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Ximenes, South American School, 20th century-Portrait of a girl, standing half-length in a grey and red dress; oil on canvas, signed and dated 1932, 60x49.5cm: together with one other portrait of a girl standing half-length in a pink dress by the same hand, signed and dated 1932, 60x49.5cm., (2)
A ladies full length bias cut evening dress by Frank Usher, 1970's, the black ground with overall stylised floral and leaf design, in orange, purple and browns; together with further ladies costume to include a Chinese style dress, late 20th century, furs and two pairs of shoes one by Russell and Bromley, circa 1960's with silver thread and marcasite decoration (qty).
A 1960'S Christian Dior ladies coat, with printed tweed design in black and brown on a cream ground, fitted with flared knee length skirt and with four button fastening and rounded collar, with original 'Diorling' tag, unworn, size 12; together with a 1960's green silk shift dress and an Yves Saint Laurent 1970's silk scarf (3).
A wedding dress, circa 1900, the taffeta lilac coloured bodice inset with cream panel, woven with lilac flower-heads and ivory stalks and foliage, muslin trim to the collar and deep lace yoke and cuffs, and bow fastening to the back, the matching skirt with inset cream panel and padded to the back; together with a lace veil and head-dress.
A 1930's ivory silk full-length evening gown, with beaded and diamante detail, high neckline and a belted waist; together with further ladies costume dating from the 1920's and 1930's, to include a black velvet jacket, a black chiffon and lace V-neck dress, a black lace strapless, a black chiffon and crepe cape with ruche collar, and a black tambour lace veil (qty).
A 1920's black velvet dress, with ivory tambour lace detail to the V-neckline and cuffs; together with a collection of ladies costume to include a 1930's burgundy silk tunic top with beaded decoration, a 1930's black lace dress, an ivory damask dress and a strapless candy-floss pink dress (qty).
A 1950's strapless dress, with a pleated bodice and full skirt, printed with a pink rose and chocolate brown leaf design; together with a 1950's soft green strapless chiffon dress, labelled 'Elizabeth Miller' size 36, and further ladies' costume dating from the 1950's onwards, to include: three evening dresses, a fawn coloured shift dress and jacket and a sleeveless blouse (qty).
A 1950's sweetheart halter-neck chiffon dress, with pencil pleated bodice, printed with sprays of mauve, candy pink and ivory flowers on a pale pink ground; together with a 1950's turquoise chiffon dress labelled 'Roecliffe Chapman' size 36, and further ladies costume dating from the 1950's onwards, to include: two evening dresses, a silk two-piece, a wool coat and dungarees (qty).
A Mary Quant two-piece, with stylised wave design in ivory upon a royal blue ground, the long sleeveless shift top with large collar, the trousers wide legged, size 8; together with a fawn belted dress labelled Catherine J. Guilbert, Paris, with zip front and two side pockets and a ladies three quarter length pony skin coat with belted waist and a short length fur and suede coat (4).
A group of twenty-eight Norman Hartnell designs, for H.M. Queen Elizabeth II, mainly 1960's, including: ball gown, evening gowns, day dresses, seven with attached fabric swatch, and fourteen probably for Her Majesty, one annotated a design with a note describing the dress 'Pale aquamarine and silver close fitting dress thickly embroidered at hem with aquamarines and diamonds to match gift from Brazilian Government of aquamarines', and others (qty).
A 9ct Gold Stick Pin in form of a horseshoe mounted with diamonds and rubies, another tie pin in form of an African gentleman (1 arm missing), a silver plated bracelet having scalloped panels depicting warriors, a pair of oriental bracelets in form of dragons, a pair of gold plated folding lorgnettes and a small quantity of dress studs etc.
