Blondes Puppenmädchen. Kopfmarke: made in Germany 152. J.D. Kestner. Biskuitporzellan, Masse. L 45 cm. Kurbelkopf, braune Schlafaugen, blonde Mohairperücke, fester Korkdeckel. 15-teiliger Gliederkörper. Weißes Kleid mit hellblauer Schleife, Strohhut, braune Lederschuhe. Kopf nicht durchleuchtet: keine Defekte sichtbar. Körper nachgestrichen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:26 Uhr (CET)Blonde doll girl. Head mark: made in Germany 152. J.D. Kestner. Biscuit porcelain, mass. L 45 cm. Crank head, brown sleeping eyes, blond mohair wig, solid cork lid. 15-piece articulated body. White dress with light blue bow, straw hat, brown leather shoes. Head not x-rayed: no defects visible. Body repainted. Call time 26th | Oct 2023 | expected 10:26 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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Frühes Puppenmädchen French-Type. Wohl Kestner. Kopfmarke: 13. Biskuitporzellan, Masse. L 48 cm. Kurbelkopf, blaue Schlafaugen, geschlossener Mund, blonde Mohairperücke. 9-teiliger Gliederkörper. Weißes Kleid, passender Stoffhut, alte braune Lederstiefelchen, dazu Schirm und Messingtäschchen. Kopf durchleuchtet: ohne Defekte. Unterarme etwas übermalt. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:27 Uhr (CET)Early doll girl French-Type. Probably Kestner. Head mark: 13th Biscuit porcelain, mass. L 48 cm. Crank head, blue sleeping eyes, closed mouth, blond mohair wig. 9-piece articulated body. White dress, matching cloth hat, old brown leather boots, plus umbrella and brass bag. Head x-rayed: without defects. Forearms somewhat painted over. Call time 26th | Oct 2023 | probably 10:27 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Filzpuppe in Originalkarton. Lenci. Mit kleinem Zertifikats-Anhänger. 2. Hälfte 20. Jh. Nr. 940841. L 42 cm. Drehbarer Kopf mit gemalten Schielaugen, braune Echthaarperücke und originales rot-weiß kariertes Kleid mit weißer Schütze, in den Händen einen Reisigbesen haltend. Bunter Karton mit defektem Verschluss. Unbespielter Zustand. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:29 Uhr (CET)Felt doll in original box. Lenci. With small certificate pendant. 2nd half 20th c. No. 940841. L 42 cm. Turning head with painted squint eyes, brown real hair wig and original red and white checkered dress with white shooter, holding a brushwood broom in his hands. Colorful box with defective closure. Unused condition. Call time 26 | Oct 2023 | expected 10:29 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Schaufensterpuppe als Kind. Kopfmarke: VDP 2. Nachkrieg. Kunststoff, Hände aus gummiartigem Material. L 100 cm. 5,85 kg. Dekorationsfigur als ca. 4jähriges Mädchen mit blauen Augen, blonder Hanfperücke, Blaudruckkleid und weißer Schürze. Oberkörper, Hände und linkes Bein abnehmbar. Auf originaler Standplatte. Leichte Alters- und Gebrauchsspuren. Versand nicht verfügbar.Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:30 Uhr (CET)Mannequin as a child. Head mark: VDP 2nd postwar. Plastic, hands made of rubbery material. L 100 cm. 5.85 kg. Decoration figure as a ca. 4-year-old girl with blue eyes, blond hemp wig, blue print dress and white apron. Torso, hands and left leg removable. On original stand. Slight signs of age and wear. Shipping not available.Call time 26th | Oct 2023 | expected 10:30 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Porzellankopfmädchen "Christinchen". Kopfmarke: DEP II. Um 1900. Biskuitporzellan, Masse. L 58 cm. Kurbelkopf, feste braune Augen, Ohrringe, braune Echthaarperücke. 15-teiliger Gliederkörper. Cremeweißes Seidenkleid mit Spitze und rosa Borten, weiße Lederschuhe, rosa Sonnenschirm. Kopf durchleuchtet: lediglich minimal brandrissig hinter den Ohren und 1 winziger Chip am linken oberen Augenlid. Hände mit kleinen Reparaturstellen/Übermalungen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:31 Uhr (CET)Porcelain head girl "Christinchen". Head mark: DEP II. Circa 1900. Biscuit porcelain, mass. L 58 cm. Crank head, fixed brown eyes, earrings, brown human hair wig. 15-piece limb body. Creamy white silk dress with lace and pink trim, white leather shoes, pink parasol. Head x-rayed: only minimal burn crack behind the ears and 1 tiny chip on the upper left eyelid. Hands with small repair spots / overpaintings. Call time 26 | Oct 2023 | expected 10:31 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Konvolut mit 6 Puppen. Kopfmarken: 2x AM, 1x Ernst Heubach, 1x Simon & Halbig 1097. 1. Hälfte 20. Jh. L 27 - 60 cm. 4 große und 2 kleine Puppen: 3x mit Kurbelkopf, weiß bekleidet, 1x mit Brustkopf, Wachstuchkörper und gelbem Kleid. / 2x mit originalen Trachten und gespritzten Kurbelköpfen aus Porzellan. 