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Lot 1348
Harry Potter and The Philosophers Stone (2001) An original wand box used in the production of the movie starring Daniel Radcliffe, Rupert Grint and Emma Watson. This is the first film of the franchise based on the books of J. K. Rowling. This is one of a number of wand boxes created by the production to dress Ollivanders wand shop. Constructed from cardboard with green cover and metal ring at one end, this non opening box is decorated with a gold and black Ollivanders logo sticker to the top of the box. Approx 14.5 inches long.Provenance: The vendor worked as a Transport driver on numerous films including Harry Potter..
Lot 1346
Harry Potter and The Philosophers Stone (2001) An original wand box used in the production of the movie starring Daniel Radcliffe, Rupert Grint and Emma Watson. This is the first film of the franchise based on the books of J. K. Rowling. This is one of a number of wand boxes created by the production to dress Ollivanders wand shop. Constructed from cardboard with black cover, this non opening box is decorated with an applied number to one end (978) and a gold and black Ollivanders logo sticker to the top of the box. Approx 14.5 inches long.Provenance: The vendor worked as a Transport driver on numerous films including Harry Potter..
Lot 1347
Harry Potter and The Philosophers Stone (2001) An original wand box used in the production of the movie starring Daniel Radcliffe, Rupert Grint and Emma Watson. This is the first film of the franchise based on the books of J. K. Rowling. This is one of a number of wand boxes created by the production to dress Ollivanders wand shop. Constructed from cardboard with brown cover, this non opening box is decorated with an applied number to one end (2913) and a gold and black Ollivanders logo sticker to the top of the box. Approx 14.5 inches long.Provenance: The vendor worked as a Transport driver on numerous films including Harry Potter..
Lot 264
17TH CENTURY ENGLISH SCHOOL Portrait of a lady wearing black head dress, laced trimmed falling collar and holding her left hand to her stomach, oil on canvas, 79 x 59cm; and companion portrait of a gentleman in a similar pose, oil on canvas, 74.5 x 62cm (2) The sitters are believed to depict members of the Clark Kennedy family
Lot 265
17TH CENTURY ENGLISH SCHOOL Portrait of Elizabeth Stuart (1596-1662) wearing a pearl necklace and earring, her dress with lace trimmed collar, inscribed 'Elizabeth, Dr of James I married the King of Bohemia 1613', oil on canvas, 74 x 63cm, in feigned oval Princess Elizabeth Stuart (1596-1662), Queen of Bohemia, was the daughter of James VI & I and his wife, Anne of Denmark. The sister of the beheaded Charles I, she was also the grandmother of Britain's George I (the Hanoverian).
Lot 527
FRENCH GILT BRONZE FIGURAL MANTEL CLOCK19TH CENTURY surmounted by a seated lady in classical dress leaning on a column capital with a lyre at her feet, above the gilt dial with Roman numerals, signed L. S. MALLET HR. DE MGR. LE DUC D'ORLÈANS, above the inscription LE MOMENT OU JE PARLE EST DEJA LOIN DE MOI, with an acanthus cast border and rectangular set feet, striking a bell, in a matched glass domeClock 39cm wide, 47cm high; dome 57.5cm high
Lot 105
Pair of large German porcelain figural three branch table candelabra in the form of flower sellers in 18th Century dress. Blue cross swords mark to bases. 60cm high approx. (2)(B.P. 24% incl. VAT) CONDITION REPORT: Losses in places to flower petals etc. One candle arm appears to be broken or loose.
Lot 46
Early 20th century bisque headed doll with jointed composition body in pink and white striped dress and with brunette hair and blue sleeping eyes, pierced ears, tan lace-up shoes with light brown socks, open mouth with upper teeth, impressed Made in Germany to back of head, 39cm tall, and three children's hardback books including 'Somebody's Darling' 'Hans Andersen's Fairy Tales' and 'A Gallery of Children'..
Lot 555
9th-10th century AD. A silver pendant of a female in floor-length robe holding a shield in her right hand and drawn knife in her left, stylised headdress and long plaited(?) band of hair to the rear; pierced lug to the reverse. See Vang Petersen, P. Valkyrier og Bersærker. Mytologien i Smykkekunsten, in Madsen, P.K. (ed.) Danefæ. Skatte fra den Danske Muld, Copenhagen, 2010; Garde?a, L. ‘Warrior-women’ in Viking Age Scandinavia, A preliminary archaeological study in Analecta Archaeologica Ressoviensia, vol.8, Rzeszów, 2013. 8.12 grams, 41mm (1 1/2"). Property of a Cambridgeshire, UK, gentleman; acquired on the UK art market in the 1980s. This pendant resembles a find from Galgebakke, Denmark, a silver figure holding a short sword and clutching a shield by the boss (Vang Petersen, item 4"). The Galgebakke figure is identified as female on the basis of the elaborate crested hairstyle, and an ankle-length dress with tiny feet beneath. The interpretation usually offered for this figure is that of a skjoldmø or 'shield-maiden', a female who takes up arms in pursuit of vengeance such as the legendary Hervor in Hervarar saga ok Heiðreks. Scholars used to interpret these armed females as valkyries - hand maidens of the god Oðinn - but the idea has been challenged recently (Garde?a, 2013"). Very fine condition. Rare.
