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A collection of costume jewellery to include strings of grey and white pearls that appear to slot together, the clasp stamped 14 K on the white pearls along with a hinged silver bangle with a Birmingham hallmark, an amethyst ring and earrings stamped 925, amethyst beads, two dress rings, one stamped silver with a large oval aquamarine and another marked silver and set with 4 pearls plus 2 semiprecious stone necklaces with stamped silver clasps (qty, 1 bag)
A long tambour net wedding veil C1930 with scalloped edge, embroidered with swiss dots and floral sprigs along with the blush pink silk shoes (sz 5 aprox) and stockings that were worn on the wedding day and the accompanying wax flower headdress which is currently in a number of pieces. Included is a pink silk 1920s dress that is in very poor condition a rayon full length slip, marked, and a pair of brown leather gloves (qty)
1930s- 60s fashion to include a 1930s rayon knit jumper, a 1940s blue linen skirt, a 40s/50s embroidered swiss cotton blouse, a 1960s brown lace dress, two pairs of 1960s ski pants, an original pair of 1950s jeans, side buttoning wool jodhpurs, a knife pleat silk skirt, a french navy cotton workwear shirt, a plaid wool skirt and a 1950s sleeveless t-shirt the linen skirt is in excellent condition, the wool skirt is in very good condition, the white blouse is in excellent condition, the lace dress is very good. sleeveless top has bobbling and shows wear but is generally good, grey ski pants are good, blue have holes, pulls and wear, workwear shirt is good, jeans have fade and show some wear but they are good and strong, the jodhpurs are good and strong but with some brown marks as can be seen in the photo. The knit has some fade over the shoulders, there are some pulls/ runs/ small holes. silk skirt has shot elastic at the waist
An antique 1920s early set of complete 1920s Shoulder head doll in composition , 16” with additional rare character additional 4 heads, which attach he’d to the body and are interchangeable inc North American Indian with plaits braids and cap, baby smile, rough baby and an Asian head , with some additional garments.( original Black and white shot was in the original Christies Catalogue in the late 1980s). The principal doll has its original pale rose frilled dress and bonnet and blonde applied wig. This set is rarely found complete. ( doll and heads and some textile garments marked Pat April 12/21)
Christine Adams Tiny Tots Vintage cloth doll the first doll she ever to made ; Rosemary 1980 Series A. (One of a large number of lots from the late estate of Christine Adams with some rare pieces of whole dolls and parts and please see all listings created in groups) c 15” tall on series A body type with a mid brown hair wig and has some freckles. She has her sprig print dress and shoes and socks number 111 from the 200 produced in that head styleChristine Adams was an artist and Member of the British doll Artists BDA 1977-1985 and hand made cloth dolls with a mask faced construction, all painted on various constructions of bodies and body types. Christine graduated from the bath school of art and admired Kathe Kruse dolls of an earlier period. The doll has been stored away and is in the condition as shown
Antique Kammer & Reinhardt German cellulose hard head flirty eye 728 articulated bent limb baby character doll in spot baby frock and a 14”Koenig wernicke Turtle mark 14” standing toddler in antique clothing dress bonnet and layers and a further painted solid dome unglazed bisque shoulder head with stuffed core and china lower limbs with mohair wig and layers of clothing including petticoat and over apron etc (3)
1910s fashion to include two 1920s tunic blouses in beaded silk mousseline, a 1910s pinafore style dress in brown with with silk trim and a raw silk jacket with integral waistcoat in paisley silk, late 10s/early 20s. (4) jacket has some holes on one shoulder and nibbles around the neck, there is some colour transfer pinafore is generally strong but the silk trim has shatter and there is some discolouration to the wool tunics are both strong, The tunics have green on them which appears to be a reaction of sorts to the beading but it is very bright and rather attractive. Some minor bead lose and one has some small holes in the underpart of the bodice. Both are generally strong.
A vintage, unmarked automata musical porcelain doll with fully functional mechanical movements which bring her arm up to her face which then leans in to smell her floral arrangement. The key is also fully functional which then winds to play 'Edelweiss'. In good vintage condition, her little shoes are missing their embellishment and there is some marking to reverse of her dress. Please view photographs for further guidance. (1)
A collection of vintage theatrical dress costumes in a fairy style - used in a production of 'Iolanthe' consisting of flower fairy dresses, glittery fairies, an Iolanthe cloak and a flower fairy queen. All in good condition with wear commensurate with age and use. (qty 42 items in two boxes)
Deans Rag book antique dolls to include the 1920s mask face( some paint damage) 12” skater ( golden velvet version) and a 20” Hard head painted face child doll with auburn original wig, a later 1950s pedigree rayon dress-the face and body show some wear but the rubber coated arms surface have perished revealing the cloth arms below -see photos for condition. (2)
Christine Adams Tiny tots Vintage cloth prototype doll the first doll she ever to made ; Elizabeth c 1985 Series S slightly older looking child wide hipped doll with applied ears (One of a large number of lots from the late estate of Christine Adams with some rare pieces of whole dolls and parts and please see all listings created in groups) c 15” tall on series s body type with a short light fair brown hair wig and liberty dress and socks and boots which are dusty She is signed and on her back. Christine Adams was an artist and Member of the British doll Artists BDA 1977-1985 and hand made cloth dolls with a mask faced construction, all painted on various constructions of bodies and body types. Christine graduated from the bath school of art and admired Kathe Kruse dolls of an earlier period. The doll has been stored away and is in the condition as shown.