2 Köpfe mit Defekt, 1x Strumpf und Holzschuh fehlend, 1x Körper nachgespritzt. Insgesamt kleine Defekte und Altersspuren. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:32 Uhr (CET)Convolute with 6 dolls. Head marks: 2x AM, 1x Ernst Heubach, 1x Simon & Halbig 1097. 1st half 20th century L 27 - 60 cm. 4 large and 2 small dolls: 3x with crank head, dressed in white, 1x with chest head, oilcloth body and yellow dress. / 2x with original costumes and injected crank heads of porcelain. 2 heads with defect, 1x stocking and wooden shoe missing, 1x body post-injected. Overall small defects and signs of age. Call time 26th | Oct 2023 | expected 10:32 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 Porzellankopfpuppen. Alle gemarkt. Um 1900-20. Biskuitporzellan, Masse, Leder, Celluloid. Großes Brustkopfmädchen (Simon & Halbig, S & C 1180) mit blauen Augen, blonder Kunsthaarperücke, Lederkörper, Celluloid-Armen und hellgrünem Strickkleid (L 66 cm). / Kleine Puppe (Heinrich Handwerck, Simon & Halbig) mit Kurbelkopf, braunen Schlafaugen, Kunsthaarperücke, 15-teiligem Gliederkörper, rosa Kleid und Strohhut (L 43 cm). / Charakterbaby (Porzellanfabrik Mengersgereuth, PM 914) mit Kurbelkopf, braunen Schlafaugen, defekter Echthaarperücke, 5-teiligem Sitzbabykörper, weißem Kleid und Haube (L 37 cm). Köpfe durchleuchtet: ohne Defekte. Körper mit kleinen Defekten und Übermalungen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:33 Uhr (CET)3 porcelain head dolls. All marked. Circa 1900-20. Biscuit porcelain, mass, leather, celluloid. Large breasthead girl (Simon & Halbig, S & C 1180) with blue eyes, blond synthetic hair wig, leather body, celluloid arms and light green knitted dress (L 66 cm). / Small doll (Heinrich Handwerck, Simon & Halbig) with crank head, brown sleeping eyes, artificial hair wig, 15-piece jointed body, pink dress and straw hat (l 43 cm). / Character baby (Porzellanfabrik Mengersgereuth, PM 914) with crank head, brown sleeping eyes, defective real hair wig, 5-piece sitting baby body, white dress and hood (L 37 cm). Heads x-rayed: without defects. Body with small defects and overpaintings. Call time 26 | Oct 2023 | expected 10:33 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Puppe in Flechtkörbchen. Kopfmarke: 1078 Simon & Halbig S & H 2/0. Biskuitporzellan, Masse. Kurbelkopf, blaue Schlafaugen, Ohrlöcher, dunkelblonde Echthaarperücke. Massekörper mit Biskuitgliedern. Weißes Kleid, modellierte Schuhe und Strümpfe, blaues Häubchen. L 17,5 cm. Dazu ovaler, rotbrauner Korb. Halskurbel mit Defekten. Altersspuren. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:33 Uhr (CET)Small doll in wicker basket. Head mark: 1078 Simon & Halbig S & H 2/0. Biscuit porcelain, mass. Crank head, blue sleeping eyes, pierced ears, dark blond human hair wig. Mass body with bisque limbs. White dress, modeled shoes and stockings, blue bonnet. L 17,5 cm. Comes with oval reddish-brown basket. Neck crank with defects. Signs of age. Call time 26 | Oct 2023 | expected 10:33 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 kleine Porzellankopf-Püppchen und Jugendstil-Schatulle mit Kleidung. Beide gemarkt. Um 1900. Biskuitporzellan, Masse. Gliederpüppchen Simon & Halbig: Kurbelkopf, blaue Schlafaugen, braune Mohairperücke, 9-teiliger Gliederkörper, weißer Rock, schwarz bestickte Bluse, weiße Lederschuhe. L 24 cm./ Puppenstuben-Püppchen (799 gemarkt): Kurbelkopf, blaue Schlafaugen, blonde Mohairperücke, Ohrlöcher, 5-teiliger Massekörper, modellierte Schuhe, gemalte Strümpfe, geblümtes Kleidchen. L 18 cm./ Dazu hübsche Schachtel mit Puppenkleid, Strohhut und einigen Kleinteilen. Teils mit Altersspuren, 1x Kopf restauriert. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:34 Uhr (CET)2 small porcelain head dolls and Art Nouveau casket with clothes. Both marked. Circa 1900. Biscuit porcelain, mass. Linked doll Simon & Halbig: crank head, blue sleep eyes, brown mohair wig, 9-piece link body, white skirt, black embroidered blouse, white leather shoes. L 24 cm./ Dollhouse doll (799 marked): Crank head, blue sleep eyes, blonde mohair wig, pierced ears, 5-piece mass body, modeled shoes, painted stockings, flowered dress. L 18 cm./ In addition, pretty box with doll dress, straw hat and some small parts. Parts with age traces, 1x head restored. Call time 26th | Oct 2023 | expected 10:34 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
