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JOHN LEWIS (ENGLISH SCHOOL, FL.1736-1776) Portrait of a Lady in a Blue Silk Dress Oil on canvas, painted oval, 75 x 63cm Signed and dated 1774 Scant information is available about Lewis before he was engaged as a scene painter at Smock Alley Theatre in Dublin. At that time the theatre was run by Jonathan Swift’s godson the playwright, Thomas Sheridan (1719-1788). Sheridan is credited with gentrifying the neighbourhood around the theatre and returning the title of ‘Theatre Royal’ to Smock Alley. Lewis lives on in Irish theatrical history as the first scene-painter to be permanently engaged on the staff of a Dublin playhouse, a role that lasted from 1750 until 1757. He seems to have aligned himself with Sheridan and when the Director retired in 1754, Lewis too ceased his involvement with the theatre only to return later when Sheridan resumed the management. Strickland noted that Lewis painted a beautiful ‘act-drop’ for Smock Alley at a time when London theatres had nothing but the usual green curtain. He also painted three or four sets of scenes including one for “The Emperor of the Moon” in 1757, the final year of his involvement with the theatre. Throughout his time in Dublin he devoted much of his spare time to painting portraits, including one of Sheridan himself and the actress Peg Woffington, which is now in the permanent collection of the National Gallery of Ireland. On a visit to Quilca House, near Mullagh in Co. Cavan, Sheridan’s family home, he decorated the parlour with painted clouds on the ceiling and portraits of Sheridan, Swift, Shakespeare and Milton along with allegorical figures on the east wall. The house fell into decay a short time later and all but one of the decorations were lost.
TWO GOLD CHAINS AND FIVE FURTHER ITEMS (7)Comprising; a 9ct gold neck chain with a sprung hook shaped clasp, weight 5.6 gms, a two colour gold dress Albert chain fitted with a gold swivel and a gold bolt ring, weight 8.6 gms, a Garrard 9ct gold cased gentleman's wrist watch, gross weight of case 7.5 gms, a 9ct gold and colourless gem set solitaire ring, a gold back and front heart shaped pendant locket, one Bohemian garnet earring and a silver rectangular match box slide.
A PAIR OF WHITE GOLD, DIAMOND AND REVERSE PAINTED INTAGLIO CRYSTAL DRESS CUFFLINKSEach circular front with a reverse painted intaglio crystal designed as a chestnut coloured horses head in a surround of circular cut diamonds, the backs with folding fittings, detailed 0.16 750, gross weight 15.2gms.
AN ITALIAN CARVED MARBLE FIGURE OF A SEATED YOUNG GIRLEarly 20th CenturyModelled washing her feet, seated on a tasselled towel, 86cm high Condition report: Worn overall with general weathering, having been exposed to the elements for a period. The figure and base have been cleaned at some point. Noticeable loss to the edge of the collar of the dress along the front right and various other smaller losses in areas with rough, worn edges. General loss of detail, with small nicks and holes in areas, small fissures. Further discolouration in areas and various marks.The figure stands on a waisted plinth.
A Parian ware figure, depicting a lady in a large dress with fruiting vines in her hair, 38.5cm high, together with another similar example, depicting a semi-clad lady, 37.5cm high (2)Condition report: Losses to fruiting vines and chips to the base. The other example with surfaces marks to the reverse.
Louis Icart (French, 1888-1950), after, 'L'Occident', bronze, modelled as a young woman wearing a dress, with impressed signature and title to the base, with Editions Paris foundry mark, 33cm highCondition report: With some surface based white stains to the base (appears to clean off easily).
