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Lot 396
A 1970's Collingwood dress wristwatch,: the gilt textured dial with slim baton indices, to alternating diamond and emerald surround, estimated diamond weight ca. 0.30ct, on an integrated woven 9ct gold mesh bracelet, hallmarks for London, 1978, diameter of case ca. 19mm, total weight ca. 51.6gms.
Lot 637
A collection of jewellery:, including 19 pairs of ear studs and a pair of drop earrings, 2 eye pendants, a dolphin pendant, a gemset brooch/ pendant, a single drop earring, two imitation pearl rings, a synthetic yellow sapphire ring, a pair of cuff links and a dress stud (29).'The property of the late Ann Meyrick'
Lot 1068
A large early Royal Doulton figure: of a girl dancer with elaborate ribbon and floral headdress, wearing a pink flowing dress and holding a tambourine, green printed mark with incised numerals 229, circa 1905-10, 44cm.* Possibly a prototype figure of the actress Ellen Terry modelled by Charles Noke.
![Attributed to Thomas Beach [1738-1806]-Portraits of a lady and gentleman, each bust-length,:-he with powdered wig, wearing a](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/8b79cf23-fabb-4d19-b4e6-af1d00c9de8a/468x382.jpg)
![Gerald Goddard Jackson [19/20th Century]-Portrait of Capt E.G. Sydenham, The Royal Warwickshire Regt,half-length, in No.1 dre](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/67bb5acf-9702-4c42-94b4-af1d00c9e300/468x382.jpg)
Lot 254
A Chinese white metal panel belt, each of the sixteen panels with pierced floral, animal, dragon, bamboo, person or text decoration, buckle stamped CW and with Chinese characters, 66cm; simulated pearl necklaces; bead necklaces; dress clips; buckles; lucky rabbit's foot brooches; earrings; beaded evening bags; compacts; and other costume jewellery.Qty: 1 box
Lot 1067
A collection of 20th century cigarette cards to include the cigarette brands Players and Black Cat Cigarettes. Series to include Curious Beaks, Characters from Dickens, Scout & Guide Emblems, Military Head-dress, History of Naval Dress, Fire Fighting Appliances, Hidden Beauties, Animals of the Countryside, Footballers 1928, Cricketers 1934, Cricketers 1930, British Butterflies, Orchids, Wild Flowers, Garden Flowers, Flowers & Trees, Canada, Birds, Cries of London, Costumes & Actors, Miniatures, Costumes, Old Staffordshire Figures, Gilbert & Sullivan, Dandies, Historic Places from Dickens, Film Stars, Cinema Celebrities, Cinema Stars, Who's Who, Characters from Fiction, Famous Beauties, Art, Rome, Egypt, Architecture, Beautiful Houses, Uniforms of British Empire, Coronation Dress, Soldiers of the King, Flags of the Empire, Life at the Royal Navy, Navigation, Modern Naval Chart, Railway Centenary 1925, Trains, Wonderful Railway Travel, Railway Equipment, Engineering Wonders, Romance of the Heavens, Interesting Experiments, Regimental Standard Cap Badges, Flags of the League of Nations, National Flags & Arms, Aircraft of the Royal Airforce, International Air Liners Picturesque Cottages, Old Inns, Scientific Inventions and Discoveries. Black Cat Cards to include Women on War Work 1914-1918 and Types of London. All held between two folders.
Lot 917
A collection of five vintage 20th century porcelain collectors dolls. The lot to include four Alberon collector's porcelain dolls: "Holly" doll having a dress designed exclusively for Alberon by Philippa Thornto, "Teresa" doll, "Lady Claire" doll, "Tina" baby doll with pillow, together with a porcelain doll in sailor themed dress with hat. Tallest measuring approx. 50cm.
Lot 923
A collection of six vintage 20th century porcelain collector's dolls. The lot to include two Franklin Heirloom Dolls having wedding dresses and veils, a Shay porcelain doll with brown curls and bonnet, a Boots Tyner baby doll with satin white dress and bonnet, a boxed Hanah porcelain doll in pink dress, together with a boxed Shay by Rubert porcelain doll lace and velvet clothing. Tallest measuring approx. 70cm.
Lot 947
A collection of five vintage 20th century Alberon collector's porcelain dolls comprising of A177 "Callum" doll, A145 "Jade" doll, a lady porcelain doll with curly brown hair dressed in a white with green velvet detailing dress, a "Chelsea" doll on stand with brass name plaque, together with an unboxed baby porcelain doll "Sweet Dreams". Largest measuring approx. 63cm tall.