1 große und 2 kleine Porzellankopfpuppen. Ab 1915. Brustkopfpuppe (Ernst Heubach 275) mit blauen Schlafaugen, blonder Perücke, Wachstuchkörper, Biskuitarmen und gelbem Mantelkleid (L 49 cm). / Kleine Puppe ("Made in Austria") mit Kurbelkopf, festen blauen Augen, blonder Perücke, einfachem 5-teiligem Stehpuppenkörper und weißem Kleid (L 27 cm). / Kleines Brustkopf-Mädchen (AM) mit blauen Schlafaugen, blonder Mohairperücke, Lederkörper, Biskuitunterarmen, cremefarbenem Kleid und Strohhut (L 32 cm). Köpfe nicht durchleuchtet: keine Defekte sichtbar, lediglich 1x minimaler Chip am linken Augenrand. 1 Arm der großen Puppe defekt. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:35 Uhr (CET)1 large and 2 small porcelain head dolls. From 1915. Chest head doll (Ernst Heubach 275) with blue sleeping eyes, blond wig, oilcloth body, bisque arms and yellow coat dress (L 49 cm). / Small doll ("Made in Austria") with crank head, fixed blue eyes, blond wig, simple 5-piece standing doll body and white dress (L 27 cm). / Small chest head girl (AM) with blue sleeping eyes, blond mohair wig, leather body, bisque forearms, cream-colored dress and straw hat (L 32 cm). Heads not x-rayed: no defects visible, only 1x minimal chip on the left edge of the eye. 1 arm of the large doll defective. Call time 26th | Oct 2023 | expected 10:35 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Brustkopfpuppen. Beide gemarkt. Um 1910. Biskuitporzellan, Wachstuch, Leder. Puppendame (Gebrüder Kühnlenz 170) mit braunen Schlafaugen, rotbrauner Mohairperücke mit Dutt, Wachstuchkörper, Unterarmen aus Biskuit und braunem Samtkleid (L 63 cm). / Schwarzhaarige Puppe (13 made in Germany) mit blauen Schlafaugen, Kunsthaarperücke, Lederkörper mit gesplinteten Beinen, Unterarmen aus Biskuit und weißem Kleid (L 57 cm). Köpfe nicht durchleuchtet: keine Defekte sichtbar. Arme mit Restaurierungen, 1 Körper rieselt leicht. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:35 Uhr (CET)2 chest head dolls. Both marked. Circa 1910. Biscuit porcelain, oilcloth, leather. Doll lady (Kühnlenz brothers 170) with brown sleeping eyes, reddish-brown mohair wig with chignon, oilcloth body, bisque forearms and brown velvet dress (L 63 cm). / Black-haired doll (13 made in Germany) with blue sleeping eyes, synthetic hair wig, leather body with splinted legs, forearms of bisque and white dress (L 57 cm). Heads not x-rayed: no defects visible. Arms with restorations, 1 body trickles slightly. Call time 26 | Oct 2023 | expected 10:35 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 Püppchen und Blechwagen. Für die Puppenstube. Brustkopfpuppe mit gemalten Augen, blonder Echthaarperücke und weißem Kleid mit Rosenapplikationen, dazu Sonnenschirm in alter Art (L 19 cm). Mignonette mit Kurbelkopf, Schlafaugen, brauner Mohairperücke und weißem Kleid (L 13 cm). Kleines, originalbekleidetes Ganzbiskuit-Püppchen (L 6 cm) in rot-braun lackiertem Blechwagen (7,5 x 10 x 5 cm). Kleine Reparaturstellen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:39 Uhr (CET)3 dolls and tin cart. For the dollhouse. Breasthead doll with painted eyes, blond human hair wig and white dress with rose appliqués, plus old-style parasol (L 19 cm). Mignonette with crank head, sleeping eyes, brown mohair wig and white dress (l 13 cm). Small, original dressed whole bisque doll (L 6 cm) in red-brown painted tin cart (7.5 x 10 x 5 cm). Small repair spots. Call time 26 | Oct 2023 | expected 10:39 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Konvolut Messingmöbel, 1 Ganzbiskuit-Püppchen und Zubehör. Für die Puppenstube. 5 Möbelchen im niederländischen Stil: Aufsatzsekretär, Tisch, 3 Stühle (H 4 - 8,5 cm). / Blondes Püppchen mit Kurbelkopf, Glasaugen, weißem Kleid und modellierten Schuhen (L10 cm). / Orient-Teppich (13 x 7 cm). / 7 Teile Geschirr (H 2 - 5 cm). Möbel teils etwas gedellt und gelötet. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:39 Uhr (CET)Convolute brass furniture, 1 whole bisque doll and accessories. For the dollhouse. 5 pieces of furniture in Dutch style: top secretary, table, 3 chairs (H 4 - 8.5 cm). / Blonde doll with crank head, glass eyes, white dress and modeled shoes (L10 cm). / Oriental carpet (13 x 7 cm). / 7 parts tableware (H 2 - 5 cm). Furniture partly somewhat dented and soldered. Call time 26th | Oct 2023 | probably 10:39 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleines Porzellankopfpüppchen mit geschlossenem Mund. Undeutliche Kopfmarke: 191?, wohl K &R. Biskuitporzellan, Masse. L 17 cm. Kurbelkopf, braune Schlafaugen, blonde Mohairperücke. 5-teiliger Stehpuppenkörper mit langen schmalen Beinen. Hellbraun gestreiftes Kleid, weiße Schuhe und weiße Mütze. Linker Daumen fehlt. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:41 Uhr (CET)Small porcelain head doll with closed mouth. Inconclusive head mark: 191?, probably K &R. Biscuit porcelain, mass. L 17 cm. Crank head, brown sleeping eyes, blond mohair wig. 5-piece standing doll body with long narrow legs. Light brown striped dress, white shoes and white cap. Left thumb missing. Call time 26 | Oct 2023 | expected 10:41 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Porzellankopfpüppchen mit Schlafaugen. Kopfmarken: AM 390 und K & R Halbig. Biskuitporzellan, Masse. L 18/22 cm. Größere Puppenstubenpuppen, jeweils mit Kurbelkopf, Mohairperücke und 5-teiligem Stehpuppenkörper. 