20th century Swiss Reuge Sainte Croix automaton, modelled as a young girl in pink and cream lace trimmed gown seated at a piano poised to perform, the doll with bisque head and composition hands moving with the music to simulate playing the piano, upon a sage green velvet covered plinth, of square form with canted corners and wind up key to back, and four turned feet, with label beneath detailed 'Reuge Music Sainte Croix Switzerland, Eine kleine Nachtmusik - Allegro W. A. Mozart , Minuet - Don Juan W. A. Mozart', overall approximately H34cm base W20cm D20cmCondition Report:General wear commensurate with age and use. Figure's hair is in disarray, and areas of dress are slightly discoloured and marked. Key winds and automata appears to play fine.
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A precious yellow metal, sapphire and diamond oval dress ring, having galleried white metal head claw set oval mixed cut sapphire to centre bordered by twelve round brilliant cut diamonds (estimated sapphire weight approx. 3.00 carats, estimated total diamond weight approx. 1.80 carats), (yellow metal assessed as 18ct, gold), gross weight 6.0g, size UK P 1/2.
Zwei Porzellangruppen, Kinderpaare, 2.H.20.Jh.: 1x Unterweißbach: Knabe mit Mädchen im Spitzenkleid als galantes Paar, Modellnr. 8815, im Orig.-Karton, H.ca. 12 cm; 1x Sitzendorf, Mädchen in Spitzenkleidchen auf einer Wippe, applizierte Blümchen, auf dem Grassockel, ca. 14.5x22.5 cm, min. an den Spitzen best.Two porcelain groups, pairs of children, 2nd half of the 20th century: 1 of Unterweißbach: boy with girl in a lace dress as a gallant couple, model no. 8815, in the original box, H.ca. 12cm; 1 of Sitzendorf, girl in lace dress on a seesaw, applied flowers, on the grass base, approx. 14.5x22.5 cm, slightly damaged at the laces
Porzellangruppe, Unterweissbach, 20. Jh., galante Gruppe, Würdenträger mit Dame, aufwendige polychrome Bemalung, Echtvergoldung, aufwendiges gebauschtes Porzellanspitzenkleid und Rüschen aus Porzellan, Rocaillensockel, ca. 23 x 33 x 23 cm, min. best.Porcelain group, Unterweissbach, 20th century,gallant group, dignitary with lady, elaborate polychrome painting, genuine gilding, elaborate puffed porcelain lace dress and ruffles made of porcelain, rocaille base, approx. 23 x 33 x 23 cm, slightly dam.
Aelteste Volkstedt tanzende Fanny Elßler im Rüschenkleid, dancer in frill dress,Porzellan, Thüringen, am Sockel mit blauer Firmenmarke, mit Schleifstrich, Entwurf von Hugo Meisel (1887-1966), Franziska "Fanny" Elßler (1810-1884), war eine weltberühmte österreichische Ballerina der Romantik, H 19,5 cm x B 12 cm x T 9 cm, Abbr. Rüschen, Beine rest.
GRÜNDERZEIT 4 Puppenstubenpuppen des 19. und frühen 20. Jahrhunderts. bestehend aus einer männlichen Puppe mit Biskuit-Brustblattkopf, bemalte, blaue Augen, Bart und Haare modelliert, Körper aus Stoff, untere Gliedmaßen aus Porzellan, zeitgenössische Kleidung der Gründerzeit mit Stehkragen, Weste, Sakko und Hose aus Baumwolle, H 16 cm und 3 weibliche Puppen, je mit Buiskuitporzellan-Brustblattkopf: 1. Puppe mit rotem Samtkleid und Hut, dunkle Glasaugen, geschlossener Mund, Perücke mit Hochsteckfrisur, Stoffkörper mit Gliedmaßen aus Porzellan, modellierte Schuhe, linke Fußsohle min. besch., H 18 cm. 2. Puppe mit braunem Samtkleid, Porzellanvollkopf, am Hinterkopf unleserlich gemarkt "60"?, Perücke mit Hochsteckfrisur und Hut, Stoffkörper, Gliedmaßen aus Porzellan, rechter Fuß geklebt, H 17 cm, dazu eine weibl. Figur mit Midi-Seidenkleid und Hut, (Kleidung frühes 20. Jh) Augen und geschlossener Mund bemalt, Arme mit gebeugten Ellbogen und Unterbeine aus Porzellan, Daumen min. besch., fest fixierte Perücke mit Fehlstellen, H 15, 5 cm.| HISTORICISM consisting of a male doll with bisque shoulder head, painted blue eyes, modeled beard and hair, body made of fabric, lower limbs made of porcelain, contemporary Wilhelminian clothing with stand-up collar, waistcoat, jacket and trousers made of cotton, H 16 cm and 3 female Dolls, each with Buiskuit porcelain shoulder headed doll: 1st doll with a red velvet dress and hat, dark glass eyes, closed mouth, wig with pinned-up hairstyle, fabric body with porcelain limbs, modeled shoes, left sole of foot slightly damaged, H 18 cm. 2. Doll with brown velvet dress, full porcelain head, illegibly marked "60" on the back of the head?, wig with updo hairstyle and hat, fabric body, limbs made of porcelain, glued right foot, height 17 cm, with a female figure with midi silk dress and hat, (clothing from the early 20th century) eyes and closed mouth painted, arms with bent elbows and lower legs made of porcelain, thumbs slightly damaged, fixed wig with missing parts, H 15.5 cm.