Lot 306
FIVE ROYAL DOULTON FIGURINES, comprising Victoria HN2471, Elyse HN2474 (tiny chip to brim of hat), Pretty Ladies: Karen HN4779 (bottom of foot painted over), Simone HN2378 (coloured over chip to hair, tiny nibble to hem of dress), and Autumn Breezes HN1934, height of tallest 20cm (5) (Condition report: specific damage as mentioned, some tiny areas of glaze loss, generally appear ok)
Lot 338
TWO DOLLS, comprising an Armand Marseille - Germany 390 -A 4 M doll, length 55cm, with blonde ringlets and working eyes, jointed limbs in a cotton broderie anglaise dress together with a 1950's composition doll in an original blue velvet jacket, height 55cm (2) (Condition report: the Armand Marseille doll's right eye is not moving as good as the other, her body has had restoration work, the clothes on the second doll are faded and well loved)
Lot 492
A SET OF FOUR ROYAL WORCESTER FOR COMPTON & WOODHOUSE LIMITED EDITION FIGURES 'THE GRACEFUL ARTS', comprising Painting, Embroidery, Music and Poetry, sculpted by Maureen Halson, all four no. 1488/2500, each with a wooden plinth, all four with booklets, two with certificates and two with card boxes (4 figures and plinths, a bag of booklets and certificates and 2 boxes) (Condition report: Painting has a bent paint brush with glue inside her palm, and comes with an additional paintbrush, the whole of the bow on the back of the dress has been off and is fastened back on with adhesive pads at the bottom of the ribbons as well as glue behind the knot of the bow, there appears to be dry glue at the bottom of the front leg of the easel, Embroidery table has one leg with blob of glue tucked into the hem of the skirt, the other two feet are lifted off the base, glue visible to palm of the hand the other end of the thread is hanging loose, otherwise appears ok, Music has slight rough patch around the back of the bottom edge, Poetry has two feet of the table lifted off the base, otherwise appears ok)
Lot 527
EIGHT WEDGWOOD BISQUE FIGURINES, comprising 'Enchanted Evening', and seven Wedgwood for Spink limited edition figurines: 'The Turn of the Century Ball 1899' no 1251/10000 with certificate (chips to flower in her hair and hem of dress), 'Christmas at Windsor 1845' no 1788/10000 with certificate, 'The Imperial Banquet 1855' no 5186/10000 with certificate, 'Picnic at Balmoral 1860' no 942/10000 with certificate, 'The Royal Flower Show 1861' no 1369/10000 with certificate, 'The Great Exhibition 1851' no 515/10000 and 'The Golden Jubilee 1887' no 3951/10000 with certificate (8 + certificates) (Condition report: figures appear in good condition, apart from one mentioned in description, dusty)
Lot 340
An interesting Regency porcelain bowl printed with two chariots, one pulled by sheep having a man perhaps from the aristocracy of the time, the other side with a woman in the chariot pulled by two birds, a Barr Worcester coffee can with a man and a woman in classical dress and a Flight Barr and Barr can with roses
Lot 158
Szczygielski, Max Franz (1886 Berlin - 1958 ebenda)"Bäuerin im Sonntagsstaat". Öl auf Leinwand, erste Hälfte 20. Jh. Unsigniert. Rückseitig auf Etikett handschrifllich betitelt und künstlerbezeichnet (wohl vom Künstler selbst). Gerahmt. 42 x 36 cm (Ra). An einer Stelle leicht berieben. Nahsichtige Schilderung einer älteren Dame in bäuerlicher Festtagstracht mit Gesangbuch. Lady from the countryside in Sunday dress. Oil on canvas, first half 20th century. Unsigned. Backside on handwritten label titled and with remark on artist (pres. by the artist himself). Framed. In one small part a bit rubbed.
Lot 169
Unbekannter Künstler, 20. Jh.Bildnis einer Dame in Violett mit Blumenstrauß. Öl und Kohle (?) auf Malpappe, 1975. Schwer lesbar signiert (Dieter Poesgen ?) und datiert unten rechts. Rückseitig von unbekannter Hand bezeichnet, Auktionsetikett Christie's. Ungerahmt. 57 x 47 cm. Etwas berieben. Interieur mit Frau und farblich abgestimmtem Blumenschmuck in ungewöhnlichem, pastellhaften Farbauftrag. Unknown artist, 20th century. Portrait of a Lady in violet with flowers. Oil and charcoal (?) on cardboard, 1975. Hard to read signed and dated bottom right. Backside with remarks by unknown, auction label Christie's. Unframed. A bit rubbed. Interior with a Lady in dress that matches the colours of the bunch of flwoers behind her. Unusual colouring.
