There are 228188 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe18ct Gold Attractive Emerald and Diamond Set Dress Ring. Full Hallmark to Interior of Shank. The Emerald of Good Colour and Clarity. Flanked by Two Tear Drop Shaped Diamonds of Good Colour and Clarity. Est Diamond Weight 0.50 pts. Ring Size L. Weight 4.5 grams. Setting / Shank Excellent - Please Confirm with Photo.
18ct Gold Attractive Ladies Diamond and Sapphire Set Dress Ring - Of Square Form Full Hallmark To Shank. The Central Blue Sapphire Surrounded By 8 Round Faceted Diamonds Of Good Colour & Clarity. Est Diamond Weight 0.30 pts. Ring Size (O) Weight 5.3 grams. Shank & Setting Excellent Condition.
Ladies 18ct Gold Attractive 3 Stone Emerald and Diamond Set Dress Ring. Marked 18ct to Shank. The Central Step-cut Emeralds as Scratches to Centre - Requires Re polishing, The Two Outer Brilliant Cut Diamonds of Excellent Colour / Clarity. Each Estimated at 0.60 pts Each - 1.20 cts. Ring Size O. Weight 4.8 grams. Shank / Setting Excellent Condition.
Ladies - 18ct White Gold Contemporary Designed Superior Quality Diamond Set Dress Ring. The Central Brilliant Cut Diamonds with Baguette Cut Diamond Shoulders. All Diamonds of Top Colour and Clarity. Diamond Weight 0,56 pts - Marked to Interior of Shank. Ring Size L. Weight 4,8 grams. Shank / Setting as New - Please Confirm with Photo. Low Estimate for This Quality.
Small Collection of Costume Jewellery, comprising a silver dress ring set with a large semi-precious teal clear stone, size M, a pair of Art Deco drop earrings set with jade colour stones, and a silver coin and rock crystal round pendant with 'Votes for Women' on the back of the coin. Suspended on a silver chain, length 20".
18ct Gold - Superb Quality Modern Brilliant Cut Single Stone Diamond Set Dress Ring. Full Hallmark to Interior of Shank. The Modern Round Brilliant Cut Diamonds of Top Colour and Clarity, Superb Cut. Est Diamond Weight 0,55 pts. Ring Size M. Weight 3.4 grams. As New Condition both Shank / Setting.
Ladies - Fine Quality 18ct Gold Diamond and Emerald Set Dress Ring. Stamped 750 - 18ct to Interior of Shank. The Well Matched Emeralds of Excellent Colour / Clarity. The 14 Round Faceted Diamond Also of Excellent Colour / Clarity. Est Weight of Emeralds 0.50 pts, Est Weight of Diamond 0.36 pts. Ring Size P. Weight 5 grams. Shank / Setting Very Good.
Ladies Attractive Quality 14ct White Gold Diamond Set Dress Ring. Marked 14ct to interior of shank. The four central Princess cut diamonds surrounded by 16 small brilliant cut diamonds which extend down the shoulders. The diamonds of good colour and clarity. Est. diamond weight 0.75 cts. Ring size M-N. Weight 5.0 grams. Full hallmark to interior of shank. Shank - setting excellent condition.
William Frederick Yeames R.A 1835 - 1918 Oil Painting on Canvas - Titled ' The New Dress ' c.1861. Artist, Title and Date to Mount, Framed. Size with Frame 41 x 33 Inches, Painting Size Only 29 x 20 Inches. Relined and Cleaned - See Label, Cracks to Top Section of Painting - Please Confirm with Photo. Provenance - From a Deceased's Estate.
A Royal Engineers Volunteers Officers Home Service Helmet early 20th century, dark blue cloth body cork helmet with volunteer pattern officers home service helmet plate, having central scroll blanked, silvered rosette side bosses, cruciform spike base with rosettes and officers fluted spike, leather sweatband and crimson cloth lining to interior, housed in original tin hat box, together with a leather binoculars pouch, pair of white dress gloves and a portapee. * Provenance: Helmet belonging to A.W. Bowerbank, Engineers, later joining C & A Parsons, developed steam turbines for Cunard, then worked on National grid of Canada and later Battersea Power Station. *Light wear, missing chin strap, tin with rust, overall good.
