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A ruby and diamond dress ring set with three oval rubies and two diamonds to a yellow metal shank marked 9k, together with two rubellite and diamond rings, a pair of spinel earrings, a spinel ring,a pair of rhodolite garnet and diamond earrings, a rhodolite garnet ring, a mozambique garnet & diamond ring, a pair of mozambique garnet earrings and a pair of rhodolite garnet and tanzanite earrings
JOHN PHILLIPS (fl. c.1820-1831) ’Anticipation - Bringing them to the Scratch-Hercules in the Church; or the tithes in danger’ hand coloured etching, published by S.W. Fores, Piccadilly, 1829 Pl. 9 x 13 1/2in (48.1 x 33.6cm) two other satirical cartoons titled ’English Discipline for Meddleings’; Throwing a Light on the Dark deeds of the Pensioners’; and three Baxter Prints of mountaineering interest, one titled ‘ The Ascent of Mont Blanc’; all unframed; six (6) In Phillip’s satirical print Wellington in civilian dress stands between two bloated and mitred Bishops. Taking each by the ear, he forces them to disgorge sovereigns into a big tub, ’receptacle for the poor Curates, repairs of Churches and support of Paupers’.
‡PATRICK PHILLIPS ARWS RP (1907-1976) ’Saturday Morning’- Biddy wearing a grey and white dress and brown jacket, holding a cigarette, signed and dated ‘Phillips 1957’ (lower right) oil on canvas 42 x 31 in (106.7 x 78.7cm) Exhibited: The Royal Academy, London 1958 under the title ‘Brown Study’. Air Commodore Bridget ‘‘Biddy’’ Grundy, nee Martin OBE (1920-1998), was the daughter of Major Charles Hamilton Martin and Katharine Mary, nee Nettlefold. A close friend of the Phillips family. Witty, highly intelligent and resilient this portrait captures Biddy laying aside her professional and public persona and in a more reflective and intimate mood. Biddy had a meteoric career in the WAAF/later WRAF and was the first woman (the Director apart) to acquire Air Commodore Rank.
‡PATRICK PHILLIPS ARWS RP (1907-1976) Portrait of Mrs Michael Creighton in a black Dress, 1947, oil on board 20 1/4 x 16 in (51.6 x 40.6cm) Sold with five other portrait studies by the artist including ‘Girl’s Head’ (exhibited Bradford City Art Gallery); ‘A Portrait of Mrs Kinsey, 1968 (Exhibited at the RP 1969)’; Lady with Glasses (Exhibited RP 1957, having been painted as a demonstration portrait at Newbury); ‘Ursula Brock’; A Portrait of Mr Middleton Todd R.A. smoking a cigarette’; and ‘Miss Enid Moberley Bell in old Age’; seven(7) Miss Moberley Bell was a daughter of Charles F. Moberley Bell, Managing Director of the Times (1890-1911). She was the biographer of Octavia Hill and of Josephine Butler and author of The Life and Letters of CF Moberly Bell. She was Second Mistress of Lady Margaret School and Vice-Chair of the Lyceum Club for female artists and writers. Ursula Brock, daughter of John Paul Cooper and sister of Francis, both silversmiths of repute, and an exceptional craftsman herself, designed and wove silks on a jacquard loom, possibly the last person in the UK to do so. Ursula Brock and her brother Francis were close friends of Patrick Phillips from his student days. Indeed it was under the influence of the Brocks that Patrick and his wife Susannah moved in 1970 from London to the Essex village where she and her family lived. A.R. Middleton Todd studied under Stanhope Forbes at Newlyn, and Henry Tonks at the Slade. Robert Buhler described him as by far the most sensitive and accomplished painter of his generation...modest and unambitious