[Hughes, William] Fish, How to Choose and How to Dress. By Piscator, author of "The Practical Angler," etc., 1st ed., London, 1843, original gilt decorated glossy paper covered boards, rubbed, 8vo First edition of a work which eleven years later appeared again under the title 'A Practical Treatise on the Choice and Cookery of Fish'. (1)
*Churchill (Right Hon. Winston S.). A good quality gelatin silver print press photograph, [4th April 1955], showing Churchill holding open the car door for Queen Elizabeth II as she leaves 10 Downing Street after the dinner party given by Churchill, signed by Churchill in black ink to lower left of image close to the Queen's white evening dress hem, 20 x 15 cm, framed and glazed Sir Winston Churchill resigned as Prime Minister due to failing health following this dinner party, with the news being announced in a statement from Buckingham Palace the following afternoon. This image was to have been used in the National papers on 5th April but did not appear due to a newspaper strike. The owner of the photograph, Mrs K. Broome, was employed as cook for the Prime Minister and Lady Churchill at the time and was able to get a copy of the photograph which Sir Winston signed for her at a later date. (1)
*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Christmas Card [sent to Percy Benham], 1971 , signed by both under the printed message and dated, the col. photo facing shows the Royal couple and their four children, the youngest two are seated, small (glue spot?) blemish near lower hem of the Queen's dress, folded textured ivory card with embossed gilt crests to the front, 21 x 23cm (1)
*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Christmas Card [sent to Percy Benham], 1972 , signed by both under the printed message and dated, the col. photo facing shows the Royal couple and their four children, in casual summer dress, by a garden wall with summer flowers in front, the Queen, Prince Charles and Princess Anne are wearing kilts, folded blue card with embossed gilt Royal crests to the front, 23 x 19cm (1)
*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Christmas Card [sent to Percy Benham], 1981 , signed by both under the printed message and dated, with two embossed Royal gilt crests on the left page facing, the four-page insert in folded ivory card with a full-page formal col. portrait picture on the front, showing the Royal couple standing either side of the newly wed Prince Charles and Princess Diana wearing her wedding dress, 21 x 15cm The col. photos from this date until 1995 appear as part of the printed card. Prior to 1981 all the photos and illustrations are mounted on. (1)
*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). A good formal full-length portrait of the Royal couple by Anthony Buckley, gelatin silver print showing the couple standing together in Buckingham Palace, in formal dress, the Queen with a sash and crown, the Prince with his hand on his sword, 22.5 x 17 cm, signed by both on the mount and dated 1975 by the Queen, photographer's ink stamp to verso (1)
*Diana (Princess of Wales). Full-length colour photo. of the Princess at the launch of her 'Dresses Auction', [1997], showing the Princess wearing the Catherine Walker designed dress that Diana wore for the launch, 24 x 10 cm, inscribed and signed above and below on mount, 'Dearest Audrey, lots of love from Diana x', framed and glazed with a blue morocco gilt frame Audrey was the seamstress who made the dress pictured and the frame is the original one that Diana sent out with signed photographs. (1)
*George V (King of Great Britain & Queen Mary). A pair of cabinet gelatin silver print portrait photographs by J. Thomson, c. 1890, both signed and dated 'George 1897' and 'Victoria Mary 1897', the Prince in dress uniform with medals and the Princess with crown and jewels, both a little soiled and spotted to mounts, each approx. 16 x 10 cm, loosely window mounted in folded red morocco picture frame, sl. rubbed on spine, 19 x 30 cm when open flat (1)
WILLIAM TATE (1748-1806) portrait of a Lady, seated half-length wearing a blue Dress, and lace wrap signed 'Tate' (lower left) oil on canvas 30 1/2 x 25in (77.5 x 63.6cm) tate was a friend and pupil of Joseph Wright of Derby, whose influence is evident in this work. A portrait by Tate of depicting Wright is in the collection of Viscount Scarsdale. Tate is known to have finished uncompleted portraits by Wright after his death in 1797. Tate practised mainly in Liverpool and Manchester until he moved to Bath in 1804. He exhibited works at the Society of Artists 1771-1775 and 1791, and at The Royal Academy 1776-1804.
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228098 item(s)/page