A large Meissen biscuit porcelain figure - The Chocolate Girlfor restoration, late 19th / early 20th century, blue crossed swords and incised 'V.86.50.40', 15in. (38cm.) high, old repairs and losses; together with a Berlin Porcelain figure of a bird lady, on a square base with foliate feet, blue arrow and impressed cross marks, 13 ¾in. (35cm.) high, losses. (2). *Meissen: Head and left arm have been off and have glued repairs. Lacks tray and fingers from both hands. chips around edge of bonnet, one to point at back of collar, one to ruffle at back of dress and one to left lower corner of petticoat. - Berlin: Several losses to the wings on the pigeons and Two complete birds missing - one from her right arm, the other from the sack of grain. Small chips to Two feet.
CIGARETTE & TRADE CARDS - ASSORTED sets and part sets, comprising Lambert & Butler, 'Motor Cycles', 1923 (50/50); Wills, 'Merchant Ships of the World', 1924 (50/50); Daily Ice Cream Co., 'Modern British Locomotives', 1954 (24/24); Wills, 'Railway Engines', 1924 (50/50); Gem Library, 'Marvels of the Future', 1929 (16/16); Player, 'History of Naval Dress', 1930 (50/50); Wills, 'Romance of the Heavens', 1928 (50/50); Carreras, 'Tools and How to Use Them', 1935 (50/50); and others, (two albums).
Eleven porcelain figures, including three boxed Royal Doulton, comprising 'Jessica' (Figure of the Year 2018), 'Evening Rendezvous', and 'Festive Memories (Christmas Day 2016)' with four unboxed Doulton examples comprising 'Irish Charm Pretty Ladies', 'Special Occasions', 'Margaret', and 'Topaz' (from the Gemstones Collection), also four Coalport figures, comprising 'Ladies of Fashion, Dorothy', 'Classic Elegance, Gentle Breeze', 'Sentiments, My Love', 'Sentiments, Thinking of You' (11)Condition Report: 'Thinking of you' with over glazed chip to dress, otherwise each in good condition.
ROYAL WORCESTER: five figures comprising 'Queen Victoria' no.752/4500, 'A Tribute to her Gracious Majesty Queen Elizabeth, The Queen Mother' no.4766/7500, 'Queen Elizabeth, The Queen Mother' in her Coronation robes, no.36/4500, 'The Order of the Garter', no.159/4500, 'Mary Queen of Scots' no.1415/4500, each in oval wooden plinth base and with outer cardboard box.Condition Report: All in good condition with the exception of Queen Elizabeth, The Queen Mother in pink dress which has a large crack running through the figure.
Cornelis Jonson van Ceulen I (London circa 1593-1661 Utrecht)Portrait of a lady, said to be Lady Sidley, in a black dress slashed to reveal white, within a painted stone oval remains of initials and date 'C J/ ***' (lower right)bears early inscription '*ady Sidley/ *ainted by/ *anSsn.1624.' (on reverse)oil on panel76.2 x 60.8cm (30 x 23 15/16in).Footnotes:ProvenanceThe Collection of Pryse Loveden, Buscot Park, OxfordshireWith Henry Graves & Co., London, 1859Private Collection, UKThe identifying inscription on the reverse suggests that the present portrait depicts a Lady Sidley. In his notes on the work in 1859, Sir George Scharf suggests that she may be identified as Elizabeth Savile (born circa 1595) who married Sir John Sedley, 2nd Bart. (1597-1638) in 1613. He also notes that the work was dated 1624, as is confirmed by the early inscription on the reverse of the panel.We are grateful to Prof. Karen Hearn for her assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com
After Nicholas Hilliard, circa 1600Portrait of George Clifford, 3rd Earl of Cumberland, bust-length, in armour bears inscription and date 'George Clifford Earle/ of Cumberland 1588' (centre right)oil on canvas73.6 x 61.7cm (29 x 24 5/16in).Footnotes:The present portrait is a rare, early version of the portrait that is related to the composition of circa 1590 by Nicholas Hilliard, which is a full-length miniature (now in the National Maritime Museum, Greenwich; inv. no. MNT0193). An oil version, on panel, in the same bust-length format, is in the Bodleian Library in Oxford (inv. no. LP58; acquired some time between 1705 and 1759). The National Gallery in London have a 19th century copy of