1x blond mit Häkelkleid und modellierten Schuhen, 1x braun mit Dirndl. 1x Bein mit geklebtem Riss. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:42 Uhr (CET)2 porcelain head dolls with sleeping eyes. Head marks: AM 390 and K & R Halbig. Biscuit porcelain, mass. L 18/22 cm. Larger dollhouse dolls, each with crank head, mohair wig and 5-piece standing doll body. 1x blond with crochet dress and modeled shoes, 1x brown with dirndl. 1x leg with glued crack. Call time 26th | Oct 2023 | expected 10:42 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Mignonetten mit Schlafaugen. Kopfmarke: 1x 890 2. Biskuitporzellan, Masse. L 12/15 cm. Beide mit Kurbelkopf, blonder Mohairperücke, Ganzbiskuit-Körper, altem Kleidchen und gemalten Schuhen. 1 Kopf durchleuchtet: ohne Defekte, beim anderen keine Defekte sichtbar. 1x rechtes Bein restauriert. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:44 Uhr (CET)2 mignonettes with sleep eyes. Head mark: 1x 890 2. Biscuit porcelain, Mass. L 12/15 cm. Both with crank head, blond mohair wig, whole bisque body, old dress and painted shoes. 1 head x-rayed: without defects, the other no defects visible. 1x right leg restored. Call time 26 | Oct 2023 | expected 10:44 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Puppendamen für die große Puppenstube. Biskuitporzellan. L 16/17 cm. Ganzbiskuit-Püppchen mit Kurbelkopf, blauen Glasaugen, blonder Mohairperücke, hellem Kleid, Hut und modellierten Schuhen. 1x mit großem Federhut, 1x mit Wattekörbchen. Köpfe durchleuchtet: ohne Defekte. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:44 Uhr (CET)2 doll ladies for the large dollhouse. Biscuit porcelain. L 16/17 cm. Whole bisque doll with crank head, blue glass eyes, blond mohair wig, bright dress, hat and modeled shoes. 1x with large feathered hat, 1x with absorbent cotton basket. Heads x-rayed: without defects. Call time 26 | Oct 2023 | expected 10:44 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Konvolut mit Puppenstubendame und 5 Möbelchen. 6 Teile: Brustkopf-Puppe mit roter Mohairperücke und langem Kleid im Stil der Renaissance (L 17 cm). Paravent aus geprägter Pappe (14,5 x 13 cm). Messingtisch mit Spiegelaufsatz, Baldachin und Vorhang (H 15 cm). Stuhl mit leonischen Drähten (H 9,5 cm). Handtuchhalter aus Zinn (8 x 7 cm). Kleine Nähmaschine aus Blech (H 8,5 cm). Kleine Defekte. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:46 Uhr (CET)Convolute with dollhouse lady and 5 furniture. 6 parts: Chest head doll with red mohair wig and long dress in Renaissance style (L 17 cm). Screen made of embossed cardboard (14.5 x 13 cm). Brass table with mirror top, canopy and curtain (H 15 cm). Chair with leonic wires (h 9,5 cm). Pewter towel holder (8 x 7 cm). Small tin sewing machine (h 8.5 cm). Small defects. Call time 26 | Oct 2023 | expected 10:46 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 Puppenstubenpüppchen und 1 Hund. Biskuitporzellan, Masse. Püppchen mit Kurbelkopf, blauen Glasaugen, Mohairperücken, Kleidchen und modellierten Schuhen. 2x Glieder aus Biskuit, 1x aus Masse (L 10-14 cm). Dazu kleiner Hund mit weißem Echtfell (H 5,5 cm). Keine Defekte sichtbar. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:47 Uhr (CET)3 dollhouse dolls and 1 dog. Biscuit porcelain, mass. Doll with crank head, blue glass eyes, mohair wigs, little dress and modeled shoes. 2x limbs made of bisque, 1x made of mass (L 10-14 cm). In addition, small dog with white real fur (H 5.5 cm). No defects visible. Call time 26th | Oct 2023 | expected 10:47 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Laufpuppe in Puppenstubengröße. Simon & Halbig. Kopfmarke: K & R Halbig. Biskuitporzellan, Masse. L 20 cm. Kurbelkopf, braune Schlafaugen, braune Mohairperücke. Massekörper mit intaktem Laufmechanismus und modellierten Schuhen. Lachsfarbenes Kleidchen, gemalte schwarze Strümpfe. Beinansätze rissig. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:47 Uhr (CET)Small walking doll in dollhouse size. Simon & Halbig. Head mark: K & R Halbig. Biscuit porcelain, Mass. L 20 cm. Crank head, brown sleeping eyes, brown mohair wig. Mass body with intact walking mechanism and modeled shoes. Salmon colored dress, painted black stockings. Leg extensions cracked. Call time 26 | Oct 2023 | expected 10:47 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
