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Lot 90
A Rogers & Co (London) 10th Royal Hussars uniform and black and red-lined mess dress jacket. The first jacket with brass XRH buttons, collar badges, shoulder chains and rank stars, 74cm long, together with a pair of trousers with double yellow stripes, the black red-lined mess jacket with silvered badges and rank stars, 53cm long
Lot 329
An 18ct white gold, emerald and diamond dress ring, featuring a centre round emerald flanked on either side by three tapered baguette and two round brilliant cut diamonds, in claw and bar settings, emerald dimensions approx 3.8 x 3.89 x 2.5mm, weight estimated as 0.21 carats, tapered baguette cut diamond dimensions each approx 2.4 x 1.4 x 0.8mm, round brilliant cut diamond diameters each approx 1.5mm, total diamond weight estimated as 0.16 carats, size M, gross weight 3.8g, hallmarked 18ct, Sheffield PH
Lot 341
A yellow metal, emerald and diamond point cluster ring, stamped 18ct; together with an 18ct gold diamond point dress ring; a 9ct gold amethyst and opal five stone ring; and a modern 18ct gold and diamond set flower head cluster ring, gross weight 12.8g (4)Sizes of rings: amethyst/opal P; diamond flower K, emerald centre stone M, art deco design M
Lot 411
A late 19th century French all bisque Mignonette doll, having fixed blue glass eyes with painted brows and mouth, in original blue fabric and lace dress with brown painted ankle boots, 15.5cm, housed in the (probably) original wooden crate with remains of label to the lid.Grubby in places as seen in pictures.Glue residue to head. Right arm is very loose and has a small chip.
Lot 1066
Follower of George Clint RA (1770-1854)Portrait of Mrs Marshall, seated half length, wearing a lace cap furnished with flowers, holding spectacles, in a claret upholstered armchairOil on canvas, 80cm by 65cmIn fully restored condition, very stiffly relined, cleaned and revarnished. Surface is somewhat flattened and paint thin in places as a result of the restoration process. Some light surface dirt and discoloured varnish now in evidence. A good amount of the background looks to have been generally strengthened as has notable areas of the darkest areas and definition within the ladies' black satin dress particularly the area above her right arm and the area in and around her left hand, less consistent strengthening through some of the definition and detailing to the chair left-hand side, fairly minor strengthening to some of the folds and shadowing to the tablecloth, mostly on right-hand side.
Lot 1079
Attributed to Thomas Musgrave Joy (1812-1866)Portrait of Lady Frances Caroline Annesley Webster-Wedderburn (1793-1837), seated half length, a rose in her hair, leaning on a desk with a vase of flowersOil on canvas, 49.5cm (oval)Glazed. Covered in a layer of dirt and discoloured varnish. Dirt and debris under glass. Frame rubbing to edges, most notably to the left hand edge where an area of the canvas (approx. 3cm in length) is now visible. A further small area of rubbing is notable just above this. Stretcher shadow in evidence. Widely spaced stable craquelure throughout, most notable to the darker areas of background. Smaller spaced craquelure in evidence in the blue of the dress at the bottom edge of the picture. Push mark from back to front to the left of the sitters head in her hair with associated cracking. Sporadic areas of overpainting in evidence - most notably to the flesh tones of the sitters face, decolletage, her right arm, left hand, and the area of hair around the pushmark, although not exclusively. These areas are visible with the naked eye. The reverse of the canvas is not visible as a backing board has been put on the frame. Not examined out of the frame.
Lot 1100
English School (18th century)Portrait of a lady, bust length, wearing a brown dress with embroidered pearls and jewelsOil on canvas, oval, 46cm dia. (oval)Provenance: Tennants Auctioneers, Spring Fine Art Sale, 15th March 2021, Lot 718In fully restored condition. Stiffly relined, cleaned and revarnished. The paint is slightly thinned and flattened in places as a result of the restoration process. Covered in a fairly thick layer of dirt and discoloured varnish. Areas of varying sized stable craquelure, mostly to be found within the flesh tones of the skin. Some general strengthening throughout the background to left hand side near the sitters face and approx. 7-8cm at widest point. Further retouches and strengthening to the darker shadows and definition of the curls and strands of her hair and to a greater extent throughout her hair on the right hand side. Further retouching and strengthening to left hand side of her forehead, the outline and shadows to describe her eyebrows, deliniation of her eyes, outline of her right cheek and parts of the cheek in general, outline of lips and an amount of her left hand cheek and temple. Some more delicate and sporadic retouches across flesh tones presumably to replace old flaked paint.
