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Lot 780
Dorothy Marguerit Colles PS 1917-2003- Portrait of a girl seated three-quarter length in a blue top and yellow dress; oil on canvas, signed, 76x50.7cm: together with a five other portrait studies in oils, pastel, pencil and one landscape study in pastel by the same hands, variously signed, (7), (unframed)
Lot 1
Hannah Austin, Half-length oval miniature study of a girl with ringlets in her hair, wearing a white dress with lace edging and jewelled and green sleeves, 10cms x 9cms, (4" x 3½") and another by the same artist of a seated gentleman wearing a blue coat and white stock, (9cms x 7cms), (3½" x 3"), (2).
Lot 1
Pair of 19th Century half-length portrait studies, the lady with a rose in her hair and wearing a white dress, the gentleman with a black jacket and white stock, both oil on canvas, laid on board, unsigned, 72cms x 60cms, (28½" x 24"). Provenance Footnote: Purchased at the sale at Staunton Harrold.
Lot 1183
Two Austrian pottery erotic dishes, each moulded in high relief with a figure of a lady, the underneath with a revealing view of the same lady, impressed marks, late 19th century, 17.5cm and 20cm long and two coloured bisque erotic dishes, each in the form of a lady wearing a crinoline dress entitled 'Where is the mouse?' and 'Where is the friend?', the reverse side with a revealing view of each lady, 13.5cm and 9cm across (4)
Lot 1
Frederick William Elwell (1870 - 1958), portrait of Mrs Rosemary Adams, three quarter length, depicted wearing a red dress, seated at a writing bureau, Bar House, Beverley, signed on board, 29 1/2" x 24 1/2", gilt frame . This painting is reputed to be the last work executed by Fred Elwell at the age of 86 in 1956, it was exhibited at the Royal Academy 1956/7
Lot 110
The Three Graces, after Antonio Canova, unknown factory, circa 1890, upon a fluted oval base, 30cm high; A Figure of a Young Girl, unknown factory, wearing a crinoline dress, on a concave sided circular base, 25.5cm high; and A Figure of a Classical Maiden, R Cook, Numbered 233, holding a ewer, 28cm high (3)
Lot 152
Romeo and Juliet, unknown factory, circa 1885, he wears a feather plumed hat, she a long-skirted dress, in half embrace, 30cm high; A Bathing Nymph, circa 1870, gazing downwards, seated on rocks, 27.5cm high; and A Classical Maiden with a Dove, circa 1890, standing holding a bird drinking from a shell dish, circular base, 30.5cm high (3)
Lot 246
Flower Girl, after Aime Chesneau, for The Ceramic and Crystal Palace Art Union, Copeland, published 1874, the downward gazing beauty wearing diaphanous dress and holding a posy in her left hand, on a rocky base, impressed "Copeland M74, A Chesneau Sc Ceramic and Crystal Palace Art Union", 42.5cm high See illustration A similar figure is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.536, pg.161. This figure is apparently also called French Flower Girl. Aime Chesneau: he exhibited at the Royal Academy and at the British Institution from 1863-1875. He was a specialist in bronze portrait busts, roundels and reliefs. He was born in Paris, and studied under Carrier-Belleuse, and Jules Salmson. See Copeland (Robert) Parian, Copeland's Statuary Porcelain, Antique Collectors Club, p.85, where this work is attributed to Amie Chesneau and goes by the name "First Bath of the Season" statuette.
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