PADUA, PAUL MATHIAS (Salzburg 1903-1981 Rottach-Egern), "Portrait von Paduas zweiter Frau..." Ingeborg Wittmann, gen. Androuschka in schulterfreiem Kleid in einem Sessel sitzend, zu ihren Füßen ihr Hund, u.re. signiert und datiert 'Padua 50', Öl/Leinwand auf Hartfaserplatte aufgezogen, HxB: ca. 65x49 cm (90x75 cm mit Rahmen). Restauriert und Altersspuren. Mit Rahmen, mit Plakette mit Künstlerbezeichnung (Alters- und Beriebspuren an den Kanten). VERSO Reste eines Etiketts. ANBEI Kopie der Gemäldegalerie am Schlossgarten, Stuttgart. mit Kaufpreis DM 19.400.| PADUA, PAUL MATHIAS (Salzburg 1903-1981 Rottach-Egern), "Portrait of Padua's second wife..." Ingeborg Wittmann, called Androuschka, in a strapless dress sitting in an armchair, her dog at her feet, signed and dated 'Padua 50', oil/canvas mounted on hardboard, HxW: approx. 65x49 cm (90x75 cm with frame). Restored and signs of age. With frame, with plaque with the artist's name (signs of age and wear on the edges). VERSO remains of a label. Attached is a copy of the Picture Gallery at the Schlossgarten, Stuttgart. with purchase price DM 19,400.
BRU Puppenautomat, Ende 19. Jh. Mädchen am Spinnrad stehend, im Nacken gemarkt "BRU", Porzellankurbelkopf, festsitzende, blaue Glasaugen, geschlossener Mund in Herzform, durchstochene Ohrlöcher, blonde Perücke (nur noch stellenweise erhalten). Der Körper besteht aus einem Holzgestell (tlw. mit Watte umwickelt), die Hände aus Porzellan. Die helle Baumwollkleidung ist ergänzt, der Körper in Kleid und Unterhosen eingenäht. Die Puppe steht auf einem quadratischen, mit grünem Samt überzogenem Podest. Das Musikwerk spielt eine Melodie beim Drehen des eingesteckten Schlüssels und die Puppe hebt beide Arme nach oben und bewegt den Kopf nach links. Der Spinnfaden war in die Handfläche geklebt, hängt nun lose. Eine Handfläche mit Kleberesten und Fadenrückständen, die Andere mit einem kl. Brandriss. Klebereste an der Perücke, Kinn min. berieben, (ähnelt einem Grübchen), Alters- bzw. Lagerspuren. H 40 cm (mit Sockel).| BRU doll machine, late 19th century, Girl standing at the spinning wheel, marked "BRU" on the back of her neck, porcelain crank head, fixed blue glass eyes, closed heart-shaped mouth, pierced ears, blonde wig (only partially preserved). The body consists of a wooden frame (partly wrapped with cotton wool), the hands are made of porcelain. The light cotton clothing is supplemented, the body is sewn into the dress and underpants. The doll stands on a square pedestal covered with green velvet. The musical mechanism plays a melody when the inserted key is turned and the doll raises both arms and moves its head to the left. The thread was stuck in the palm of the hand, now it hangs loose. A palm with glue residue and thread residue, the other with a small fire crack. Glue residue on the wig, chin slightly rubbed (similar to a dimple), signs of age and storage. H 40 cm (with base).
Kleine Puppe, unbek. Hersteller, um 1900Mädchen. Porzellan-Kurbelkopf, gemarkt "62", blaue Schlafaugen, gemalter Wimpernkranz, Brauen, Nasenlöcher und Mund. Leicht geöffn. Mund mit oberer Zahnreihe, Kinn-und Oberlippengrübchen. Blonde verschnittene Perücke. Massekörper mit Kugelgelenken, röhrenförmige Oberschenkel, partiell Rissbildung / Krakelee. L. 34 cm. Schönes altes Kleid mit Erhaltungsmängeln, keine Schuhe. Doll with porcelain head, marked "62", blue fix glass eyes, closed mouth. Blond hair. Composition body with craquelee in parts. Unknown producer, ca. 1900. Nice old dress, lacks of condition.
ANN MACBETH (BRITISH 1875-1948) VERY PROBABLY A STUDY OF ISADORA DUNCAN Gouache and charcoal, signed and dated 1912, 39 x 27cm (15.25 x 10.5") Inscribed with the Artist's address on the backing board Ann Macbeth belonged to the group of women artists and designers active in Glasgow in the late 19th and early 20th century, known as the Glasgow Girls. These remarkable women had attended the Glasgow School of Art and were central to the development of The Glasgow Style. After graduating from the Glasgow School of Art, Ann Macbeth became a member of staff, teaching embroidery, book binding, metalwork and ceramics; in 1908, she took over from Jessie Newbery as head of the department of embroidery and during this time produced important publications. She was a key part of the suffragette movement and was involved in the design and embroidery of their banners. She was also a skilled watercolourist and exhibited nationally and internationally. Many of her works are in Glasgow Museums? collections, and in 2018, her ceramics and embroideries were exhibited at the Kelvingrove Art Gallery and Museum, in their exhibition ?Making The Glasgow Style?. Condition Report:On close inspection there is what appears to be a vertical repair to the paper, approximately 2 centimetres in length, in proximity to the lower left corner area, the paper is generally slightly uneven in appearance, a few small spots of foxing observed and there are two small cracks in the thick white pigment located upper right area of the torso on the on the dress.
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