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Lot 352
A group of three rings comprising a 9ct gold dress ring set with five oval garnets, size N; together with 9ct gold ring with an ornate surround claw set with smoky quartz, size S along with a yellow metal ring set with three white stones, size N1/2 with a combined total gross weight approx 9.6gms
Lot 362
A collection of three gold rings, comprising of a 9ct gold boat style ring set with clear stones, size N, a 9ct gold, three stone ring claw set with white stones, size L along with an emerald and diamond dress ring, set in 14ct gold, size Q, with a combined total gross weight approx 6.7 grams
Lot 4068
Jumeau: A Jumeau, size 13, bisque head doll, contained within original old box (as found). The doll has original, blond human hair in a long wig, bisque face with no obvious marks or cracks, pink rosy cheeks, paperweight blue eyes, light feathered brows and lashes, open mouth, with 'Tete Jumeau' red stamp to neck and incised '1907' and '13'. The doll has a heavy, stocky body in very good condition (as seen) with Jumeau stamp to back (as found), and jointed limbs. There is slight wear to fingers and toes, original old underclothes and white dress. It has been redressed in maroon and pink silk dress. The box isn't in a complete condition, but is as found with original sticker to the underside of the lid, 73cm/29" approx.
Lot 4070
Kestner: A pouting bisque head doll, possibly Kestner, closed mouth, brown eyes, accented eyes and nose, bisque face bearing no obvious damage or cracks, kid body, good condition, as found, bisque lower arms, appear good, dressed in turquoise silk, lace dress with train, brown mohair wig, turquoise shoes, on stand, 73cm/29" approx.
Lot 4071
Kestner: A beautiful Kestner bisque head doll, marked to head 'M Made in Germany 16 164', pale bisque, with big brown eyes, head appears to have no damage or cracks, body also appears good with no obvious breaks or cracks, open mouth revealing four front teeth, sleep eyes, blonde long human hair, original old underclothes, cream and brown later silk dress, 79cm/31" approx.
Lot 4072
Kestner: A beautiful Kestner bisque head doll, marked to head 'Made in Germany 153 4 164', heavy eyebrows, big brown sleep eyes, painted lashes, open mouth revealing four front teeth, accented eyes and nose, long, medium brown human hair wig, body in good condition with some wear to tips of fingers, original old underwear, replaced dress in cream silk and lace, new shoes, 71cm/28" approx.
Lot 4080
Schoenau & Hoffmeister: A Schoenau & Hoffmeister bisque head doll, marked to neck 'S * PB H 1906 No.15'. The head is in a generally good condition, no fingers or toes missing, but as found. The doll has large brown eyes and mohair lashes, open mouth revealing four teeth, long blonde human hair wig. Original old underclothes, redressed in a green silk dress, 92cm/36" approx.
Lot 4081
Armand Marseille: An Armand Marseille bisque head doll, deep blue eyes, long brown human hair, body appears in good condition, as found, open mouth to reveal four front teeth, neck incised '390n A. 13 M.', re-dressed in deep gold silk dress, overlayed in lace, wearing a straw hat, 76cm/30" approx.
Lot 4084
Heinrich Handwerck: A beautiful Handwerck bisque head doll, marked to head '7', with a stamp in red to lower back 'Heinrich Handwerck Made in Germany 6 1/2', brown eyes with painted lashes, open mouth with three front teeth, one missing, dimple on chin, re-dressed in blue/grey silk dress, trimmed with silk ribbon, human wig, long light brown hair, 79cm/31" approx.
Lot 4089
Armand Marseille: An Armand Marseille open-mouth, bisque head doll, composite body, wearing a later, vintage cotton dress, marked to the back of the head 'A.M Koppelsdorf Germany 996. A. 7. M.'Condition Report: Right eye doesn't shut properly, slight losses to fingers, head appears undamaged.