λ PATRICIA O'BRIEN (IRISH B. 1927) THE LESSON Oil on canvas Signed and dated '90 (lower right); further signed and titled to frame (verso) 81 x 100cm (31¾ x 39¼ in.)Exhibited: London, Stephen Bartley Gallery, 1990 Patricia O'Brien's artistic journey took off in 1977 when she first exhibited her work at the Upper Street Gallery in London. This initial exhibition marked the beginning of a flourishing career that would see her gain representation by Stephen Bartley and participate in numerous international exhibitions. From 1981, O'Brien's talent and unique artistic vision caught the attention of the Royal Academy. She participated in the prestigious Royal Academy Summer Exhibition, a renowned annual event that showcases the best of contemporary art. John Russell Taylor, an esteemed critic, hailed O'Brien as an "out-and-out discovery" in his review of the 1989 Royal Academy Summer Show. In a remarkable testament to the impact of her work, O'Brien's painting titled "The Fruit Eaters" became the main promotional press image for the Royal Academy Summer Show in 1990. Throughout Patricia O'Brien's body of work, the female figure takes centre stage, becoming a focal point of her compositions. O'Brien delves into the complexities of human relationships, exploring their dynamics, inviting viewers to interpret and question the narratives presented. O'Brien repeatedly portrays three figures, possibly a connotation to her own complicated relationships. Her works exude an intense visual poetry, compelling viewers to unravel the stories behind each character and scene portrayed on the canvas. O'Brien creates a sense of stillness in her work, capturing a fleeting moment suspended in time whether that be taking a lesson (Lot 96), eating fruit (Lot 98) or purchasing flowers at the market (Lot 100). There is a mystical and disquieting quality to her pieces, evoking a sense of melancholy that adds depth and complexity to the overall atmosphere. The deliberate absence of traditional perspective in O'Brien's work contributes to her distinctive style, along with a subdued colour palette and meticulous composition of objects and figures within the surrealist landscapes. These elements make O'Brien's art instantly recognisable and draw the viewer into a world of carefully constructed beauty.In 1972, Patricia O'Brien made the decision to settle down in the perfume capital of France, Grasse. Drawn to the allure of its mountainous landscapes and expansive vistas, these majestic surroundings served as a prominent influence in her work, providing the backdrop against which her pensive figures would come to life as can be seen in lot 98 and 99. It was during her time in France that she forged a close friendship with Frederick Gore, a fellow artist.Patricia O'Brien's artwork is a captivating blend of surrealist iconography and Renaissance influences, creating a unique and distinctive style. O'Brien was especially drawn to fifteenth century Italian artists such as Sandro Botticelli and Piero della Francesca whose focus on exquisite attention to detail, with a particular emphasis on depicting the human form with individuality, empathy, and sensitivity, inspired her. Humanism permeates O'Brien's work, as she delves deep into the layers of emotions experienced by her figures and situates them within the natural world, infusing her paintings with spiritual meaning. One striking aspect of O'Brien's paintings is the luminous complexion and porcelain skin of her figures particularly apparent in Lot 99 which shows three female nudes attending to flowers beneath the mountainous landscape beyond. Condition Report: Very light surface dirt throughout. There is a small cluster of minute losses to the edge of the woman's pink dress. In overall good original condition. Condition Report Disclaimer
PHILIP ALEXIUS DE LÁSZLÓ (HUNGARIAN 1869-1937) PORTRAIT OF MADAME HENRI LETELLIER, NÉE MARTHE FOURTON Oil on canvas Signed and dated Paris May 1912 (lower left) 93 x 65.5cm (36½ x 25¾ in.)Provenance: Helen Gleason, New York Sale, Sotheby's, New York, 24 May 1988, lot 216 (titled 'The White Rose') Private Collection, Staffordshire Thence by descent to the present ownerExhibited: Paris, Galerie Georges Petit, International Society of Painting and Sculpture, 1912, no. 72 London, Thomas Agnew & Sons Ltd., Portraits by Philip A. de László, M.V.O., June-July 1913, no. 1Literature: Otto von Schleinitz, Künstler Monographien, vol. 106., ' Ph A. von László', Bielefeld & Leipzig, 1913, between pp. 36 and 37, (illustrated in colour p. 130) "Paintings and Blank Canvases of Noted Artists Aid Red Cross; Two Sisters Rank as Beauties of Italy and France," The Washington Post, Monday, 17 May 1915 Duff Hart-Davis, in collaboration with Caroline Corbeau-Parsons, De László: His Life and Art, Yale University Press, 2010, pp. 134, 180 Katherine Field (ed.), Transcribed by Susan de Laszlo, The Diaries of Lucy de László Volume I: (1890-1913), de Laszlo Archive