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Lot 75
Vintage costume jewellery, watches and decorative items to include an engraved gold plated signet ring, an Art Nouveau red bracelet, an Aurora Borealis bracelet with silver clasp stamped 800, a Sterling silver and turquoise enamelled butterfly pendant on chain, a white metal and moss agate brooch, a 9ct gold core engraved bangle, a white metal engraved bangle, an animal claw brooch with amethyst coloured cabochon, a mock tortoiseshell and silver tone top glass dressing table pot, loose red coral beads and others, a green leather jewellery box with key, a Michel Herbelin gold tone ladies dress watch, a silver and pink onyx ring and others, various cufflinks, various earrings to include a pair of white metal and moonstone earrings, a Sarah Coventry gold tone bracelet A/F and 2 St Christopher pendants. Location:R2.5
Lot 115
A quantity of 1960's-early 1980's mixed clothing to include a vintage Laura Ashley maroon soft velveteen dress, UK size 12, two Laura Ashley purple children's dresses and an early 1980's Laura Ashley white cotton skirt (elastic to waistband requires replacing), three 1960's shift dresses, 34"chest, to include 2 Nora Bradley dresses. a painter's smock, a short Oriental style top and other items requiring attention. Location:RailCondition:Turquoise and black checked dress requires new buttons to the back and seamstress attention to waistband, one Nora dress requires a new rear zip, the maroon blouse has a tear to the top fastening, LA white skirt requires new waistband-see photos
Lot 109
Four late 20th/early 21st Century ladies evening outfits to include a Ghost cream full length dress, size S (52"long x 36" chest), a Laurel black full length evening dress, (57"long x 32"chest) and a Blank of London cream silk shift dress (36" chest x 46" long) and netted over garment with floral beadwork and applique flowers in the Edwardian style together with 5 mid to late 20th Century fans, vintage Helena Rubenstein make-up products, a Montine ladies cocktail watch, a Seiko ladies watch, 2 bead evening bags, an Art Deco black velvet belt with metallic embroidery (28" waist) , a Harrods wolf stole and other fur items and other accessories. Location:Rail+bag on hangar
Lot 135
A bespoke 1950's debutante cocktail length dress having a beige ground with metallic thread and sequin design of swags and ribbons to the lower skirt, 32" chest x 43" long together with a pair of Dolcis gold debutante shoes having a 2" heel and unrelated shoe box Size 5B and a black leather handbag. Location:Rail+RAB tableCondition:Stains to underarms-requires professional dry-cleaning.
Lot 92
A pair of 9ct gold and simulated pearl earrings, a simulated pearl necklace with 9ct gold clasp, a quantity of gold tone and silver tone dress rings with paste stones, 5 ladies watches to include a Rotary watch in the style of a Rolex Date-just and vintage brooches and pendants all housed in a late 20th Century wooden jewellery casket. Location:Cab
Lot 120
A pink/apricot silk child's dress with sequin and bead decoration, a vintage bejewelled head piece, a mid 20th Century Oriental embroidered Summer sheer dressing gown depicting images of dragons, a vintage black lace negligee over garment A/F, a black lace Mantilla chapel veil and a mid 20th Century embroidered apricot wrap with extra long tassels A/F together with mixed black lace trimmings and a Masonic apron A/F and accessories. Location:R1.5
Lot 94
A quantity of good quality simulated pearl necklaces with silver clasps, a late 20th century jade bead necklace, a two string simulated pearl bracelet with silver clasp, an Orient silver tone ladies dress watch having crystals to the outer rim of the dial and shoulders of the strap and a decorative cameo brooch with inset blue enamel and white paste stones on a white metal mount. Location:BWR
Lot 129
A quantity of 1960's and later costume jewellery to include bead necklaces, diamante style paste stone necklaces and bracelets, a Leni Perez silver tone bracelet, pin brooches to include 2 South African Airlines SAA gold tone examples, various gold toe dress rings, brooches, gold tone and silver tone chains to include a German Grosse example and a Napier necklace with matching bracelet, 2 Aurora Borealis necklaces and a quantity of clip-on earrings. Location:R2.4
Lot 206
Late 19th and early 20th Century ladies clothing to include a vintage pale blue chiffon evening gown 34" chest x 56" long, having Deco influenced waistband, buttoned cuffs and pale blue tafetta underlayer, a 1930's cream satin dress having short sleeves and side fastening, a long purple silk skirt A/F together with a later white cotton full length Summer dress, collars A/F and bead insertions. Location:RailCondition:Various stains-see photographs for condition report.
