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A Staffordshire Pottery Figure "Bloomers", circa 1860], as a lady wearing a broad rimmed feather plumed hat, holding a black bag and yellow umbrella, the base inscribed "Bloomers" in gilt, 24cm high; and [Another "The Blind Fiddler"], wearing tricorn hat, and performing a gig, 21.5cm (2) *Amelia Bloomer (1818-1898) was born in Homer, New York. In 1840 she married Dexter C Bloomer and became the first woman to publish a paper solely for women, entitled “The Lily: A Monthly Journal devoted to Temperance and Literature”. In the May edition 1851 she advised readers that they should adopt the dress of Mrs Elisabeth Smith Millar, the daughter of the famous abolitionist Gerrit Smith. Letters poured into the paper by women asking how to make the dress and bloomerism was born. The invention of bloomers caused a storm across the world in ladies fashions in the early 1850’s, the figures that the potteries produced did not portray her but were inspired by many musicals and waltzes that were produced as “bloomer-mania” spread across the country. There were many productions, including “I Want to be a Bloomer”. See Harding (A&N): Victorian Staffordshire Figures 1835-1875, Schiffer Books, fig 1313.
A Pearlware Figure of a Gleaner, circa 1800], as a bonneted girl holding a scythe and wheat beneath her arm, wearing a floral dress, on a green and brown rustic base, 17.5cm high (chips on bonnet); and [A Figure of a Man and Dog], he stands full length wearing a black broad rimmed hat (restored), blue jacket and mustard breeches, withholding a biscuit from a begging dog at his feet, on a feather scrolled domed base on square flat plinth, 17cm high (2)
Two Similar English Pottery Figures, Staffordshire, circa 1800], one as a young man wearing a black broad rimmed hat holding a fowl over his shoulders, wearing a brown coat, pink waistcoat and mustard breeches, on a feather scroll base with square plinth, and a young girl wearing mob cap and gathering flowers in the upheld hem of her skirt, both bearing labels of "DM&P Manheim, 10 Baker Street, W1", each 13.5cm high; and [A Pearlware Figure of a Young Woman], standing full length wearing a yellow dress and floral petticoat, in soft overglaze enamel colours on a canted square base, 16.5cm high (3)
A Derby Porcelain Figure from the "French Seasons", early 19th century], after the original attributed to Pierre Stephan, standing contra-posto, her hair upswept to a bun and wearing a revealing décolleté dress, holding a stook of corn, on a flower encrusted circular base with gilt line rim, patch marks and incised "4H", 18cm high (restored)
A Pair of Derby Basket Figures, circa 1765], modelled as a lady and gentleman gesturing towards open lidded baskets, he wears a pink jacket with yellow sleeves and floral breeches, a dog at his side, she wears a floral crinoline dress, a snub faced dog at her side, the baskets raised on centrally flower clustered supports from scroll bases, in soft enamel colours enriched with gilt throughout, patch marks, 22cm high (both restored)
A Meissen Figure of a Lady of Fashion with her Dog, circa 1875], she sits on a stool wearing a feather and lace trimmed bonnet, crinoline dress, she holds a mirror in her left hand as a puppy on her knee barks at its own reflection, on a gadrooned circular base, in soft colours and gilt overall, crossed swords mark in underglaze blue, pressnummer "62" and incised "J.50", 14cm high
A Japanese Carved Ivory Figure of a Basket Vendor, Meiji period (1868-1912)], the smiling pedlar holding a vast array of graduated baskets, utensils and drums, some detailed in mother of pearl, suspended from a large section of bamboo slung across his right shoulder, wearing traditional dress and coire sandals, a basket at his feet, on an oval flat plinth, indistinctly signed on a stylised seal mark on an inlaid red kakihan, 30.5cm high
A Group of Four Miniatures, in a Decorative Ormolu Strut Frame], comprising a gentleman, circa 1770, with powdered hair wearing a blue coat and lace jabot, oval, 3.6cm by 2.9cm, the frame set with garnets to the border; a lady circa 1770, a feather in her brown hair, pearl choker, wearing a blue dress with bouquet at her bosom, oval, 4.2cm by 3.5cm; a lady circa 1800, looking to dexter, with powdered curly hair, her white dress with ruffled choker, against a sky background, oval, 4.7cm by 3.5cm; and a lady circa 1830, with curling brown hair, wearing a low cut white dress with blue sash, red drape interior background, oval, 7.6cm by 6.1cm, in a ribbon tied laurel leaf oval strut-back frame, 31cm overall
Miss Carlotta Nowlan: A Portrait Miniature of a Lady], with upswept brown hair, brown eyes, wearing a pearl necklace and lace trimmed dress, signed, 9cm, in a leather case; and [Another Portrait Miniature of an Elderly Gentleman], with blue eyes, wearing a black jacket, signed, oval, 7.5cm, in a folding leather case (2) *This artist appears in Foskett (Daphne): A Dictionary of British Miniature Painters, Volume 1, page 425, where she is described as having “exhibited at the R.A. etc 1885-1911, from The Elms, Cheam, Surrey. The majority of her exhibits were of flowers”.