Lot 932
JEWELLERY - 3 X 9 CARART GOLD & AMETHYST COLOUR STONE RINGS 3 9 carat gold dress rings, all set with amethyst colour stones. The cluster ring and the Art Deco ring are paste but the 3rd ring is set with amethysts and diamond chips. Some bending to the shank on the Art Deco style ring, otherwise very good condition. 7 grams total weight.
Lot 253
Ca. 618-907 AD A terracotta figure of a female dancer depicted in dynamic, dancing movement. The lady wears a long flowing dress with a red bodice, and a green shawl. Her hands are hidden in sleeves. Her upper body is slightly bent to the side, with her right arm up in the air, indicating motion. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:325mm / W:175mm ; 1.09kg Provenance: Property of London Art gallery; formerly in a Somerset estate collection, acquired in Hong Kong in the 1980s-90s.
Lot 256
Ca. 618-907 AD A delicate figure of a female dancer wearing a long flowing gown with her hands covered in sleeves. The top of her dress is red, and a long shawl hangs from her left shoulder. Her upper body is slightly bent to the side, with her left arm up in the air, indicating motion. The dancer herself is carefully modelled, with her hair done up, red pursed lips, delicate brows, and smiling eyes. Dance as an art form reached its peak in China during the Tang Dynasty, which is now known as the golden age of Chinese music and dance. Indeed, during this time The Great Music Bureau was created as a means through with to train musicians and dancers for the imperial court. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:320mm / W:160mm ; 1.08kg Provenance: Property of London Art gallery; formerly in a Somerset estate collection, acquired in Hong Kong in the 1980s-90s.
Lot 266
Ca. 618-907 AD A delicate figure of a female dancer wearing a long flowing gown with her hands covered in sleeves. Her dress is red, covered with a white shrug and a long green shawl hangs from her right shoulder. Her upper body is slightly bent to the side, with her right arm up in the air, indicating motion. The dancer herself is carefully modelled, with her hair done up, red pursed lips, delicate brows, and smiling eyes. Dance as an art form reached its peak in China during the Tang Dynasty, which is now known as the golden age of Chinese music and dance. Indeed, during this time The Great Music Bureau was created as a means through with to train musicians and dancers for the imperial court. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:350mm / W:130mm ; 985g Provenance: Property of London Art gallery; formerly in a Somerset estate collection, acquired in Hong Kong in the 1980s-90s.
Lot 272
Ca. 618-907 AD A delicate figure of a female dancer wearing a long flowing gown with her hands covered in sleeves. The top of her dress is red, and a long pink shawl hangs from her right shoulder. Her upper body is slightly bent to the side, with her right arm up in the air, indicating motion. The dancer herself is carefully modelled, with her hair done up, red pursed lips, delicate brows, and smiling eyes. Dance as an art form reached its peak in China during the Tang Dynasty, which is now known as the golden age of Chinese music and dance. Indeed, during this time The Great Music Bureau was created as a means through with to train musicians and dancers for the imperial court. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:325mm / W:190mm ; 1.11kg Provenance: Property of London Art gallery; formerly in a Somerset estate collection, acquired in Hong Kong in the 1980s-90s.
Lot 275
Ca. 618-907 AD A ceramic figure of a female attendant standing facing forward, with ewer in her right hand. She wears a long-sleeved, loose-hanging robe with a brown skirt and red bodice, which is covered by a green shawl around her neck. The dress is embellished with delicately detailed upturned shoes. The facial features, such as the eyes, lips, nose, and eyebrows are picked out by delicate painting. An elaborate coiffure crowns her face. For similar style holding ewer see The Metropolitan Museum of Fine Art 1997.442.7.1. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:350mm / W:95mm ; 1kg Provenance: Property of London Art gallery; formerly in a Somerset estate collection, acquired in Hong Kong in the 1980s-90s.