Lot 69
A quantity of mid to late 20th Century costume jewellery to include a Thai silver Niello brooch and earrings, a Wedgwood black Jasperware brooch, a gold tone and enamelled purple flower brooch, a BJ Beatrix enamelled brooch of a cat on a moon and other silver and vintage brooches together with a quantity of pierced earrings, 2 ladies dress watches, a faux pearl necklace, a silver necklace and others. Location:R1.2
Lot 124
Modern costume jewellery to include an Adolfo Dominguez necklace A/F, simulated pearl and coin jewellery, a Farah Lister multi chain white cabochon necklace, a pair of silver and pearlised cabochon clip-on earrings, mixed contemporary dress rings, a simulated pearl tie and a collar. Location:RAB
Lot 224
ENGLISH SCHOOL, 19TH CENTURY A portrait of a Peer depicted full-length standing in an interior, wearing the coronation robes of a Baron over military dress uniform, oil on canvas, 40cm x 152cm (unframed on stretcher)Provenance: The Neave Estate, formerly of Dagnam Park, Essex.Note: By repute the portrait depicts Lord Dinorben. Born William Lewis Hughes 1767, son of the Rev Edward Hughes whose wife Mary Lewis inherited the hugely valuable Parys copper mine in Anglesey. After he inherited, William built a vast new house at Kinmel, his parent’s home, with the income from the mine. Created Baron Dinorben in 1831, one of his 11 children, Gwen, married Sir Arundell Neave, 4th baronet. Dinorben died in 1852.
Lot 80
AFTER MEISSEN, A PAIR OF PORCELAIN FIGURES Paris, late 19th century, modelled as a gallant, carrying a basket of flowers, 35cm high; and a lady in 18th century dress, similarly carrying a basket of flowers, 36cm high, both bearing blue crossed sword marks to the base (2)Provenance: Purchased from Duke's, 23rd May 2002, lot 134.
Lot 206
MANNER OF EDWIN LONGSDALE LONG (1829-1891) A portrait of an Officer depicted full-length standing in a landscape, wearing full dress uniform with the sabretache of the 16th (Queen's) Lancers, oil on canvas, 238cm x 147cm (unframed on stretcher)Provenance: The Neave Estate, formerly of Dagnam Park, Essex.Note: For a similar work see Long's depiction of Lieutenant- Colonel George James Mouat MacDowell, CB, also of the 16th (The Queen's) Regiment of Light Dragoons (Lancers), in the collection of the National Army Museum, Chelsea (Accession no. NAM. 1952-05-12).
Lot 221
Antique jappaned chest containing a collection of late 19th / early 20th century military dress belonging to Major Macalister Hall of Argyll & Sutherland Highlanders repute to include dress tunics of the Royal Artillery and another of the Highland Light Infantry bearing rank of Sergeant Major, leather sporran and tartan sash.
Lot 168
A yellow metal dress ring, the tapered open ring with applied oval pad depicting lady, ring size N, stamped possibly ‘Italy 750’ 8gms Condition report: The reverse of the cuff style ring is dented. Oval panel is loose and may require attention. All over minor scuffs, scratches and dents throughout, commensurate with age and wear.