‡PATRICK PHILLIPS ARWS RP, Portrait of the Rt. Hon Viscount Templewood, Chancellor of Reading University wearing academic robes, signed ‘Phillips’ (lower right) oil on card, inscribed on a label on the reverse 15 x 12 in (38.2 x 30.5cm) Dateable to 1952. A sketch for the finished portrait at the University of Reading. Sold with three unframed oil portrait sketches by the artist, one depicting Viscount Templewood in civilian dress (a posthumous sketch for the portrait commissioned in 1966 by The Royal Air Force College, Cranwell); A Portrait of the artist’s wife wearing a black evening dress (believed to be a sketch for a portrait exhibited at the RA in 1947); and two further sketches depicting female nudes; five (5)
‡PATRICK PHILLIPS ARWS RP (1907-1976) Portrait of Lady Joan Cunninghame, quarter-length, wearing a blue dress with diamond brooch, and a pearl necklace, signed ‘Phillips’ (lower right) oil on canvas 24 x 20 in (60.8 x 50.8cm) In a carved and gilded frame. This portrait was commissioned by the sitter’s husband, Col. Wallace Cunninghame of Caprington Castle, Kilmarnock. The sitter Lady Joan Cunninghame was the second daughter of the seventh Earl Fitzwilliam, and as a child grew up at Wentworth Woodhouse, Yorkshire, During World War II the sitter’s first husband Capt Grismond Philipps was Commander of the Company guarding the Royal Family at Windsor Castle.
STUDIO OF SIR PETER LELY (1618-1680) Portrait of Charlotte Lee (1664-1718) in a rose-coloured dress, seated, a page boy at her side offering a plate of grapes, oil on canvas 50 x 40in (127.1 x 101.6cm) Provenance: Believed to be one from a group of paintings that originally to His Grace The Duke of St. Albans. The stretcher bears a ‘Frost and Reed Ltd’ label, which suggests that they handled the picture in December 1950. That label also bears an ink inscription ‘Wakehurst’ presumably referring to Wakehurst Place, Sussex. Other versions of this subject are known. The prime version is at York City Art Gallery. Charlotte Lee, Countess of Lichfield, formerly Charlotte Fitzroy was the illegitimate daughter of King Charles II. Her mother was Barbara Villiers, 1st Duchess of Cleveland.
A collection of gold jewellery including a 22ct yellow gold wedding band, an 18ct yellow gold wedding band, an 18ct yellow gold five stone diamond ring, two other 9ct gold rings, a yellow metal and purple semi precious stone dress ring, a 9ct yellow gold crucifix, a 9ct yellow gold fancy link necklace, 9ct yellow gold bracelet and one other yellow metal necklace.
A quantity of pictures and prints including an oil painting on canvas of a woodland scene with bluebells, signed bottom left G Williams, an oil painting on canvas of a woodland scene with lake, signed Smith, an 18th century coloured engraving of an elegant young lady seated, holding a shepherds` crook and a basket of fruit, after R Pyle and titled Autumn, an early 20th century signed coloured print of a lady in blue dress in elegant interior setting, signed bottom left L Campbell Tayler, 72 x 61 cm overall in blue and gilt frame, etc
Gold (18ct) ring with a small diamond in illusion setting, gold (18ct) diamond square cluster ring, gold (9ct) wedding ring, yellow metal heart-shape locket on chain and a gold plated dress ring (5) CONDITION REPORT The two gold (18ct) rings weigh approximately 3.4 grams gross. Gold (9ct) wedding ring weighs approximately 4.3 grams
Gold (22ct) wedding ring, two gold (18ct) diamond three-stone rings, gold (18ct) sapphire and diamond ring, two other gold dress rings and a gold bar brooch CONDITION REPORT Gold (22ct) ring weighs approximately 3.2 grams. The three gold (18ct) rings weigh approximately 5 grams gross. The two remaining rings and bar brooch weigh approximately 4.5 grams gross
Vintage Laura Ashley floral day dress, Laura Ashley lined cotton short jacket with leg of mutton sleeves in floral designs, blue floral jacket by Charles Gray, selection of blouses including Anna Gough, Italian silk, etc, skirts include Artigiano, Mondi and Jaeger, very good condition, some new with tags (29)
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