A Heubach Koppelsdorf bisque headed doll with open mouth, weighted blue eyes and brown hair. Composition body with jointed limbs, marked to the back of the neck Made in Germany Armand Marseille 390 DRGM 246 /1 A.4.M. Dressed in lace bloomers and dress, hand sewn lace socks and hand stitched leather shoes. 22 inches / 56cm tall, an Armand Marseille bisque headed miniature doll with open mouth, fixed blue eyes and blonde hair. Soft material body with composite hands, marked to the back of the neck 3200 10/OX DEP. 11inches / 28cm tall, four various dolls, two material, one rubber and one plastic and four dolls, two with jointed kid leather bodies, some bisque headed.
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Great BritainQueen Elizabeth II Issues1968 Christmas9d. Girl with doll's house, variety turquoise-green (dress) omitted, contained in an unmounted mint vertical pair with normal (turquoise-green partly omitted), from the lower left corner of the sheet with plate numbers, unmounted mint; fine. The unique example of this error. Brandon Certificate (1996). S.G. 776b, £20,000. GBR 1552b, £20,000. Photo Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Early 19th century British school, a rectangular head and shoulder miniature portrait of a young lady in lace dress and blue stole, in the manner of Mrs Ann Mee, unsigned, oil on ivory panel, W. 8cm x H. 10.5cm. Provenance: Christies, South Kensington, 15th December, 2000, sale no. 8968, lot no. 71.
THOMAS COOPER GOTCH, R.B.A., R.I., R.W.A., P.R.B.C., N.E.A.C. (1854 - 1931) Framed, signed, watercolour on paper, full length portrait of a young girl with long loose hair in purple dress. The sitter is possibly the artists`s daughter, Phyllis Marion Gotch, who is known to have modelled for a number of her fathers paintings, 37cm x 24cm. Provenance: Private Collection.
Two portrait miniatures on ivory, one rectangular framed, signed, `Vittoré`, c.1840, showing a lady in red satin dress with ringleted hair and pearl head band, the other showing an oval portrait of a girl with long loose hair in blue dress and headband after John Comerford`s portrait of Mary Tighe (1772 - 1810) Comerford took the original composition from a portrait by George Romney, although he omitted the white turban. The miniature was later engraved by both Scriven and Caroline Watson, being used for the frontispiece of Mary Tighe`s posthumous publication of `Pysche`, 8cm x 6cm and 8.5cm x 6cm, (2).
Six unframed, portrait miniatures on ivory, two early 20th Century oval portraits of young ladies, an oval Victorian portrait miniature on ivory showing a woman in 17th Century costume, a rectangular and an oval portrait, both showing 17th Century style gentleman, a rectangular portrait on ivory of a seated lady in white dress and an oval unframed, watercolour on paper, portrait miniature of a Victorian lady in profile, dated verso, `10 April 1826, age 21`, average: 7cm x 5.5cm, (7).
Four portrait miniaures, to include an oval framed, portrait miniature on ivory, showing a young woman in Regency costume with white veil, an unframed, rectangular portrait miniature on ivory, showing a woman in profile with white cap, inscribed verso, `Mrs Sophie E Haldinand, Jan 8/ 1840, a rectangular framed, oval portrait miniature on ivory of a Victorian lady with high knecked black dress, and white bonnet with roses, and an unframed, oval watercolour on paper, showing a young infant in blue bonnet, 7cm x 5.5cm, 10cm x 8cm, 6.5cm x 5.5cm and 10.5cm x 8cm.
Five framed, portrait miniatures on ivory, to include a pair of oval, early 20th Century watercolours on ivory, each showing a young lady in 18th Century costume, inscribed verso, `Mrs Mary Mary Robinson, Sam Shelley` and `Lady Augusta Campbell, John H? Benwelli`, a pair of oval framed, 20th Century watercolours on paper, one signed, `A. Boy`, showing a royal figure, wearing crown, pearl earrings and necklace and ornate dress, the other signed `P. Rove`, showing a gentleman in 16th Century costume, holding a book, and a rectangular watercolour on ivory, 19th Century portrait of a woman in white lace bonnet and cloak, 6.5cm x 5.5cm (x2), 8cm x 6.5cm (x2) and 7.5cm x 6cm, (5).
A 19th Century Vienna porcelain lidded tankard of cylindrical form enamelled with figures in Renaissance dress on a peacock blue ground with raised gilt decoration, the lid decorated with classical maidens to top with man and woman to interior, gilt metal mounts, underglaze blue mark, approx. 27cm high
An early 20th Century horn and silver dress powder flask with the end mounts having relief Celtic decoration with scrolls edges with one mount set with a oval claw set Cairngorm stone, the centre of the flask body having `Otium Cum Dignitate` motto with silver large link silver chain. Flask hallmarked Edinburgh 1908 with makers initials G.P, possibly George Paton with each link of the chain having Edinburgh assay mark.
A parcel lot of ceramic figures to include three by Royal Doulton, Jack point HN 610 by C Noke A/F, Autumn breezes HN 1934 by L Harradine, Buttercup HN 2309 by P Davies, Kathlyn by Paragon, Miss Lavinia by Adderley, Macgregor by Radnor, Dresden lace figure, Staffordshire figure of two girls with wreaths in Highland dress and two others (10).
A lady's 15ct gold and enamel mourning ring set with a seed pearl and two old cut diamonds, size N, 2.3g, an Art Deco 18ct gold, sapphire and diamond set ring, size M, 3.1g, further 18ct gold, platinum and diamond ring, 2.3g, four 9ct gold and gem set dress rings, and a gold, amethyst and seed pearl set pendant, 12.1g. (8)
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