this same bust-length format (see: Sir R. Strong, Tudor and Jacobean Portraits, London, 1969, vol. I, p. 57, ill, vol. II., pl. 103). An equestrian portrait of the sitter in similar costume by Thomas Cockson is also known (British Museum, inv. no. 1849,0135.3), which is inscribed: 'AN EXPLANATION OF THE SVRPRISE OF THE TOWNE OF PVERTO RICO BY THE EARLE OF CUMBERLAND IN ANo 1598 the 15th May', and which was engraved circa 1598-99. George Clifford, 3rd Earl of Cumberland (1558-1605) was a favourite at the court of Elizabeth I. He commanded a ship at the Armada in 1588 and fitted out ten privateering expeditions against Spain and Spanish America between 1586 and 1598, sailing personally with those of 1589, 1591, 1593, and 1598. He is depicted here in tournament fancy dress, probably as the Queen's champion, an office to which he succeeded in 1590. The armour he is wearing in the portrait still survives and is in the Metropolitan Museum in New York.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Attributed to Marcus Gheeraerts the Younger (Bruges 1561-1635 London)Portrait of a girl, half-length, in an embroidered dress with yellow lace, holding a cat, within a painted oval dated '1616' (upper right)oil on panel57.2 x 43.8cm (22 1/2 x 17 1/4in).Footnotes:ProvenancePossibly, the Nightingale family, Yorkshire and Derbyshire, early 19th Century and thence by descent to the present ownersIn its treatment, the present portrait displays the attributes that made Gheeraerts the premier painter in the late-Elizabethan and early-Jacobean court: beautiful drawing, soft modelling and a skilful manipulation of paint to mimic the texture and properties of various surfaces and materials. It was not unusual for Gheeraerts to depict his portraits in a similar brown feigned oval, such as his portrait of Catherine Killigrew, in the Yale center for British Art, and his celebrated portrait of Queen Anne of Denmark's jester, Tom Derry, which is in the National Portrait Gallery in Edinburgh. It was only during the period between circa 1615 and 1620 that it was fashionable to dye lace yellow, as seen in the present portrait and, for example in the Portrait of Thomas Pope by William Larkin that was sold in these rooms on 5 July 2017, lot 45 (fig.1). The sitter is wearing a necklace of what may be coral beads, which were worn by children to protect them from misfortune. Gheeraerts had lost but two of his six known children and was known for the 'sweet melancholy' of his paintings: there is a charming portrait of a boy aged two by Gheeraerts at Compton Verney. While the cat could indicate a variety of attributes, in this instance it was most likely intended to symbolise calm domesticity and comfort.For further information on this lot please visit Bonhams.com
9ct gold paste set dress ring (in part Victorian and later banded), size M, gross weight approx. 2.5g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Unusual hand made South African tiger's eye dress ring, cabochon stone set within a deep mount pierced with hunters and Springbok, size M, gross weight approx. 9.7g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Topaz dress ring, the oval cut stone approx. 14mm x 12mm, in yellow metal wirework mounts and ring, unmarked, size L, gross weight approx. 4.9g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Garnet five stone ring, in 18ct gold, size Q, gross weight approx. 4.3g; also a lozenge cut garnet ring centred with a tiny diamond in unmarked yellow gold, size O, gross weight approx. 2.5g; a Victorian 18ct gold and pearl dress ring, London 1881, size O, gross weight approx. 3.2g; 9ct gold aquamarine dress ring, the stone 11mm x 8mm, size O, gross weight approx. 3.4g; and a 9ct gold and carved jade dress ring, detailed with fruits, size N, gross weight approx. 2.9g (5) (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Jessie Furber (active early 20th Century), Portrait of a lady in a silk brocade dress, oil on canvas, signed and dated 1915, 59cm x 48cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Loading...