Lot 4094
Heubach & Koppelsdorf: A pair of Heubach & Koppelsdorf bisque head dolls comprising: a bisque head doll, open mouth to reveal two top teeth, red dress, eyes open and close, hands as found, stamped to back of neck 'Heubach Koppelsdorf, 320.1 Germany', 17 inches long, together with another bisque head Koppelsdorf doll, eyes open and close, open mouth to reveal top teeth (as found), hands and leg also as found, stamped to neck, 'Heubach Koppelsdorf 250.6', 26 inches long. (2)
Lot 572
A collection of silver costume jewellery to include a silver nurses belt, glass beads, paste butterfly brooch, a silver and blue john, a gilt metal Siamese brooch, silver brooches, a 1903 NCM brooch, two boxed faux pearl necklaces, a variety of paste and enamel brooches and chains and a plastic 1940s style box containing men's dress buttons and cufflinks and a rolled gold cameo brooch and a Victorian green stone gold fronted brooch and Carnelian bracelet (af)
Lot 221
Boxed dolls and puppets: two Barnsbury Puppets, Policeman and Jacko monkey (in box incorrectly marked Angelina); two Pelham Puppets, Jumpette Unicorn and Clown; Palitoy plastic doll, 40 cm tall, blonde hair, sleeping blue eyes, red dress and boots with houndstooth jacket; Palitoy plastic doll, blonde hair, sleeping brown eyes, blue top and tights with brown dress; Lightweight Pelham Puppet Theatre. All boxed, mostly VG. Together with three unboxed plastic dolls, two Rosebud examples (both require restringing), height of largest is 65cm. (9)
Lot 110
A 19th century Portrait Miniature on ivory depicting a gentleman in a light blue coat and white shirt, bust length facing front, oval in brass frame, indistinctly inscribed verso and dated April 1869, 8cm by 6cm, another depicting a military gentleman in wig and battle dress, head and shoulders facing left, circular in brass mounted burr walnut frame, indistinctly signed, 4.5cm diameter (2)
Lot 109
A 19th century Portrait Miniature on ivory depicting a young woman in a white silk dress, bust length facing right, oval in gilt frame, inscribed to paper backing Madam Reco? Monogram H.P., 6.5cm by 5cm and another on paper of a red haired gentleman in a blue overcoat, waist length, 7cm by 5.5cm (2)
Lot 1
REYNOLDS JOSHUA: (1723-1792) English Portrait Painter, the founder and first president of the Royal Academy of Arts. A good D.S., J Reynolds, one page, slim oblong 8vo, n.p., 18th August 1786. The manuscript document, entirely in the hand of the painter, is a receipt for the sum of 'two hundred and sixty one pounds ten shillings' received from Woodcock 'for Pictures done for the late Earl of Tenet, in full of all demands'. Signed by Reynolds at the foot and with a blind embossed revenue stamp to the left of the document. Some very light, minor overall age wear and a few very small, neat tears to the edges of the folds, not affecting the text or signature, about VG Sackville Tufton (1733-1786) 8th Earl of Thanet, Lord Thanet ('Tenet') English Nobleman, the hereditary High Sheriff of Westmorland 1753-86. In their work A History of the Works of Sir Joshua Reynolds P.R.A. (Volume III, published by Henry Graves & Co. Ltd., London, 1899) Algernon Graves and William Vine Cronin record the existence of the present receipt and note that it was probably made by the executors of the Earl of Thanet (who had died in April 1786) and was most likely in payment for the whole length canvas painting of Mary, Countess of Thanet (the daughter of Lord John Sackville, Mary had married Lord Thanet in 1767 and died in September 1778) and that of the Hon. John Tufton (1773-1799, English Cricketer and Politician, son of Lord and Lady Thanet) and their accompanying frames. The painting of Lady Thanet is described by Graves and Cronin as being a profile pose against a landscape background, depicting her wearing a white dress, trimmed with gold, as she looks to her left, leaning her right arm on a pedestal, on which are some flowers, with her left hand holding her robe. Interestingly, Lady Thanet is recorded as having sat twice for Reynolds, in the February of 1770 and again in the same month the following year, some fifteen years before the artist received his payment. The painting was exhibited at the British Institution in 1833. The portrait of the young John Tufton depicts him in a playful full length pose accompanied by a dog who stands on his hind legs and rests his front paws in Tufton's hands. Wearing a simple green tunic and standing barefoot, Tufton looks directly towards the viewer as he poses by a tree. The painting has been described as a 'work of pre-eminent importance in Reynolds' oeuvre' and gives a 'reassuring view of… [Tufton]… in the untroubled contentment of the leisured class, a picture of health and happiness'. John Tufton's portrait is recorded as being the outcome of a single sitting, also some years before the present receipt was signed, on 3rd February 1777. The work was also exhibited at the British Institution in 1833. Reynolds enjoyed a good working relationship with the Thanet family. Indeed, in addition to the portraits of Lady Thanet and her son, the artist had also previously painted two elder brothers (in 1766-67) and Nelly O'Brien, the mistress of Lord Thanet (on two occasions between 1762-64). The executor referred to in the present document may have been the solicitor Edward Woodcock (d.1790) who was based at Lincolns Inn. The National Portrait Gallery hold three mezzotints of Woodcock by the engraver and printer Samuel William Reynolds (1773-1835), after Joshua Reynolds, published in 1838 by Hodgson & Graves. Provenance: The present receipt was formerly part of the inventory of the noted American autograph dealer Robert Batchelder (1927-2007) and is accompanied by his original catalogue description. Manuscript documents signed by Reynolds relating to the sale of his paintings rarely appear at auction; American Book Prices Current record only one other example having been previously sold, in 2005.
Lot 5061
Pelham Puppets - Fairy SL Range, moulded head, blond hair, painted features, blue eyes, small composite hands with closed fingers, metal strip knee joints, string above knee, wearing a white sequined dress, silvered feet, felt wings; another SL 63 Green Faced Wicked Witch - hollow moulded head painted green, with smiling mouth and three teeth, yellow eyes, wool hair, composite five finger hands, metal strip knee joints, string above knees, wearing a black felt pointed hat, red and black cape, black dress, black feet, both yellow boxed
Lot 15
A MODERN 18CT GOLD DIAMOND AND CULTURED PEARL DRESS RING, estimated total modern round brilliant cut weight 0.14ct, colour assessed as G-H, clarity assessed as VS1-2, akoya cultured pearl measuring 7mm in diameter, ring size M 1/2, convention hallmarked 18ct gold, approximate gross weight 3.2 grams
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228098 item(s)/page