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AN ART DECO DIAMOND AND SAPPHIRE DRESS RING, three old-cut diamonds in milgrain settings within a pierced hexagonal border of calibré-cut sapphires and round-cut diamonds. Estimated total diamond weight 1.20ct, ring size J, 4.2 gramsGood condition, the diamonds to the frame are a mixture of eight-cut and old-cut, some may be replacements. Estimated diamond colour: H/I; estimated clarity: SI1.SI2. Not hallmarked or stamped but in our opinion would test as gold.
A LARGE FANCY COLOURED DIAMOND DRESS RING, floral clusters of round brilliant-cut white, yellow and champagne coloured diamonds in claw settings, to a pierced shank. Estimated total diamond weight 12.50ct, ring size P1/2, 5.8cm by 3.5cm, 29.5 gramsGood overall condition. Estimated clarity: SI1/SI2
Assorted linen, textiles and costume, comprising: an embroidered table cloth, table linen, some with coloured embroidery, large Paisley throw with black centre and woven to the borders, circa 1920's mauve chiffon sleeveless drop waist dress, Chinese embroidered black silk jacket, mother of pearl fan etc (one box)Dress - has a couple of holes and stitched repairs, general wear. Embroidered jacket - both sleeveholes are worn, holes and seams loose/pull. Paisley has a couple of small holes overall and wear. Mother of pearl fan is in pieces.
A Nymphenburg white figure of Anselmo, circa 1760Modelled by F.A. Bustelli, standing leaning on a stick, hunched forward slightly, bringing his left forefinger to his mouth in a silencing motion, wearing a hat, three-quarter length cape, lace collar, jacket and breeches, scroll-moulded base, 17.5cm high, impressed shield mark on top of base (finger and stick restored, section of base next to foot restuck)Footnotes:Provenance: European Private Collection since circa 1980Bustelli created 16 paired figures from the Commedia dell'Arte which appear in the factory's Inventory of Moulds in 1760. The source for this figure is a copperplate engraving by Martin Engelbrecht (dated to the mid 18th century, titled Sieur Geronte) a copy of which is known to have been in Bustelli's possession. Anselmo is depicted as an older man, soberly dressed, wearing a cape and holding his hat and cane. Bustelli animated his character and paired him with Corinne, the lady's maid who stands reading or singing aloud. His gesture to her hints at intrigue and may be to warn her to whisper or stop making a noise. Not much is known about the role of Anselmo, but some clues can be found in the dress and name of the figure as published by Engelbrecht. The clerical style of his hat and dress have led him to be named as the Abbé, or, as in the case of the Engelbrecht print 'Sieur [Seigneur] Géronte'. Géronte appears in Molière's Les Fourberies de Scapin or Scapin the Schemer, a three-act comedy of intrique, first staged on 24 May 1671 in the theatre of the Palais Royal in Paris. In the play, Scapino taunts Géronte and asks 'Quoi! jé n'aurai pas l'abantage dé tuer cé Géronte? et quelqu'un, par charité, né m'enseignera pas où il est? [What! I won't have the privilege of killing that Geronte? and someone, out of pity, will not tell me where he is?], and an exasperated Géronte answers: Ah! Scapin, je n'en puis plus. [Ah! Scapin, I can't take it anymore.]Two other examples of this rare model, one decorated in black enamel and another in the white are in the Bayerisches Nationalmuseum , Munich, and are illustrated by Katharina Hantschmann, Alfred Ziffer, Franz Anton Bustelli, Nymphenburger Porzellanfiguren des Rokoko, Exhibition Catalogue, 24 November 2004 - 13 March 2005 Munich, 2004, pp. 306 and 307. For another example of the figure see R. Rückert, Bustelli Munich, 1963, pl. 40. Another Anselmo is in the collection of the Victoria and Albert Museum, London.The most recent example of this rare figure to have been sold at auction appeared at Christie's London, 6 November 2008, lot 290, from a South German private collection.