Lot 210
4th century AD. A substantial silver ring comprising a D-section hoop with keeled shoulders, discoid cell with beaded wire collar, inset later carnelian cloison with intaglio profile bust of Minerva wearing crested Corinthian helmet, dress pin to the mantled shoulder. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 191 for type. 32.56 grams, 36.19mm overall, 22.46x18.26mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18) (1 1/2"). From the collection of a European gentleman living in South London; acquired 1970-1980. Very fine condition. A large wearable size.
Lot 292
Late 2nd millennium BC. A bronze figure of a deity, seated frontal with joined legs and upright torso, right arm raised in a benediction gesture, left arm bent to hold an object in a fisted hand; wearing a short crown with rounded top with the remains of silver cladding, and a long dress with fringed border and decorated collar; narrow face with light features; peg extending from the rear and below the feet for insertion onto a throne; mounted on a custom-made stand. 1.7 kg total, 21cm including stand (8 1/4"). From an English private collection, 1973-2012; previously in the Hormann collection, Germany, 1946-1973; formerly with Elie Bustros, Beirut. [A video of this item is available to view on TimeLine Auctions website.] Fine condition. Rare.
Lot 532
9th-10th century AD. A complete drum brooch with central lozengiform knop to the domed upper face; the outer sidewall with panels of regularly spaced points, four tongue-shaped dividing panels with tremolier detailing extending beyond the upper rim; the upper face with cruciform bands, the quadrants filled with knots of three-strand bands; a separate baseplate with engraved tremolier frames and radiating arms, four attachment rivets, with a pin and catchplate. See MacGregor, A. et al. A Summary Catalogue of the Continental Archaeological Collections (Roman Iron Age, Migration Period, Early Medieval), Oxford, 1997, item 1.8; Rydh, H. Dosformiga Spännen från Vikingatiden, Stockholm, 1919. 84 grams, 51mm (2"). Property of a 19th century collector; thence by descent. Drum brooches (also called ‘box brooches’, Swedish Dosspännen) were a Scandinavian fashion of the Viking period, beginning in the late 8th century AD and featuring Oseberg style gripping-beast motifs. They remained popular throughout the period into the 11th century AD. They are especially associated with the island of Gotland, the crossroads of trade and traffic in the Baltic where a variety of cultural influences were felt. Occasional examples occur elsewhere in the area of Scandinavian power, plausibly associated with the movement of brides from Gotland to foreign homelands. The earliest (8th century) examples are high-quality multi-part castings with lavish use of gold, parcel-gilding and silver; by the later Viking age they appear in bronze and gilt bronze. The original artistic motifs also evolve into more geometric forms with increased use of knotwork. As a type, they are characterised by their discoid upper face divided into symmetrical quadrants often with openwork detail; cords and faux-ropework to the edges are a consistent feature of the design. Some feature a separate cast upper plate, and on others it is the baseplate which is separate, as on the present example; occasionally the central knop is also a separate casting. It has been suggested that drum brooches were used to hold small valuables, although this seems improbable – these were normally suspended from the girdle or necklace for display. They were most probably used to fasten the triangular shawl or mantle which covered the upper body, in the dress fashion which included the heavy hängerok dress which was worn outside the undershift; the hängerok was often of rich fabric with embroidered borders, and the metal jewellery and glass beads were used to add richness to the costume. It may be this type of brooch (or the tortoise form) which was referred to by the Arab traveller Ibn Fadlan when he mentioned that Rus women wore on their chests drum-shaped brooches of iron, copper, silver or gold, whose decoration indicated the wealth of their husbands. [A video of this item is available to view on TimeLine Auctions website.] Extremely fine condition. Extremely rare.
Lot 510
9th-11th century AD. A bronze dress pin with round-section tapering shank, openwork head with vertical interlaced band below a knot and four lateral beast-heads with three facing male masks to the upper edge. Cf. Thunmark-Nylén, L. Die Wikingerzeit Gotlands II: Typentafeln, Stockholm, 1998, pl.301 (Eke Smiss, SHM 4078"). 125 grams, 29cm (11 1/2"). Property of a professional collector; acquired before 1990. Very fine condition. Professionally cleaned and conserved.
Lot 1742
A late 18th century portrait miniature of oval form - half length study of a pensive lady, with lock of hair to reverse and coat of arms incorporating a pelican feeding its young, inscribed Janet Stewart 1785, 6.5cm max in oval gilt metal frame, a further 19th century portrait miniature of oval form showing a half length study of a lady in a red dress, inscribed verso Counis Poalina Borghese Galleria Uffizi Firenze, 6.5cm max, together with a pair of printed oval miniature portraits on ceramics panels showing Nelson and Napoleon, all framed
Lot 454
Bisque headed doll by Schoenau Hoffmeister, mould 1909- 5 and a half, with jointed composition limbs, sleeping eyes, 23" tall, with period white cotton dress and cape, together with a further porcelain headed baby doll with soft body, marked 'Century Dolls' and 'Kestner', 16" tall, and a small quantity of dolls house furniture, etc
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227115 item(s)/page