Lot 192
A suite of untested fire opal jewellery, including a 9ct yellow gold dress ring set with an oval cut red stone, ring size M, a pair of oval cut red stone drop earrings, and a conforming bar brooch, together with a suite of moonstone style jewellery, including a dress ring, ring size P, earrings and a brooch, all set in 9ct yellow gold (8) Condition report: Moonstone coloured suite: Ring - Claws are present. Shank with no major signs of splitting or thinning. Stone with minor surface blemishes and scratches. Brooch - Hinge pin in good working condition. Stone with minor surface blemishes and scratches. Earrings - Dents to the mounts. Stone with minor surface blemishes and scratchesAssociated butterfly backs to both. Visible joins to links of studFire opal coloured suite: Ring - claws all present. Stone with surface scratches and blemishes commensurate with being worn. Shank shows no major signs of thinning or splits. Brooch - Hinge pin mechanism in good working order. Earrings - Links show a little wear. Associated butterfly backs. Claws are all present. Stones with surface scratches and blemishes.
Lot 172
Two yellow metal dress rings, to including a tigers eye dress ring, the circular cabochon tigers eye within a square grooved mount, with a plain polished shank, ring size P, stamped 9ct, with a 9ct yellow gold smoky quartz set dress ring, the oval cut quartz within claw setting leading to a plain polished shank, ring size O, gross weight 19gms (2)
Lot 280
A selection of five dress rings, including a pink stone five stone, a yellow metal ‘opal’ doublet ring with floral detailed border, ring size M, an untested amethyst and split pearl Victorian style ring, ring size N, a carved wooden band ring with pearl set oval cartouche, ring size P, a turquoise and marquisite set cluster ring, ring size O (5)
Lot 337
English school (late 18th century),A half length portrait miniature depicting a child in white dress with blue ribbon,Watercolour on ivory,Unsigned,In oval brass glazed frame with pendant bale,The miniature 8cm x 6.5cm, the frame 8.7cm x 7cm,With an unframed watercolour on ivory portrait miniature depicting a young lady with a rose, 8.5cm x 6.5cm (2) Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lot Ref: JZRA24SW & NE82DLTX CONDITION REPORT:Child miniature: The piece is framed under glass and has not been removed for inspection. The ivory panel panel shows no obvious evidence of damage or warping. The painted surface shows no obvious damage and the colours remain strong, although they are likely to have faded somewhat over time. The frame shows wear and tarnishing throughout, particularly to the back.Young lady miniature: The piece is unframed with loose glass that matches the size and shape of the ivory panel. The ivory panel has paper applied verso. The ivory panel panel shows no obvious evidence of damage or warping. The painted surface shows some surface wear (particularly to the edges) but no obvious damage. The colours remain strong, although they are likely to have faded somewhat over time. The glass shows some paint residue and dirt build-up around the edges.
Lot 336
French school (18th century),A half length portrait miniature depicting a seated lady wearing a pink silk dress with bows,Watercolour on ivory,Unsigned,In oval ebonised wood glazed frame with ornate brass mount,The miniature 5cm x 4cm, the frame 9cm x 8cm Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lot Ref: MVHB2Y9E
Lot 748
A Middle Eastern brass casket, early 20th century, the hinged cover decorated with roundels enclosing stylised foliate motifs, within a hatched border, the body with geometric motifs enclosing stylised foliage within a hatched border, containing a collection of military dress studs and buttons, 16cm W x 8cm H x 10cm D (Qty) (at fault)
Lot 24
§ GERALD LESLIE BROCKHURST R.A. (BRITISH 1890-1978) THE BLACK SILK DRESS - 1927 Etching, signed and dated in plate, signed in pencil to margin Dimensions:plate size 22cm x 15.5cm (8.75in x 6.25in) Provenance:Provenance: Private British collection Note: Gerald Brockhurst’s primary muses were Anäis Folin and Kathleen Woodward. Both sat for numerous portraits and figure studies with the aid of lavish period-style costumes and props, often in whimsical guises inspired by the heroines of Shakespeare or Greek mythology.Anäis, Brockhurst’s first wife, was the defining muse of his early portraiture. For most of the First World War the couple lived in Ireland where they befriended the artist Augustus John. During this period Brockhurst predominantly produced paintings, and was encouraged by John to adopt a freer paint-application technique.Brockhurst had experimented with printmaking in the 1910s, but it was not until the early ‘20s that he committed to etching in earnest. In a market increasingly oversaturated with etchings of landscapes and urban views, Brockhurst concentrated on portraiture, many of which were transpositions of compositions he had painted in the late 1910s and early ‘20s. He soon achieved distinction for his rendering of skin, hair and textiles with astonishing naturalism. Each composition is imbued with a refined stillness, with flesh that appears almost to glow and to possess conceivable weight and mass.From 1928 Brockhurst joined the Royal Academy Schools as a visiting teacher and met the sixteen year old Kathleen Woodward, who went by ‘Dorette’. She became his new muse, and the pair later married.In 1939 the couple moved to America where Brockhurst enjoyed great acclaim. Commissions from prominent figures including Marlene Dietrich, The Duchess of Windsor and J. Paul Getty helped crystallise his legacy as one of the most important British portrait artists of the early twentieth century. A retrospective of Brockhurst’s portraiture was held at the National Portrait Gallery in London, the Graves Gallery in Sheffield and the City Art Gallery in his native Birmingham.