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A very rare Capodimonte group of a courting couple (Il Cortaggiamento), circa 1750Modelled by Giuseppe Gricci, the gentleman wearing a long wig, and white robes over a black costume, his seated companion wearing a green hat, yellow dress, underskirt decorated with purple flowers and green shoes, 16cm high (her arms restored (not replaced), small spot of restoration on his sleeve)Footnotes:Provenance:Antique Porcelain Company (label to underside);European Private Collection since the 1980sLiterature:A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), no. 110, col. pl. XXXVExhibited:Naples, Museo Archeologico Nazionale, 'Le Porcellane dei Borbone di Napoli: Capodimonte e Real Fabbrica Ferdinandea 1743-1806', 19 December 1983-30 April 1987This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Capodimonte figure of a milkmaid from the 'Voci di Napoli' series, circa 1750Modelled by Giuseppe Gricci, wearing a green bonnet and gilt-edged yellow dress with manganese border and gilt bow, holding a silvered pail with an urn and silvered cover at her feet, 18cm high (restoration to bonnet)Footnotes:Provenance:European Private Collection since the 1980sA similar figure is in the Duca di Martina Museum in Naples, published by A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), no. 131, col. pl. XLIb. Another example was sold in these Rooms from the Fiordalisi collection, 7 December 2017, lot 32.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen outside-decorated figure of a sleeping lady, late 19th centuryAfter the 18th century model by M.V. Acier, asleep on a chair, her arm resting on a tall table beside her, her shoes next to her feet, wearing a white dress with pink flowers, blue apron and yellow shawl, 19cm high, crossed swords mark in underglaze-blue with two incised cancellation marks, incised model number E58, impressed numerals and painter's number (minor chips)Footnotes:Possibly after 'La philosophie endormie' by Jean-Baptiste Greuze, etching by Jean-Michel Moreau, le jeune.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, on fine laid paper without watermark, platemark 94 x 63 mm (3 3/4 x 2 7/8 in), sheet 100 x 68 mm (3 7/8 x 2 5/8 in), minor spotting, printers' crease visible in the upper left corner (unframed)Literature:Bartsch 26; New Hollstein 210 iii/iii
A Roman pottery Samian Ware bowl Circa 1st-3rd Century A.D.The Gaulish Red Slip Ware bowl of Dragendorff Form 42, the rim with foliate barbotine decoration, a maker's mark in the form of a cross on the underside of the base, 16.5cm diam; nine Samian ware bowl fragments, mainly of Dragendorff Form 37, the Gaulish Red Slip Ware fragments variously decorated, the largest fragment moulded with a band of ovolo, then elaborate scrolls, two circular medallions beneath, one with a seated figure holding a bowl, the other with nude winged eros, an elaborate foliate motif between, flanked on either side by recumbent deer, 18cm x 11cm, marked with collector's number GRA/38 in black ink; another fragment with vine leaf and tendril design below a band of ovolo, two original lead repairs remain, 11cm x 9.2cm, marked with collector's number MDV/1 in black ink; another fragment with a figure of a standing soldier in legionary dress with a partially preserved gladiator, 6.4cm x 6.4cm; another with a leaping horse, the foreparts of another animal preserved behind, 10.3cm x 8.6cm; another fragment depicting a woman standing on a plinth alongside a hare within a medallion, 10.5cm x 9.1cm; another with hunting scene, 9.6cm x 10.4cm; and three smaller fragments: an ivy leaf, a partially preserved female bust and ovolo, and a North African Red Slip Ware vessel rim fragment, with an appliqué of a running bear, 13.5cm x 6.6cm (11)Footnotes:Provenance:Property of a private collector, Edinburgh (1938-2021).Samian Ware fragments: Four acquired from Bernard C. Pickard, Dorset, in November & December 1986 & October 1988. The vine leaf tendril noted to have come from the habitation site at Les Martres de Veyre, Central Gaul. The soldier fragment found in the Thames, London. The horse fragment and the hare fragment noted to be from Lezoux, Central Gaul. The North African rim with bear decoration acquired from John Cummings, Grantham Lincolnshire, June 1993, his list no.A156.For further information on this lot please visit Bonhams.com
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228098 item(s)/page