Lot 1114
Follower of Sir Peter Lely (1618-1680) Portrait of a gentleman, three quarter length standing before a fluted colmun, wearing a powdered wig, elaborate attire and a fine lace cravat, said to be John Rowe (1645-1723/2?) Portrait of a lady, three quarter length seated, wearing a turquoise dress with a white chemise and holding red roses Oil on canvas, 114.5cm by 90 cm (2)Gentleman - In fully restored condition, relined, cleaned and revarnished. The surface is somewhat flattened and paint thin in places as a result of the restoration process. General strengthening throughout the background most consistently within the upper left, slightly less so to the upper right with further sporadic retouches in both areas probably of a different date. Minor and sporadic retouches within the gentleman's powdered wig and forehead with a slightly more concentrated irregular band of retouching across bridge of his nose and the vertical area between his left-hand side nostril and top lip. Much of the shadows and definition throughout shadows and drapery has been retouched or overpainted including majority of outstretched right-hand side lower hand and the white fabric immediately positioned behind this. Original canvas slightly adrift of frame upper right-hand corner showing reline. Some minor imperfections to surface aligning with retouches, for example, left-hand side centre edge. Areas of mostly fine stable cracquelure with some residual visible areas of flaking across his hand and central part of his right-hand side cuff extending through the sleeve. Some surface dirt and discoloured varnish.Lady - In fully restored condition, fairly stiffly relined and revarnished, paint is somewhat flattened and thin as result of the restoration process which is more notable than the former painting as is any restoration in general. Some surface dirt and discoloured varnish. The majority of the background left hand side is overpainted with less consistent all be it notable intervention to the background right-hand side. The general outline of her hair piece and definitions / curls have been strengthened, her eyebrows are repainted, outlines and shadows in and around the eyes are strengthened, general outline of the face, outer parts of her cheek and darker shadows on both sides, strengthend or repainted including the chin, the lips etc. The shadow on her chest to denote the ladies cleavage has been strengthened as has a great majority of the shadows, definition, drapery of her attire. Further shadows and detailing of the forearm, wrist, fingers also show signs of notable intervention. Areas of varying sized stable cracquelure, especially to the flesh tones and residual indication of old flaked paint partcialrly within the turquoise drapery below her waist. Slight stretcher shadow etc.
Lot 2407
A Mother-of-Pearl and Split Pearl Dress Stud and Cufflink Suitecomprising of four buttons, two studs and a pair of chain linked cufflinks, each octagonal mother-of-pearl plaque set with a split pearl centrally and in white frames, cased by A.E.Hopper & SonsThe pieces are in good condition. The buttons are stamped '9CT', the cufflinks and dress studs are hallmarked for 9 carat gold with maker's mark 'C&F', Birmingham, 1962. Gross weight 11.0 grams. CR made 22.11.22.
Lot 493
A WW2 British VAD (Voluntary Aid Detachment) nurse's uniform:blue cotton dress with Danco label and nametag of E.J. Boscawen;apron with red cross;3 starched detachable collars;3 pairs of starched cuffs marked Ambulance 8½ x 3;I pair of gathered cuffs with label "Sister Dora" Froom Easifit (and one spare);3 belts (one marked D.H. Evans Oxford St 1/6½d);2 lace collars.(Edith Joan Boscawen 1909-1989)Condition Report: Possibly a size 8
Lot 141a
Victorian three piece mourning dress, with lace trim and jet beading, including velvet coat with satin collar panels and cuffs, the nipped waist with boning and slight flared peplum, heavily embellished beaded high neck collar, and ladies embroidered silk lined purse with gilt handle, mount and clasp
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