Lot 15
§ GERALD LESLIE BROCKHURST R.A. (BRITISH 1890-1978) THREE PRINTS: ALMINA -1924; LE CASAQUIN DE LAINE; THE BLACK SILK DRESS Etching, signed in pencil to marginLE CASAQUIN DE LAINE, Etching, signed twice in plate, signed in pencil to marginTHE BLACK SILK DRESS, Lithograph, signed and dated in plate with printer's stamps to margin, signed in pencil to margin Dimensions:plate sizes 18cm x 13.5cm (7in x 5.25in); 20cm x 14.5cm (8in x 5.75in); 23cm x 16cm (9in x 6.25in) Provenance:Provenance: Private British collection Note: Gerald Brockhurst’s primary muses were Anäis Folin and Kathleen Woodward. Both sat for numerous portraits and figure studies with the aid of lavish period-style costumes and props, often in whimsical guises inspired by the heroines of Shakespeare or Greek mythology.Anäis, Brockhurst’s first wife, was the defining muse of his early portraiture. For most of the First World War the couple lived in Ireland where they befriended the artist Augustus John. During this period Brockhurst predominantly produced paintings, and was encouraged by John to adopt a freer paint-application technique.Brockhurst had experimented with printmaking in the 1910s, but it was not until the early ‘20s that he committed to etching in earnest. In a market increasingly oversaturated with etchings of landscapes and urban views, Brockhurst concentrated on portraiture, many of which were transpositions of compositions he had painted in the late 1910s and early ‘20s. He soon achieved distinction for his rendering of skin, hair and textiles with astonishing naturalism. Each composition is imbued with a refined stillness, with flesh that appears almost to glow and to possess conceivable weight and mass.From 1928 Brockhurst joined the Royal Academy Schools as a visiting teacher and met the sixteen year old Kathleen Woodward, who went by ‘Dorette’. She became his new muse, and the pair later married.In 1939 the couple moved to America where Brockhurst enjoyed great acclaim. Commissions from prominent figures including Marlene Dietrich, The Duchess of Windsor and J. Paul Getty helped crystallise his legacy as one of the most important British portrait artists of the early twentieth century. A retrospective of Brockhurst’s portraiture was held at the National Portrait Gallery in London, the Graves Gallery in Sheffield and the City Art Gallery in his native Birmingham.
Lot 19
A silver and silver-gilt model of a soldier on Camel backMeiling & Gartrell, London 1981The standing gilded camel mounted with a kneeling bearded soldier in Bedouin style dress clutching a Lee Enfield rifle under his arm, on a stone plinth base, height 27cm, length of camel 22.5cm.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 203
Five Chinese silver 'Immortal' figural scroll weightsChinese character marks to base, stamped 900 Traditional Chinese figures all realistically cast, four male Immortals standing, one female in customary dress seated with stringed instrument, all solid and heavy on flat bases, height largest 7cm, weight total 23.5oz. (5)For further information on this lot please visit Bonhams.com
Lot 273
Elizabeth I (1558-1603), Sixth issue, Pound, mintmark woolpack (c.1594-96), crowned bust in ruff and elaborate dress left, legend reads ELIZABETH DG ANG FRA ET HIB REGINA. Rev, crowned quartered shield of arms, E to left, R to right, legend surrounds SCVTVM FIDEI PROTEGET EAM, 11.16g (S.2534; N.2008; Schneider 799, Brown and Comber F6). Good very fine, bold and well struck.