4 vintage evening dresses to include a 1970s/80s frank usher in teal, 1 1980s evening gown in velvet and taffeta by Charade, a 1970s does 50s Jean Allen dress in royal blue with taffeta skirt and ruched chiffon bodice and a 1980s ballgown with pewter taffeta skirt and printed velvet bodice by Yvette (4)
* Antique 1295 Simon and Halbig for Franz Schmidt and Co c 1923 bisque head doll.c14” tall with character bent limb body. Open closed mouth with teeth , Original eyes and lashes , original pate and replaced hair wig , body antique original , all good fingers on rotational hands , with body and limbs old small scratches with age, and old garments baby layette dress( some age perish) layers and bonnet. ( doll with clothing)
Steiff Teddy bear Vintage Blonde 1996 Austrian 32cm Bonde dressed in a dirndl dress and white tag ref 659850 made in 1996, in original box with shipper. (1) Part of a collection of Fine Bears being sold by Battersea Dogs and Cats home Charity , Nine Elms London for their fundraising department as part of a Kind bequest.
An early 1950s evening gown in a very pale lilac cutwork voile with lilac lining and matching bolero, a 1930s evening gown in a blue moire taffeta with deco seaming and low back and a 1940s faille evening gown with a red tropical flower print, side zipper and waist tie (3) voile dress marked/ yellowed and needs cleaning and the boning has come through under the arms, All show general wear as one would expect
A Victorian cape in silk faille with ribbon trim, a Victorian salon apron, a late 1910s dress in black silk with chiffon sleeves and beading, a black rabbit fur muff, a zardozi clutch, an early 20th c beaded purse and 60s beaded purse along with fabrics and three stoles, one mink and two musquash made up with heads intact, plus others. (qty) cape is strong but dirty, dress has seam separation around the armholes but is generally pretty good, some staining to the ivory silk, bead loss to bead bag. All show some wear commensurate with age.
A beaded 1920s flapper dress and a 1920s beaded blouse, most likely originally part of a dress (2) dress is 38 inch/107 cm chest. generally good condition overall, some repairs to the outer tulle. there are a couple of breaks in the tulle along the hem where the beads (still on tulle) need stitching back to the main part of the dress. The blouse has a faint stain at the bottom (front). There are a couple of small holes near the underarm, which look worse on the mannequin as the fabric is pulled slightly on the mannequin bust There is another small hole at the other armhole next to the top snap and at the bottom the chiffon has separated from the seam. There is some stitching on the bust which is to secure a line of beading.
A collection of antique and vintage men's theatrical costumes to include two antique frock coats with integral waistcoats, one having TW&W gilt buttons and one featuring a Chas H Fox costumier label, alongside an antique style dress coat and 65 velour, felt and cotton waistcoats in a large wicker basket. (one basket and one bag)
3 vintage maxi dresses to include a 1960s lurex dress by Quad, an early 1960s column dress with empire bust in a mocha charmeuse effect satin with embroidered border, and a 1970s chevron stripe hostess gown with bishop sleeves and wide belt by Berkertex Mayfair (3) All in good, clean and wearable condition
Edwardian and later accessories and other items to include Edwardian boots stamped "square toe boot makers Elliot & Son", 1920s/ 30s lizard and leather t bar Mary Janes (s/d), a pair of deadstock 1920s brogue toe Mary Janes a 1920s batik style silk velvet shawl (a/f), a cloche hat, women's leggings or gaiters in grey wool with mother of pearl buttons, an Edwardian, silk lined marabou stole, a ostrich feather boa in brown and peach with added dress clip clasp, deadstock pairs of stockings, various hand-fans, a selection of mainly early 20th century hat-pins, a Craven 'A' tin full of various aged buttons plus others (qty, one box) Please see individual photos for condition details as these are your best descriptor. The shawl is weak and has repairs. The marabou stole is in good condition with a strong and clean lining
Deans Ragbook doll ; 40” Antique large Skater cloth doll with mask face ( gold velvet version) with skaters fur trimmed attire , fur hand muff, bonnet and shoes and a flared dress, mark good face and blonde mohair . The Largest of this Lovely deans series made in England , Excellent facial artistry with true colours all remaining (1)
Mixed era vintage fashion to include a 1930s chiffon jacket (a/f), a black crepe evening dress, an embellished black dress in the ethnic style c1960s, a black velvet dress with white organdie collar and cuffs by Nettie Vogues and a blue velvet cocktail dress with ruching (s/d), a 1930s black leather and bone handbag (6) The white collar and cuffs on the NV dress are grubby, blue dress has a split in the velvet on the back of the skirt and some tiny holes above the waist, all show wear commensurate with age, cjiffon has holes and repairs, poor condition