Trust, 2019, p. 223 DLA 1913 bundle, Velhagen und Klasing Monatshefte, 1913 (illustrated)This portrait is included in the Philip de László Catalogue Raisonné [no. 110646], currently presented in progress online: www.delaszlocatalogueraisonne.comMadame Letellier and her sister Comtesse di San Martino [see catalogue number 110567] were considered two of the most beautiful and fashionable women of the period before the First World War. Their clothing choices and attendance at society events were regularly reported in the European and American press. The American Register described Madame Letellier's visit to the Riviera as "much appreciated and almost necessary for a successful season." De László painted the sitter again in 1915 [6040] in aid of the British Red Cross who auctioned the portrait to raise funds for the war effort. Marthe 'Suzanne' Louise Fourton was born on 22 August 1878 in Paris, daughter of Charles Emile Fourton and his wife Mathilde Amalia In de Betou of Sweden. Her mother held musical salons and was painted by Benjamin Constant, one of de László's teachers when studying at the Académie Julian in Paris in 1892. On 14 August 1902, at St Augustin in Paris, she married Henri Letellier (1868-1960), proprietor of the leading Paris newspaper Le Journal and one of the wealthiest men in France." She was a favourite model of Paul-César Helleu (1859-1927) who made several portraits of her. She was also painted or drawn by John Singer Sargent, François Flameng, Antonio de La Gandara in 1903 and Giovanni Boldini, who painted her twice in 1907. The sitter and her husband separated in 1907 and divorced in 1917. Helleu's daughter, Paulette Howard-Johnston, nicknamed the sitter la cruche cassée ('the broken jug'), after Jean-Baptiste Greuze's famous painting. This was a rather cruel play on 'cruche' ('twit' in French) as she was not known for her intelligence. The French art critic Louis Vauxcelles said of her that, "Among the most popular ladies of the high society we can name Madame Henri Letellier, whose powerful beauty is enhanced by an impeccable dress sense and natural style which allows her to set new trends which will last forever." The sitter died in 1949. We are grateful to Katherine Field for her kind assistance in preparing this catalogue note. Condition Report: The canvas is not relined. Some very tiny specks of paint loss to the tips of the impasto to the right of the signature along the lower edge. There are faint horizontal stretcher marks running through the centre of the work and at the lower edge, only visible clearly in a raking light. Ultraviolet light reveals evidence of scattered retouching and infilling throughout but most notably to the background. In overall good clean condition.Condition Report Disclaimer
λ ERTÉ (FRENCH 1892-1990) HOME JOURNAL - DRESS Ink Signed (lower right) 28.5 x 23cm (11 x 9 in.) UnframedExecuted in 1924.Provenance: Acquired directly from the artist and by descentExhibited: London, Grosvenor GalleryThe proceeds from this collection of works by Erte will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day. Condition Report: Unframed. Staining to the sheet where old mount was once placed. Sheet stuck down to card and then stuck down to backboard along left edge and upper edge. Pin holes scattered across the lower edge, upper edge and four corners. There is one pin hole to the left of the sitter's elbow. Dirt marks to the extreme edges. Some evidence of pencil marks in the extreme left edge. Condition Report Disclaimer
Two 1930's cream wedding dresses, one dress having an overlay of button mesh with cream leaf applique and gold coloured sequins, over a cream satin lining.32" chest x 52" long with vintage W. Barratts & Co Ltd cream satin shoes, size 6D, the other a cream velvet with braid style belt and cowl neckline. Location:Rail+RAB table(shoes)Condition;Stains to both dresses, bodice and mesh skirt of the first dress, stains front and back to the velvet dress and stains to the shoes-see photos for condition report, and a vintage AWF Adlimuller black and wool silk top approx 36" chest and 21" long Location:RAIL RAB
A 1970's Pat Farrell sheer brown full length dress having orange, yellow, brown and white stripes to the 4-tiered skirt, UK size 12 together with a pair of Helmut Lang grey suede trousers, 28" elasticated waist, a grey cashmere and silk mix wrap with faux grey rabbit fur collar, an Alberta Ferretti black sheer lace and backless evening dress, UK size 10, having a vertical bejewelled strip to the front (zip area requires attention) and another black, backless evening dress. Location:Rail