Lot 63
* English School. Portrait of a Young Woman, bust-length, circa 1830s, oil on panel, depicting a young woman in a black silk dress with lace trimmed collar, bonnet tied with a blue ribbon, wearing onyx earrings and a rose in her hair, a partially torn contemporary handwritten label to verso inscribed ‘[whatever hands these Portraits [should] fall into, please to [take] care of them for ....? Mrs Hopley’s …itle Place, Lewes’, and a printed Rowney & Forster’s pannel board maker’s label to verso, 30.6 x 25 cm (12 x 9 7/8 ins), in a walnut frame, (40.5 x 34.5 cm)QTY: (1)NOTE:Provenance: W. A. Foyle; Christopher Foyle, Beeleigh Abbey.
Lot 134
* Waller (Samuel Edmund, 1850-1903). The Empty Saddle, oil on canvas, depicting a snowy scene with a French soldier in a scarlet coat mounted on a grey steed and leading a saddled brown horse without its rider, to the consternation of a small dog beside and a young lady in a yellow dress swooning into the arms of a woman on the battlements of a large arcaded stone building, 76.5 x 56.5 cm (30 1/8 x 22 1/4 ins), framed (90.3 x 70 cm), plaque to frame with title and attributionQTY: (1)
Lot 97
* French School. Portraits of Regency Beauties, 19th century, two gouache miniatures, both indistinctly signed, one showing the head and shoulders of a young woman with ornately decorated powdered hair, and drop pearl earrings, the second showing the head and shoulders of a young woman dressed in a blue dress with an orange scarf in her hair, 50 x 40mm oval (2 x 1 1/2 ins), both encased in tortoiseshell frame (7.6 x 6.4 cm)QTY: (2)
Lot 287
A collection twenty eight of items relating to the career of Screaming Lord Sutch comprising of a large concert poster measuring 40 x 30in, advertising a concert at the Regal Theatre, Minehead for Sutch and his Horror Rock Show, a flyer advertising a show at the Granada in Grantham from 1961 with Sutch featuring on the bill and measuring 8 x 10in., five black and white promotion pictures measuring 8 x 10.5in. showing Sutch with his band Lord Caeser Sutch and The Roman Empire signed to Kim from David, images of him with Mick Jagger and Noel Redding, a publicity headshot and a Monster Raving Looney Party publicity picture and a box containing 12 home recorded tape cassettes of his 1980s radio show, two pin badges, a Monster Raving Looney Party one pound note, two school photographs, a nice press picture of the Savages in full caveman dress including Richie Blackmore and Nicky Hopkins stamped on the back by Studio E of Torquay, a promotional head shot from Corillion records and a photographic copy of a colour painting of Sutch from 1972, (28) The large poster is painted acrylic and has age related folds and tears which looks superb, the Granada flyer has one small corner fold and is in excellent condition as are the press pictures with the cassette tapes having the usual hand written generic inserts.
Lot 520
Seated half length, wearing a black plumed hat and a white dress with pink sash and pink-ribboned sleeves, oil on panel, mounted oval 27.5 x 22.5cm. * The sitter married Marcus Beresford (1764-1797) in 1791 and she bore him three children. Provenance: Arthur de a Poer Rowbothem [sic]. *CR Some minor surface blemishes; needs a clean to remove discoloured varnish.
Lot 549
Seated half length, wearing a cream dress decorated with lace and pink ribbons, oil on canvas, oval 57 x 46cm. * The sitter was born and died in Somerset. She was the daughter of Anne Rimes and Thomas Lintern and married Charles Lintern (1840-1902), apparently a kinsman. She bore him eight children. *CR Craquelure; stretcher bruises; needs a clean.
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