A Fine Posthumous Portrait Miniature on Enamel by William Essex], of Anna Matilda, wife of Henry Seymour Simes, depicted half height and length in brown bonnet and dress, oval, 5.5cm by 4.5cm, inscribed on the reverse ". born 20 Novr 1812, married 17 April 1841, died 7 April 1845. She being dead yet speaketh. Painted by W Essex, Enamel Painter to Her Majesty & HRH Prince Albert, AD1845", in an engraved gold pendant mount, all within a contemporary gilt brass frame, glazed to the reverse and with lock and key, 12cm by 11cm overall *Ex Greenwood Collection, Tennants Auctioneers, Friday 6 December 1991, lot 331. *William Essex (1784-1869) became enamel painter to Her Majesty in 1839.
A Pair of Miniatures of a Lady and Gentleman, circa 1830], he depicted half length seated in a chair, with curly brown hair and wearing a black jacket and white cravat, she has ringlets, wears a pink puff sleeved dress and holds a rose, seated in a carver, rectangular, 8.7cm by 7cm and 8.7cm by 7.5cm respectively, in ebonised wood frames (female portrait frame with restored vertical split)
English School, circa 1830: A Silhouette Profile Portrait Miniature of Jenefer Jones], wearing a grey dress with matching head piece, oval, 7.6cm; and [English School: Portrait Miniature of a Lady and Gentleman, circa 1830], bust length, she wears a mob cap and blue cloak, he wears a black jack, oval, 6cm (both unfinished), all in black lacquered papier mâché frames (3)
A Silhouette of a Lady, circa 1830], half length in profile to dexter, her hair in a bun and ringlets, wearing a dress with puffed sleeves and muff chain, with gold/bronze highlights, oval, 8.3c, by 6.7cm; and [Another Similar, dated 1832], indistinctly initialled "SM (?) 1832", oval, 8.2cm by 7cm, both in papier mâché frames (2)
A Pair of Silhouettes of a Boy and Girl by Mr Seville, circa 1830], one depicting Margaret Maria Hart (married Jas Fairbrother), half length in profile, she looks to dexter, wearing a muslin dress, picked out in gold/bronze, and George Vaughan Hart (died 30 June 1871), head and shoulders looking to sinister, details in gold/bronze, both inscribed in ink on the verso, and one with label "Cut with common scissors by Mr Seville", oval, edges cut, maximum 9cm by 6.5cm, in decorative gilt metal strut-back frames with ribbon bow crestings; and [Another], head and shoulders profile silhouette of "E Bacon Frank, May 21 1833, aged 3 years 8 months", in a period ebonised wood frame (3)
English School (19th century) "First Communication with the Natives of Prince Regent's Bay, as Drawn by John Sackheouse and Presented to Capt. Ross, Augt. 10th 1818"] Published in February 2nd 1819 by John Murray, Albemarle Street, London, a coloured aquatinted engraving, 27cm by 42cm (10 3/4in by 16 1/2in), unframed; together with a large quantity of etchings, engravings and other prints relating to naval and maritime subjects including: [" A First Rate Man of War, Taken from the Dockyard, Plymouth"] Drawn, etched and published by Robert Dighton, January 1809 also the name "Admiral Young" in ink on the margin, hand coloured etching, 27cm by 20cm (10 3/4in by 8in) (pl), unframed; ["Breaking Cover", Hunting Scene with Huntsmen and Hounds; "The Marquis of Anglesey Wounded Whilst Heading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18th 1815"; A Large Series of Various Military Figures Wearing Period 17th Century Costume, Giving an Explanation on How to Load a Musket, How to Perfo m with a Pike and Other Weaponry; Various Other Naval Subjects Showing Various Naval Dress and Costume; "View of the Memorable Victory of the Nile, Gained in August 1798 over the French by the British Fleet in Aboukir Bay"; "Representation of a Scene at a County Naval Free School, on Waste Land", taken from a drawing by S.H. Grimm; "Moscow by Francesco Bartolozzi W. Byrne, after J. Webber "The Death of Captain Cook"] Extensively inscribed and published 1st January 1784 at 312 Oxford Street and 79 Titchfield Street, London; other naval and military engravings, various sizes, unframed (a collection)
Sebastian Jacques Le Clerc (1734-1785) "A Lady", a Lady Standing Full Length, Wearing an Elaborately Decorated Dress and Hat Decorated with Jewellery] Inscribed with the artist's name and his dates together with the title on an exhibition label verso, also extensively inscribed with further exhibition details and the figures of 750 Francs and #120, pencil, pen, ink and watercolour, (sepia study), 23cm by 16.5cm (9in by 6 1/2in) *Provenance. With Folio Fine Art Ltd, 6 Stratford Place, London W1, stock no. D6717/3
William Moore (1790-1851) Portrait of Alicia Marcia Greame, Seated, Head and Shoulders, Wearing a Blue Dress, Lace Accessories and Bonnet with Gold Earrings, a Chain and a Cameo Brooch] Inscribed with the artist's name on a later label verso, together with some biographical details and his dates, oil on canvas, 76.5cm by 63.5cm (30in by 25in) *Contained within its original elaborately decorated Victorian gilt plaster frame with foliate scrolls and acanthus leaves
Frederick C. Mulock (1888-1932) Portrait of Wyn Mulock, Head and Shoulders, Wearing a Red Beret and Said to have been Painted after She and the Artist had Attended a Fancy Dress Party as Rembrandt and Titus] Signed with the artist's initials and dated "1929", also inscribed "Winifred Mulock as Titus", oil on canvas, 61cm by 50.5cm (24in by 20in)
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228188 item(s)/page