No reserve - a collection of jewels including a Cartier travel timepiece, comprising: a mother of pearl, gold and seed pearl dress set, early 20th century, fitted case stamped Asprey; a carved amethyst, emerald, cultured pearl and diamond pendant, mounted in gold, length 5.9cm, signed A C Lunn; a single pendent earring set with sugarloaf pink and green tourmalines suspending a cultured pearl, length 7.9cm, hook fitting; a collection of earring pendants, including pairs of green paste, emerald, emerald and cultured pearl, citrine, blue paste briolettes and lasqué diamonds, earring surmounts deficient; an additional single earring pendant set with pale blue chalcedony and a cultured pearl, earring surmount deficient; two pairs of cross pendants in gold and steel, longest 4.5cm; two single gold earrings; three hinged hoops in gold; a gold bail set with brilliant-cut diamonds; two gold clips, each signed Marina B, numbered C198, stamped 750; a pair of faceted blue topaz and citrine pendants; a gilt metal chain necklace; and a Cartier gilt metal and enamel timepiece, case width 5.3cm, signed Cartier, quartz movement, numbered 357103686, travel pouch stamped Cartier
Cartier, a diamond and ceramic dress set, 1920s, comprising: a pair of cufflinks, two collar studs and three buttons, each composed of a disc of white biscuit porcelain within a millegrained border of rose-cut diamonds, the collar studs with circular-cut and cushion-shaped diamonds, mounted in gold and platinum, diameters 0.9-1.3cm, cufflinks and shirt studs signed Cartier, cufflinks numbered 01239, French assay marks and maker's mark HD with rose for Henri Droguet, shirt studs numbered 0204, collar studs unsigned, one possibly a replacement, fitted case stamped Cartier
RAF uniform of Air Chief Marshal Sir Denis Graham Smallwood, GBE, KCB, DSO, DFC, FRAeS, FRSA. The tunic was tailored by Moss Bros and follows the regulation for service dress. To the left breast Queen's crown padded Pilot wings and three rows of medal ribbons. To each cuff lace representing the rank of Air Chief Marshal and complete with Queen's crown RAF anodised buttons. The interior pocket with tailors label and ink (faint) name "D.G. Smallwood". ... Complete with overall trousers. Good clean condition. .... Accompanied by an Elizabeth II Air Officer Cap complete with bullion badge. This being an official issue pattern cap. GC (3 items). ACM Sir Denis Graham Smallwood, GBE, KCB, DSO, DFC, FRAeS, FRSA RAF career began in 1938, and after qualifying as a fighter pilot, was held back as a flying instructor joining 87 Squadron in December 1940. He would return to the Squadron as the CO in November 1941. He was awarded the DSO 1944 and the DFC in 1942. Remaining with the RAF in the post war years, he was promoted ACM in 1973 and held the important post of AOC Strike Command until 1975. He retired the following year and died in 1997.
RAF Uniform of AVM Deryck Cameron Stapleton CB., CBE.,DFC.,AFC. The tunic was tailored by Gieves in June 1955 and follows the regulation for service dress. To the left breast Queen's crown padded Pilot wings and three rows of medal ribbons. To each cuff lace representing the rank of Air Vice Marshal and complete with Queen's crown RAF brass buttons. The interior pocket with tailor's label and typed name "D.C. Stapleton". Good clean condition. .... Accompanied by an Elizabeth II Air Officer Cap tailored in Hong Kong. GC (2 items). AVM Deryck Cameron Stapleton CB., CBE.,DFC.,AFC. joined the RAF in 1936 and was awarded the AFC in 1939, He was awarded the DFC for operations with 14 Squadron in Eritrea 1940. Remaining with the RAF in the post war years he was promoted Air Vice Marshal in 1963 and held to post of AOC 1 Group and retired in 1968. He died in 2018 at the age of 100 years.
Royal Marine Light Infantry Other Ranks Full Dress Scarlet Tunic. A good example of the regulation pattern, scarlet cloth with dark blue facings to the collar and slash cuffs. The shoulder straps with embroidered globe and laurel device and complete with Corps brass buttons. The interior with white blanket lining and ink stamps indicating inspected 13th August 1914 and issued to Henry Rawson. Scarlet remains bright and fresh small amount of storage wear. Possibly worn by PLY/16432 who saw action in 1914 at Antwerp and was awarded the 1914 Star.
Victorian / Edwardian Yeomanry Regiment Officer's Tunic. Attributed by the vendor to the Queens Own Dorset Yeomanry. Good scarce Hussar pattern full dress tunic of dark blue melton cloth,with scarlet facings to the collar and cuffs. To each breast six silver bullion gimp cord drop loops with gimp purl buttons, loop and olivettes also with concealed hook and eye fasting. Gimp cord is repeated to the back of the tunic. The interior with quilted silk lining (age wear). The tunic with some age wear, shoulder cords absent and moth damage. Bullion remains good.
