A court sword by Boutroy & Son, with slender triangular section blade, length approx 78.5cm, etched with trophy of arms, foliage and scrolls, cut steel hilt with double chain knuckle guard, in its steel mounted leather scabbard, together with a velvet court dress uniform, contained in its japanned metal case.
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A German-made dress sword by W.K. & C., with straight double edged blade, length approx 84cm, etched with trophy of arms, foliate scrolls, etc, brass hilt, the shellguard cast with reclining lion, dark hardwood grip with chequered and reeded panels, with its bullion dress knot and brass mounted leather scabbard.
A group of four Second World War medals, comprising 1939-45 Star, Burma Star, Defence Medal and War Medal, with the corresponding dress miniature medals, R.A.F. officer`s cap badge, bomb aimer`s wing, two parachute wings, Burma Star Association lapel badge, shoulder tabs, photographs, etc, all relating to Flight Lieutenant Albert J. Cassell R.A.F. Airborne Control Unit.
A Defence Medal, War Medal and Elizabeth II Coronation Medal trio, with the corresponding dress miniature medals, two British Red Cross Society Medals to `07328 G. Lloyd Hood` and `29738 G.L. Hood`, an Officers Training Corps Medical Unit Haldane Medal to `O. Cdt. R.S.M., E.L.O. Hood`, 1938, further Red Cross badges, flashes, etc.
A 1939-1945 Star, Burma Star, 1939-45 Defence Medal, 1939-45 War Medal, United Nations Medal with bar `Korea`, General Service Medal, Elizabeth II issue, with bar `Malaya` to `Capt. R.F.M. Wassner. R.A.S.C.` (with official corrections to the impressed naming) and Efficiency Medal, George VI issue, with bar `Territorial` to `Lt. R.F.M. Wassner. Indian. Army.`, mounted on a bar as worn, the corresponding ribbon bar and seven dress miniature medals, mounted as worn, Royal Army Service Corps and Royal Indian Army Service Corps officer`s issue badges, anodized buttons, two small brass RASC buttons, a pair of RAISC brass collar badges, five brass small pips, two major`s crowns, a T.A. lapel badge and two brass cap badges.
A French fashion doll, circa 1870, with blonde wig, fixed brown glass eyes, painted eyebrows and lashes, pierced ears, closed mouth and kid body, height approx 40cm, wearing a lace-edged hat, long-trained dress, undergarments and shoes, together with a small collection of other dolls` clothes and a pine box.
A French composition head and shoulder young girl doll, with brown wig, painted eyebrows and lashes, fixed brown eyes and open mouth showing upper teeth, the fabric body with composition lower limbs, height approx 25cm, wearing a lace hat and lace-edged dress, together with a wax head doll, clothed.
A Derby style figurine, modelled as a lady in 18th century dress holding a fan wearing a cobalt blue coat standing upon a gilt decorated plinth base, height 25 cm, together with a Derby style figurine, modelled as a gentleman in 18th century dress wearing a turquoise robe standing upon a plinth base, height 26 cm, (A/F), (2).
Circle of Jonathan Richardson I 1665-1745- Portrait of a Lady three-quarter length in a blue dress; oil on canvas, Note: The overall treatment of this painting would appear to be consistent with the artists output. The handling and style reflecting the fashionable taste of the larger studios in the late 17th century especially that of Sir Godfrey Kneller.
A George II brass mounted ebonised table clock with pull quarter repeat and alarm Charles Clay, London, circa 1730 The substantial seven finned pillar twin fusee movement with verge escapement, rise/fall regulation, pull quarter repeat on six bells and alarm sounding with three small hammers on the hour bell, the backplate measuring 8.5 by 7 inches engraved with a figure in classical dress blowing a trumpet whilst holding a bow and quiver of arrows within ho-ho bird inhabited scrolling foliage and herringbone decorated border, the 8 inch brass break-arch herringbone border engraved dial with shaped false bob and calendar apertures and burnished signature cartouche Cha. Clay, LONDON to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to the outer track within female mask and scroll cast lower spandrels and with subsidiary star centred regulation and Strike/Silent dials to upper spandrel areas, the arch with silvered alarm setting ring (adjusted by rotating against a blued steel pointer) flanked by Indian mask and scroll cast mounts, in an inverted bell top case with hinged brass handle and pineapple finials above brass fillet inset glazed door and cast brass frets to the break-arch side apertures with further shaped frets above, on moulded base with foliate scroll cast bracket feet (some restoration), 49cm (19ins) high excluding handle. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Charles Clay, who originated from near Huddersfield, gained his Freedom of the Clockmakers Company prior to 1716. In 1723 he was appointed Clockmaker in His Majesty`s Board of Works and in 1731 supplied the turret clock for the gateway at St. James`s Palace. He specialised and experimented with musical mechanisms and is perhaps now best known for his organ clocks. One of which now resides at Windsor Castle which was acquired from his widow three years after Clay`s death in 1743. Another incomplete organ clock was also acquired around this time for Augusta wife of Frederick, Prince of Wales this clock was subsequently completed by George Pyke and now resides at Kensington Palace.
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