evening dress, together with a vintage paisley patterned dressing gown. Dress in good, wearable condition with small, barely visible historic repair to skirt. Seam slightly undone at waist. Approximate measurements (due to bias cut) 47 & 40 cm across bust and waist, shoulder to hem 148 cm Dressing gown has repairs to pocket, belt missing
1920's kimono-style silk dressing gown printed in pastel shades and typical floral design, together with a 1960's black and white evening dress with rhinestone trim and a black silk velvet bolero jacket . Dressing gown slightly fadedDress has light stains to neckline and small tear near hemJacket has small tear to right sleeve
A CASED SET OF DRESS CUFFLINKS AND STUDS each square-shaped mother-of-pearl link with engraved decoration and centred with a circular diamond in collet setting, in 9ct. white gold, comprising a pair of cufflinks, four large and three small studs. Fitted box by Garrard & Co. Ltd., 112 Regent Street W.1.
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228098 item(s)/page