Eight pink and clear paste dress clips, brooches and buckle, a Czechoslovakian fob brooch, lozenge shaped belt buckle set with twelve square cut paste, 80x30mm, pair of triangular dress clips, 75mm, 35mm circular brooch, 85mm belt buckle with pair of lozenge shaped pink paste, faceted glass arrow head 45mm, 40cm chain.pendant
Two albums of the Boat Race Cambridge and Oxford Universities rowing crews carte de visite, cabinet and photographic cards, each album containing images of the crews on the water and in official dress and individual images of rowers, the first album for Oxford with approximately 59 cards mounted in photo-corner mounts, dating from 1866 to 1937 with three Oxford University oars, flags and arms cards containing Card de visite and Cabinet: 1866, 1867, 1869 x 2, 1870 x 3, 1871 x 3, 1874, 1876, 1884, 1892. Postcards, used & unused. 1905, 1906 x 2, 1907 x 3, 1908, 1909, 1910, 1911, 1912, 1914, 1920 x 2., 1921 x 3, 1922 x 3., 1923 x 2., 1924 x 4., 1925 x 2., 1926., 1928., 1929 x 2., 1931., 1932., 1933., 1934., 1935., 1936., 1937 and a publicity postcard for Topolski’s ‘Boat Race’ 1985, sent to David Parnwell (Parnie) at The Dragon School. The second album of Cambridge with approximately 55 cards mounted in photo-corner mounts, dating from 1869 to 1939, containing Carte de visite & Cabinet: c1869 x 2., 1870, 1871, 1873, 1874, 1878, 1880, 1881, 1892 Postcards used & unused. 1904 x 2, 1905., 1906 x 2, 1907 x 4, 1908 x 4, 1909 x 2, 1910, 1911, 1912 x 2, 1914, 1920., 1921 x 4., 1922, 1923 x 3., 1924 x 4., 1925 x 2., 1926., 1927., 1928., 1929., 1930., 1931., 1932., 1933., 1934., 1935., 1936., 1937. Together with two undated photographs circa 1920, crew practising on the Cam., & a fine one in London, with three following steam launches (‘Eva’ putting up much steam, another unidentified but an unusual Des Vignes launch), (2)The first Boat race between the two universities was competed on 10th June 1829 and from 1856 it has been an annual race. To date the record wins is in Cambridge's favour of 85 to 80 victories.
10th-12th century AD. A gold dress pin with braided filigree sleeve to the upper shank, filigree openwork piriform body with cell to the chest and inset garnet cabochon, tubular neck and spherical head with applied beaded wire eyes and loop to the beak. 3.07 grams, 80mm (3"). Formerly from a late Japanese gentleman's collection, 1970-2010. Fine condition.
17th century AD. A substantial wooden icon with mounting bar to the reverse; gilt panel with two nimbate saints; left, seated St Demetrios in stylised classical armour holding a slender spear in his right hand, supporting a sheathed sword in his left hand and a strung bow on his elbow, square shield slung over his shoulder, seated on a couch with his booted feet resting on the back and tail of a reptilian dragon, bilinear nimbus around his head and his name in red lettering; right, standing St. Nestor in military dress and mantle knotted at the left shoulder, spear in the right hand and sheathed sword in his left, heater shield slung over his left shoulder, nimbate and with his name above his shield. See Onasch, K. & Schneper, A., Ikonen: Faszination und Wirklichkeit, Lucerne, 2001, p.201 for another more stylised interpretation of these two saints. 5 kg, 60 x 50cm (23 3/4 x 19 3/4"). Property of a London lady, part of her family's collection; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10832-178369. Fine condition.
Celtic, a bronze Dress Fastener, 1st cent. AD, boss and petal type with projecting iron shank and circular leg. 36mm long by 18 mm wide; together with a Celtic bronze globular terminal decorated with a triangular-shaped groove {2]. Both with green patinas £50-£70 --- Provenance: Found in Norfolk
Two antique continental porcelain figurines with marks to the base together with two Japanese Imari plates, an Imari bowl and a pair of Doulton Slaters vasesCondition report: One Doulton vase with possible restoration to the neck; the continental figurines one missing a musical instrument with restoration to both arms and a chip to the dress, the other in good condition with minor wear to gilding; one imari plate with a chip to the rim
A collection of jewellery, comprising a diamond set heart pendant, 9ct white gold mounted, on a fine curb-link chain stamped '375', two gilt metal locket pendants, an enamel bird brooch, a silver curb-link chain with T-bar suspension, two wristwatches, assorted dress rings and further items, first pendant length 1.4cm (qty)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
A pair of yellow metal cufflinks stamped '18' together with an 18 carat gold dress stud, further dress stud stamped '18', a pearl topped tie pin with yellow metal shaft together with five further dress studs, the pair of cufflinks and two collar studs stamped '18' with a combined weight of 14.8 gramsCondition report: The cufflinks with minor marks but generally good condition, similarly the dress studs and the tie pin
A collection of jewellery and costume items, to include assorted white metal mounted dress rings, a pair of white metal and white stone ear hoops, and various brooches, pendants, wristwatches, coinage etc, contained in wooden case (qty)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
A 9 carat gold and citrine set dress ring; a 19 carat gold and three stone amethyst ring and a heat treated amber pendant with a chainCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
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228098 item(s)/page