A 1930s summer dress in a ditsy print rayon, a 1940s paisley rayon shirt waist dress, a 1940s polka dot tea dress in rayon crepe, a 1940s rayon shirtwaist dress in taupe with a novelty print by Marie Moore and a 1950s rayon viscose dressing gown or robe (belt shown not included) (5) marie moore dress is in good condition paisely dress has wear to underarms and added dart to back ditsy print has patches at the underarms and some small holes polka dot dress has some patched repairs robe has some fray at edges and a faint mark on skirt
A boxed gents dress set in white metal with mother of pearl, enamel and marcasite from Hall & Anderson Calcutta, early 20th century, made up of cufflinks, four buttons and a pair of shirt studs along with boxed gold metal and mother of pearl cufflinks and a vintage Seiko kinetic Indicator watch in stainless steel. 5M22-6B6O (3)
A 1940s day dress with short sleeves and feature pockets, a 1940s box hard cased top handle handbag, a home made crochet bag on wooden loop handles, two 1940s hats, a 1940s leather belt, a 1903 Huntley & Palmer metal biscuit tin in the style of a snakeskin handbag with handle, and others (qty)
A BLUE AND WHITE ‘OFFICIAL SCENE’ JAR AND COVER, CHINA, 19th CENTURY 十九世紀青花人物場景將軍罐 Please note this Lot is to be sold at No Reserve. 本拍品不設底價The baluster body supported on a short foot and rising to a gently tapered neck, surmounted by a domed cover with a broad rim and topped by a bud finial. Finely painted in shades of cobalt blue with a continuous scene of figures in a formal setting surrounded by a walled garden, an official seated at a table flanked by two attendants before an audience of kneeling and standing civil servants, framed by swirling clouds and surrounded by rocks and trees. The base with an underglaze-blue double-circle. Provenance: The Maurice Fry Collection, Illinois, USA. Maurice Fry (1931-2019) was an American entrepreneur and businessman. He discovered Asian art during his time in the US Army, when he served in the Korean War. In 1956, Maurice found his life partner in Elizabeth C. Fry (1934-2022), and together they embarked on a decades-long and captivating journey of collecting. Condition: Good condition with minor wear and firing irregularities. The top of the finial with a tiny loss, probably inherent to the manufacture. The rim with a minor hairline. The foot with minor chips, nicks, and hairlines.Weight: 4,798 gDimensions: Height 43 cm The neck is encircled by ribboned auspicious objects and a flaming pearl. The cover is similarly painted with a monk seated on a rock by a cliff, watching smoke rise from a flaming vessel, encircled by a band of sawtooth to the rim. During the Qing dynasty, the depiction of official scenes on Chinese porcelain, as seen in the current lot, served multiple purposes. Primarily, it conveyed the imperial authority of the ruling dynasty. These scenes were to present an image of benevolent governance and reinforcing the perception of a harmonious empire under Qing rule, governed by just and impartial laws. Particularly during the Kangxi period, the portrayal of official scenes legitimized the Manchu-led dynasty and its connection to China's rich cultural heritage. Porcelain wares adorned with such depictions were utilized in diplomatic exchanges to assert the Qing court's power and communicate political messages. Moreover, these scenes served as educational tools and historical records, ensuring the preservation of important events and notable figures from Qing history for the benefit of future generations. Eventually, there was a major revival of these wares in the 19th century, owned in parts to the dwindling power of the Qing empire. The present lot is a fine example from this period.Expert’s note: Judging by the imagery of the formal dress shown on the figures, the present scene depicts a hearing administered over by a third-rank civil servant. These officials would have presided over issues involving nobility, as well as institution-sanctioned events. It is possible also that they would have presided over military affairs, as there appears to be a general standing to the right of the primary scene.Auction result comparison: Type: Closely related Auction: Sotheby’s London, 22 February 2022, lot 24 Price: GBP 25.200 or approx. EUR 29,000 converted at the time of writing Description: A blue & white 'landscape' baluster jar and domed cover Qing dynasty, 19th centuryExpert remark: Compare the closely related form and style painting, typical for the 19th century. Note the similar size (42 cm).
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227115 item(s)/page