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A Royal Navy Officer's dress sword, 31-inch fullered blade with etched arabesque and fouled crowned anchor decoration, solid brass knuckle guard with fouled anchor and hinged locking button, wire-bound grip and lion's pommel with new bullion knot, (also retaining old bullion knot), together with scabbard, chamois slip and brown leather outer case
Démon Studio, Tehran, attributed - 7 watercolours depicting two people and a donkey, selling apples, 29 x 20cm; a carpet seller and his mule, 29 x 20cm; a man riding a donkey, with two sheep, 29 x 20cm; these three all laid onto board; a man in traditional dress, 29 x 20cm; an older man with a pipe, 29 x 20cm; these two not laid-down; a watercolour of a man, labelled 'Arab', 29 x 20cm; a watercolour of a man, labelled 'Kurd of Kermansham'; these two laid onto boards within mounts; all dated between 1944-1948, each signed Démon, but without individual artists' signatures (7)
2 volumes of engravings and drawings together 249 leaves, many with engravings laid-down to both sides, including 8 hand-drawn watercolour costume studies showing a king or religious figures, women in Tudor and Jacobean dress (one of these is torn with loss) and two women in a boat, the engravings comprise: 8 leaves with engraved French medallions, late 17th or early 18th century; 199 portraits of royalty, nobility and notable figures and 49 of religious subjects, mainly 17th century; 17th century vellum (2) Provenance: Bookplates of Robert Graham, 12th of Fintry (1749-1815), with the address: Robert Graham of Fintry, Excise Office, No27 George St., Edinburgh to the rear paste-down endpaper of one volume. Note: Robert Graham was a Commissioner of the Scottish Board of Excise, the address for the Edinburgh Excise office being found in the rear of one of these volumes. Robert Burns seems to have had a desire to work in the Scottish Excise, and spoke to his doctor on the matter, who in turn spoke with Robert Graham. It was helpful that Robert Burns and Robert Graham had made each others' acquaintance at Blair Atholl the previous year, following Burns's success as a poet. In a letter to a friend in August 1788, Burns mentioned Graham, writing that his hopes of working in the Excise depended on 'Mr Graham of Fintry'. Robert Graham's patronage of Burns did finally provide him with a position of Excise Officer for Dumfries, in 1789, and Burns worked in this capacity until his death.
An Edwardian seed pearl and green stone foliate bar brooch, the scrolled foliate brooch with oval and circular cut green stones, stamped 9ct, 4cm long; together with a pair of purple paste earrings, 2.8cm long; and a garnet and white stone dress ring, the shank with 9 carat gold Birmingham hallmark, finger size P 1/2
A small collection of jewellery, to include a 9 carat gold shaped panel bracelet; a fancy reeded link bracelet, stamped 9ct; a fancy baton link bracelet; 23g gross; an 18 carat gold signet ring, 7.6g; two 9 carat gold band rings, and two 9 carat gold signet rings, 13g; together with two 9 carat gold brooches; a smokey quartz dress ring; a pair of two colour earrings; a cultured pearl necklace and matching bracelet with clasp stamped 14k; and a further cultured pearl necklace
A 1920s mother of pearl dress set, comprising a pair of 15 carat gold and mother of pearl cufflinks, the torpedo shaped panel connected with belcher links to a circular shaped mother of pearl panel, stamped 15c, with three matching dress studs, 8.4g; together with a closed set garnet ring, stamped 18ct, finger size P 1/2; and a pair of 9 carat gold double sided cufflinks, the oval panels with engine turned engraving, with belcher link connectors, stamped 375 with full Chester hallmarks, 1.9cm long, 5.5g
A gentleman's silver cased, keyless wind, hunting cased pocket watch, Birmingham 1928, a silver curb link watch Albert chain, fitted with a T bar and with a swivel, a ropetwist link dress Albertine, fitted with a T bar, a swivel and with a tassel and three coins and four charms fitted to a length of chain. (4).
Alexandre Fiocchi (French, 1803-1896), a portrait of a lady facing right, in a white satin dress with rose decolletage and a pearl bracelet, and a portrait of a lady facing left, in a satin dress and shawl, with flowers in her hair, the second signed and dated 'Fiocchi 55' (lower right), watercolour on vellum, 21cm x 15.2cm, each housed in an oval gilt metal frame, (2).
A gold and diamond set ring, mounted with six cushion shaped diamonds, a 9ct gold, sapphire and diamond oval cluster ring, a 9ct gold, sapphire and diamond half hoop ring, another ring, a 9ct gold and sapphire set bracelet, a Links of London silver necklace, a pair of dress studs, a tiger's eye pendant, an interlooped link and a pair of folding lorgnettes, (11).
A group of mostly silver and vertu, including; a cornelian fob seal, an agate seal, five opal set buttons and another button, with a case, a rectangular medal, detailed 1938 Empire Exhibition, Scotland Committee, with a case, a pair of Scottish silver shoe buckles, a small slide action pencil, five various mostly ancient coins, five dress buttons decorated with thistles, further minor badges and pins, buckles and sundry, (qty).
A two colour gold dress Albert chain, in a bar and oval link design, fitted with a T bar detailed 18 C, a swivel and a boltring and a base metal cased, keyless wind, openfaced dress watch, the jewelled lever movement detailed Moeris, the two tone gilt dial with black Arabic numerals, subsidiary seconds and with blued steel hands, weight of chain 13.2 gms, (2).
A Girard Perregaux white gold and diamond set oval cased lady's dress bracelet wristwatch, with a signed jewelled movement, the signed silvered dial with baton shaped numerals, detailed within the signed case back '18K 0,750', the bracelet terminals mounted with three circular cut diamonds to either side, on a white gold tapering bracelet, with a foldover clasp, gross weight (excluding movement) 24.3 gms.
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228098 item(s)/page