Lot 22
Jan Boeckhorst came from Munster, Germany, but from 1626 he lived in Antwerp, where he was admitted to the Guild of St. Luke in 1633/1634. He collaborated with Rubens on his large commissions. Between 1635-1637, he made a trip to Italy.The Queen of Sheba, accompanied by several court ladies, kneels before Solomon's throne and points to the gifts she brings to the famous king; golden vessels and jewels. The white silk dress and blue coat set her apart from the other muted characters. The beautiful faces of the court ladies standing around the queen are painted with special care. King Solomon, depicted at a young age, asks what the remarkable visitor wishes. King Solomon is surrounded by his advisors, wise old men with beards, one of whom looks at the viewer on the left. The composition, with columns and architecture in the background, is inspired by Venetian painting. An 18th-century painting by Balthasar Beschey of the same subject shows a similar composition. Both works were perhaps inspired by a common pattern. Certificate written by Dr. Klaus Ertz 118.5 × 170 cmOil on canvas
Lot 73
This painting is a clear reference to the more famous "Madonna of the Belvedere" by Raphael Sanzio (now preserved in the Kunsthistorisches Museum of Vienna). Immersed in a vast lake landscape with a particularly high horizon, we find a seated Madonna holding the Baby Jesus, who seems to be taking the first uncertain steps towards little John, who is kneeling on the left offering a processional cross, his typical attribute. In the gesture of Jesus, who takes hold of the cross, there is a reminder of the fate of his martyrdom.The loose and pyramidal composition, with the protagonists linked by a chain of glances and gestures, is clearly based on Leonardo's models, such as the Holy Family with Saint Anne. The author focused on portraying affection, a sense of calm and spontaneous familiarity, without the traditional melancholy of the Virgin Mary, which foreshadows the tragic fate of her son.The typical red color of Mary's dress represented Christ's Passion, and the blue represented the Church. There is a distinct contour line between the figures and the landscape, which, unlike Leonardo's painting, is placed in the background. Among the various carefully depicted botanical species, another stylistic motif derived from Leonardo stands out, the red poppy. The color is also a reference to Christ's passion, death and resurrection.101 x 71 cmOil on canvas
Lot 74
The pair of paintings is a faithful copy of Raphael's work on the vault of the Chamber of Signatures, in the Vatican, where he depicted four medallions with personifications of the sciences and arts. The female figures are flanked by cherubs and sit on clouds, in reference to their celestial, or spiritual dimension. Their belonging to the sphere of ideas is also indicated by the golden background, associated with divine light, and the higher world.The generic and idealized features of these figures underline their abstract nature, but each of them displays a different temperament thanks to different combinations of colors, and differences in movement. The effect of spontaneity of movements and attitudes makes these allegories far from the traditional rigidity of the sign; they seem lively and light.Our paintings depict poetry and theology. The poem is depicted as a woman wreathed in laurel and with outstretched wings, referring to the freedom of the imagination. She is wearing a white dress, with a green cloak draped over her hips and resting on her lap. She is sitting on the clouds. She is pink, and has a dynamic and theatrical pose; her body is turned, her legs are crossed, arms outstretched. He rests his left arm on an ancient marble head, and holds a lyre. He supports a book with his outstretched right arm. It is flanked on the sides by two naked and winged cherubs, who support two signs with the inscription: 'NUMINE AFFLATUR' referring to creative energy and the rush of inspiration.The Tondo with Theology, or Science of Divinity ("Divinarun rerum notitia") shows a female figure with a flowing white veil, a red dress and a green mantle; colors full of meaning. They are actually associated with the theological virtues: Faith (white), Hope (green) and Love (red). The color symbolism also seems to be related to the elements: Water (green), Air (white) and Fire (red).On the left he holds a book of theology, and on the right he points to a scene painted on the wall with the inscription, “Controversy about the Sacrament.” She is flanked by two winged cherubs in short, and very dynamic white tunics, in a dancing pose.162 x 162 cmOil on canvas
Lot 40
The portrait shows a noble gentleman in a casual, silk dressing gown (morning robe), called a robe de chambre in French. He looks at the viewer in a friendly, yet somewhat distant way. He has a high powdered wig on his head. The flushed cheeks point to the liveliness and hedonistic nature of the portrait subject. A voluminous scarf wraps around his neck and chest. It is said that this type of clothing (banyan) was especially popular with intellectuals, who often had themselves painted in it. Benjamin Rush (1745/46–1813) wrote: "Loose dress contributes to the easy and vigorous exercise of the powers of the mind. This observation is so obvious and so generally known that we find thoughtful men always painted in dress when sitting in their libraries." The color of the dress in our portrait is very restrained, designed in a purple-gray tone, so that the face, with red tones, stands out as the main accent.Oil on canvasSize 80 × 65 cm
Lot 523
Two French jacquard silk tapestry pictures. After Louis Leloir, probably by Neyret Freres, late 19th/early 20th century. Decorated with a banqueting scene and another with a painting scene in black, silver and white thread, all figures in historical dress, signed Louis Leloir, in reeded ebonised frames, 26.5cm x 17cm exc. frame
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