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A sapphire and mother-of-pearl gentleman's dress set in fitted case, the double-ended cufflinks, four shirt studs and two collar studs all of identical design, being a cut cornered square mother-of-pearl plaque set to the centre with a round cut sapphire, notched borders of white precious metal, all pieces stamped '9ct', cufflinks with chain connections; in a fitted gold tooled blue leather case by James Ogden
Anglo-French School (17th Century) Portrait of a lady with feathers in her hair in a gold dress by a statue of a putti pouring water; and Portrait of a lady in a feathered cap, blue dress and gold cloak two, each oil on panel 43 x 34cm (17 x 13in) Both paintings are executed in oil on a wooden panel. The paint layers are stable overall, there are some small areas of raised paint following the grain of the wood. Both paintings have retouching across the surface, especially the painting with the ywllow shawl. The varnish layers are semi matte, clear and even. There are a few small chips to the frame.
Manner of Cornelis Ketel (Dutch, 1548-1616) Portrait of a lady, head and shoulders, in a Dutch cap, black dress and white ruff oil on panel 18 x 14cm (7 x 5in) Oil on a wooden panel. There is evidence of old woodworm infestation at the back of the panel. There are localised areas of raised, unstable paint. Old retouchings in the sitter's face have discoloured. The varnish is vary matte, degraded and yellowed. There is wear and abrasion to the gilding on the frame.
Thomas Heaphy (English, 1775-1835) Portrait of a gentleman, standing full-length beneath a colonnaded veranda beside a console table on which lie books and maps including one entitled "Perth / S H " signed lower right "T Heaphy 1822" watercolour on paper 61 x 44cm (24 x 17in)Provenance: By inheritance in the Alington family at Little Barford Manor, Bedfordshire, and by descent to the present ownerOther Notes: The sitter seems to be in Court Dress and wearing a red sash with a medallion, likely to be the Order of the Bath.The map in the background is entitled " PERTH / S H " and appears to show the Western edge of Perthshire, Scotland. It is believed to be based on one of the two maps of Perthshire published prior to the date of this painting - both of which were drawn by John Stobie, the first published in 1787 and the second in 1805.Heaphy was the first President of the Society of British Artists and was portrait-painter to HRH The Princess of Wales and The Duke of Wellington.We are grateful to the Archives and History Department at the A K Bell Library, Perth, for their assistance with the catalogue entry.The sitter’s Neck Order has been identified by Cleave and Co.“We believe this to be the Baronet’s Badge of Nova Scotia as this is also oval in design with blue edged enamel and the same sandy coloured ribbon”Condition: Very faded and with loss of colour. Backboard needs taking off as causing discolouration.
Attributed to James Hayllar, RBA (British, 1829-1920) Portrait of Miss Walker, seated, in a brown dress and grey shawl, her hand resting on her chin; and Portrait of Mr Smythe, seated, in a library oil on canvas (a pair) 35 x 30cm (14 x 12in) Oil on canvas, both paintings have been lined. The canvas and paint layer are in a good, stable condition. There is a localised area of disrupted paint to the left of the sitter's head, with small losses, but this appears stable. The varnish layers are clear and even. There are small areas of retouching, mainly on the portrait of the lady. There are small chips and losses to the frames.
Filip Malyavin (Russian, 1869-1940) Study of a Russian peasant girl in floral scarf and dress signed upper right "Malyavin / 1903" oil on canvas 35 x 29cm (14 x 11in) Provenance: Private collection, UK Canvas a little dirty and slightly crinkled. Plain oak frame. Craquelure overall. Oil on canvas - unlined. Canvas tension is slack with undulations across the painting. The paint layer has a prominent crack pattern, notably at the left side. The cracks are raised in areas and this has led to small losses at the junctions of the cracks. The paint layer appears to be unvarnished. There is a layer of surface dirt and accretions.
An Art Deco diamond dress ring, with central round brilliant cut diamond, flanked by four baguette cut stones, and cornered by four round brilliant cut stones, on a square head, rub over setting, the central stone approx 0.27cts, the four baguette cut stones approx 0.05cts each, the four corner round brilliant cut stones approx 0.09cts each, totalling approx 0.83cts, on white metal setting, marked 18ct, 4.6g all in.
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228098 item(s)/page