German Third Reich Fire Police Dress Bayonet and Frog. Good example with 25 cm plate blade, the forte stampede SOLINGEN. Recurved crossguard and bird beak pommel. Black composite checkered grips. Housed in its blackened steel scabbard with dark brown leather frog. Minor service wear, no movement to blade, leather supple. No cutler's details. Generally VGC
Royal Air Force RAF Officer's Full Dress Parade Busby Helmet circa 1921-39. A rare example, tailored by Moss Bross of the flying helmet-inspired ‘Busby’ headdress. Black chromed leather skull trimmed with black nutria fur. Plaited gold and pale blue cord festoon to front. Black patent leather chinstrap. The interior with leather sweatband and crimson cotton lining. Please note, plume and badge absent. The skull soft to parts. Full dress was introduced in 1920, the busby followed in 1921 however the badge did not obtain official approval until 26th January 1923. Full dress was discontinued at the outbreak of WW2.
Corps of Military Police Pre WW1 NCO's Full Dress Tunic An very good and rare example of dark blue cloth, with scarlet facings to the collar and cuffs, the latter with yellow mohair Austrian knot decoration. Complete with brass general service buttons and to the interior a scarlet blanket lining. Retaining original paper label "Police A'shot" Circa 1913. Evidence of single Corporal chevrons having been worn and now accompanied by a loose single bullion Corporal Chevrons. Overall GC Clean condition small moth traces.
Royal Artillery Victorian Officer’s dress pouch and pouch belt. A good example of dark blue melton cloth, the face edged with gold lace of regimental pattern. To the centre, heavily gold embroidered Royal Arms and crimson velvet cushion scroll UBIQUE within a wreath of oak leaves and acorns; an applied gilt metal gun to the base of the wreath which rests on a padded tri-part crimson velvet cushion scroll inscribed QUO FAS ET GLORIA DUCUNT. Reverse complete with leather lined wallet, gilt floral ends and plain belt loops. Minor restoration to reverse GC ... Accompanied by gold lace belt of regimental pattern, complete with ornate buckle tip and slide. Bullion slightly toned ... Also foul weather cover for the pouch. (3 items)
RAF 1918 Period Bullion Pilot Wings & 1947 Pattern RAF Wings. The 1918 period wings are slightly padded retaining original paper backing and tailors ink written label. Have been worn on a uniform. Age wear. ... Accompanied by a pair of the 1947 pattern RAF bullion pilot wings, these padded with a pin fitting to the reverse. (2 items) The first pair of pilot wings were worn on the RAF 1918 light blue service dress tunic.
Royal Engineers 1913 Other Rank’s Scarlet Dress Tunic An very good and clean example of scarlet cloth, with dark blue velvet facings to the collar and cuffs, each with yellow mohair cord and the latter with Austrian knot decoration. Complete with brass GVR regimental buttons and to the blanket lining original paper label with 1913 date. Scarlet remains bright VGC.
WW2 Royal Engineers Uniforms and Ephemera The WW2 and early post war uniforms of Major Hugh Charles Bouttell of the 666 AW Co. Royal Engineers who saw service with the BEF France 1940 and later Iceland.Comprising: 1941 dated Battledress blouse tailored for an Officer, retaining Major rank crowns, RE titles and arm of service bar, plus South Midland District formation badge. Retaining issue label Size 10 1941 ... Service dress Uniform jacket and trousers ... Sam Browne Belt ... Peaked forage cap, with OSD cap badge ... Private Purchase Beret again with cap badge ... Officer’s side cap ... Shirt and Long Johns. Also included in the lot are medals of the 1939/45 Star, Defence and War Medal mounted as worn Small quantity of badges and buttons. Folder of original documentation. Overall Good Clean Condition. (Quantity) Major Hugh Charles Bouttell served in France with the BEF before being posted as Commanding Officer of the 666th Artisan Works Company RE to Iceland.
Artillery Volunteers Victorian Officer's Sabretache. A very good full dress example, the dark blue Melton cloth face heavily embroidered with silver Royal Arms. Laurel and Oak leaf sprays embroidered above a silvered artillery field piece; below a tri-part padded crimson scroll QUO FAS ET GLORIA DUCUNT. Edged with silver lace of artillery pattern. Complete with black leather pocket and three D rings. Bullion remains bright, few moth nips to lower edge. ... Accompanied by foul weather leather cover. (2 parts)
King's Own Yorkshire Light Infantry Officer's Dress Uniform Tunic. A good and scarce example tailored in green barathea with regimental silvered collar badges and buttons. The left breast with the single medal ribbon of the Africa General Service Medal. The interior lining with tailor's label of Conway Williams of Camberley. Complete with overalls of regimental pattern. Good clean condition Near VGC. (2 items)
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